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Terrassa
Songs like
Terrassa
by
Will Moore
Based on a tempo of (+/- 10%) and a similar genre
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The Bare Bones
The Afterglow
120 bpm • G Maj • 02:47 • -14db
23% Popularity • 86% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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David and the Bear
Colores de Esperanza
120 bpm • A min • 02:44 • -13db
32% Popularity • 86% Danceability • 32% Energy • 10% Liveness
85% Instrumentalness • 39% Positiveness
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Michelle Qureshi
Love Called My Name
120 bpm • G Maj • 02:51 • -23db
12% Popularity • 68% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Will Moore
Sakura
120 bpm • B min • 03:07 • -15.77db
24% Popularity • 83% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
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August Flendahl
It Takes Endurance
120 bpm • D# min • 02:10 • -14db
40% Popularity • 84% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 47% Positiveness
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Stephen Wake
Soothing Skies
120 bpm • D# Maj • 02:15 • -12.52db
25% Popularity • 52% Danceability • 31% Energy • 11% Liveness
76% Instrumentalness • 28% Positiveness
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Max Jeschek
Magie de la vie
120 bpm • A min • 03:03 • -17.52db
14% Popularity • 70% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Whalebone
Follow the River
120 bpm • G Maj • 02:18 • -17db
39% Popularity • 67% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 52% Positiveness
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Manuel Galán
11:11 am
120 bpm • E min • 02:31 • -16.95db
24% Popularity • 44% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
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Will Moore
Walking in Paris
120 bpm • D Maj • 02:28 • -12.03db
27% Popularity • 68% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
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August Flendahl
A Life Worth Remembering
120 bpm • B min • 02:53 • -14db
32% Popularity • 77% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
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Matteo Palmer
If Only
120 bpm • C Maj • 04:34 • -13db
17% Popularity • 50% Danceability • 25% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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Michelle Qureshi
When We Looked Away
120 bpm • E Maj • 02:25 • -22.87db
15% Popularity • 69% Danceability • 7% Energy • 10% Liveness
27% Instrumentalness • 31% Positiveness
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Nik Davies
Wonderland
120 bpm • F# min • 02:34 • -13db
22% Popularity • 45% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Tato Isaac
Can You Feel The Love Tonight
120 bpm • A# Maj • 03:26 • -12.85db
22% Popularity • 69% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Will Moore
Nothing Compares 2 U - Acoustic Guitar I...
120 bpm • A# Maj • 02:26 • -15.46db
5% Popularity • 71% Danceability • 16% Energy • 12% Liveness
67% Instrumentalness • 26% Positiveness
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David Albornoz
Encuentros
120 bpm • B min • 02:45 • -17.66db
27% Popularity • 64% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Pablo Briceño
Tangoletto
120 bpm • C Maj • 02:20 • -18.38db
27% Popularity • 65% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Paul Turner
Lavender
120 bpm • E min • 01:20 • -21.22db
31% Popularity • 57% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
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Al McCain
Moods
120 bpm • D Maj • 01:24 • -19.44db
27% Popularity • 82% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 34% Positiveness
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Juan MartÃnez Pérez
Cubes Over The Moon
119 bpm • E Maj • 02:32 • -25.9db
25% Popularity • 47% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
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Will Moore
New Horizons
120 bpm • F# min • 02:28 • -23.08db
9% Popularity • 81% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Mark Kroos
Cedar Top
121 bpm • D Maj • 04:31 • -13.08db
14% Popularity • 48% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Kent Paters
Peacefulness
121 bpm • A min • 03:12 • -16.4db
25% Popularity • 75% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 9% Positiveness
