Songs like Testify by The Damned
Based on a tempo of (+/- 10%) and a similar genre
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Stiff Little Fingers
At the Edge
97 bpm • A Maj • 02:57 • -8db
32% Popularity • 50% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 50% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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X
The Once over Twice
97 bpm • E min • 02:30 • -6.45db
22% Popularity • 58% Danceability • 74% Energy • 20% Liveness
1% Instrumentalness • 73% Positiveness
22% Popularity • 58% Danceability • 74% Energy • 20% Liveness
1% Instrumentalness • 73% Positiveness
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Redd Kross
Cover Band
97 bpm • G Maj • 01:26 • -6db
31% Popularity • 52% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 52% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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The Rezillos
No
96 bpm • G Maj • 02:22 • -11.81db
23% Popularity • 52% Danceability • 88% Energy • 10% Liveness
57% Instrumentalness • 90% Positiveness
23% Popularity • 52% Danceability • 88% Energy • 10% Liveness
57% Instrumentalness • 90% Positiveness
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The Psychedelic Furs
Sister Europe - Remastered
96 bpm • G# Maj • 05:38 • -8.21db
41% Popularity • 57% Danceability • 59% Energy • 13% Liveness
30% Instrumentalness • 78% Positiveness
41% Popularity • 57% Danceability • 59% Energy • 13% Liveness
30% Instrumentalness • 78% Positiveness
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The Ruts
You're Just A.....
96 bpm • A min • 02:54 • -11.1db
16% Popularity • 47% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 47% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Siouxsie and the Banshees
Monitor
96 bpm • G Maj • 05:34 • -7db
46% Popularity • 46% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 46% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 27% Positiveness
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X
When Our Love Passed out on the Couch
98 bpm • A Maj • 01:57 • -6.53db
24% Popularity • 51% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 51% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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The Jam
Art School
98 bpm • D Maj • 02:01 • -9.67db
40% Popularity • 46% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 46% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Rezillos
Destination Venus
96 bpm • A Maj • 03:35 • -10.8db
24% Popularity • 36% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 36% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Mission Of Burma
That's How I Escaped My Certain Fate
98 bpm • A Maj • 02:05 • -5.28db
33% Popularity • 35% Danceability • 86% Energy • 21% Liveness
32% Instrumentalness • 66% Positiveness
33% Popularity • 35% Danceability • 86% Energy • 21% Liveness
32% Instrumentalness • 66% Positiveness
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The Dickies
Poodle Party
95 bpm • E Maj • 01:11 • -6.96db
31% Popularity • 26% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 26% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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The Chameleons
Swamp Thing
99 bpm • A# min • 05:56 • -8db
43% Popularity • 36% Danceability • 74% Energy • 6% Liveness
19% Instrumentalness • 30% Positiveness
43% Popularity • 36% Danceability • 74% Energy • 6% Liveness
19% Instrumentalness • 30% Positiveness
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Dead Kennedys
California Uber Alles
99 bpm • G# Maj • 03:03 • -5db
35% Popularity • 33% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 33% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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T.S.O.L.
Red Shadows
95 bpm • E min • 03:46 • -4.95db
35% Popularity • 28% Danceability • 75% Energy • 40% Liveness
16% Instrumentalness • 33% Positiveness
35% Popularity • 28% Danceability • 75% Energy • 40% Liveness
16% Instrumentalness • 33% Positiveness
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The Rezillos
(My Baby Does) Good Sculptures
96 bpm • A Maj • 03:10 • -11.1db
26% Popularity • 55% Danceability • 82% Energy • 8% Liveness
25% Instrumentalness • 95% Positiveness
26% Popularity • 55% Danceability • 82% Energy • 8% Liveness
25% Instrumentalness • 95% Positiveness
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Wire
Lowdown - 2006 Remastered Version
99 bpm • C Maj • 02:26 • -8db
43% Popularity • 64% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 64% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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X
Johnny Hit and Run Paulene
99 bpm • A min • 02:49 • -6db
30% Popularity • 47% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 47% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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The Cramps
I Can't Hardly Stand It
95 bpm • E Maj • 02:43 • -7.31db
51% Popularity • 58% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 58% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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U.K. Subs
Party in Paris
95 bpm • F Maj • 02:53 • -6.12db
20% Popularity • 48% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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T.S.O.L.
