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Tess of the Dormobiles
Songs like
Tess of the Dormobiles
by
Half Man Half Biscuit
Based on a tempo of (+/- 10%) and a similar genre
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Half Man Half Biscuit
Tess of the Dormobiles
103 bpm • G Maj • 02:24 • -7.43db
20% Popularity • 56% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The Triffids
Hell Of A Summer
103 bpm • A# Maj • 04:30 • -7.09db
14% Popularity • 45% Danceability • 72% Energy • 22% Liveness
36% Instrumentalness • 42% Positiveness
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Wire
Stepping Off Too Quick (Not About To Die...
103 bpm • D Maj • 01:22 • -5.52db
11% Popularity • 42% Danceability • 84% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
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Joe Strummer
The Road To Rock ‘N’ Roll (Demo)
104 bpm • C Maj • 04:25 • -6.44db
9% Popularity • 71% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Emily Breeze
Ordinary Life - Radio Edit
104 bpm • D Maj • 03:44 • -9.31db
16% Popularity • 50% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Sultans Of Ping F.C.
Football Hooligan - Live
102 bpm • F# Maj • 02:24 • -8.56db
14% Popularity • 52% Danceability • 97% Energy • 94% Liveness
0% Instrumentalness • 60% Positiveness
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Half Man Half Biscuit
Swerving the Checktrade
104 bpm • A# Maj • 01:46 • -5db
14% Popularity • 50% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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That Petrol Emotion
Natural Kind Of Joy
101 bpm • B min • 02:45 • -14db
16% Popularity • 70% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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SPRINTS
Im In A Band
105 bpm • D Maj • 02:44 • -7.02db
24% Popularity • 27% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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The Love Buzz
10 Spots
105 bpm • E Maj • 02:27 • -4.72db
17% Popularity • 62% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Kate Clover
Your Phone's off the Hook, But You're No...
105 bpm • D Maj • 02:22 • -2.31db
19% Popularity • 46% Danceability • 96% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
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The Lovely Eggs
I Just Want Someone to Fall in Love With
105 bpm • A Maj • 03:38 • -3.87db
11% Popularity • 80% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Half Man Half Biscuit
Grafting Haddock in the George
106 bpm • B min • 04:04 • -5.8db
14% Popularity • 49% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Jim Bob
Cartoon Dad
106 bpm • F Maj • 04:16 • -7.7db
14% Popularity • 62% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Yard Act
Fixer Upper
100 bpm • G Maj • 02:57 • -6db
32% Popularity • 60% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Personal Trainer
Key Of Ego
100 bpm • B Maj • 04:47 • -5.73db
24% Popularity • 58% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Paul Weller
Birth Of An Accidental Hipster
100 bpm • E Maj • 03:33 • -7.21db
13% Popularity • 56% Danceability • 71% Energy • 14% Liveness
4% Instrumentalness • 47% Positiveness
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Martin Stephenson
Running Waters
107 bpm • A Maj • 03:09 • -12.39db
13% Popularity • 66% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Half Man Half Biscuit
Totnes Bickering Fair
106 bpm • F Maj • 02:39 • -5.22db
18% Popularity • 52% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Jack Valero
Heaven Help Me
106 bpm • G# Maj • 04:39 • -7.02db
9% Popularity • 56% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Pit Pony
Black Tar
107 bpm • C Maj • 02:27 • -8.09db
8% Popularity • 28% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Julian Cope
Beautiful Love
107 bpm • C Maj • 03:13 • -11db
27% Popularity • 71% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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That Petrol Emotion
Big Decision
107 bpm • A Maj • 02:42 • -9.76db
30% Popularity • 65% Danceability • 92% Energy • 83% Liveness