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Randal L Meek
Waves of Makena
121 bpm • D# Maj • 03:26 • -10db
26% Popularity • 53% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Casper Esmann
Dún Aonghusa
121 bpm • B Maj • 04:05 • -14db
15% Popularity • 43% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 24% Positiveness
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The Bare Bones
Inward Migrations
121 bpm • C Maj • 02:40 • -15db
32% Popularity • 70% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Will Moore
Terrassa
120 bpm • G Maj • 03:09 • -15.18db
26% Popularity • 58% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Alan Shoesmith
This Day Is Yours
119 bpm • D Maj • 02:30 • -18.31db
26% Popularity • 59% Danceability • 10% Energy • 14% Liveness
89% Instrumentalness • 13% Positiveness
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Realizer
Abalone
119 bpm • A Maj • 01:57 • -17db
28% Popularity • 62% Danceability • 26% Energy • 11% Liveness
77% Instrumentalness • 18% Positiveness
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Randal L Meek
My Mary of the Curling Hair
119 bpm • A# Maj • 01:47 • -17db
23% Popularity • 34% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 52% Positiveness
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Lunng Fern
Seen from Here
122 bpm • G# min • 02:03 • -18.42db
32% Popularity • 59% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Collin Hill
Unfading
118 bpm • F min • 03:05 • -17.52db
23% Popularity • 39% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 39% Positiveness
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Muniesa
Chip Chip
122 bpm • A Maj • 02:19 • -22.46db
31% Popularity • 51% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 33% Positiveness
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A.B. Chediski
Leaves Of Grass
118 bpm • C Maj • 02:20 • -14.07db
21% Popularity • 66% Danceability • 19% Energy • 12% Liveness
84% Instrumentalness • 30% Positiveness
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Nik Davies
The River's Past
118 bpm • E min • 02:13 • -13.13db
10% Popularity • 58% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Ken Smith
Shimmer Wave
122 bpm • B min • 03:54 • -10.07db
13% Popularity • 60% Danceability • 64% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Juri van Saal
Valse de printemps
118 bpm • E Maj • 02:27 • -12.22db
21% Popularity • 87% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Chris Embers
Sweet Dreams
122 bpm • G Maj • 01:47 • -16.75db
23% Popularity • 69% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 70% Positiveness
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Will Moore
Bye Baby Bunting
122 bpm • D Maj • 02:26 • -20.23db
2% Popularity • 61% Danceability • 13% Energy • 11% Liveness
53% Instrumentalness • 4% Positiveness
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A.B. Chediski
Bicycle Day
118 bpm • G Maj • 02:41 • -13.52db
29% Popularity • 47% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Roberto Dalla Vecchia
Whispering Grove
118 bpm • A Maj • 03:37 • -20.69db
28% Popularity • 44% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 37% Positiveness
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Stephen Wake
Open Fields
122 bpm • G Maj • 02:05 • -11.16db
34% Popularity • 63% Danceability • 29% Energy • 10% Liveness
60% Instrumentalness • 24% Positiveness
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Whalebone
Almost Green
122 bpm • C Maj • 03:08 • -14.63db
14% Popularity • 64% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 64% Positiveness
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Robert Dahlström
Soothing Waves
122 bpm • F Maj • 02:27 • -17.55db
21% Popularity • 59% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 15% Positiveness
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Mark Grundhoefer
Hummingbird
117 bpm • C Maj • 02:58 • -15.9db
25% Popularity • 39% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 58% Positiveness
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Muniesa
Smiling You
117 bpm • A Maj • 02:56 • -22.26db
32% Popularity • 54% Danceability • 8% Energy • 12% Liveness
58% Instrumentalness • 12% Positiveness
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Charlie Laffer
Genoa
117 bpm • C# min • 02:02 • -18.8db
29% Popularity • 60% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Stephen Wake
Celtic Air: Mairi Bhan Og
117 bpm • D min • 02:51 • -13.25db