Nothin' for You
94 bpm • A min • 02:30 • -15.34db
28% Popularity • 42% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 42% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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The Adverts
Back from the Dead
94 bpm • B min • 01:41 • -4.11db
23% Popularity • 50% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 50% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Bauhaus
Telegram Sam
94 bpm • D Maj • 02:10 • -12.13db
42% Popularity • 52% Danceability • 68% Energy • 6% Liveness
6% Instrumentalness • 78% Positiveness
42% Popularity • 52% Danceability • 68% Energy • 6% Liveness
6% Instrumentalness • 78% Positiveness
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Hüsker Dü
Celebrated Summer
101 bpm • G Maj • 04:02 • -10.06db
31% Popularity • 29% Danceability • 93% Energy • 39% Liveness
8% Instrumentalness • 18% Positiveness
31% Popularity • 29% Danceability • 93% Energy • 39% Liveness
8% Instrumentalness • 18% Positiveness
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The Dickies
Eve Of Destruction
100 bpm • A Maj • 02:02 • -9.93db
29% Popularity • 52% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 52% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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X
Soul Kitchen
101 bpm • B Maj • 02:26 • -4.38db
29% Popularity • 51% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 51% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Butthole Surfers
Human Cannonball
93 bpm • G Maj • 03:51 • -8.47db
38% Popularity • 44% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 44% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 47% Positiveness
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Adolescents
Kids of the Black Hole
93 bpm • D Maj • 05:27 • -7.53db
42% Popularity • 44% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 44% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Stiv Bators
Swingin' A Go-Go
101 bpm • D Maj • 02:24 • -6.35db
17% Popularity • 52% Danceability • 98% Energy • 94% Liveness
3% Instrumentalness • 70% Positiveness
17% Popularity • 52% Danceability • 98% Energy • 94% Liveness
3% Instrumentalness • 70% Positiveness
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Siouxsie and the Banshees
Dear Prudence
101 bpm • F Maj • 03:48 • -4.39db
58% Popularity • 43% Danceability • 90% Energy • 69% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 43% Danceability • 90% Energy • 69% Liveness
0% Instrumentalness • 42% Positiveness
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U.K. Subs
She's Not There
102 bpm • B min • 01:37 • -4.43db
25% Popularity • 44% Danceability • 96% Energy • 57% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 44% Danceability • 96% Energy • 57% Liveness
0% Instrumentalness • 73% Positiveness
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The Vibrators
Judy Says (Knock You in the Head)
102 bpm • C# min • 02:11 • -4.28db
18% Popularity • 48% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 48% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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DEVO
Uncontrollable Urge
93 bpm • D Maj • 03:11 • -7.07db
51% Popularity • 57% Danceability • 86% Energy • 9% Liveness
66% Instrumentalness • 72% Positiveness
51% Popularity • 57% Danceability • 86% Energy • 9% Liveness
66% Instrumentalness • 72% Positiveness
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The Rezillos
Getting Me Down
92 bpm • F Maj • 02:07 • -11.47db
23% Popularity • 55% Danceability • 73% Energy • 26% Liveness
36% Instrumentalness • 98% Positiveness
23% Popularity • 55% Danceability • 73% Energy • 26% Liveness
36% Instrumentalness • 98% Positiveness
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The Dickies
Paranoid
102 bpm • E min • 02:06 • -7.25db
34% Popularity • 31% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 31% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
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The Cramps
The Way I Walk
102 bpm • A Maj • 02:40 • -12.19db
46% Popularity • 54% Danceability • 74% Energy • 11% Liveness
81% Instrumentalness • 73% Positiveness
46% Popularity • 54% Danceability • 74% Energy • 11% Liveness
81% Instrumentalness • 73% Positiveness
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Dead Boys
What Love Is
92 bpm • E Maj • 02:10 • -9.82db
38% Popularity • 46% Danceability • 90% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 46% Danceability • 90% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
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X
Your Phone's off the Hook, but You're No...
