Songs like Test Track - From "Test Track" by Paul Leonard-Morgan
Based on a tempo of (+/- 10%) and a similar genre
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R3X
Cantina Song aka Mad About Mad About Me
130 bpm • C Maj • 02:54 • -7db
37% Popularity • 72% Danceability • 81% Energy • 7% Liveness
56% Instrumentalness • 63% Positiveness
37% Popularity • 72% Danceability • 81% Energy • 7% Liveness
56% Instrumentalness • 63% Positiveness
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Philip Glass
Light in the Dark
130 bpm • C Maj • 02:11 • -27.85db
26% Popularity • 41% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
26% Popularity • 41% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Paul Leonard-Morgan
Analogue Euphoria
130 bpm • G min • 04:39 • -17.87db
5% Popularity • 41% Danceability • 29% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
5% Popularity • 41% Danceability • 29% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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UTTARA-KURU
Our Life
130 bpm • A# Maj • 05:30 • -8.3db
23% Popularity • 53% Danceability • 88% Energy • 9% Liveness
81% Instrumentalness • 57% Positiveness
23% Popularity • 53% Danceability • 88% Energy • 9% Liveness
81% Instrumentalness • 57% Positiveness
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David Newman
Tigers Going For Baby
130 bpm • G Maj • 03:12 • -10.4db
31% Popularity • 45% Danceability • 53% Energy • 12% Liveness
14% Instrumentalness • 12% Positiveness
31% Popularity • 45% Danceability • 53% Energy • 12% Liveness
14% Instrumentalness • 12% Positiveness
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The Toontown Tooners
I2I
130 bpm • D Maj • 01:34 • -8.36db
19% Popularity • 77% Danceability • 51% Energy • 29% Liveness
19% Instrumentalness • 86% Positiveness
19% Popularity • 77% Danceability • 51% Energy • 29% Liveness
19% Instrumentalness • 86% Positiveness
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Rex Allen
There's a Great Big Beautiful Tomorrow
130 bpm • E min • 02:16 • -9.84db
40% Popularity • 45% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 45% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Walt Disney World Band
A Marching Band
130 bpm • F Maj • 01:17 • -11.12db
29% Popularity • 92% Danceability • 47% Energy • 48% Liveness
31% Instrumentalness • 96% Positiveness
29% Popularity • 92% Danceability • 47% Energy • 48% Liveness
31% Instrumentalness • 96% Positiveness
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Paul Leonard-Morgan
The Restless Mind
130 bpm • G Maj • 04:15 • -16.75db
4% Popularity • 69% Danceability • 31% Energy • 11% Liveness
80% Instrumentalness • 14% Positiveness
4% Popularity • 69% Danceability • 31% Energy • 11% Liveness
80% Instrumentalness • 14% Positiveness
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The Cast of Peter Pan
Main Title (The Second Star to the Right...
130 bpm • F# Maj • 02:18 • -14.99db
27% Popularity • 27% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 27% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Pete Renoudet
The Bear Band Serenade
131 bpm • G Maj • 01:45 • -8.57db
34% Popularity • 55% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 55% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Jerry Goldsmith
Get The Ball
131 bpm • G Maj • 01:48 • -12db
14% Popularity • 42% Danceability • 66% Energy • 9% Liveness
63% Instrumentalness • 25% Positiveness
14% Popularity • 42% Danceability • 66% Energy • 9% Liveness
63% Instrumentalness • 25% Positiveness
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Scatman Crothers
Ev'rybody Wants to Be a Cat (Finale)
131 bpm • F min • 01:21 • -10.24db
28% Popularity • 59% Danceability • 54% Energy • 54% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 59% Danceability • 54% Energy • 54% Liveness
0% Instrumentalness • 92% Positiveness
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Walt Disney World Band
Seventy-Six Trombones
129 bpm • D min • 01:53 • -11db
26% Popularity • 79% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 79% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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The Mouseketeers
Mickey Mouse March
131 bpm • D# Maj • 02:41 • -13.79db
42% Popularity • 70% Danceability • 61% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 70% Danceability • 61% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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Paul Leonard-Morgan
Test Track
130 bpm • G Maj • 05:11 • -9.74db
34% Popularity • 56% Danceability • 58% Energy • 15% Liveness
49% Instrumentalness • 50% Positiveness
34% Popularity • 56% Danceability • 58% Energy • 15% Liveness
49% Instrumentalness • 50% Positiveness
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Mychael Danna
Critter Problem
131 bpm • C# Maj • 01:04 • -19.58db
37% Popularity • 68% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
37% Popularity • 68% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
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Philip Glass
Mom Will Fix It
129 bpm • G Maj • 01:35 • -29.2db
26% Popularity • 20% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
26% Popularity • 20% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Disneyland Concert Orchestra
Tomorrowland - Disneyland Attraction Ver...