17% Popularity • 40% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Between the Dots
Mountain Sunrise
123 bpm • E min • 01:45 • -15.62db
25% Popularity • 40% Danceability • 20% Energy • 33% Liveness
96% Instrumentalness • 3% Positiveness
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Will Moore
Glen Meadow
117 bpm • D min • 02:39 • -11.05db
24% Popularity • 61% Danceability • 21% Energy • 14% Liveness
54% Instrumentalness • 30% Positiveness
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Juan MartÃnez Pérez
Cubes On Vines
123 bpm • E Maj • 02:17 • -19.26db
30% Popularity • 54% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Nik Davies
The Fledgling
123 bpm • A Maj • 01:58 • -16.48db
19% Popularity • 36% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Muniesa
Not so Far
117 bpm • A# Maj • 02:28 • -21.43db
30% Popularity • 59% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Mike Howe
Appalachia
116 bpm • B Maj • 02:46 • -20.95db
25% Popularity • 36% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Nylon & Cedar
Setting Sail
116 bpm • B Maj • 02:28 • -21.25db
34% Popularity • 61% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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The Bare Bones
Stillness
124 bpm • F Maj • 02:10 • -12.36db
28% Popularity • 92% Danceability • 12% Energy • 11% Liveness
74% Instrumentalness • 23% Positiveness
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Hugh Blake
The World Evolves With You
116 bpm • G Maj • 02:44 • -20.13db
25% Popularity • 87% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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A.B. Chediski
Seafoam
116 bpm • F Maj • 02:27 • -12.96db
22% Popularity • 66% Danceability • 17% Energy • 10% Liveness
71% Instrumentalness • 10% Positiveness
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RayRay Cheng
Moonlight Serenade
115 bpm • D# Maj • 03:33 • -19.97db
17% Popularity • 55% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Ken Smith
Valletta
115 bpm • A min • 03:55 • -17db
17% Popularity • 45% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 30% Positiveness
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Emilio Bonito
You’re Not Alone
115 bpm • D Maj • 02:22 • -12db
37% Popularity • 42% Danceability • 36% Energy • 16% Liveness
49% Instrumentalness • 44% Positiveness
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Anthony Visby
Again & Again
116 bpm • A Maj • 01:49 • -18db
13% Popularity • 55% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Jürgen Saalmann
Wiegenlied
115 bpm • G Maj • 02:22 • -22db
28% Popularity • 55% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Pierluigi Colangelo
Larsen Tema - Guitar Solo
115 bpm • D Maj • 01:24 • -15db
24% Popularity • 89% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Between the Dots
Daily Routine
125 bpm • D Maj • 01:04 • -14db
27% Popularity • 43% Danceability • 19% Energy • 28% Liveness
69% Instrumentalness • 44% Positiveness
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Will Moore
Polaroid
115 bpm • A Maj • 02:25 • -19.5db
10% Popularity • 56% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Derek Brookshire
Prayer for Oliver
125 bpm • G Maj • 04:53 • -14.11db
12% Popularity • 43% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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Chris Embers
Invitation
126 bpm • D min • 02:38 • -19.1db
32% Popularity • 39% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 41% Positiveness
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Eagle Lake
Honduq Bay
126 bpm • F# Maj • 01:42 • -16db
20% Popularity • 78% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Maisy Anderson
Amanda
114 bpm • D Maj • 01:52 • -17.71db
18% Popularity • 75% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
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A.B. Chediski
Hermickr
114 bpm • G Maj • 02:37 • -18.35db
21% Popularity • 62% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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Realizer
Spring Again
114 bpm • G Maj • 02:22 • -14.6db
20% Popularity • 53% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Juri van Saal
The Sublime
126 bpm • C Maj • 03:41 • -12.68db
12% Popularity • 64% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Larry Pattis
Homeland Suite
114 bpm • D Maj • 04:44 • -17db
22% Popularity • 42% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
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Ken Smith
Jill's Song
