Songs like Texas (When I Die) by Tanya Tucker
Based on a tempo of (+/- 10%) and a similar genre
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The Kentucky Headhunters
Redneck Girl
80 bpm • A min • 02:26 • -12db
21% Popularity • 72% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 72% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Tanya Tucker
What's Your Mama's Name
80 bpm • F Maj • 03:03 • -16.5db
42% Popularity • 57% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 57% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Mel McDaniel
'57 Chevy And You
80 bpm • A min • 02:35 • -8db
32% Popularity • 64% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 64% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Dan Seals
Your Love
80 bpm • F Maj • 03:02 • -15.23db
37% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Collin Raye
A Bible And A Bus Ticket Home
80 bpm • G Maj • 03:54 • -7.57db
27% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Derailers
Cold Beer, Hot Women & Cool Country Musi...
81 bpm • D Maj • 02:53 • -3.25db
24% Popularity • 51% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 51% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Ricky Van Shelton
Life Turned Her That Way
78 bpm • G# Maj • 03:21 • -13.66db
41% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Tanya Tucker
Texas (When I Die)
80 bpm • A Maj • 04:00 • -11.8db
29% Popularity • 66% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 66% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Vince Gill
Pocket Full Of Gold
82 bpm • F Maj • 04:07 • -11.01db
42% Popularity • 53% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 53% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Daryle Singletary
I'd Love To Lay You Down
82 bpm • G Maj • 03:09 • -8.29db
32% Popularity • 66% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 66% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Rick Trevino
Life Can Turn On A Dime
82 bpm • F Maj • 02:52 • -8.76db
22% Popularity • 62% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 62% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Danni Leigh
I Don't Feel That Way Anymore
77 bpm • A# Maj • 03:31 • -6db
16% Popularity • 47% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 47% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Tony Justice
Brothers of the Highway
84 bpm • F# Maj • 03:02 • -4.97db
36% Popularity • 45% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 45% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Tanya Tucker
Greener Than The Grass (We Laid On)
81 bpm • A Maj • 02:52 • -11.25db
14% Popularity • 50% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 50% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Ricky Van Shelton
Somebody Lied
76 bpm • D Maj • 03:20 • -12db
40% Popularity • 58% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 58% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Vern Gosdin
If You're Gonna Do Me Wrong, Do It Right
76 bpm • A# Maj • 03:23 • -15.69db
35% Popularity • 55% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 55% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Moe Bandy
Til I'm Too Old To Die Young
84 bpm • D# Maj • 03:11 • -16.94db
34% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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The Mavericks
From Hell To Paradise
76 bpm • G Maj • 04:47 • -5.86db
33% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Ciarán Rosney
Golden Ring
85 bpm • B Maj • 03:07 • -3.17db
29% Popularity • 60% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 60% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Tanya Tucker
Don't Believe My Heart Can Stand Another...
77 bpm • E Maj • 03:03 • -11.95db
8% Popularity • 73% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 73% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Confederate Railroad
Bill's Laundromat, Bar and Grill
75 bpm • F Maj • 03:40 • -9.39db
35% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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George Fox
I'm Gone
75 bpm • F# Maj • 03:07 • -9.21db
23% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Mel McDaniel
Blue Suede Shoes
74 bpm • G Maj • 02:43 • -7.09db
35% Popularity • 57% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 57% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Big-B
Hear the Angels Crying
86 bpm • D Maj • 03:05 • -9.27db
11% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Travis Tritt
If Hell Had a Jukebox
87 bpm • G Maj • 03:17 • -9.41db
30% Popularity • 57% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 57% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Tanya Tucker
I'll Come Back As Another Woman
83 bpm • G min • 04:03 • -9.86db
29% Popularity • 62% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 62% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Vern Gosdin
Dream of Me
88 bpm • A Maj • 02:47 • -16.2db
35% Popularity • 66% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 66% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Ricky Van Shelton
After The Lights Go Out
88 bpm • A# Maj • 03:18 • -12.21db
27% Popularity • 63% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 63% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Mel McDaniel
Reverend Luther And The Madam
88 bpm • F Maj • 03:02 • -7.19db
22% Popularity • 63% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 63% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Donna Fargo
U.S. of America
73 bpm • E Maj • 02:39 • -13.5db
23% Popularity • 24% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 24% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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The Kentucky Headhunters
Chug-A-Lug
88 bpm • B Maj • 02:06 • -3.72db
26% Popularity • 75% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 75% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Tanya Tucker
Old Dan Tucker's Daughter
84 bpm • F# Maj • 02:53 • -15.53db
19% Popularity • 60% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 60% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Granger Smith
As It is in Texas
88 bpm • C# Maj • 03:22 • -9.17db
28% Popularity • 58% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 58% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Ronnie McDowell
Older Women - Re-Recorded In Stereo
89 bpm • A# Maj • 02:49 • -9.35db
40% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Mel McDaniel
I Can Never Get You Off My Mind
89 bpm • E Maj • 02:16 • -6.14db
36% Popularity • 69% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 69% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Scooter Lee
Little Jalapeno
90 bpm • A# Maj • 03:29 • -5db
15% Popularity • 66% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 66% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Lee
The Yellow Rose
90 bpm • F Maj • 02:23 • -15.74db
29% Popularity • 74% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 74% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Tanya Tucker
Oh What It Did To Me
84 bpm • B Maj • 03:26 • -11.18db
32% Popularity • 64% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 64% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
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T.G. Sheppard
Do You Wanna Go to Heaven - Rerecorded
90 bpm • C# Maj • 03:11 • -12.88db
27% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Mark Chesnutt
Rollin' With The Flow
90 bpm • C Maj • 02:48 • -6.26db
34% Popularity • 52% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 52% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Ricky Van Shelton
Living Proof
90 bpm • B Maj • 03:20 • -7.3db
28% Popularity • 60% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 60% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Pirates Of The Mississippi
I Take My Comfort In You
90 bpm • E Maj • 03:35 • -9.78db
16% Popularity • 63% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 63% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Alabama
High Cotton
91 bpm • F Maj • 03:00 • -9.67db
58% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Tanya Tucker
Delta Dawn
76 bpm • F Maj • 03:26 • -11.34db
28% Popularity • 70% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 70% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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T.G. Sheppard
Do You Wanna Go to Heaven
91 bpm • C# Maj • 03:10 • -12.56db
39% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Mel McDaniel
Countryfied
91 bpm • D Maj • 02:38 • -7.56db
45% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
45% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Travis Tritt
Rough Around the Edges
92 bpm • D Maj • 03:48 • -5.14db
16% Popularity • 52% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 52% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Ricky Lynn Gregg
To Find Where I Belong
92 bpm • A# Maj • 03:47 • -9.46db
18% Popularity • 57% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 57% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Mary Sarah
Texas (When I Die)
92 bpm • A Maj • 03:46 • -4.52db
6% Popularity • 52% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
6% Popularity • 52% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Tanya Tucker
Would You Lay with Me (In a Field of Sto...
74 bpm • A# Maj • 02:23 • -16db
30% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Steffen Jakobsen
Music Man
92 bpm • D Maj • 02:54 • -8.04db
23% Popularity • 61% Danceability • 58% Energy • 30% Liveness
2% Instrumentalness • 52% Positiveness
23% Popularity • 61% Danceability • 58% Energy • 30% Liveness
2% Instrumentalness • 52% Positiveness
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The Poverty Plainsmen
The Miracle Man
92 bpm • F# Maj • 04:07 • -6.57db
20% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Stephen Ackles
The Sailer
92 bpm • G Maj • 03:25 • -7.4db
11% Popularity • 62% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 62% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Mark Wills
Prisoner Of The Highway
93 bpm • G Maj • 04:23 • -5.66db
32% Popularity • 59% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 59% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Travis Tritt
Southbound Train
93 bpm • A Maj • 04:00 • -4.07db
29% Popularity • 58% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 58% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Tanya Tucker
What Do They Know
74 bpm • G# Maj • 03:17 • -13.15db
14% Popularity • 64% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 64% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Kix Brooks
Baby, When Your Heart Breaks Down
94 bpm • D Maj • 03:02 • -11.5db
9% Popularity • 68% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 68% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Suzy Bogguss
Other Side Of The Hill
94 bpm • G# Maj • 03:25 • -9db
36% Popularity • 64% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 64% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Smokin' Armadillos
Miracle Man
94 bpm • G Maj • 04:12 • -8db
22% Popularity • 61% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 61% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Martin Nilsson
Lone Ranger
94 bpm • A Maj • 04:12 • -7.41db
21% Popularity • 55% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 55% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Niamh Lynn
While I Was Making Love to You
95 bpm • A Maj • 03:50 • -4.7db
29% Popularity • 60% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 60% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Tanya Tucker
Love Me Like You Used To
89 bpm • A# Maj • 03:49 • -17.39db
47% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Ashton Shepherd
The Bigger The Heart
94 bpm • A Maj • 02:34 • -2.57db
27% Popularity • 59% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 59% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Carmen
Trailersjåfør
95 bpm • E Maj • 03:05 • -4.37db
22% Popularity • 60% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 60% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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T.G. Sheppard
Only One You
95 bpm • E min • 03:22 • -12.45db
35% Popularity • 81% Danceability • 62% Energy • 6% Liveness
19% Instrumentalness • 97% Positiveness
35% Popularity • 81% Danceability • 62% Energy • 6% Liveness
19% Instrumentalness • 97% Positiveness
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Mel McDaniel
Goodbye Marie
95 bpm • D# Maj • 02:56 • -7.83db
34% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Ronnie Milsap
My Heart
95 bpm • B Maj • 02:41 • -10.43db
38% Popularity • 71% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 71% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Tanya Tucker
If Your Heart Ain't Busy (Live)
90 bpm • F min • 03:00 • -12.7db
24% Popularity • 66% Danceability • 55% Energy • 54% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 66% Danceability • 55% Energy • 54% Liveness
0% Instrumentalness • 83% Positiveness
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George Fox
Time of My Life
96 bpm • C Maj • 03:25 • -8.68db
28% Popularity • 59% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 59% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Steve Wariner
Big Ol' Empty House
96 bpm • A# Maj • 03:26 • -11.25db
17% Popularity • 70% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 70% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Rodney Crowell
I Walk The Line
96 bpm • G Maj • 03:51 • -5.34db
43% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Mary Chapin Carpenter
Down At The Twist And Shout
96 bpm • A Maj • 04:22 • -8.45db
10% Popularity • 74% Danceability • 90% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 74% Danceability • 90% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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Stuart Moyles
Jessie
97 bpm • G# Maj • 03:26 • -5.91db
30% Popularity • 62% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 62% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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![Loves Gonna Live Here [with Jim Lauderdale] cover art](https://i.scdn.co/image/ab67616d00001e02eedcbf74463ed8dc3a0f4a87)
Tanya Tucker
Loves Gonna Live Here [with Jim Lauderda...
91 bpm • A Maj • 02:26 • -7.37db
8% Popularity • 70% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 70% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Daryle Singletary
Some Broken Hearts Never Mend
97 bpm • A Maj • 03:08 • -6.6db
27% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Rosanne Cash
Tennessee Flat Top Box
98 bpm • F min • 03:09 • -16.01db
39% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Ã…smund Ã…mli Band
Om Du Ein Dag Vil Heimte
98 bpm • C Maj • 04:14 • -10.05db
33% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Ricky Skaggs
A Voice Still Rings True
98 bpm • F Maj • 03:54 • -12.31db
19% Popularity • 62% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 62% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Travis Tritt
Where Corn Don't Grow
98 bpm • E Maj • 03:28 • -9.38db
51% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Tanya Tucker
Strong Enough To Bend
92 bpm • G# Maj • 02:43 • -12.49db
41% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Marty Stuart
I Run To You
99 bpm • G# Maj • 04:05 • -7db
30% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Clay Walker
Live, Laugh, Love
99 bpm • D Maj • 04:06 • -11db
34% Popularity • 65% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 65% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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T.G. Sheppard
Party Time
100 bpm • F Maj • 03:32 • -12db
38% Popularity • 59% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
38% Popularity • 59% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
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Mel McDaniel
Rock-A-Billy Boy
100 bpm • F min • 02:23 • -5.89db
24% Popularity • 69% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 69% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Lee Ann Womack
A Man With 18 Wheels
101 bpm • G Maj • 03:20 • -8.06db
31% Popularity • 63% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 63% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Tanya Tucker
Ramblin' Fever
95 bpm • B Maj • 04:20 • -9.28db
9% Popularity • 68% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 68% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Cato Sanden
She's the One
99 bpm • G Maj • 02:43 • -9.98db
12% Popularity • 63% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 63% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Ray Scott
Put Another Log on the Fire
102 bpm • F Maj • 02:19 • -7db
30% Popularity • 65% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 65% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Vern Gosdin
That Just About Does It
102 bpm • C# Maj • 03:59 • -15db
38% Popularity • 61% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 61% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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HÃ¥kon Banken
Tømmer Og Luksus
104 bpm • E Maj • 03:43 • -10.72db
32% Popularity • 72% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 72% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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George Fox
Goldmine
103 bpm • G Maj • 03:57 • -12.49db
37% Popularity • 70% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 70% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Tanya Tucker
Shotgun
96 bpm • B min • 03:28 • -11.19db
33% Popularity • 56% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 56% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Lee Ann Womack
Someone I Used To Know
104 bpm • D# Maj • 02:26 • -7.24db
36% Popularity • 63% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 63% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Dan Seals
She Thinks I Still Care
104 bpm • B Maj • 02:54 • -18db
36% Popularity • 65% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 65% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Pirates Of The Mississippi
Drinkin' Money
104 bpm • F Maj • 03:20 • -5.62db
18% Popularity • 77% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 77% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Rodriguez
How Could I Love Her So Much
104 bpm • D Maj • 03:14 • -13db
33% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Restless Heart
You Can Depend On Me
105 bpm • G Maj • 02:38 • -10db
30% Popularity • 72% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 72% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Tanya Tucker
Pecos Promenade
98 bpm • G# Maj • 02:29 • -9.72db
27% Popularity • 63% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 63% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