103 bpm • B min • 02:25 • -5db
29% Popularity • 52% Danceability • 81% Energy • 7% Liveness
2% Instrumentalness • 87% Positiveness
29% Popularity • 52% Danceability • 81% Energy • 7% Liveness
2% Instrumentalness • 87% Positiveness
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DEVO
(I Can't Get No) Satisfaction
102 bpm • A min • 02:40 • -12db
45% Popularity • 88% Danceability • 66% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
45% Popularity • 88% Danceability • 66% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
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The Cure
Jumping Someone Else's Train
92 bpm • F# min • 02:57 • -6.92db
55% Popularity • 63% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 63% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Lords Of The New Church
New Church
91 bpm • A Maj • 03:32 • -5.47db
23% Popularity • 41% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 41% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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The Members
The Sound Of The Suburbs
91 bpm • G Maj • 03:53 • -5.8db
36% Popularity • 56% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 56% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Bauhaus
Third Uncle - Single Edit
103 bpm • D Maj • 04:14 • -6db
22% Popularity • 51% Danceability • 95% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
22% Popularity • 51% Danceability • 95% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Crass
Big a Little A - Remastered
103 bpm • B min • 06:09 • -5.76db
33% Popularity • 61% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 61% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Dead Kennedys
Too Drunk To Fuck
103 bpm • E min • 02:41 • -4.82db
47% Popularity • 43% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 43% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
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Hüsker Dü
Don't Want to Know If You Are Lonely
91 bpm • C Maj • 03:30 • -5.93db
52% Popularity • 30% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 30% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Lords Of The New Church
Method To My Madness
91 bpm • G Maj • 03:16 • -5.82db
22% Popularity • 48% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 48% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Circle Jerks
Wild in the Streets
104 bpm • E Maj • 02:31 • -2.5db
49% Popularity • 45% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 45% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Bauhaus
Third Uncle
104 bpm • D Maj • 05:18 • -12db
39% Popularity • 52% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 53% Positiveness
39% Popularity • 52% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 53% Positiveness
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Adam & The Ants
Dog Eat Dog - Remastered
104 bpm • C Maj • 03:10 • -5db
38% Popularity • 62% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 62% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Wire
1 2 X U - 2006 Remastered Version
104 bpm • B Maj • 01:57 • -10.72db
40% Popularity • 68% Danceability • 64% Energy • 35% Liveness
1% Instrumentalness • 77% Positiveness
40% Popularity • 68% Danceability • 64% Energy • 35% Liveness
1% Instrumentalness • 77% Positiveness
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Stiff Little Fingers
Johnny Was
104 bpm • A Maj • 08:10 • -8db
32% Popularity • 41% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 41% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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The Rezillos
Somebody's Gonna Get Their Head Kicked i...
105 bpm • G Maj • 01:54 • -13db
39% Popularity • 49% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 49% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Dead Kennedys
Holiday in Cambodia
105 bpm • F Maj • 04:34 • -9.5db
42% Popularity • 34% Danceability • 95% Energy • 32% Liveness
33% Instrumentalness • 11% Positiveness
42% Popularity • 34% Danceability • 95% Energy • 32% Liveness
33% Instrumentalness • 11% Positiveness
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The Clash
Janie Jones - Remastered
104 bpm • F# min • 02:08 • -7.83db
52% Popularity • 59% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 59% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Hüsker Dü
Something I Learned Today
105 bpm • E Maj • 02:02 • -10.84db
44% Popularity • 41% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 41% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Damned
Dozen Girls
90 bpm • A Maj • 04:33 • -6.53db
24% Popularity • 44% Danceability • 95% Energy • 12% Liveness
4% Instrumentalness • 41% Positiveness
24% Popularity • 44% Danceability • 95% Energy • 12% Liveness
4% Instrumentalness • 41% Positiveness
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Stiff Little Fingers
Wasted Life
90 bpm • A min • 03:09 • -8.13db
35% Popularity • 38% Danceability • 83% Energy • 8% Liveness
10% Instrumentalness • 36% Positiveness
35% Popularity • 38% Danceability • 83% Energy • 8% Liveness
10% Instrumentalness • 36% Positiveness
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Dead Boys
3rd Generation Nation
90 bpm • A Maj • 02:35 • -6.79db
22% Popularity • 42% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 42% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Death
Keep On Knocking
89 bpm • A Maj • 02:50 • -6.32db
48% Popularity • 28% Danceability • 90% Energy • 10% Liveness
27% Instrumentalness • 48% Positiveness
48% Popularity • 28% Danceability • 90% Energy • 10% Liveness
27% Instrumentalness • 48% Positiveness
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Germs
Lexicon Devil
106 bpm • E min • 01:44 • -7.47db
50% Popularity • 50% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
50% Popularity • 50% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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The Adverts
Bombsite Boy
89 bpm • A Maj • 03:27 • -8.07db
15% Popularity • 26% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 26% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
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The Damned
Liar
107 bpm • E Maj • 02:44 • -7.95db
23% Popularity • 34% Danceability • 97% Energy • 78% Liveness
53% Instrumentalness • 21% Positiveness
23% Popularity • 34% Danceability • 97% Energy • 78% Liveness
53% Instrumentalness • 21% Positiveness
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Dead Kennedys
Kill the Poor
107 bpm • G Maj • 03:04 • -8.1db
40% Popularity • 33% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 33% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Dead Boys
Sonic Reducer
89 bpm • C# min • 03:09 • -9db
48% Popularity • 40% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 40% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Wire
Feeling Called Love - 2006 Remastered Ve...