132 bpm • A# min • 06:20 • -10.47db
15% Popularity • 39% Danceability • 40% Energy • 32% Liveness
3% Instrumentalness • 22% Positiveness
15% Popularity • 39% Danceability • 40% Energy • 32% Liveness
3% Instrumentalness • 22% Positiveness
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Walt Disney World Band
Toot Toot Tootsie
132 bpm • C Maj • 01:29 • -11.42db
25% Popularity • 53% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 53% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Paragon Ragtime Orchestra, Rick Benjamin
In The Hills Of Old Kentucky Medley
132 bpm • C Maj • 02:39 • -11db
26% Popularity • 69% Danceability • 47% Energy • 6% Liveness
10% Instrumentalness • 93% Positiveness
26% Popularity • 69% Danceability • 47% Energy • 6% Liveness
10% Instrumentalness • 93% Positiveness
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Oompa Loompa Cast
Everlasting Gobstoppers/Oompa-Loompa
132 bpm • D Maj • 03:17 • -16.19db
38% Popularity • 46% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 3% Positiveness
38% Popularity • 46% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 3% Positiveness
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John Debney
A New Hope
132 bpm • D# Maj • 01:46 • -25.95db
40% Popularity • 16% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 16% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Jean Shepard
There's a Great Big Beautiful Tomorrow
128 bpm • D Maj • 02:39 • -8.86db
38% Popularity • 66% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 66% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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Walt Disney Mi Si Delta Pi Players
Party Up!
132 bpm • G Maj • 03:45 • -7db
24% Popularity • 65% Danceability • 90% Energy • 39% Liveness
1% Instrumentalness • 74% Positiveness
24% Popularity • 65% Danceability • 90% Energy • 39% Liveness
1% Instrumentalness • 74% Positiveness
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Bruce Healey
Fantasmic! Exit Music - Disneyland Park
128 bpm • G Maj • 02:58 • -8.16db
39% Popularity • 53% Danceability • 52% Energy • 8% Liveness
45% Instrumentalness • 55% Positiveness
39% Popularity • 53% Danceability • 52% Energy • 8% Liveness
45% Instrumentalness • 55% Positiveness
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Duro Droids
Beep Boop Bop
132 bpm • A min • 02:11 • -7.24db
23% Popularity • 74% Danceability • 68% Energy • 5% Liveness
1% Instrumentalness • 78% Positiveness
23% Popularity • 74% Danceability • 68% Energy • 5% Liveness
1% Instrumentalness • 78% Positiveness
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Harmonious World Ensemble
Middle East
128 bpm • D Maj • 01:23 • -6.11db
31% Popularity • 52% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 52% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Thurl Ravenscroft
The Adventurous Jungle Cruise (Pt. 1)
128 bpm • C Maj • 04:51 • -15db
26% Popularity • 58% Danceability • 39% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 58% Danceability • 39% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
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Christopher Willis
Springtime Symphony
132 bpm • D Maj • 03:47 • -9.04db
30% Popularity • 37% Danceability • 34% Energy • 25% Liveness
84% Instrumentalness • 13% Positiveness
30% Popularity • 37% Danceability • 34% Energy • 25% Liveness
84% Instrumentalness • 13% Positiveness
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Rex Allen
There's a Great Big Beautiful Tomorrow
128 bpm • E min • 07:02 • -13.22db
39% Popularity • 40% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 40% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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The Cast of Alice in Wonderland
Painting The Roses Red/March Of The Card...
