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Texas Like That
Songs like
Texas Like That
by
Zane Williams
Based on a tempo of (+/- 10%) and a similar genre
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Eleven Hundred Springs
This Ain't the First Time (But It's the ...
125 bpm • D Maj • 03:37 • -4.71db
30% Popularity • 75% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Jody Booth
Gotta Go Back To Work
125 bpm • F# Maj • 03:06 • -3.59db
28% Popularity • 68% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Bleu Edmondson
Travelin' Man
125 bpm • G# min • 03:29 • -7.29db
19% Popularity • 67% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Zane Williams
Texas Like That
125 bpm • D Maj • 04:24 • -6.76db
25% Popularity • 60% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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No Justice
Never Come Back
125 bpm • G Maj • 03:16 • -7.68db
22% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Jason Boland
Shades of Gray
126 bpm • G Maj • 06:16 • -10.08db
34% Popularity • 41% Danceability • 35% Energy • 74% Liveness
0% Instrumentalness • 34% Positiveness
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Ryan Beaver
Rum & Roses
126 bpm • D Maj • 04:39 • -6.35db
19% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Jason Cassidy
Blame It On Waylon
124 bpm • C# Maj • 03:01 • -3.92db
26% Popularity • 58% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Damn Quails
Down
124 bpm • G Maj • 03:39 • -4db
29% Popularity • 68% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Mike Ryan
Putting off Telling Me Goodbye
124 bpm • C Maj • 03:14 • -5.49db
27% Popularity • 61% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Brandon Rhyder
Between Here And The Front Door
124 bpm • E Maj • 03:33 • -4db
23% Popularity • 67% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Parker McCollum
New Orleans
126 bpm • G Maj • 03:51 • -5.96db
40% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Tanner Fenoglio
This Town
126 bpm • A Maj • 04:10 • -5.67db
21% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Chancey Williams
Rodeo Cold Beer
124 bpm • C Maj • 03:41 • -5.05db
38% Popularity • 63% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Adam Hood
Trying to Write a Love Song
126 bpm • A min • 02:35 • -5.07db
25% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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The Damn Quails
Me and the Whiskey
124 bpm • G Maj • 04:08 • -7.68db
35% Popularity • 60% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Eleven Hundred Springs
We're from Texas
124 bpm • D Maj • 03:04 • -3.56db
32% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Micky & The Motorcars
Road to You
126 bpm • D Maj • 04:01 • -5.42db
22% Popularity • 61% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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The Wilder Blue
Janie Lynn
126 bpm • F Maj • 04:18 • -10.14db
29% Popularity • 45% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Zane Williams
You Don't Know Jack
126 bpm • G Maj • 03:02 • -7.39db
8% Popularity • 78% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Brandon Rhyder
Haggard
126 bpm • A min • 03:30 • -5.41db
20% Popularity • 59% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Curtis Grimes
Everything Hank Did
124 bpm • A Maj • 03:26 • -5.61db
21% Popularity • 59% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Gethen Jenkins
Whiskey Bound
123 bpm • G Maj • 05:30 • -5.09db
25% Popularity • 40% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
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Micky & The Motorcars
Rock Springs to Cheyenne
126 bpm • G Maj • 04:01 • -5.34db
25% Popularity • 49% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Kendell Marvel
Gypsy Woman
123 bpm • G# min • 03:33 • -9.54db
28% Popularity • 68% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Zane Williams
The Secret
123 bpm • G Maj • 03:54 • -9.28db
4% Popularity • 46% Danceability • 70% Energy • 82% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Knight
The Jealous Kind
127 bpm • G Maj • 04:18 • -8.47db
31% Popularity • 58% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Brandon Rhyder
Freeze Frame Time
124 bpm • A# Maj • 07:36 • -9.02db
16% Popularity • 42% Danceability • 36% Energy • 83% Liveness
0% Instrumentalness • 28% Positiveness
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Jason Eady
Ok Whiskey
127 bpm • A Maj • 02:25 • -5.05db
33% Popularity • 75% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Micky & The Motorcars
Sister Lost Soul
123 bpm • A Maj • 04:13 • -4db
18% Popularity • 60% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Mark McKinney
Stolen Cash
128 bpm • G Maj • 04:06 • -4.64db
21% Popularity • 63% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Zane Williams
Good Man to Have Around
123 bpm • G Maj • 03:24 • -6.05db
18% Popularity • 68% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Bart Crow
Loves Got A Hold On You