0% Instrumentalness • 97% Positiveness
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Ballboy
I Hate Scotland
99 bpm • D Maj • 05:57 • -6.51db
10% Popularity • 28% Danceability • 73% Energy • 10% Liveness
23% Instrumentalness • 13% Positiveness
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Half Man Half Biscuit
Joy Division Oven Gloves
107 bpm • A Maj • 03:10 • -5.62db
32% Popularity • 48% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Guided By Voices
Alex Bell
108 bpm • D Maj • 05:03 • -4.37db
14% Popularity • 34% Danceability • 71% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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The Hanging Stars
Radio On
98 bpm • C Maj • 03:40 • -7.81db
15% Popularity • 51% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Panic Shack
Baby
98 bpm • G min • 03:32 • -5.86db
25% Popularity • 32% Danceability • 87% Energy • 74% Liveness
0% Instrumentalness • 39% Positiveness
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The Undertones
Enough
98 bpm • E Maj • 02:42 • -4.26db
2% Popularity • 50% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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The Housemartins
Reverends Revenge
109 bpm • C Maj • 01:27 • -11.6db
29% Popularity • 52% Danceability • 82% Energy • 14% Liveness
93% Instrumentalness • 99% Positiveness
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Half Man Half Biscuit
Slipping the Escort
109 bpm • A Maj • 04:53 • -6.54db
11% Popularity • 40% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
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The Bug Club
Going Down
109 bpm • B Maj • 03:42 • -7.56db
14% Popularity • 53% Danceability • 67% Energy • 23% Liveness
91% Instrumentalness • 57% Positiveness
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Kingmaker
When Lucy's Down
110 bpm • F# Maj • 04:37 • -10.32db
21% Popularity • 42% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Yard Act
Rich
110 bpm • C Maj • 03:42 • -5db
35% Popularity • 89% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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The Undertones
Thrill Me
98 bpm • C# min • 03:00 • -3.42db
18% Popularity • 40% Danceability • 96% Energy • 24% Liveness
1% Instrumentalness • 43% Positiveness
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Michael Head & The Red Elastic Band
American Kid
110 bpm • G Maj • 03:13 • -8.47db
17% Popularity • 67% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Half Man Half Biscuit
Upon Westminster Bridge
110 bpm • A Maj • 02:45 • -8.97db
19% Popularity • 46% Danceability • 56% Energy • 18% Liveness
1% Instrumentalness • 75% Positiveness
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Jim Bob
#prayfortony
110 bpm • D Maj • 02:16 • -7.77db
8% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The Dream Syndicate
Damian
110 bpm • G Maj • 04:21 • -8.73db
14% Popularity • 59% Danceability • 70% Energy • 10% Liveness
7% Instrumentalness • 73% Positiveness
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Yard Act
Dead Horse
110 bpm • E min • 03:38 • -6db
41% Popularity • 72% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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The WAEVE
Kill Me Again
110 bpm • C Maj • 04:08 • -8.51db
27% Popularity • 71% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 84% Positiveness
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The Wave Pictures
Douglas
110 bpm • D Maj • 03:27 • -4.38db
8% Popularity • 55% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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The Hitchers
Strachan
110 bpm • D Maj • 05:54 • -8db
8% Popularity • 31% Danceability • 66% Energy • 62% Liveness
2% Instrumentalness • 31% Positiveness
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Gruff Rhys
Hiking in Lightning
110 bpm • D Maj • 03:24 • -7.44db
12% Popularity • 38% Danceability • 53% Energy • 79% Liveness
30% Instrumentalness • 72% Positiveness
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Wild Willy Barrett
Beware Of The Flowers ('Cause I'm Sure T...
