Songs like Thais: Act I Scene 2: Ah! Ah! Ah! (Crobyle, Myrtale) by Jules Massenet
Based on a tempo of (+/- 10%) and a similar genre
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
129 bpm • C min • 04:40 • -25db
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Schwanengesang, D. 957: No. 4,...
131 bpm • C min • 04:27 • -28.93db
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Piano Concerto No. 2 in D Minor, Op. 40,...
131 bpm • A# Maj • 07:44 • -30.09db
36% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: No. 8 Romance
133 bpm • C# Maj • 06:28 • -20.3db
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Frederick Delius
Florida Suite: By the River
133 bpm • D# Maj • 07:09 • -27.38db
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: III. Intermez...
134 bpm • D# Maj • 02:40 • -24db
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Jules Massenet
Le Cid: Plus de tourments et plus de pei...
123 bpm • A# Maj • 01:55 • -17.18db
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
48% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
48% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
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Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Jules Massenet
Massenet: Le Cid, Act 3: "Ah ! Tout est ...
136 bpm • G# Maj • 04:53 • -18.38db
2% Popularity • 23% Danceability • 12% Energy • 6% Liveness
26% Instrumentalness • 9% Positiveness
2% Popularity • 23% Danceability • 12% Energy • 6% Liveness
26% Instrumentalness • 9% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Divertimento in D Major, K. 136, "Salzbu...
137 bpm • D Maj • 04:10 • -21db
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Camerata Transylvanica
Thais: Thais, Act II: Meditation
121 bpm • E min • 04:43 • -23.22db
28% Popularity • 23% Danceability • 10% Energy • 17% Liveness
52% Instrumentalness • 6% Positiveness
28% Popularity • 23% Danceability • 10% Energy • 17% Liveness
52% Instrumentalness • 6% Positiveness
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Fritz Kreisler
Kreisler: Schön Rosmarin
121 bpm • G Maj • 01:57 • -15db
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 90% Positiveness
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 90% Positiveness
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Jules Massenet
Massenet: La Vierge, Pt. 4: Le dernier s...
120 bpm • G Maj • 04:10 • -31.3db
6% Popularity • 17% Danceability • 2% Energy • 12% Liveness
9% Instrumentalness • 5% Positiveness
6% Popularity • 17% Danceability • 2% Energy • 12% Liveness
9% Instrumentalness • 5% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
49% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
49% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
119 bpm • A# Maj • 02:50 • -20db
40% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Samuel Coleridge-Taylor
Petite Suite de Concert, Op. 77: III. Un...
140 bpm • A Maj • 03:40 • -28.62db
19% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Luigi Boccherini
Boccherini: Cello Concerto No. 9 in B-Fl...
141 bpm • A# Maj • 06:08 • -16.83db
31% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
31% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
142 bpm • D# Maj • 03:45 • -23db
21% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Quartet in G Minor, K.478: II. And...
140 bpm • A# Maj • 06:43 • -27.65db
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: 1. Präludium (Al...
142 bpm • G Maj • 02:45 • -21db
24% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
24% Popularity • 23% Danceability • 14% Energy • 40% Liveness
87% Instrumentalness • 23% Positiveness
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Albéric Magnard
Suite d'orchestre dans le style ancien, ...
116 bpm • G min • 02:09 • -32db
48% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Johannes Brahms
Six Songs for Cello and Piano: 4. Wiegen...
116 bpm • F Maj • 02:05 • -39db
33% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
33% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Oboe Concerto in C Major, K. 314: III. R...
118 bpm • C Maj • 05:38 • -20db
42% Popularity • 55% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 55% Positiveness
42% Popularity • 55% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 55% Positiveness
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AntonÃn Dvořák
4 Romantic Pieces, Op. 75, B. 150: I. Al...
115 bpm • A# Maj • 02:56 • -27.06db
37% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
37% Popularity • 21% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62: Sinfonia
115 bpm • A Maj • 00:59 • -37db
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
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Jules Massenet
Thaïs: Meditation
114 bpm • D Maj • 05:41 • -16.99db
12% Popularity • 19% Danceability • 17% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 17% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Serenade No. 13 in G Major, K. 525, "Ein...
143 bpm • C Maj • 06:03 • -22.3db
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: I. ...
147 bpm • C min • 01:15 • -18db
56% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
56% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
58% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
58% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Jules Massenet
Elegie: O doux printemps d'autrefois
114 bpm • C min • 04:09 • -18db
26% Popularity • 22% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
57% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
57% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
35% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
35% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Jules Massenet
Manon, Acte II: "Enfin, Manon, nous voil...
114 bpm • D Maj • 04:56 • -21db
7% Popularity • 25% Danceability • 6% Energy • 19% Liveness
7% Instrumentalness • 6% Positiveness
7% Popularity • 25% Danceability • 6% Energy • 19% Liveness
7% Instrumentalness • 6% Positiveness
► Preview
François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Charles Gounod
Faust, Ballet Music (1869): 6. Variation...
151 bpm • G Maj • 02:03 • -25db
39% Popularity • 30% Danceability • 5% Energy • 28% Liveness
73% Instrumentalness • 36% Positiveness
39% Popularity • 30% Danceability • 5% Energy • 28% Liveness
73% Instrumentalness • 36% Positiveness
► Preview
Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Jules Massenet
Massenet: Manon, Act 3: "Pardonnez-moi, ...
112 bpm • G Maj • 01:45 • -11.63db
2% Popularity • 34% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 34% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
► Preview
Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
166 bpm • F# min • 02:17 • -29db
52% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
52% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Zaide, K. 344/336b, Act 1 Scene ...
166 bpm • G Maj • 06:21 • -22.48db
42% Popularity • 23% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
42% Popularity • 23% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
151 bpm • D Maj • 02:19 • -20.77db
36% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
36% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
► Preview
Jules Massenet
Manon, Act 2 Scene 4: Adieu notre petite...
162 bpm • E min • 03:09 • -20db
7% Popularity • 20% Danceability • 10% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 10% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Voi lo sapete, o ...
168 bpm • E min • 03:38 • -17.19db
31% Popularity • 21% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Sonata In G Minor For Cello & Piano, Op....
171 bpm • A# Maj • 03:37 • -30.67db
24% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
24% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
26% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Jules Massenet
Werther: Act II - Frere, voyez!... Du ga...
110 bpm • A Maj • 01:50 • -17.35db
1% Popularity • 43% Danceability • 14% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 43% Danceability • 14% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
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Jacques Offenbach
Barcarolle
171 bpm • D Maj • 03:43 • -23db
38% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Schubert
Du bist die Ruh', D. 776 (Transc. for Ce...
171 bpm • A# Maj • 04:21 • -24.9db
38% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
38% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Edward Elgar
Chanson de matin
171 bpm • G Maj • 03:00 • -20db
32% Popularity • 13% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 13% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23 / Act III: Solveig's S...
171 bpm • E Maj • 05:42 • -28db
17% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
17% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
40% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Jules Massenet
Werther, Acte III: "Traduire... Ah! bien...
164 bpm • F# min • 03:45 • -14.5db
6% Popularity • 17% Danceability • 22% Energy • 11% Liveness
46% Instrumentalness • 8% Positiveness
6% Popularity • 17% Danceability • 22% Energy • 11% Liveness
46% Instrumentalness • 8% Positiveness
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Richard Wagner
Tannhäuser, WWV 70, Act II: Dich, teure...
172 bpm • E min • 03:41 • -13.09db
23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
173 bpm • F Maj • 04:03 • -25.72db
60% Popularity • 8% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 3% Positiveness
60% Popularity • 8% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Jules Massenet
Méditation
167 bpm • D Maj • 04:05 • -20.58db
26% Popularity • 20% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I: Ombra mai fu
175 bpm • E Maj • 03:04 • -18.42db
39% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
177 bpm • C# Maj • 01:23 • -47db
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: II. Walzer
180 bpm • G Maj • 03:50 • -19.05db
40% Popularity • 18% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 25% Positiveness
40% Popularity • 18% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 25% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
197 bpm • B min • 02:47 • -35.32db
55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
172 bpm • F# min • 03:06 • -14.99db
7% Popularity • 15% Danceability • 20% Energy • 16% Liveness
3% Instrumentalness • 6% Positiveness
7% Popularity • 15% Danceability • 20% Energy • 16% Liveness
3% Instrumentalness • 6% Positiveness
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Jules Massenet
Massenet: Manon, Act 3: "Obéissons, qua...
176 bpm • G Maj • 03:09 • -20.76db
16% Popularity • 30% Danceability • 6% Energy • 76% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 30% Danceability • 6% Energy • 76% Liveness
0% Instrumentalness • 7% Positiveness
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Jules Massenet
Ave Maria sur la Méditation de Thaïs: ...
176 bpm • D Maj • 02:28 • -20.26db
17% Popularity • 10% Danceability • 10% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 10% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Jules Massenet
Les Erinnyes - Arr. by Mischa Maisky: El...
179 bpm • G min • 02:27 • -25.11db
26% Popularity • 10% Danceability • 2% Energy • 7% Liveness
65% Instrumentalness • 8% Positiveness
26% Popularity • 10% Danceability • 2% Energy • 7% Liveness
65% Instrumentalness • 8% Positiveness