128 bpm • F Maj • 02:48 • -12.43db
17% Popularity • 67% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 67% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Jeff Kryka
WED Enterprises
127 bpm • A Maj • 00:56 • -21db
31% Popularity • 78% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
31% Popularity • 78% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
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Alexandre Desplat
Road Trip
133 bpm • A# Maj • 01:05 • -6.31db
28% Popularity • 48% Danceability • 59% Energy • 33% Liveness
65% Instrumentalness • 47% Positiveness
28% Popularity • 48% Danceability • 59% Energy • 33% Liveness
65% Instrumentalness • 47% Positiveness
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Walt Disney World Band
Football Medley
134 bpm • A# Maj • 01:56 • -10.44db
24% Popularity • 67% Danceability • 55% Energy • 34% Liveness
47% Instrumentalness • 83% Positiveness
24% Popularity • 67% Danceability • 55% Energy • 34% Liveness
47% Instrumentalness • 83% Positiveness
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Dominic Lewis
Official Jokester
126 bpm • G# Maj • 04:08 • -12.54db
8% Popularity • 26% Danceability • 41% Energy • 38% Liveness
45% Instrumentalness • 5% Positiveness
8% Popularity • 26% Danceability • 41% Energy • 38% Liveness
45% Instrumentalness • 5% Positiveness
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Howard Ashman
The Little Mermaid Medley
134 bpm • C Maj • 09:56 • -10.39db
34% Popularity • 45% Danceability • 45% Energy • 73% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 45% Danceability • 45% Energy • 73% Liveness
0% Instrumentalness • 49% Positiveness
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Gaya
Oola Shuka
126 bpm • C# Maj • 02:58 • -6.26db
20% Popularity • 86% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 86% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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John Debney
I Am Iron Man
126 bpm • A Maj • 01:30 • -8db
36% Popularity • 52% Danceability • 51% Energy • 11% Liveness
70% Instrumentalness • 26% Positiveness
36% Popularity • 52% Danceability • 51% Energy • 11% Liveness
70% Instrumentalness • 26% Positiveness
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Paul Leonard-Morgan
Fireworks Raid
126 bpm • D Maj • 03:50 • -9.61db
4% Popularity • 52% Danceability • 70% Energy • 15% Liveness
85% Instrumentalness • 37% Positiveness
4% Popularity • 52% Danceability • 70% Energy • 15% Liveness
85% Instrumentalness • 37% Positiveness
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Walt Disney World Band
I Got Rhythm
126 bpm • C min • 01:41 • -11.45db
26% Popularity • 52% Danceability • 59% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 52% Danceability • 59% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
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Wayne Allwine
Closing
125 bpm • F Maj • 01:14 • -11db
33% Popularity • 68% Danceability • 26% Energy • 89% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 68% Danceability • 26% Energy • 89% Liveness
0% Instrumentalness • 72% Positiveness
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Richard Bellis
Lights, Motor, Action
126 bpm • C# Maj • 11:11 • -8.23db
25% Popularity • 37% Danceability • 75% Energy • 32% Liveness
60% Instrumentalness • 16% Positiveness
25% Popularity • 37% Danceability • 75% Energy • 32% Liveness
60% Instrumentalness • 16% Positiveness
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Brian Tyler
Rescue Rangers Anthem
135 bpm • G Maj • 02:28 • -9.54db
13% Popularity • 31% Danceability • 57% Energy • 19% Liveness
93% Instrumentalness • 29% Positiveness
13% Popularity • 31% Danceability • 57% Energy • 19% Liveness
93% Instrumentalness • 29% Positiveness
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Jim Cummings
Goodbye, Farewell
125 bpm • C Maj • 01:19 • -13.61db
41% Popularity • 57% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 57% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Paul Leonard-Morgan
Brian Missed Brian
126 bpm • G min • 01:04 • -17.45db
4% Popularity • 58% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 64% Positiveness
4% Popularity • 58% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 64% Positiveness
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Dan Romer
Did You Hide?
125 bpm • E Maj • 01:04 • -21db
44% Popularity • 94% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 72% Positiveness
44% Popularity • 94% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 72% Positiveness
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Bruce Broughton
Honey I Shrunk the Audience Theme
125 bpm • C Maj • 01:47 • -10db
38% Popularity • 74% Danceability • 38% Energy • 10% Liveness
57% Instrumentalness • 77% Positiveness
38% Popularity • 74% Danceability • 38% Energy • 10% Liveness
57% Instrumentalness • 77% Positiveness
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Festival of the Lion King Chorus
Be Prepared
125 bpm • A min • 03:00 • -10.86db
19% Popularity • 68% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 46% Positiveness
19% Popularity • 68% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 46% Positiveness
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Michael Giacchino
Lightyear
135 bpm • C Maj • 02:45 • -13db
33% Popularity • 40% Danceability • 31% Energy • 6% Liveness
91% Instrumentalness • 19% Positiveness
33% Popularity • 40% Danceability • 31% Energy • 6% Liveness
91% Instrumentalness • 19% Positiveness
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Mychael Danna
Battling The Dragon
125 bpm • C# Maj • 03:03 • -9db
14% Popularity • 30% Danceability • 59% Energy • 42% Liveness
84% Instrumentalness • 10% Positiveness
14% Popularity • 30% Danceability • 59% Energy • 42% Liveness
84% Instrumentalness • 10% Positiveness
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Paul Leonard-Morgan
Crazy Minds
135 bpm • C Maj • 02:54 • -11.67db
4% Popularity • 75% Danceability • 54% Energy • 12% Liveness
97% Instrumentalness • 85% Positiveness
4% Popularity • 75% Danceability • 54% Energy • 12% Liveness
97% Instrumentalness • 85% Positiveness
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Carter Burwell
Runaway Car
125 bpm • F Maj • 02:16 • -17.67db
29% Popularity • 27% Danceability • 23% Energy • 20% Liveness
95% Instrumentalness • 5% Positiveness
29% Popularity • 27% Danceability • 23% Energy • 20% Liveness
95% Instrumentalness • 5% Positiveness
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Bruce Broughton
Spaceship Earth
135 bpm • D min • 10:52 • -9.85db
38% Popularity • 28% Danceability • 33% Energy • 40% Liveness
41% Instrumentalness • 16% Positiveness
38% Popularity • 28% Danceability • 33% Energy • 40% Liveness
41% Instrumentalness • 16% Positiveness
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Walt Disney World Band
America The Beautiful
124 bpm • A# Maj • 01:06 • -11.09db
27% Popularity • 78% Danceability • 44% Energy • 18% Liveness
13% Instrumentalness • 85% Positiveness
27% Popularity • 78% Danceability • 44% Energy • 18% Liveness
13% Instrumentalness • 85% Positiveness
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Michael Giacchino
Mission Perpetual
125 bpm • C Maj • 02:40 • -13db
30% Popularity • 51% Danceability • 36% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
30% Popularity • 51% Danceability • 36% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
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Fytee
Moulee-rah
124 bpm • F Maj • 01:40 • -5.21db
17% Popularity • 67% Danceability • 87% Energy • 5% Liveness
1% Instrumentalness • 67% Positiveness
17% Popularity • 67% Danceability • 87% Energy • 5% Liveness
1% Instrumentalness • 67% Positiveness
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Paul Leonard-Morgan
Khai Bleeds Out
135 bpm • A Maj • 03:30 • -8.01db
6% Popularity • 43% Danceability • 79% Energy • 10% Liveness
83% Instrumentalness • 20% Positiveness
6% Popularity • 43% Danceability • 79% Energy • 10% Liveness
83% Instrumentalness • 20% Positiveness
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James Newton Howard
Journey to Talon
124 bpm • D Maj • 01:19 • -16.63db
32% Popularity • 53% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 31% Positiveness
32% Popularity • 53% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 31% Positiveness
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Philip Lawrence
You Are the Magic
124 bpm • F# Maj • 03:34 • -8db
43% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Walt Disney World Band
The Old Home Guard
125 bpm • A# Maj • 02:51 • -12.21db
24% Popularity • 53% Danceability • 51% Energy • 8% Liveness
7% Instrumentalness • 82% Positiveness
24% Popularity • 53% Danceability • 51% Energy • 8% Liveness