107 bpm • A Maj • 01:28 • -7.23db
46% Popularity • 46% Danceability • 75% Energy • 10% Liveness
54% Instrumentalness • 96% Positiveness
46% Popularity • 46% Danceability • 75% Energy • 10% Liveness
54% Instrumentalness • 96% Positiveness
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Love and Rockets
Kundalini Express
108 bpm • C Maj • 05:48 • -7db
33% Popularity • 37% Danceability • 83% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
33% Popularity • 37% Danceability • 83% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
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The Adverts
On the Roof
88 bpm • A Maj • 03:01 • -6.71db
16% Popularity • 33% Danceability • 66% Energy • 8% Liveness
4% Instrumentalness • 42% Positiveness
16% Popularity • 33% Danceability • 66% Energy • 8% Liveness
4% Instrumentalness • 42% Positiveness
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Chelsea
I'm on Fire
109 bpm • A min • 03:42 • -9.18db
24% Popularity • 54% Danceability • 76% Energy • 23% Liveness
7% Instrumentalness • 60% Positiveness
24% Popularity • 54% Danceability • 76% Energy • 23% Liveness
7% Instrumentalness • 60% Positiveness
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The Damned
Melody Lee
108 bpm • B min • 02:07 • -9.48db
34% Popularity • 26% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 26% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Dead Boys
I Don't Wanna Be No Catholic Boy
88 bpm • A Maj • 02:42 • -7db
23% Popularity • 35% Danceability • 97% Energy • 8% Liveness
82% Instrumentalness • 45% Positiveness
23% Popularity • 35% Danceability • 97% Energy • 8% Liveness
82% Instrumentalness • 45% Positiveness
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The Cramps
Like a Bad Girl Should
109 bpm • B min • 03:05 • -5.61db
37% Popularity • 55% Danceability • 85% Energy • 15% Liveness
8% Instrumentalness • 80% Positiveness
37% Popularity • 55% Danceability • 85% Energy • 15% Liveness
8% Instrumentalness • 80% Positiveness
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The Gun Club
The Fire of Love - Remastered 2020
110 bpm • E Maj • 02:08 • -4.68db
35% Popularity • 44% Danceability • 93% Energy • 23% Liveness
3% Instrumentalness • 64% Positiveness
35% Popularity • 44% Danceability • 93% Energy • 23% Liveness
3% Instrumentalness • 64% Positiveness
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The Fall
Fiery Jack - Bonus Track
111 bpm • C# min • 04:43 • -7.9db
29% Popularity • 70% Danceability • 92% Energy • 5% Liveness
1% Instrumentalness • 34% Positiveness
29% Popularity • 70% Danceability • 92% Energy • 5% Liveness
1% Instrumentalness • 34% Positiveness
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The Dead Milkmen
Dean's Dream
111 bpm • F# min • 01:49 • -15db
37% Popularity • 40% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 40% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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The Damned
Noise, Noise, Noise
110 bpm • F# min • 03:11 • -6.9db
26% Popularity • 39% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 39% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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The Vibrators
Baby Baby
111 bpm • E Maj • 03:44 • -2.45db
22% Popularity • 38% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 38% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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The Cramps
Bikini Girls with Machine Guns
111 bpm • A min • 03:17 • -7db
42% Popularity • 51% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 51% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Dead Kennedys
California Uber Alles
111 bpm • G# Maj • 03:27 • -4.77db
55% Popularity • 32% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 32% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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The Gun Club
A Devil in the Woods - Remastered 2020
111 bpm • E Maj • 03:05 • -3.96db
26% Popularity • 52% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 52% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Gang Of Four
What We All Want
112 bpm • C# min • 04:58 • -8db
29% Popularity • 64% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 82% Positiveness
29% Popularity • 64% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 82% Positiveness
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New York Dolls
Trash
