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Thames Water
Songs like
Thames Water
by
Archy Marshall
Based on a tempo of (+/- 10%) and a similar genre
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Hype Williams
Unfaithful
108 bpm • F min • 01:38 • -9.07db
40% Popularity • 76% Danceability • 82% Energy • 7% Liveness
92% Instrumentalness • 98% Positiveness
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Ross from Friends
John Cage - Edit
108 bpm • C# min • 04:17 • -8.92db
34% Popularity • 76% Danceability • 61% Energy • 16% Liveness
41% Instrumentalness • 75% Positiveness
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Archy Marshall
Thames Water
108 bpm • D# min • 07:01 • -10.08db
32% Popularity • 51% Danceability • 54% Energy • 34% Liveness
23% Instrumentalness • 21% Positiveness
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Ariel Pink
Another Weekend
109 bpm • F# min • 04:14 • -5.38db
45% Popularity • 38% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Connan Mockasin
Do I Make You Feel Shy?
107 bpm • G Maj • 03:14 • -13db
28% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Standing On The Corner
Dedicated to Nunu
109 bpm • D min • 01:18 • -7.8db
40% Popularity • 29% Danceability • 64% Energy • 37% Liveness
21% Instrumentalness • 33% Positiveness
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infinite bisous
Sole Mate
109 bpm • G Maj • 04:19 • -16db
27% Popularity • 80% Danceability • 38% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
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Ross from Friends
John Cage
108 bpm • G# min • 06:06 • -10db
33% Popularity • 69% Danceability • 62% Energy • 7% Liveness
56% Instrumentalness • 53% Positiveness
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Shabazz Palaces
Gorgeous Sleeper Cell
107 bpm • G Maj • 02:13 • -17.39db
8% Popularity • 64% Danceability • 25% Energy • 16% Liveness
69% Instrumentalness • 12% Positiveness
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King Krule
The Noose of Jah City
109 bpm • E Maj • 04:01 • -9db
42% Popularity • 58% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Joomanji
Where Are You? (Love for JL)
107 bpm • D Maj • 04:19 • -8db
39% Popularity • 44% Danceability • 53% Energy • 11% Liveness
34% Instrumentalness • 57% Positiveness
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Soft Hair
Jealous Lies
107 bpm • C min • 04:39 • -8db
33% Popularity • 86% Danceability • 39% Energy • 9% Liveness
28% Instrumentalness • 69% Positiveness
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Tirzah
Do You Know
110 bpm • C# Maj • 03:37 • -7.14db
29% Popularity • 63% Danceability • 25% Energy • 13% Liveness
8% Instrumentalness • 15% Positiveness
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George Clanton
Livin' Loose
110 bpm • G# Maj • 05:49 • -5.42db
46% Popularity • 30% Danceability • 95% Energy • 62% Liveness
0% Instrumentalness • 32% Positiveness
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Jadasea
Words Words Words
106 bpm • B Maj • 01:20 • -14.09db
30% Popularity • 50% Danceability • 59% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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King Krule
Biscuit Town
107 bpm • G Maj • 03:42 • -7.82db
43% Popularity • 76% Danceability • 55% Energy • 26% Liveness
2% Instrumentalness • 51% Positiveness
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Archy Marshall
Ammi Ammi
110 bpm • B Maj • 03:29 • -11.87db
31% Popularity • 61% Danceability • 57% Energy • 60% Liveness
42% Instrumentalness • 49% Positiveness
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Connan Mockasin
Charlotte's Thong
106 bpm • E min • 08:56 • -15.98db
47% Popularity • 80% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 69% Positiveness
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Hiatus Kaiyote
Laputa (Taylor McFerrin Remix Anderson ....
106 bpm • F min • 04:04 • -8db
43% Popularity • 45% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Animal Collective
Man Of Oil
110 bpm • B Maj • 05:25 • -11.13db
41% Popularity • 63% Danceability • 56% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
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James Blake
I Mind
110 bpm • B min • 03:31 • -12db
29% Popularity • 65% Danceability • 41% Energy • 14% Liveness
61% Instrumentalness • 23% Positiveness
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Pinty
Tropical Bleu
110 bpm • A# min • 03:47 • -7.04db
17% Popularity • 65% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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GAIKA
Spectacular Anthem
110 bpm • A Maj • 04:31 • -9.69db
27% Popularity • 54% Danceability • 62% Energy • 8% Liveness
7% Instrumentalness • 12% Positiveness
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Archy Marshall
Empty Vessels
106 bpm • A min • 03:29 • -12db
25% Popularity • 43% Danceability • 45% Energy • 36% Liveness
2% Instrumentalness • 41% Positiveness
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Salami Rose Joe Louis
Nostalgic Montage
110 bpm • A Maj • 02:10 • -17.71db
49% Popularity • 47% Danceability • 19% Energy • 10% Liveness
10% Instrumentalness • 7% Positiveness
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Joanne Robertson
FUCKBOY ANTHEM
105 bpm • C# Maj • 04:04 • -14.08db
28% Popularity • 62% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 10% Positiveness
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keiyaA
Hvnli
105 bpm • C# min • 03:09 • -15db
23% Popularity • 32% Danceability • 41% Energy • 35% Liveness
42% Instrumentalness • 57% Positiveness
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Mount Kimbie
Adriatic
105 bpm • E min • 01:26 • -6.95db
35% Popularity • 78% Danceability • 68% Energy • 14% Liveness
90% Instrumentalness • 53% Positiveness
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Mndsgn
Cosmic Perspective
111 bpm • G# Maj • 04:19 • -8db
33% Popularity • 69% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 60% Positiveness
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Vegyn
There's Nothing Left 2 Make U Stay
111 bpm • C Maj • 01:54 • -12.77db
27% Popularity • 27% Danceability • 49% Energy • 11% Liveness
48% Instrumentalness • 24% Positiveness
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Jai Paul
Crush - Unfinished
111 bpm • F Maj • 03:45 • -8.04db
42% Popularity • 68% Danceability • 34% Energy • 12% Liveness
4% Instrumentalness • 57% Positiveness
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Against All Logic
Such a Bad Way
111 bpm • F min • 04:53 • -5.12db
33% Popularity • 67% Danceability • 84% Energy • 7% Liveness
85% Instrumentalness • 50% Positiveness
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Archy Marshall
Buffed Sky
105 bpm • B Maj • 02:37 • -14.55db
28% Popularity • 63% Danceability • 44% Energy • 45% Liveness
15% Instrumentalness • 38% Positiveness
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Jadasea
ends
111 bpm • C min • 03:10 • -15.69db
15% Popularity • 61% Danceability • 44% Energy • 10% Liveness
5% Instrumentalness • 15% Positiveness
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Kelis
Jerk Ribs - Mount Kimbie Remix
111 bpm • D min • 03:48 • -9.87db
32% Popularity • 78% Danceability • 82% Energy • 11% Liveness
11% Instrumentalness • 37% Positiveness
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Lapalux
4EVA
111 bpm • F min • 03:34 • -7db
32% Popularity • 51% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jai Paul
All Night - Unfinished
111 bpm • F# min • 03:12 • -12.89db
39% Popularity • 55% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 44% Positiveness
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Raury
All We Need
105 bpm • F Maj • 04:43 • -9db
33% Popularity • 46% Danceability • 50% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
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Tirzah
Best Thing
111 bpm • G min • 02:24 • -12.84db
5% Popularity • 26% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Vegyn
I See You Sometimes
105 bpm • G Maj • 03:05 • -7.6db
35% Popularity • 57% Danceability • 65% Energy • 12% Liveness
8% Instrumentalness • 56% Positiveness
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Cosmo Pyke
Chronic Sunshine
111 bpm • G Maj • 04:30 • -5db
54% Popularity • 43% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Standing On The Corner
Vomets
105 bpm • C Maj • 03:19 • -10.16db
39% Popularity • 35% Danceability • 61% Energy • 31% Liveness
35% Instrumentalness • 56% Positiveness
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Dean Blunt
the rot
105 bpm • F# Maj • 03:43 • -8.24db
51% Popularity • 34% Danceability • 78% Energy • 12% Liveness
28% Instrumentalness • 47% Positiveness
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Slauson Malone 1
The Wake Pt. 3 & 2 (see page 87, 58, and...
104 bpm • E min • 05:34 • -10.67db
36% Popularity • 45% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Shabazz Palaces
Federalist Papers
104 bpm • G# Maj • 02:25 • -18.75db
8% Popularity • 32% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
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Nick Hakim
Miss Chew
112 bpm • D# Maj • 04:25 • -5.43db
27% Popularity • 66% Danceability • 66% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
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infinite bisous
Life + You
112 bpm • A min • 03:52 • -10.23db
29% Popularity • 34% Danceability • 55% Energy • 6% Liveness
92% Instrumentalness • 10% Positiveness
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Against All Logic
Lkj
112 bpm • F min • 04:59 • -7.56db
32% Popularity • 84% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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KAYTRANADA
DO IT
112 bpm • C# Maj • 02:12 • -7.23db
45% Popularity • 76% Danceability • 86% Energy • 9% Liveness
79% Instrumentalness • 20% Positiveness
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Salami Rose Joe Louis
Heads Turn to Paintings
112 bpm • F# min • 01:10 • -15.72db
41% Popularity • 46% Danceability • 31% Energy • 11% Liveness
98% Instrumentalness • 13% Positiveness
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Quadry
1:04 PM
104 bpm • C Maj • 02:10 • -6.62db
39% Popularity • 81% Danceability • 85% Energy • 12% Liveness
8% Instrumentalness • 79% Positiveness
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Tirzah
No Romance
104 bpm • D# Maj • 03:57 • -8.17db
27% Popularity • 74% Danceability • 52% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
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Leon Vynehall
Movements (Chapter III)
104 bpm • B min • 03:51 • -15.26db
48% Popularity • 52% Danceability • 30% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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infinite bisous
Lost in Translation /2
112 bpm • G min • 03:44 • -12.54db
25% Popularity • 90% Danceability • 18% Energy • 5% Liveness
10% Instrumentalness • 20% Positiveness
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Jitwam
wejustcousins
113 bpm • F min • 03:12 • -6.12db
15% Popularity • 29% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Jerkcurb
Night on Earth
103 bpm • E Maj • 05:40 • -7.22db
41% Popularity • 27% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Elsa Hewitt
Invisible Threads
103 bpm • D Maj • 05:34 • -16.87db
12% Popularity • 71% Danceability • 35% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Cosmo Pyke
Wish You Were Gone
103 bpm • A min • 04:21 • -5.34db
44% Popularity • 44% Danceability • 74% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
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Antonio Williams
Dark Denim
113 bpm • A Maj • 03:15 • -8db
28% Popularity • 73% Danceability • 57% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Antwon
Rain Song
113 bpm • F# Maj • 05:53 • -7.81db
30% Popularity • 49% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
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King Krule
Logos
114 bpm • B min • 03:50 • -13.34db
39% Popularity • 75% Danceability • 44% Energy • 11% Liveness
57% Instrumentalness • 32% Positiveness
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The Avalanches
Saturday Night Inside Out
114 bpm • D min • 05:07 • -9db
30% Popularity • 62% Danceability • 82% Energy • 34% Liveness
78% Instrumentalness • 57% Positiveness
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Jerkcurb
Midnight Snack
103 bpm • D Maj • 05:36 • -16.01db
27% Popularity • 30% Danceability • 25% Energy • 8% Liveness
25% Instrumentalness • 10% Positiveness
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Shigeto
Detroit Part II
114 bpm • C# Maj • 07:28 • -13.66db
32% Popularity • 88% Danceability • 41% Energy • 22% Liveness
83% Instrumentalness • 27% Positiveness
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Navy Blue
Twenty
114 bpm • F min • 01:13 • -15db
38% Popularity • 37% Danceability • 69% Energy • 42% Liveness
94% Instrumentalness • 29% Positiveness
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Archy Marshall
New Builds
102 bpm • F# min • 01:33 • -14.86db
26% Popularity • 72% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 77% Positiveness
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Smerz
Have fun
102 bpm • E min • 02:44 • -7.72db
21% Popularity • 76% Danceability • 72% Energy • 19% Liveness
21% Instrumentalness • 65% Positiveness
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Galcher Lustwerk
Cig Angel
114 bpm • C# Maj • 02:50 • -11db
29% Popularity • 87% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 76% Positiveness
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Pretty V
(Aqrxst) Hope, Voldy sings Archy plays g...
102 bpm • D Maj • 05:05 • -25.51db
19% Popularity • 51% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
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Standing On The Corner
That Awful Sound
115 bpm • G Maj • 02:05 • -8db
32% Popularity • 35% Danceability • 58% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
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Arthur Russell
Answers Me
101 bpm • A# min • 02:10 • -22db
33% Popularity • 69% Danceability • 16% Energy • 17% Liveness
67% Instrumentalness • 20% Positiveness
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Archy Marshall
Dull Boys
115 bpm • G Maj • 03:25 • -8.89db
27% Popularity • 53% Danceability • 50% Energy • 68% Liveness
49% Instrumentalness • 13% Positiveness
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Pinty
Ceasors
115 bpm • G min • 02:27 • -12.31db
17% Popularity • 85% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Sampha
Under
115 bpm • B min • 04:41 • -8.99db
39% Popularity • 75% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Tirzah
Reach Hi
115 bpm • C Maj • 03:51 • -13.82db
23% Popularity • 82% Danceability • 6% Energy • 13% Liveness
2% Instrumentalness • 23% Positiveness
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Slauson Malone 1
Smile #1
101 bpm • A# Maj • 03:04 • -5.02db
27% Popularity • 43% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
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Mount Kimbie
We Go Home Together
101 bpm • G min • 02:35 • -11.26db
35% Popularity • 31% Danceability • 44% Energy • 32% Liveness
5% Instrumentalness • 8% Positiveness
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J Dilla
Nothing Like This
101 bpm • A# min • 02:34 • -5.88db
25% Popularity • 59% Danceability • 92% Energy • 6% Liveness
76% Instrumentalness • 56% Positiveness
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Standing On The Corner
Off a Little Bit
116 bpm • C# Maj • 03:42 • -8.06db
28% Popularity • 39% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Shabazz Palaces
Ishmael
116 bpm • D Maj • 04:35 • -12.57db
14% Popularity • 61% Danceability • 50% Energy • 67% Liveness
17% Instrumentalness • 43% Positiveness
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Lance Skiiiwalker
Forbidden Fruit
100 bpm • D Maj • 02:42 • -9.66db
24% Popularity • 65% Danceability • 45% Energy • 27% Liveness
63% Instrumentalness • 5% Positiveness
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Slauson Malone 1
Smile #6 (see page 198 and 158)
116 bpm • E min • 04:00 • -10db
31% Popularity • 62% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
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King Krule
Will I Come
100 bpm • G min • 01:54 • -10.52db
35% Popularity • 65% Danceability • 46% Energy • 17% Liveness
5% Instrumentalness • 18% Positiveness
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Jerkcurb
Walking in the Air
100 bpm • F# Maj • 04:34 • -12.65db
13% Popularity • 29% Danceability • 39% Energy • 32% Liveness
6% Instrumentalness • 10% Positiveness
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Ivan Ave
Introfood
117 bpm • E min • 01:37 • -12.65db
19% Popularity • 53% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 32% Positiveness
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Horsey
Seahorse
100 bpm • A Maj • 04:18 • -12.13db
36% Popularity • 28% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Star Slinger
Hottest Day in New York
100 bpm • C# Maj • 03:09 • -14.22db
33% Popularity • 71% Danceability • 44% Energy • 11% Liveness
3% Instrumentalness • 63% Positiveness
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Dean Blunt
CHANCER
117 bpm • B min • 01:27 • -0.92db
45% Popularity • 21% Danceability • 65% Energy • 30% Liveness
20% Instrumentalness • 41% Positiveness
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Duval Timothy
Groundnut
100 bpm • D Maj • 03:21 • -16.09db
32% Popularity • 71% Danceability • 29% Energy • 13% Liveness
80% Instrumentalness • 18% Positiveness
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Hi-Tek
Come Get It (Tekstrumental) | Modern Fam...
100 bpm • A min • 03:40 • -11.11db
22% Popularity • 66% Danceability • 38% Energy • 14% Liveness
10% Instrumentalness • 50% Positiveness
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Salami Rose Joe Louis
Cyanotype of Blue
100 bpm • C Maj • 01:45 • -14.57db
42% Popularity • 64% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 48% Positiveness
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Shabazz Palaces
Eel Dreams
100 bpm • G Maj • 02:45 • -14.26db
12% Popularity • 66% Danceability • 50% Energy • 20% Liveness
8% Instrumentalness • 35% Positiveness
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King Krule
Border Line
100 bpm • B min • 03:05 • -8.3db
50% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Standing On The Corner
Santa Maria (Dedicated to Chuchita)
100 bpm • F min • 04:10 • -7.1db
25% Popularity • 58% Danceability • 95% Energy • 78% Liveness
0% Instrumentalness • 63% Positiveness
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Pinty
City Limits
117 bpm • C min • 03:42 • -9.29db
35% Popularity • 80% Danceability • 61% Energy • 11% Liveness
28% Instrumentalness • 29% Positiveness
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Silk Rhodes
Face 2 Face
117 bpm • A Maj • 02:25 • -6.41db
32% Popularity • 87% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Actress
Walking Flames
117 bpm • A# Maj • 04:10 • -12db
34% Popularity • 68% Danceability • 50% Energy • 22% Liveness
24% Instrumentalness • 8% Positiveness
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Soft Hair
Relaxed Lizard
99 bpm • G# Maj • 03:25 • -6.77db
35% Popularity • 83% Danceability • 59% Energy • 7% Liveness
18% Instrumentalness • 70% Positiveness
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infinite bisous
Lost in Translation /1
117 bpm • F min • 03:20 • -17.94db
32% Popularity • 65% Danceability • 28% Energy • 41% Liveness
55% Instrumentalness • 31% Positiveness
► Preview
Standing On The Corner
Girl
117 bpm • A Maj • 05:27 • -7db
41% Popularity • 38% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 52% Positiveness
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Thames Water