7% Instrumentalness • 82% Positiveness
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Betty Taylor
Overture: Hello Everybody
137 bpm • A# Maj • 02:22 • -7.89db
24% Popularity • 50% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 50% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Fytee
Yocola Ateema
123 bpm • G Maj • 01:03 • -7.7db
17% Popularity • 69% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 69% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Paul Leonard-Morgan
Closure
125 bpm • E min • 03:58 • -21.84db
6% Popularity • 24% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
6% Popularity • 24% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Bruce Broughton
Energy Adventure Medley
137 bpm • C# Maj • 04:48 • -9db
34% Popularity • 40% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 31% Positiveness
34% Popularity • 40% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 31% Positiveness
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George Bruns
Battle with the Forces of Evil
137 bpm • F min • 05:11 • -11db
20% Popularity • 40% Danceability • 51% Energy • 18% Liveness
69% Instrumentalness • 17% Positiveness
20% Popularity • 40% Danceability • 51% Energy • 18% Liveness
69% Instrumentalness • 17% Positiveness
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Tammy Tuckey
Tomorrow's Child / New Horizons Medley
123 bpm • D Maj • 03:37 • -3.99db
15% Popularity • 28% Danceability • 63% Energy • 52% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 28% Danceability • 63% Energy • 52% Liveness
0% Instrumentalness • 15% Positiveness
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Michael Kamen
The Eye Of The Storm
138 bpm • E min • 02:31 • -13.3db
22% Popularity • 19% Danceability • 47% Energy • 38% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 47% Energy • 38% Liveness
93% Instrumentalness • 4% Positiveness
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Andrew Lockington
Rendezvous
138 bpm • A Maj • 04:09 • -15.3db
25% Popularity • 26% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 9% Positiveness
25% Popularity • 26% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 9% Positiveness
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Paul Leonard-Morgan
Childhood
137 bpm • A Maj • 02:31 • -21.09db
4% Popularity • 15% Danceability • 5% Energy • 10% Liveness
99% Instrumentalness • 9% Positiveness
4% Popularity • 15% Danceability • 5% Energy • 10% Liveness
99% Instrumentalness • 9% Positiveness
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Balafon Marimba Ensemble
Caderas
138 bpm • F Maj • 03:24 • -13db
25% Popularity • 69% Danceability • 55% Energy • 6% Liveness
86% Instrumentalness • 98% Positiveness
25% Popularity • 69% Danceability • 55% Energy • 6% Liveness
86% Instrumentalness • 98% Positiveness
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Walt Disney World Band
King Cotton
122 bpm • C min • 02:44 • -13.99db
24% Popularity • 62% Danceability • 31% Energy • 3% Liveness
4% Instrumentalness • 78% Positiveness
24% Popularity • 62% Danceability • 31% Energy • 3% Liveness
4% Instrumentalness • 78% Positiveness
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Leslie Bricusse
Charlie's Paper Run
139 bpm • A# min • 01:10 • -15.79db
34% Popularity • 34% Danceability • 34% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 34% Danceability • 34% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
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Billy Crystal
If I Didn't Have You
122 bpm • G# Maj • 03:37 • -10db
60% Popularity • 64% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 64% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Henry Mancini
The Great Mouse Detective
122 bpm • F Maj • 03:32 • -21db
27% Popularity • 48% Danceability • 13% Energy • 6% Liveness
85% Instrumentalness • 18% Positiveness
27% Popularity • 48% Danceability • 13% Energy • 6% Liveness
85% Instrumentalness • 18% Positiveness
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Christophe Beck
Good Ol' Charlie Brown
139 bpm • A Maj • 01:03 • -12.15db
10% Popularity • 30% Danceability • 36% Energy • 9% Liveness
24% Instrumentalness • 5% Positiveness
10% Popularity • 30% Danceability • 36% Energy • 9% Liveness
24% Instrumentalness • 5% Positiveness
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Walter Catlett
Hi-Diddle-Dee-Dee (An Actor's Life for M...