126 bpm • D Maj • 03:36 • -12db
14% Popularity • 60% Danceability • 34% Energy • 12% Liveness
69% Instrumentalness • 16% Positiveness
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Barry Mcloughlin
Ascend
126 bpm • E min • 02:20 • -17db
25% Popularity • 52% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 61% Positiveness
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Robert Dahlström
Reliance
126 bpm • E Maj • 02:07 • -15db
27% Popularity • 61% Danceability • 16% Energy • 11% Liveness
88% Instrumentalness • 25% Positiveness
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Paul Turner
Starlight
114 bpm • E min • 01:14 • -19.86db
35% Popularity • 59% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 49% Positiveness
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Isabella Mariscal
Remember When
126 bpm • D Maj • 02:13 • -17db
9% Popularity • 60% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Michelle Qureshi
Skipping Stones
126 bpm • C# Maj • 03:24 • -20.84db
24% Popularity • 54% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
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Ken Smith
Travellers Hope
126 bpm • A Maj • 02:57 • -13db
8% Popularity • 74% Danceability • 29% Energy • 12% Liveness
91% Instrumentalness • 48% Positiveness
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Wolfgang Vrecun
Winter Solstice
126 bpm • D Maj • 02:49 • -12.69db
22% Popularity • 52% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
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A.B. Chediski
Salter
114 bpm • A Maj • 02:39 • -9.9db
20% Popularity • 55% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Trevor Gordon Hall
The Presence of Absence
114 bpm • B min • 04:29 • -21.14db
20% Popularity • 44% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Yanis Bernard
Sirène
127 bpm • E Maj • 02:48 • -16.52db
18% Popularity • 67% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Roberto Dalla Vecchia
The Pace of Nature
127 bpm • D Maj • 03:02 • -15.62db
18% Popularity • 44% Danceability • 33% Energy • 20% Liveness
95% Instrumentalness • 18% Positiveness
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Realizer
Lucid
127 bpm • A Maj • 02:54 • -15.68db
25% Popularity • 56% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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Lester Paredes
Pequeño Jean
127 bpm • E Maj • 03:19 • -20.76db
20% Popularity • 41% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Emilio Bonito
Tenderly
113 bpm • G# min • 03:14 • -11.85db
32% Popularity • 48% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Jürgen Saalmann
Fade Away
113 bpm • G Maj • 04:02 • -21.2db
17% Popularity • 55% Danceability • 1% Energy • 7% Liveness
76% Instrumentalness • 54% Positiveness
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Nylon & Cedar
hear the rain
127 bpm • G Maj • 02:35 • -18.82db
31% Popularity • 71% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 61% Positiveness
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Czarina Frost
Airborne
128 bpm • F# Maj • 01:44 • -15.47db
39% Popularity • 67% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 47% Positiveness
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Chris Embers
Love Only
128 bpm • C Maj • 02:36 • -16.15db
20% Popularity • 60% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Realizer
New Leaves
113 bpm • A Maj • 01:59 • -15.56db
19% Popularity • 60% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Dylan Ryche
Life
113 bpm • D Maj • 02:07 • -17db
16% Popularity • 60% Danceability • 16% Energy • 12% Liveness
39% Instrumentalness • 26% Positiveness
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Alan Shoesmith
Pastel Phase
128 bpm • E Maj • 02:27 • -14.54db
35% Popularity • 79% Danceability • 17% Energy • 16% Liveness
94% Instrumentalness • 32% Positiveness
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Aurélien Trigo
Like a Lullaby
128 bpm • D Maj • 02:39 • -12.75db
24% Popularity • 64% Danceability • 18% Energy • 13% Liveness
78% Instrumentalness • 40% Positiveness
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Donovan Raitt
Bella's Song
128 bpm • G# Maj • 04:28 • -16.68db
21% Popularity • 46% Danceability • 48% Energy • 13% Liveness
92% Instrumentalness • 31% Positiveness
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Will Moore
Three Blind Mice
128 bpm • F Maj • 01:54 • -21.8db
10% Popularity • 68% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Terrassa