122 bpm • E Maj • 04:01 • -5.99db
20% Popularity • 56% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Dalton Domino
Dallas
128 bpm • D Maj • 03:38 • -6.68db
15% Popularity • 64% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Drew Fish Band
Flood
128 bpm • A Maj • 03:59 • -6db
17% Popularity • 50% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Micky & The Motorcars
Hearts from Above
123 bpm • E Maj • 03:29 • -2.83db
18% Popularity • 65% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Kyle Park
Half Empty Shotgun
122 bpm • G Maj • 03:09 • -7.34db
26% Popularity • 58% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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John David Kent
Back To The Country
122 bpm • D Maj • 03:27 • -3.65db
14% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bart Crow
Little Bit of Luck
128 bpm • G Maj • 02:36 • -3.87db
33% Popularity • 56% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Cameran Nelson
The Little That We're Livin On
122 bpm • F# Maj • 02:54 • -4.08db
18% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Adam Hood
I'll Sing About Mine
122 bpm • A Maj • 04:34 • -3.24db
17% Popularity • 53% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Mike Ryan
The Cold One
122 bpm • G Maj • 03:27 • -6db
34% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Jason Eady
Whiskey & You
128 bpm • D Maj • 03:50 • -12db
23% Popularity • 59% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Great Divide
Out of Here Tonight
121 bpm • G Maj • 03:33 • -4.81db
24% Popularity • 50% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Max Stalling
Bass Run
129 bpm • G Maj • 04:18 • -6.56db
24% Popularity • 72% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Koe Wetzel
Between Two Bottles
129 bpm • A Maj • 04:02 • -5.53db
34% Popularity • 52% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Jason James
I've Been Drinking More
121 bpm • G Maj • 03:35 • -5.87db
33% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Micky & The Motorcars
Tonight We Ride
121 bpm • A Maj • 03:43 • -4db
31% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Zane Williams
I Don't Have the Heart
121 bpm • A Maj • 04:36 • -7.28db
13% Popularity • 55% Danceability • 67% Energy • 44% Liveness
0% Instrumentalness • 34% Positiveness
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Cooder Graw
New Dress
130 bpm • G Maj • 03:21 • -4db
29% Popularity • 72% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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No Justice
Shot in the Dark
130 bpm • E Maj • 03:15 • -5.39db
23% Popularity • 52% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Brandon Jenkins
My Feet Don't Touch the Ground
130 bpm • G Maj • 04:00 • -6db
30% Popularity • 68% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Kevin Fowler
Speak of the Devil
130 bpm • F# Maj • 04:00 • -7db
28% Popularity • 62% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Micky & The Motorcars
Carolina Morning
130 bpm • G Maj • 04:21 • -5.05db
17% Popularity • 46% Danceability • 84% Energy • 24% Liveness
2% Instrumentalness • 68% Positiveness
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Zane Williams
I Am What I Am
120 bpm • E Maj • 04:01 • -6.23db
10% Popularity • 68% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
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Adam Hood
Way Too Long
130 bpm • D Maj • 03:43 • -8db
30% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Damn Quails
Midnight Swagger
130 bpm • G Maj • 03:12 • -5db
38% Popularity • 59% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Shotgun Rider
Me and a Memory
130 bpm • G# min • 03:32 • -5.48db
27% Popularity • 50% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Kody West
Melody
130 bpm • D Maj • 04:39 • -3.85db
30% Popularity • 48% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Micky & The Motorcars
Carolina Morning
130 bpm • G Maj • 04:22 • -6.62db
29% Popularity • 58% Danceability • 90% Energy • 96% Liveness
0% Instrumentalness • 79% Positiveness
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Zane Williams
Honkytonk Situation
130 bpm • D Maj • 03:54 • -7.37db
13% Popularity • 63% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Jason Eady
Wishful Drinking
130 bpm • D Maj • 04:16 • -13.96db
15% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Damn Quails
Parachute
130 bpm • C Maj • 03:40 • -7.28db
28% Popularity • 68% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Dolly Shine
Heart Like Mine
120 bpm • C Maj • 04:04 • -8.12db
14% Popularity • 56% Danceability • 64% Energy • 39% Liveness
2% Instrumentalness • 39% Positiveness
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Kody West
Higher Ground
120 bpm • F Maj • 04:01 • -7.38db
36% Popularity • 58% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Micky & The Motorcars
Long Enough to Leave
120 bpm • A# Maj • 04:26 • -8.1db
17% Popularity • 58% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Six Market Blvd.
Ready to Throw
120 bpm • D Maj • 03:26 • -6.09db
18% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Zane Williams
High Hopes and Low Expectations
130 bpm • E Maj • 03:46 • -5.98db
7% Popularity • 54% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Brandon Rhyder
You Burn Me
120 bpm • D Maj • 04:22 • -9.02db
13% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Dillon Carmichael
Old Songs Like That
120 bpm • D Maj • 03:31 • -13db
34% Popularity • 57% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Bleu Edmondson
No Room for Mercy
120 bpm • E Maj • 03:46 • -5.95db
20% Popularity • 74% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
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Micky & The Motorcars
Long Enough to Leave
120 bpm • G min • 04:28 • -6.66db
29% Popularity • 59% Danceability • 83% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
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Turnpike Troubadours
7 Oaks
120 bpm • C Maj • 04:01 • -3.8db
33% Popularity • 62% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Zane Williams
Tired of Being Perfect
130 bpm • C Maj • 03:17 • -6.49db
10% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Jon Wolfe
That Girl in Texas
120 bpm • C Maj • 04:07 • -3.92db
39% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Clay Hollis
Can't Let a Good Thing Get Away
120 bpm • A Maj • 03:12 • -3.27db
21% Popularity • 57% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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John David Kent
My Girl
120 bpm • G Maj • 03:56 • -2.88db
24% Popularity • 58% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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The Great Divide
Alive & Well
130 bpm • G Maj • 02:45 • -6db
27% Popularity • 74% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Dillon Carmichael
It's Simple
131 bpm • D Maj • 03:31 • -8.99db
27% Popularity • 44% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Zane Williams
Grandpa's Song
119 bpm • D Maj • 03:18 • -15.23db
2% Popularity • 52% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 44% Positiveness
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Kyle Park
Somebody’s Trying To Steal My Heart
131 bpm • G Maj • 03:15 • -5.81db
30% Popularity • 57% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Josh Grider
Crazy Like You
131 bpm • D Maj • 03:44 • -7db
18% Popularity • 55% Danceability • 48% Energy • 94% Liveness
0% Instrumentalness • 45% Positiveness
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John D. Hale Band
More Than I Can Handle
131 bpm • A Maj • 04:55 • -6db
18% Popularity • 57% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Dalton Domino
July
131 bpm • G Maj • 03:24 • -5.44db
23% Popularity • 59% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Dolly Shine
Dangerous Love
131 bpm • B Maj • 03:26 • -4.46db
17% Popularity • 54% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Kody West
In The Morning
119 bpm • G Maj • 04:14 • -4.99db
32% Popularity • 47% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Jon Wolfe
Let a Country Boy Love You
119 bpm • G Maj • 02:59 • -4.47db
36% Popularity • 71% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Josh Grider
One Night Taco Stand
119 bpm • B Maj • 04:15 • -6.15db
25% Popularity • 65% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Flatland Cavalry
A Good Memory
119 bpm • E Maj • 03:43 • -7.74db
37% Popularity • 67% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Chris Knight
Cry Lonely
132 bpm • E min • 04:14 • -6.69db
25% Popularity • 59% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Gary P. Nunn
What I Like About Texas
132 bpm • E Maj • 04:30 • -7.28db
33% Popularity • 55% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Silverada
Steak Night at the Prairie Rose
119 bpm • D Maj • 04:26 • -7.95db
33% Popularity • 58% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Jon Wolfe
A Cowgirl Like You
119 bpm • C Maj • 04:09 • -7.84db
32% Popularity • 46% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
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Zane Williams
On a Good Day
132 bpm • D Maj • 03:38 • -9.78db
11% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Brandon Rhyder
I Can't Hang On
132 bpm • B Maj • 04:37 • -4.84db
13% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Seven Miles South
Okay With That
132 bpm • G Maj • 03:27 • -5.99db
27% Popularity • 53% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Mark McKinney
Lonely Bones
132 bpm • D Maj • 03:51 • -5.53db
22% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Scott Sean White
Right Reasons (For Kaiya) - Acoustic
132 bpm • C Maj • 03:38 • -9db
2% Popularity • 70% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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The Damn Quails
California Open Invitation
118 bpm • G Maj • 05:03 • -5.19db
30% Popularity • 54% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Zane Williams
Jayton and Jill
132 bpm • E Maj • 03:34 • -8.38db
34% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Texas Like That