122 bpm • D# Maj • 01:40 • -14.3db
39% Popularity • 81% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 81% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Walt Disney World Band
Slidin' Saints
121 bpm • A# Maj • 02:12 • -11.47db
25% Popularity • 69% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 69% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Balafon Marimba Ensemble
Nhamo
139 bpm • F Maj • 04:04 • -15db
29% Popularity • 65% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 96% Positiveness
29% Popularity • 65% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 96% Positiveness
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Hummie Mann
Lady Comes to Life
140 bpm • F Maj • 03:21 • -14.18db
17% Popularity • 16% Danceability • 23% Energy • 15% Liveness
48% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 23% Energy • 15% Liveness
48% Instrumentalness • 4% Positiveness
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Brian Tyler
The Game Is Afoot - Score
121 bpm • G# Maj • 01:20 • -15.31db
21% Popularity • 54% Danceability • 39% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
21% Popularity • 54% Danceability • 39% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
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Chuck McCann
One Little Spark
121 bpm • F Maj • 03:35 • -9.03db
34% Popularity • 48% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 48% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Richard Bellis
CTX Theme
140 bpm • D min • 06:14 • -13.98db
31% Popularity • 22% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Walt Disney World Band
King Mickey (Mickey Mouse March)
121 bpm • C Maj • 00:59 • -9.31db
32% Popularity • 72% Danceability • 54% Energy • 9% Liveness
85% Instrumentalness • 97% Positiveness
32% Popularity • 72% Danceability • 54% Energy • 9% Liveness
85% Instrumentalness • 97% Positiveness
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Guy Dearden
Main Street USA
140 bpm • E min • 02:06 • -13.72db
5% Popularity • 68% Danceability • 34% Energy • 6% Liveness
94% Instrumentalness • 82% Positiveness
5% Popularity • 68% Danceability • 34% Energy • 6% Liveness
94% Instrumentalness • 82% Positiveness
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John Debney
Wolves - Law of the Jungle
141 bpm • C# Maj • 02:15 • -24db
30% Popularity • 14% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
30% Popularity • 14% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Michael Giacchino
Grey's uh-Mad at Me
121 bpm • C Maj • 01:43 • -13.6db
32% Popularity • 33% Danceability • 34% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
32% Popularity • 33% Danceability • 34% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Cliff Edwards
A Real Boy
120 bpm • G Maj • 01:41 • -12.88db
24% Popularity • 39% Danceability • 33% Energy • 23% Liveness
3% Instrumentalness • 26% Positiveness
24% Popularity • 39% Danceability • 33% Energy • 23% Liveness
3% Instrumentalness • 26% Positiveness
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Wally Boag
Closing Bow / Drums
120 bpm • G# Maj • 01:07 • -12db
28% Popularity • 72% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 72% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 84% Positiveness
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Home Guardsmen
Overture / The Old Home Guard
120 bpm • G Maj • 05:31 • -9.53db
24% Popularity • 39% Danceability • 32% Energy • 26% Liveness
1% Instrumentalness • 24% Positiveness
24% Popularity • 39% Danceability • 32% Energy • 26% Liveness
1% Instrumentalness • 24% Positiveness
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George Bruns
How Romantic/The Goose Steps High Again
120 bpm • G Maj • 02:24 • -24.49db
15% Popularity • 89% Danceability • 10% Energy • 12% Liveness
14% Instrumentalness • 46% Positiveness
15% Popularity • 89% Danceability • 10% Energy • 12% Liveness
14% Instrumentalness • 46% Positiveness
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Disneyland Concert Orchestra
Fantasyland - Disneyland Attraction Vers...
120 bpm • G# Maj • 08:31 • -13.04db
21% Popularity • 36% Danceability • 22% Energy • 9% Liveness
47% Instrumentalness • 17% Positiveness
21% Popularity • 36% Danceability • 22% Energy • 9% Liveness
47% Instrumentalness • 17% Positiveness
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The Melomen
Grim Grinning Ghosts
120 bpm • F Maj • 05:33 • -9.49db
37% Popularity • 43% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 43% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Chaka Mater Laka
Batuu Boogie
120 bpm • F# min • 02:43 • -5.61db
22% Popularity • 75% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
22% Popularity • 75% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
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Wally Boag
Heigh-Ho
120 bpm • G# Maj • 01:28 • -11.3db
27% Popularity • 84% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 84% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Marlin
Finale - The Big Blue World (Reprise) - ...
141 bpm • D# Maj • 02:15 • -13db
32% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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George Bruns
The Archery Affair
120 bpm • G Maj • 01:53 • -9db
43% Popularity • 74% Danceability • 39% Energy • 18% Liveness
87% Instrumentalness • 64% Positiveness
43% Popularity • 74% Danceability • 39% Energy • 18% Liveness
87% Instrumentalness • 64% Positiveness
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Chorus
(You Ain't) Home On the Range
120 bpm • F# min • 01:13 • -11db
33% Popularity • 69% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 69% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