111 bpm • D Maj • 02:30 • -14.72db
15% Popularity • 38% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Redskins
The Power Is Yours
110 bpm • C Maj • 02:10 • -6db
15% Popularity • 56% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Cheap Teeth
What a Feeling, What a Day
96 bpm • G# Maj • 03:43 • -7.87db
21% Popularity • 38% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Whipping Boy
When We Were Young
111 bpm • G Maj • 02:50 • -7db
31% Popularity • 41% Danceability • 81% Energy • 7% Liveness
41% Instrumentalness • 57% Positiveness
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Hamish Hawk
Money
111 bpm • E Maj • 03:24 • -4.5db
26% Popularity • 56% Danceability • 80% Energy • 10% Liveness
26% Instrumentalness • 57% Positiveness
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Warmduscher
Love Strong
111 bpm • A min • 03:30 • -6.83db
20% Popularity • 40% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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A House
Endless Art
95 bpm • C Maj • 03:02 • -12db
22% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Redskins
Keep On Keeping On
112 bpm • B Maj • 03:50 • -3.73db
25% Popularity • 66% Danceability • 95% Energy • 14% Liveness
42% Instrumentalness • 95% Positiveness
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Half Man Half Biscuit
Renfield's Afoot
112 bpm • G Maj • 01:18 • -5.69db
25% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Carter The Unstoppable Sex Machine
Is Wrestling Fixed - 2012 Remaster
112 bpm • D Maj • 02:03 • -10.95db
25% Popularity • 69% Danceability • 38% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Pete Wylie & The Mighty WAH!
Seven Minutes to Midnight
95 bpm • A# Maj • 04:37 • -7.86db
14% Popularity • 27% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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The Bug Club
Love Letters from Jupiter
112 bpm • B Maj • 02:03 • -7.67db
12% Popularity • 70% Danceability • 76% Energy • 9% Liveness
66% Instrumentalness • 75% Positiveness
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Michael Head & The Red Elastic Band
Kismet
112 bpm • D Maj • 04:35 • -6.28db
20% Popularity • 51% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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The Fall
Hit the North - Part 1
112 bpm • D Maj • 04:01 • -8db
36% Popularity • 69% Danceability • 86% Energy • 7% Liveness
76% Instrumentalness • 91% Positiveness
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Half Man Half Biscuit
Lord Hereford's Knob
112 bpm • E Maj • 03:50 • -5.84db
18% Popularity • 56% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 49% Positiveness
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Hamish Hawk
This, Whatever It Is, Needs Improvements
112 bpm • D Maj • 03:44 • -10.72db
24% Popularity • 59% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Warmduscher
Fatso
94 bpm • C Maj • 03:30 • -8.21db
25% Popularity • 62% Danceability • 79% Energy • 50% Liveness
1% Instrumentalness • 78% Positiveness
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Carter The Unstoppable Sex Machine
Rubbish
113 bpm • G Maj • 03:05 • -15db
22% Popularity • 58% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Laurie Wright
West End Lover
94 bpm • C Maj • 04:31 • -4.65db
19% Popularity • 34% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Shack
As Long as I've Got You
94 bpm • D Maj • 02:11 • -12db
27% Popularity • 53% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Half Man Half Biscuit
Restless Legs
112 bpm • C Maj • 01:53 • -4.95db
29% Popularity • 52% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Pete Astor
Time on Earth
113 bpm • C Maj • 03:28 • -7db
8% Popularity • 70% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
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The Saints
Swing for the Crime - 2004 Remaster
113 bpm • A Maj • 03:41 • -6.26db
20% Popularity • 53% Danceability • 87% Energy • 6% Liveness
71% Instrumentalness • 87% Positiveness
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Magazine
A Song From Under The Floorboards
114 bpm • C Maj • 04:07 • -8db
18% Popularity • 59% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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The Stands
When This River Rolls Over You
114 bpm • G Maj • 02:57 • -6.12db
9% Popularity • 57% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Shack
Natalie's Party
114 bpm • D Maj • 03:50 • -7db
21% Popularity • 43% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Half Man Half Biscuit
Alehouse Futsal
113 bpm • G Maj • 01:48 • -3.68db
19% Popularity • 50% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Sons And Daughters
Johnny Cash
114 bpm • D Maj • 03:17 • -5.29db
22% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Divine Comedy
Gin Soaked Boy
93 bpm • F Maj • 05:01 • -8db
34% Popularity • 57% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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The Hanging Stars
Black Light Night
115 bpm • G Maj • 03:22 • -7.56db
15% Popularity • 46% Danceability • 73% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Ian Dury
There Ain't Half Been Some Clever Bastar...
