Songs like Tercer Movimiento: Después by Javi Peña
Based on a tempo of (+/- 10%) and a similar genre
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Open Blue Sky
Beethoven Symphony No. 7 Reimagined
142 bpm • G Maj • 01:55 • -19.18db
38% Popularity • 23% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
38% Popularity • 23% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Edwards Stephen
Bach Prelude in C
142 bpm • C Maj • 02:03 • -24.63db
40% Popularity • 36% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 31% Positiveness
40% Popularity • 36% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 31% Positiveness
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Javi Peña
Tercer Movimiento: Después
142 bpm • C# min • 01:22 • -17.41db
29% Popularity • 48% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 47% Positiveness
29% Popularity • 48% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 47% Positiveness
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Pagolo Firavanti
Quiet Resource
142 bpm • D min • 03:29 • -38.19db
46% Popularity • 33% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
46% Popularity • 33% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Ahzuras
Darkness Is Not the Opposite of Light
143 bpm • D min • 02:19 • -27.59db
48% Popularity • 32% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
48% Popularity • 32% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
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Christian Petzold
Petzold: Bach's Menuet in G Minor, BWV A...
141 bpm • G min • 01:35 • -15.24db
43% Popularity • 31% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
43% Popularity • 31% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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Lo Mimieux
La Fille Sans Larmes
143 bpm • C Maj • 02:35 • -20.54db
52% Popularity • 39% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
52% Popularity • 39% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Dominique Charpentier
Berceuse d'été
143 bpm • G min • 02:23 • -20.53db
39% Popularity • 44% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
39% Popularity • 44% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Castello de Rossi
Soffia la Notte
141 bpm • E min • 02:38 • -20.09db
47% Popularity • 38% Danceability • 14% Energy • 16% Liveness
94% Instrumentalness • 12% Positiveness
47% Popularity • 38% Danceability • 14% Energy • 16% Liveness
94% Instrumentalness • 12% Positiveness
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Alessandro Costantini
Preludio N. 7
141 bpm • C min • 03:32 • -27.35db
22% Popularity • 31% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
22% Popularity • 31% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Rodnell Hairston
The Heart Asks Pleasure First
141 bpm • A min • 03:06 • -21.15db
42% Popularity • 27% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
42% Popularity • 27% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
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Josh Kramer
Enouement
141 bpm • A Maj • 02:14 • -25.11db
40% Popularity • 33% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
40% Popularity • 33% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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Javi Peña
Segundo Movimiento: Ahora
143 bpm • E Maj • 01:40 • -17.13db
29% Popularity • 42% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 19% Positiveness
29% Popularity • 42% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 19% Positiveness
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Jaime Córdoba
Quiet Night
141 bpm • G Maj • 02:18 • -17.78db
38% Popularity • 48% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
38% Popularity • 48% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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David & Götz
Sonata No. 11 in a Major, K. 331: III. R...
140 bpm • A Maj • 02:43 • -14.82db
27% Popularity • 57% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 91% Positiveness
27% Popularity • 57% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 91% Positiveness
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George Nascimento
Piano Sonata No.23 'Appassionata'
140 bpm • C# Maj • 05:53 • -25db
18% Popularity • 36% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
18% Popularity • 36% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Marc-Andre Pepin
Air d'autrefois (Spirit of Yesteryear)
144 bpm • A# Maj • 02:39 • -25.38db
16% Popularity • 37% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 67% Positiveness
16% Popularity • 37% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 67% Positiveness
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Michael Forster
Dreaming
144 bpm • F Maj • 02:46 • -26.74db
21% Popularity • 22% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
21% Popularity • 22% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Synthy Lights
Angels Wings
140 bpm • G min • 03:16 • -18.07db
16% Popularity • 36% Danceability • 17% Energy • 17% Liveness
96% Instrumentalness • 15% Positiveness
16% Popularity • 36% Danceability • 17% Energy • 17% Liveness
96% Instrumentalness • 15% Positiveness
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Wide Eyed
Arc - Solo Piano Version
140 bpm • G Maj • 03:03 • -24.7db
24% Popularity • 31% Danceability • 12% Energy • 17% Liveness
89% Instrumentalness • 17% Positiveness
24% Popularity • 31% Danceability • 12% Energy • 17% Liveness
89% Instrumentalness • 17% Positiveness