113 bpm • G Maj • 03:08 • -9db
46% Popularity • 48% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 48% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Joy Division
Warsaw - 2010 Remaster
83 bpm • C Maj • 02:24 • -9db
51% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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The Cramps
Rockin' Bones
113 bpm • E Maj • 02:48 • -10.91db
37% Popularity • 66% Danceability • 55% Energy • 16% Liveness
3% Instrumentalness • 51% Positiveness
37% Popularity • 66% Danceability • 55% Energy • 16% Liveness
3% Instrumentalness • 51% Positiveness
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Johnny Thunders & The Heartbreakers
I Wanna Be Loved
114 bpm • C Maj • 02:39 • -6.4db
22% Popularity • 59% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 59% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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The Gun Club
Bad Indian - Remastered 2020
112 bpm • E Maj • 02:35 • -4.34db
27% Popularity • 51% Danceability • 96% Energy • 20% Liveness
14% Instrumentalness • 86% Positiveness
27% Popularity • 51% Danceability • 96% Energy • 20% Liveness
14% Instrumentalness • 86% Positiveness
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Gang Of Four
I Love a Man in a Uniform
112 bpm • A# Maj • 04:07 • -12.61db
34% Popularity • 77% Danceability • 44% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 77% Danceability • 44% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
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The Clash
Hateful - Remastered
114 bpm • G Maj • 02:43 • -7db
47% Popularity • 59% Danceability • 86% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 59% Danceability • 86% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
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Dead Boys
Not Anymore
116 bpm • D min • 03:41 • -10.48db
26% Popularity • 35% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 35% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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The Cramps
I Was A Teenage Werewolf - Remastered 19...
115 bpm • D Maj • 03:03 • -10.49db
51% Popularity • 41% Danceability • 60% Energy • 32% Liveness
5% Instrumentalness • 49% Positiveness
51% Popularity • 41% Danceability • 60% Energy • 32% Liveness
5% Instrumentalness • 49% Positiveness
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Joy Division
Dead Souls - 2007 Remaster
117 bpm • F Maj • 04:53 • -5.32db
41% Popularity • 48% Danceability • 96% Energy • 12% Liveness
67% Instrumentalness • 63% Positiveness
41% Popularity • 48% Danceability • 96% Energy • 12% Liveness
67% Instrumentalness • 63% Positiveness
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Tubeway Army
The Machman - 1998 Remaster
117 bpm • B min • 03:08 • -11db
31% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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X
Nausea
118 bpm • A Maj • 03:40 • -5.89db
27% Popularity • 60% Danceability • 76% Energy • 38% Liveness
6% Instrumentalness • 88% Positiveness
27% Popularity • 60% Danceability • 76% Energy • 38% Liveness
6% Instrumentalness • 88% Positiveness
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Richard Hell
Liars Beware - 2013 Remaster
119 bpm • A Maj • 02:55 • -3.48db
20% Popularity • 55% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
20% Popularity • 55% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Stiff Little Fingers
Alternative Ulster
118 bpm • B min • 02:43 • -5.86db
52% Popularity • 44% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 44% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Joe Strummer
Love Kills
119 bpm • F# Maj • 03:59 • -6.06db
9% Popularity • 69% Danceability • 75% Energy • 42% Liveness
1% Instrumentalness • 72% Positiveness
9% Popularity • 69% Danceability • 75% Energy • 42% Liveness
1% Instrumentalness • 72% Positiveness
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The Damned
Twisted Nerve
119 bpm • A min • 04:35 • -10.96db
19% Popularity • 47% Danceability • 74% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
19% Popularity • 47% Danceability • 74% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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U.K. Subs
Stranglehold
119 bpm • D Maj • 01:57 • -6db
32% Popularity • 68% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 68% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness