Songs like Terry's Theme - From "Limelight" by Roger Woodward
Based on a tempo of (+/- 10%) and a similar genre
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Diane Hidy & Keith Snell
Le Courant Limpide (the Limpid Stream)
136 bpm • D Maj • 01:05 • -28.62db
18% Popularity • 29% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
18% Popularity • 29% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Roger Woodward
Terry's Theme
136 bpm • F Maj • 04:10 • -26.5db
2% Popularity • 48% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 27% Positiveness
2% Popularity • 48% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 27% Positiveness
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Stephan Beneking
Du côte de chez Swann
136 bpm • C min • 03:02 • -23.5db
31% Popularity • 57% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 58% Positiveness
31% Popularity • 57% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 58% Positiveness
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![Liebeslied (Widmung) [Arr. Franz Liszt] cover art](https://i.scdn.co/image/ab67616d00001e025ed0fbe0129ede86b9987bd7)
Robert Schumann
Liebeslied (Widmung) [Arr. Franz Liszt]
136 bpm • G# Maj • 03:33 • -23.51db
21% Popularity • 31% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
21% Popularity • 31% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Carlos Marquez
Nocturne-Valse in C Minor No. 2
137 bpm • C min • 02:51 • -19.71db
18% Popularity • 39% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 19% Positiveness
18% Popularity • 39% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 19% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 12: No. 3, Watchman's ...
136 bpm • E Maj • 02:47 • -34.53db
9% Popularity • 47% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
9% Popularity • 47% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Pieces, Op. 19: IV. Nocturne (Andante ...
135 bpm • C# min • 04:09 • -28.06db
11% Popularity • 41% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
11% Popularity • 41% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Roger Woodward
Jessica's Theme
137 bpm • D Maj • 03:21 • -28.51db
18% Popularity • 38% Danceability • 1% Energy • 29% Liveness
91% Instrumentalness • 28% Positiveness
18% Popularity • 38% Danceability • 1% Energy • 29% Liveness
91% Instrumentalness • 28% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch III: 2...
135 bpm • C Maj • 01:02 • -42.63db
0% Popularity • 30% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 26% Positiveness
0% Popularity • 30% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 26% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Peter Sculthorpe
Two Easy Pieces: 2. Left Bank Waltz
135 bpm • C Maj • 01:48 • -30.71db
14% Popularity • 30% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 45% Positiveness
14% Popularity • 30% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 45% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 30: 6. Allegretto...
135 bpm • F# min • 03:01 • -30.12db
25% Popularity • 30% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
25% Popularity • 30% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Adelaide Symphony Orchestra
Mother Goose (Suite), M. 60: I. Pavane o...
138 bpm • A min • 01:43 • -26.3db
21% Popularity • 18% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
21% Popularity • 18% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Piano Sonata No.20 in G Major, Op. 49 No...
137 bpm • G Maj • 03:00 • -28.27db
40% Popularity • 29% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 43% Positiveness
40% Popularity • 29% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 43% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch I: 12
137 bpm • C min • 01:20 • -39.68db
1% Popularity • 37% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 37% Positiveness
1% Popularity • 37% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 37% Positiveness
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Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Miriam Hyde
Forest Echoes, Op. 12: 4. The Quiet Mead...
134 bpm • E Maj • 01:19 • -26.4db
5% Popularity • 43% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
5% Popularity • 43% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Adagio in C for Glass Harmonica, K 356/6...
134 bpm • C Maj • 04:18 • -41.67db
8% Popularity • 44% Danceability • 0% Energy • 5% Liveness
93% Instrumentalness • 23% Positiveness
8% Popularity • 44% Danceability • 0% Energy • 5% Liveness
93% Instrumentalness • 23% Positiveness
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Pyotr Ilyich Tchaikovsky
X. October - Autumn Song
134 bpm • D min • 05:43 • -34db
24% Popularity • 42% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
24% Popularity • 42% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Cécile Chaminade
Pas des ésharpes, Op. 37
138 bpm • G# Maj • 04:33 • -27db
9% Popularity • 38% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
9% Popularity • 38% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Benjamin Godard
Jocelyn, Op. 100: Berceuse (Arr. for Pia...
134 bpm • F Maj • 02:32 • -32db
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
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Lang Lang
Variations on an Original Theme, Op. 36 ...
138 bpm • D# Maj • 04:18 • -16db
22% Popularity • 64% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
22% Popularity • 64% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Antonín Dvořák
String Quintet No. 3 in E-Flat Major, Op...
138 bpm • A Maj • 03:16 • -33.87db
15% Popularity • 52% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
15% Popularity • 52% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
45% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
45% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Amy Beach
Variations on Balkan, Op. 60: Theme: Ada...
138 bpm • C# min • 01:44 • -33db
11% Popularity • 57% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
11% Popularity • 57% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
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Reynaldo Hahn
Premières valses: No. 5, Pas vite, simp...
139 bpm • G min • 02:24 • -31.12db
23% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
23% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei
133 bpm • F Maj • 02:28 • -35.01db
16% Popularity • 48% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 22% Positiveness
16% Popularity • 48% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 22% Positiveness
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Roger Woodward
24 Preludes & Fugues, Op. 87: No. 2 in A...
133 bpm • A min • 02:00 • -28.83db
0% Popularity • 40% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 24% Positiveness
0% Popularity • 40% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 24% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
33% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
33% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch I: 9
133 bpm • F min • 02:26 • -39.24db
1% Popularity • 38% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
1% Popularity • 38% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
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Georgs Pelēcis
Concertino bianco: 3. Con anima
133 bpm • C Maj • 02:53 • -18.03db
15% Popularity • 35% Danceability • 27% Energy • 19% Liveness
93% Instrumentalness • 60% Positiveness
15% Popularity • 35% Danceability • 27% Energy • 19% Liveness
93% Instrumentalness • 60% Positiveness
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Francois-Joseph Gossec
Gavotte In D Major, 'Rosine'
132 bpm • D Maj • 02:41 • -24db
19% Popularity • 68% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 77% Positiveness
19% Popularity • 68% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 77% Positiveness
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Robert Schumann
Album für die Jugend, Op. 68, Pt. 1: F�...
133 bpm • C Maj • 01:22 • -33.75db
13% Popularity • 47% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 65% Positiveness
13% Popularity • 47% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 65% Positiveness
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Milo Paulus
9 Preludes, “Mythical Creature Chronic...
140 bpm • A# min • 05:07 • -20.39db
15% Popularity • 40% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
15% Popularity • 40% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Max Reger
4 Lieder, Op. 27, TrV 170: No. 4. Morgen...
132 bpm • G Maj • 03:59 • -41.36db
7% Popularity • 41% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 16% Positiveness
7% Popularity • 41% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 16% Positiveness
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Péter Nagy
Les contes d'Hoffmann: Barcarolle from T...
140 bpm • D Maj • 03:54 • -33.26db
12% Popularity • 30% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
12% Popularity • 30% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch III: 3...
132 bpm • F Maj • 01:11 • -41.52db
1% Popularity • 34% Danceability • 0% Energy • 13% Liveness
93% Instrumentalness • 53% Positiveness
1% Popularity • 34% Danceability • 0% Energy • 13% Liveness
93% Instrumentalness • 53% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
140 bpm • G# Maj • 05:02 • -33.86db
19% Popularity • 30% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
19% Popularity • 30% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Michael Kieran Harvey
The Well-Tempered Clavier: Book 1, BWV 8...
132 bpm • C Maj • 02:18 • -32.11db
22% Popularity • 17% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
22% Popularity • 17% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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Sergei Prokofiev
Four Etudes, Op. 2 Presto energico
140 bpm • A# min • 01:39 • -20.72db
0% Popularity • 40% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
0% Popularity • 40% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
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Hans Boepple
Sonatina in G Major, Op. 151, No. 1: I. ...
140 bpm • G Maj • 01:17 • -31db
27% Popularity • 48% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 43% Positiveness
27% Popularity • 48% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 43% Positiveness
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Cécile Chaminade
La Lisonjera (The Flatterer), Op. 50
132 bpm • C# Maj • 03:44 • -26db
10% Popularity • 25% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
10% Popularity • 25% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Fantasia for Piano in D Minor, K...
132 bpm • D Maj • 05:58 • -27db
27% Popularity • 43% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
27% Popularity • 43% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Dalicaties
Secret Pathways
140 bpm • D Maj • 01:40 • -17.54db
9% Popularity • 52% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 64% Positiveness
9% Popularity • 52% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 64% Positiveness
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Muzio Clementi
Keyboard Sonatina In F Major, Op. 36, No...
132 bpm • A# Maj • 01:30 • -28.05db
52% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
52% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
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Roger Woodward
24 Preludes & Fugues, Op. 87: No. 5 in D
140 bpm • D Maj • 03:16 • -32.09db
0% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
0% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Michael Charles Clark
Für Elise - Beethoven
141 bpm • A min • 02:59 • -23.66db
14% Popularity • 23% Danceability • 14% Energy • 16% Liveness
85% Instrumentalness • 19% Positiveness
14% Popularity • 23% Danceability • 14% Energy • 16% Liveness
85% Instrumentalness • 19% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch II: 24
131 bpm • C Maj • 01:44 • -47.15db
1% Popularity • 54% Danceability • 0% Energy • 16% Liveness
93% Instrumentalness • 0% Positiveness
1% Popularity • 54% Danceability • 0% Energy • 16% Liveness
93% Instrumentalness • 0% Positiveness
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Alexander Borodin
Petite Suite: 7. Rêverie
131 bpm • C# Maj • 02:01 • -31.29db
6% Popularity • 41% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
6% Popularity • 41% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Remy Dubois
Holy Night
141 bpm • D# Maj • 01:00 • -31.68db
15% Popularity • 49% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 38% Positiveness
15% Popularity • 49% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 38% Positiveness
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Percy Grainger
Bridal Lullaby
142 bpm • F# Maj • 02:23 • -32.9db
9% Popularity • 28% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
9% Popularity • 28% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Roger Woodward
Main Theme [Arr. Roger Woodward]
132 bpm • C# Maj • 02:57 • -32.41db
3% Popularity • 44% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
3% Popularity • 44% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Brodin Ray
Mozart - Sonata in A major 1st Mov K.331
130 bpm • A Maj • 07:28 • -25.18db
10% Popularity • 38% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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Pál Hermann
Pièces pour piano à 4 mains: No. 3, An...
130 bpm • D min • 01:21 • -32.36db
10% Popularity • 52% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 40% Positiveness
10% Popularity • 52% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 40% Positiveness
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Jonathan Geer
Beethoven Sonatina No 1 in G Major
130 bpm • G Maj • 03:30 • -28.49db
28% Popularity • 34% Danceability • 4% Energy • 14% Liveness
84% Instrumentalness • 34% Positiveness
28% Popularity • 34% Danceability • 4% Energy • 14% Liveness
84% Instrumentalness • 34% Positiveness
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Felix Mendelssohn
Mendelssohn: Songs Without Words, Book I...
130 bpm • B Maj • 04:12 • -26db
21% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
21% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Traditional
Báidàn Fheilimidh (Felemy's Little B...
130 bpm • C Maj • 03:13 • -17.71db
13% Popularity • 25% Danceability • 10% Energy • 14% Liveness
34% Instrumentalness • 8% Positiveness
13% Popularity • 25% Danceability • 10% Energy • 14% Liveness
34% Instrumentalness • 8% Positiveness
► Preview
Roger Woodward
Jessica's Sonata II [Arr. Roger Woodwar...
131 bpm • D min • 02:48 • -32db
10% Popularity • 36% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 13% Positiveness
10% Popularity • 36% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 13% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
2 Pieces, Op. 10: I. Nocturne
129 bpm • D Maj • 07:36 • -30.53db
3% Popularity • 46% Danceability • 1% Energy • 5% Liveness
90% Instrumentalness • 6% Positiveness
3% Popularity • 46% Danceability • 1% Energy • 5% Liveness
90% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Serenade No. 13 in G Major, K. 525, "Ein...
143 bpm • C Maj • 06:03 • -22.3db
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
► Preview
Joseph Haydn
Trio in G Major (Hob. XV:25): II. Poco A...
129 bpm • E Maj • 05:43 • -28.05db
9% Popularity • 24% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
9% Popularity • 24% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
► Preview
Hans Otte
Stundenbuch / Book of Hours: Buch I: 7
127 bpm • F min • 01:12 • -38.6db
1% Popularity • 41% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
1% Popularity • 41% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
David Vaney
Sun
145 bpm • F# Maj • 02:04 • -36.08db
7% Popularity • 29% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
7% Popularity • 29% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Roger Woodward
Piano Sonata No. 11 in A Major, K. 331: ...
142 bpm • A Maj • 02:50 • -21.07db
4% Popularity • 48% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
4% Popularity • 48% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
► Preview
Gabriel Fauré
Berceuse Op. 16
127 bpm • D Maj • 05:25 • -27.11db
18% Popularity • 20% Danceability • 5% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 5% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
129 bpm • C Maj • 04:33 • -25.18db
27% Popularity • 33% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 71% Positiveness
27% Popularity • 33% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 71% Positiveness
► Preview
Arvo Pärt
Für Anna Maria
126 bpm • G Maj • 01:02 • -32db
16% Popularity • 44% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
16% Popularity • 44% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Alma Deutscher
Piano Sonata in E-Flat Major: Movement 3...
126 bpm • D# Maj • 03:19 • -17.69db
8% Popularity • 43% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 73% Positiveness
8% Popularity • 43% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 73% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Piano Sonata No. 8 in C Minor...
126 bpm • G# Maj • 05:33 • -30.66db
37% Popularity • 38% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
37% Popularity • 38% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Roger Woodward
24 Preludes & Fugues, Op. 87: No. 9 in E
130 bpm • E Maj • 03:56 • -28.85db
0% Popularity • 34% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 18% Positiveness
0% Popularity • 34% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 18% Positiveness
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Léo De Nada
Nocturnal
126 bpm • B min • 01:25 • -21.79db
17% Popularity • 40% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
17% Popularity • 40% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
► Preview
Robert Schumann
Canon über “An Alexis”, H/K WoO 4
126 bpm • G# Maj • 01:21 • -32.14db
19% Popularity • 51% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
19% Popularity • 51% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
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Dmitri Shostakovich
Piano Quintet in G Minor, Op. 57: III. S...
125 bpm • C# min • 03:31 • -15.62db
0% Popularity • 61% Danceability • 38% Energy • 8% Liveness
74% Instrumentalness • 53% Positiveness
0% Popularity • 61% Danceability • 38% Energy • 8% Liveness
74% Instrumentalness • 53% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch I: 4
125 bpm • A min • 01:03 • -29.66db
1% Popularity • 44% Danceability • 0% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
1% Popularity • 44% Danceability • 0% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
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Roger Woodward
Main Theme
127 bpm • A Maj • 02:34 • -26.91db
3% Popularity • 42% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
3% Popularity • 42% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Markolyno
Scherzo Serenade
148 bpm • C Maj • 02:35 • -39.87db
25% Popularity • 42% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
25% Popularity • 42% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
► Preview
Edvard Grieg
二つの悲しき旋律: 第1曲: 傷�...
124 bpm • G# Maj • 03:16 • -20.15db
11% Popularity • 19% Danceability • 10% Energy • 20% Liveness
53% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 10% Energy • 20% Liveness
53% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Visions Fugitives, Op. 22, XIV Feroce
123 bpm • C Maj • 01:03 • -18.83db
0% Popularity • 44% Danceability • 26% Energy • 14% Liveness
88% Instrumentalness • 52% Positiveness
0% Popularity • 44% Danceability • 26% Energy • 14% Liveness
88% Instrumentalness • 52% Positiveness
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Sonny Chua
Assorted Fairies: Airy Fairy
149 bpm • C Maj • 00:58 • -40.61db
24% Popularity • 20% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
24% Popularity • 20% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Hal Freedman
Petr Ginz
122 bpm • G# min • 02:15 • -31.76db
21% Popularity • 58% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
21% Popularity • 58% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
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Roger Woodward
Main Theme
126 bpm • A min • 02:04 • -29.92db
1% Popularity • 50% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 12% Positiveness
1% Popularity • 50% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 12% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major. Molto mo...
122 bpm • D# Maj • 03:39 • -37.57db
13% Popularity • 27% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
13% Popularity • 27% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Hans Otte
Stundenbuch / Book of Hours: Buch II: 19
122 bpm • B min • 01:03 • -39.85db
2% Popularity • 51% Danceability • 1% Energy • 17% Liveness
94% Instrumentalness • 34% Positiveness
2% Popularity • 51% Danceability • 1% Energy • 17% Liveness
94% Instrumentalness • 34% Positiveness
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Diane Hidy & Keith Snell
La Tarentelle (Tarantella)
153 bpm • D min • 01:36 • -25db
30% Popularity • 42% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 93% Positiveness
30% Popularity • 42% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 93% Positiveness
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sun dele
Heartsteel
120 bpm • G Maj • 01:48 • -29.99db
13% Popularity • 27% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 52% Positiveness
13% Popularity • 27% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 52% Positiveness
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HoangNganTruc
Slow Down Chost
120 bpm • F min • 03:19 • -26.26db
8% Popularity • 52% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
8% Popularity • 52% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
► Preview
Roger Woodward
24 Preludes & Fugues, Op. 87: No. 3 in G
126 bpm • G Maj • 03:26 • -25.48db
0% Popularity • 44% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 30% Positiveness
0% Popularity • 44% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 30% Positiveness
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balsimo rolon
el dijo que ella no se detendra
120 bpm • E Maj • 01:59 • -20.63db
7% Popularity • 56% Danceability • 10% Energy • 9% Liveness
98% Instrumentalness • 18% Positiveness
7% Popularity • 56% Danceability • 10% Energy • 9% Liveness
98% Instrumentalness • 18% Positiveness
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Michael Thomas Heininger
Mirror Face
120 bpm • D Maj • 03:04 • -27.66db
18% Popularity • 50% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 50% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Ferruccio Busoni
Beethoven - 6 Ecossaises, WoO 83
119 bpm • D# Maj • 02:27 • -29.14db
15% Popularity • 50% Danceability • 5% Energy • 22% Liveness
92% Instrumentalness • 91% Positiveness
15% Popularity • 50% Danceability • 5% Energy • 22% Liveness
92% Instrumentalness • 91% Positiveness
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Lang Lang
Minuet No. 1 in G Major (Formerly Attrib...
119 bpm • G Maj • 01:44 • -27db
40% Popularity • 49% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 78% Positiveness
40% Popularity • 49% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 78% Positiveness
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Various Artists
Musette in D major, BWV Anh.126
118 bpm • D Maj • 01:01 • -23.41db
17% Popularity • 59% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 93% Positiveness
17% Popularity • 59% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 93% Positiveness
► Preview
Roger Woodward
By The Fireside [Arr. Roger Woodward]
125 bpm • D Maj • 01:55 • -33db
8% Popularity • 43% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 43% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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loncho brabo
ella ama ella esta loca
160 bpm • F min • 01:59 • -20.94db
9% Popularity • 54% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
9% Popularity • 54% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