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Antonino Conti
Matilda
140 bpm • F Maj • 02:24 • -30.22db
39% Popularity • 24% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
39% Popularity • 24% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Stephan Berg
Northern light
140 bpm • D min • 02:38 • -21.52db
23% Popularity • 67% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
23% Popularity • 67% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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Dominique Marais
Le Saut
139 bpm • B min • 03:10 • -20db
34% Popularity • 36% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
34% Popularity • 36% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Danis
Morning
139 bpm • G min • 01:46 • -22.37db
29% Popularity • 41% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 22% Positiveness
29% Popularity • 41% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 22% Positiveness
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Luca Morelli
Freedom
139 bpm • B min • 05:21 • -20.36db
18% Popularity • 18% Danceability • 11% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 11% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Zemfira Mironova
Lelyah
139 bpm • E Maj • 02:31 • -23.86db
26% Popularity • 42% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
26% Popularity • 42% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
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Oscar Lynn
Bluebird
146 bpm • A# Maj • 03:26 • -32.86db
47% Popularity • 18% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
47% Popularity • 18% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Javier Lobe
Piano Stories: I. A New Beginning
138 bpm • F# min • 02:50 • -15.6db
34% Popularity • 31% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
34% Popularity • 31% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Piano Novel
Lumino Forest - Solo Piano Version
146 bpm • G# Maj • 03:05 • -24.21db
29% Popularity • 27% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Gerard Nicholas
Ballet of the Little Cafe
138 bpm • C Maj • 02:25 • -29.26db
43% Popularity • 21% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
43% Popularity • 21% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Quinn MacKenzie
Turning Back
138 bpm • G# Maj • 02:12 • -27.17db
7% Popularity • 45% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 37% Positiveness
7% Popularity • 45% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 37% Positiveness
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Luca Morelli
The First Autumn Leaf
146 bpm • G min • 06:34 • -25.89db
28% Popularity • 22% Danceability • 8% Energy • 20% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 8% Energy • 20% Liveness
88% Instrumentalness • 4% Positiveness
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John Deigen
Opportunity Knocks
146 bpm • B min • 02:29 • -28.86db
32% Popularity • 38% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
32% Popularity • 38% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Benny Garner
Prelude in C
137 bpm • C# Maj • 02:19 • -30.86db
54% Popularity • 16% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 29% Positiveness
54% Popularity • 16% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 29% Positiveness
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GUIDO
Attesa
137 bpm • C Maj • 04:48 • -21.63db
28% Popularity • 27% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
28% Popularity • 27% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Carol Comune
Kinderszenen, Op. 15: 12. Kind im Einsch...
137 bpm • E min • 02:08 • -21.93db
14% Popularity • 45% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
14% Popularity • 45% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
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Wide Eyed
Arc
137 bpm • G Maj • 03:08 • -24.19db
26% Popularity • 27% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
26% Popularity • 27% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Maurizio Lucchetti
See the Stars
137 bpm • E min • 02:50 • -22.69db
31% Popularity • 36% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 20% Positiveness
31% Popularity • 36% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 20% Positiveness
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Piano Novel
Planet Unknown - Solo Piano Version
147 bpm • A# min • 02:49 • -22.04db
31% Popularity • 35% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 35% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Goldbæk
Dream Variations
137 bpm • B Maj • 03:04 • -15.14db
25% Popularity • 35% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
25% Popularity • 35% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Elliot Ziegler
Guarda
136 bpm • A# min • 01:38 • -23.17db
40% Popularity • 33% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 31% Positiveness
40% Popularity • 33% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 31% Positiveness
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Marlowe Carruth
Facing the Storm (Piano Solo Version)
148 bpm • E min • 03:10 • -18.24db
29% Popularity • 31% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
29% Popularity • 31% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Oscar Lynn
All My Joy, All My Pain
136 bpm • G# Maj • 03:00 • -32.27db
46% Popularity • 29% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
46% Popularity • 29% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Synthy Lights
Mythical Journey (Theme From The Short P...
148 bpm • A min • 02:22 • -15.85db
21% Popularity • 53% Danceability • 19% Energy • 14% Liveness
44% Instrumentalness • 27% Positiveness
21% Popularity • 53% Danceability • 19% Energy • 14% Liveness
44% Instrumentalness • 27% Positiveness
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Piano Novel
Mirror Symmetry - Solo Piano Version
136 bpm • F# min • 02:03 • -21.12db
33% Popularity • 42% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
33% Popularity • 42% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
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On Piano
Dreams
136 bpm • F min • 02:16 • -17.56db
13% Popularity • 48% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
13% Popularity • 48% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
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Javi Lobe
Déjà Vu
136 bpm • G min • 02:44 • -27.91db
18% Popularity • 40% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
18% Popularity • 40% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Luca Morelli
Fireflies
136 bpm • A Maj • 03:08 • -23.5db
34% Popularity • 40% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 40% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Javi Peña
Mangata
149 bpm • B min • 02:07 • -13.9db
30% Popularity • 32% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 25% Positiveness
30% Popularity • 32% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 25% Positiveness
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Samer Fanek
Some Days Are Cloudy
136 bpm • B min • 02:41 • -18.78db
35% Popularity • 29% Danceability • 24% Energy • 8% Liveness
94% Instrumentalness • 23% Positiveness
35% Popularity • 29% Danceability • 24% Energy • 8% Liveness
94% Instrumentalness • 23% Positiveness
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Florian Christl
Leidenschaft - Solo Piano Version
135 bpm • G min • 01:24 • -15.86db
43% Popularity • 48% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
43% Popularity • 48% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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André Varó
Fragmento No. 4
149 bpm • C Maj • 02:15 • -21.65db
21% Popularity • 22% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
21% Popularity • 22% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Javi Lobe
Piano Stories: VII. The Journey
149 bpm • F Maj • 02:53 • -18.51db
10% Popularity • 16% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 13% Positiveness
10% Popularity • 16% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 13% Positiveness
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Juan MarÃa Solare
The Antarctic Also Exists
149 bpm • B min • 02:00 • -20.67db
16% Popularity • 29% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
16% Popularity • 29% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Javi Peña
Primer Movimiento: Antes
136 bpm • F# min • 02:09 • -16.5db
27% Popularity • 41% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
27% Popularity • 41% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Alexis Ffrench
Music Box
135 bpm • F Maj • 04:28 • -20.19db
39% Popularity • 50% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
39% Popularity • 50% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Eusebi Steady
Play My Game
135 bpm • E min • 03:28 • -6.04db
5% Popularity • 84% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
5% Popularity • 84% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Dave Lewis
You're Always Beautiful
135 bpm • C Maj • 02:52 • -22.78db
34% Popularity • 30% Danceability • 9% Energy • 18% Liveness
91% Instrumentalness • 6% Positiveness
34% Popularity • 30% Danceability • 9% Energy • 18% Liveness
91% Instrumentalness • 6% Positiveness
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Franz Gordon
Le Papillon Solitaire
135 bpm • A min • 03:07 • -18.15db
37% Popularity • 43% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 29% Positiveness
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Elsa Muñiz
Isabel
135 bpm • A min • 02:51 • -20.99db
17% Popularity • 34% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 27% Positiveness
17% Popularity • 34% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 27% Positiveness
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Sonja Lexis
Zounat no.1
135 bpm • C# Maj • 02:09 • -26.99db
20% Popularity • 30% Danceability • 0% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
20% Popularity • 30% Danceability • 0% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
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De Maynes
Sehnsucht
150 bpm • E min • 02:39 • -27.36db
32% Popularity • 48% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
32% Popularity • 48% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Jacob Terris
We Move Lightly
150 bpm • F min • 03:00 • -25.36db
44% Popularity • 26% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
44% Popularity • 26% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
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Rumbadura
Penya 24 i Jo
150 bpm • D Maj • 04:31 • -11.12db
0% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Christopher Dicker
Solitaire
134 bpm • D min • 01:54 • -22.99db
40% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
40% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Bart Sunshine
La Ruta de la Esperanza
133 bpm • A min • 02:14 • -17.51db
34% Popularity • 22% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
34% Popularity • 22% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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Dalal
Einaudi: Melodia africana I
134 bpm • F Maj • 02:37 • -31.35db
33% Popularity • 39% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
33% Popularity • 39% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Olivia Belli
Beside The Spring
151 bpm • F Maj • 02:57 • -27.26db
36% Popularity • 38% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 38% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Piotr Wiese
Walking in the Fog
133 bpm • G min • 04:52 • -19db
20% Popularity • 48% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 28% Positiveness
20% Popularity • 48% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 28% Positiveness
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Jacob LaVallee
In This Way
132 bpm • E min • 03:09 • -17.81db
41% Popularity • 44% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
41% Popularity • 44% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Diana Monserati
A Dream
132 bpm • G Maj • 02:10 • -18.02db
23% Popularity • 71% Danceability • 13% Energy • 13% Liveness
76% Instrumentalness • 10% Positiveness
23% Popularity • 71% Danceability • 13% Energy • 13% Liveness
76% Instrumentalness • 10% Positiveness