115 bpm • D Maj • 03:03 • -16.72db
28% Popularity • 79% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Jim Bob
If It Ain't Broke
115 bpm • B min • 02:10 • -6.35db
13% Popularity • 55% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Half Man Half Biscuit
For What Is Chatteris...
93 bpm • G Maj • 02:03 • -8db
32% Popularity • 53% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Gina Birch
Wish I Was You
115 bpm • A# min • 03:23 • -10db
13% Popularity • 51% Danceability • 66% Energy • 39% Liveness
73% Instrumentalness • 50% Positiveness
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The Monochrome Set
Jacob's Ladder
115 bpm • D Maj • 02:55 • -17.67db
11% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Michael Head & The Red Elastic Band
Newby Street
92 bpm • C Maj • 02:39 • -6db
18% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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The Bevis Frond
Little Eden
115 bpm • D Maj • 03:49 • -5.88db
12% Popularity • 57% Danceability • 64% Energy • 12% Liveness
52% Instrumentalness • 50% Positiveness
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Skids
Animation
115 bpm • A min • 04:49 • -6.93db
15% Popularity • 61% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Kingmaker
Queen Jane
116 bpm • A Maj • 03:54 • -6db
24% Popularity • 50% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
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BODEGA
After Jane
116 bpm • C Maj • 04:53 • -12.14db
15% Popularity • 67% Danceability • 41% Energy • 64% Liveness
0% Instrumentalness • 60% Positiveness
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Yard Act
Payday
116 bpm • F# min • 02:54 • -4.06db
38% Popularity • 75% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Michael Head & The Red Elastic Band
The Next Day
115 bpm • C Maj • 02:34 • -8.05db
16% Popularity • 59% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Buzzcocks
Senses Out Of Control
92 bpm • B min • 02:35 • -6.31db
18% Popularity • 48% Danceability • 82% Energy • 62% Liveness
0% Instrumentalness • 84% Positiveness
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John Cooper Clarke
Readers Wives
116 bpm • C# Maj • 03:12 • -14.74db
14% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Déjà Vega
Who We Are
91 bpm • G Maj • 04:32 • -8.42db
10% Popularity • 53% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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The Cropdusters
Banjo Hill
117 bpm • A min • 04:53 • -13.4db
10% Popularity • 56% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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The Nightingales
Idiot Strength
91 bpm • D Maj • 03:10 • -5.3db
16% Popularity • 48% Danceability • 98% Energy • 19% Liveness
86% Instrumentalness • 77% Positiveness
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Ian Dury
Geraldine
117 bpm • C Maj • 03:37 • -9.15db
14% Popularity • 71% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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The Dream Syndicate
Every Time You Come Around
117 bpm • A min • 03:45 • -5.73db
13% Popularity • 32% Danceability • 72% Energy • 22% Liveness
56% Instrumentalness • 62% Positiveness
► Preview
John Cooper Clarke
Spanish Harlem
116 bpm • A Maj • 03:02 • -8.05db
12% Popularity • 67% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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His Lordship
All Cranked Up
90 bpm • A Maj • 01:53 • -4.05db
15% Popularity • 16% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Carter The Unstoppable Sex Machine
Twenty Four Minutes from Tulse Hill
117 bpm • G Maj • 03:26 • -11.6db
21% Popularity • 56% Danceability • 78% Energy • 38% Liveness
20% Instrumentalness • 27% Positiveness
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Hugh Cornwell
Coming Out Of The Wilderness
118 bpm • E Maj • 04:35 • -6.91db
12% Popularity • 64% Danceability • 68% Energy • 12% Liveness
48% Instrumentalness • 40% Positiveness
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The Lovely Eggs
Fuck It
90 bpm • B min • 03:43 • -11.32db
17% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
The Triffids
My Baby Thinks She's A Train
118 bpm • E min • 03:38 • -7.13db
8% Popularity • 50% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ezra Furman
Throne
118 bpm • A min • 02:29 • -7.43db
19% Popularity • 55% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Tess of the Dormobiles