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Alexis Ffrench
Moments
132 bpm • G# Maj • 03:33 • -27.34db
46% Popularity • 45% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
46% Popularity • 45% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Arabelle
Twilight
132 bpm • D# min • 02:31 • -26.04db
33% Popularity • 38% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
33% Popularity • 38% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Lucas Vendrai
Pas de deux
131 bpm • C# min • 02:18 • -17.37db
41% Popularity • 55% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
41% Popularity • 55% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Maurice Sawin
Circus
154 bpm • F Maj • 01:31 • -15.81db
20% Popularity • 53% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 62% Positiveness
20% Popularity • 53% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 62% Positiveness
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Francine Gaétane
Le Mistral
130 bpm • G# Maj • 02:41 • -19.42db
31% Popularity • 49% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
31% Popularity • 49% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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De Maynes
Midnight Musette
130 bpm • A Maj • 03:17 • -25.18db
42% Popularity • 55% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 29% Positiveness
42% Popularity • 55% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 29% Positiveness
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Matteo Carcassi
Vals
130 bpm • E Maj • 01:00 • -17.89db
22% Popularity • 73% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
22% Popularity • 73% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
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Léon Branche
After The Silence
130 bpm • C min • 02:23 • -23.12db
36% Popularity • 34% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
36% Popularity • 34% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Peter Cavallo
Via Dolorosa
130 bpm • G min • 03:13 • -13.07db
31% Popularity • 24% Danceability • 21% Energy • 9% Liveness
71% Instrumentalness • 10% Positiveness
31% Popularity • 24% Danceability • 21% Energy • 9% Liveness
71% Instrumentalness • 10% Positiveness
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Igor Longhi
The Flow
130 bpm • A min • 03:54 • -13.35db
35% Popularity • 55% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
35% Popularity • 55% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 25% Positiveness
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Marcel Kaestner
Warte nicht
130 bpm • G# min • 01:38 • -25db
32% Popularity • 43% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
32% Popularity • 43% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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André Varó
Fragmento No. 10
130 bpm • C Maj • 03:06 • -21.8db
25% Popularity • 31% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
25% Popularity • 31% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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Christina Higham
Summer Dreaming
129 bpm • D# Maj • 03:00 • -20.03db
15% Popularity • 36% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
15% Popularity • 36% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
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Teodor Wolgers
lament
130 bpm • C# min • 03:03 • -27db
30% Popularity • 32% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
30% Popularity • 32% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Mack Winter
Wind
129 bpm • C min • 04:57 • -34.02db
46% Popularity • 28% Danceability • 4% Energy • 18% Liveness
92% Instrumentalness • 15% Positiveness
46% Popularity • 28% Danceability • 4% Energy • 18% Liveness
92% Instrumentalness • 15% Positiveness
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LIBSTOK
For Linda
156 bpm • D Maj • 02:59 • -18.23db
34% Popularity • 45% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
34% Popularity • 45% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
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Billy-Joe
Reminisce
156 bpm • C Maj • 03:34 • -16.74db
34% Popularity • 44% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 43% Positiveness
34% Popularity • 44% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 43% Positiveness
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Emiliano Blangero
Memories
129 bpm • D# Maj • 04:27 • -21.08db
35% Popularity • 52% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
35% Popularity • 52% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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S.A. Karl
Castor
129 bpm • A# Maj • 02:48 • -21db
41% Popularity • 41% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 70% Positiveness
41% Popularity • 41% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 70% Positiveness
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Benita Calrado
Mozart: Piano Concerto No. 21 - Andante
129 bpm • A# Maj • 02:22 • -24db
42% Popularity • 41% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
42% Popularity • 41% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Fenton Sykes
Summer Nights
128 bpm • D min • 01:47 • -34.05db
49% Popularity • 37% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
49% Popularity • 37% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
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Piotr Chelique
Canon in D Major, P. 37
129 bpm • D Maj • 03:08 • -19.45db
23% Popularity • 52% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
23% Popularity • 52% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Maryna Aksenov
Valse Sentimentale
128 bpm • D min • 01:34 • -25.96db
37% Popularity • 40% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 36% Positiveness
37% Popularity • 40% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 36% Positiveness
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Aashi
If Melancholy Were Music
128 bpm • F# min • 02:48 • -34.26db
47% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Gerard Nicholas
Beautiful Quiet
128 bpm • A min • 03:03 • -28.52db
42% Popularity • 54% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
42% Popularity • 54% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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On Piano
Winter's Waltz
127 bpm • F min • 03:00 • -24db
39% Popularity • 41% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
39% Popularity • 41% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Bart Sunshine
Left Behind
158 bpm • G# Maj • 01:51 • -16.9db
38% Popularity • 20% Danceability • 9% Energy • 16% Liveness
97% Instrumentalness • 14% Positiveness
38% Popularity • 20% Danceability • 9% Energy • 16% Liveness
97% Instrumentalness • 14% Positiveness
