Songs like Thank God I'm a Country Boy - Aussie Version by Josh Arnold
Based on a tempo of (+/- 10%) and a similar genre
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Matt Scullion
Favourite Distraction
110 bpm • G Maj • 03:04 • -6db
10% Popularity • 83% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 83% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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James Blundell
Hills of Brisbane
110 bpm • E Maj • 03:45 • -6.72db
22% Popularity • 85% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 85% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Dallas Steele
What Becomes of the Brokenhearted
110 bpm • G Maj • 04:04 • -5.9db
11% Popularity • 53% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 53% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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McAlister Kemp
Songs That Make Us Country
110 bpm • D Maj • 03:18 • -3.86db
11% Popularity • 62% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 62% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Tom Curtain
Why We Live Out Here
110 bpm • A Maj • 03:53 • -5db
22% Popularity • 66% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 66% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Adam McClure
Hold My Can While I Get Another Can
110 bpm • D Maj • 03:04 • -11.02db
22% Popularity • 89% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 89% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Luke O'Shea
Three Brothers (The Great War)
110 bpm • G Maj • 04:52 • -9.05db
21% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Simply Bushed
Harry
110 bpm • D min • 03:31 • -4.91db
14% Popularity • 66% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 66% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Josh Arnold
The Man I Used to Be
110 bpm • A# Maj • 04:21 • -10.64db
2% Popularity • 63% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 63% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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McAlister Kemp
After the Breakdown
110 bpm • G Maj • 03:24 • -5db
5% Popularity • 58% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 58% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Tom Curtain
Billy Don't Like No Hip Hop
110 bpm • A Maj • 03:13 • -7.58db
24% Popularity • 82% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 82% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Deep Creek Road
If You Only Knew Me When
110 bpm • G Maj • 04:04 • -5.4db
16% Popularity • 57% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 57% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Jayne Denham
Trucker Chicks
110 bpm • A# Maj • 03:46 • -4.91db
16% Popularity • 76% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 76% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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John Williamson
The Truckies Wife
109 bpm • D# Maj • 05:05 • -17.51db
27% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Adam McClure
Smashing Tinnies
110 bpm • G Maj • 03:20 • -12db
26% Popularity • 82% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 82% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Brad Cox
Lake House
109 bpm • A# Maj • 03:52 • -9.2db
41% Popularity • 61% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 61% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Duncan Toombs
Run
109 bpm • A Maj • 04:03 • -6db
16% Popularity • 62% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 62% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Tom Curtain
In the West
109 bpm • D Maj • 03:24 • -5db
28% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Jayne Denham
Chick Ute
108 bpm • G min • 03:08 • -3.84db
13% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Slim Dusty And His Bushlanders
A Word To Texas Jack - 1995 Remaster
108 bpm • A# Maj • 03:09 • -12.41db
27% Popularity • 76% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 76% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Adam Harvey
Highway Number One
112 bpm • D Maj • 03:54 • -6.09db
15% Popularity • 63% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 63% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Michael Waugh
Little C Word
112 bpm • C Maj • 02:55 • -8.37db
11% Popularity • 73% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 73% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Steve Forde
Road Dog
108 bpm • G Maj • 03:51 • -4.17db
12% Popularity • 53% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 53% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Ben Ransom
Raise Some Hell
108 bpm • G Maj • 03:48 • -5.65db
10% Popularity • 49% Danceability • 79% Energy • 43% Liveness
7% Instrumentalness • 54% Positiveness
10% Popularity • 49% Danceability • 79% Energy • 43% Liveness
7% Instrumentalness • 54% Positiveness
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Jayne Denham
East Bound And Down
112 bpm • D# Maj • 02:11 • -5db
28% Popularity • 65% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 65% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Hurricane Fall
Levis
112 bpm • D Maj • 03:12 • -3.54db
25% Popularity • 64% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 64% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Casey Barnes
Saving All My Love
112 bpm • A Maj • 03:19 • -5.64db
19% Popularity • 59% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 59% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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McAlister Kemp
White Line
112 bpm • G Maj • 03:59 • -4.13db
9% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Dallas Steele
Once and for All
108 bpm • D Maj • 02:50 • -7.12db
11% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Aleyce Simmonds
Only on My Terms
108 bpm • G Maj • 02:41 • -3.75db
24% Popularity • 70% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 70% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Clay Tallstories
Fell off the Back of a Truck
108 bpm • C Maj • 03:13 • -10.23db
17% Popularity • 56% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 56% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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John Williamson
Cape York Peninsula
108 bpm • C Maj • 03:04 • -8.85db
11% Popularity • 85% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 85% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Sammy White
Drowning My Sorrows
108 bpm • C Maj • 03:33 • -6.72db
15% Popularity • 67% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 67% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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TANIA KERNAGHAN
Goin' Bush
112 bpm • C Maj • 03:22 • -5.61db
14% Popularity • 69% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 69% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Dean Perrett
Six Decks to Darwin
113 bpm • F Maj • 03:14 • -4db
23% Popularity • 74% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 74% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Chad Morgan
Queer Darned Cattle / These Women
113 bpm • G Maj • 01:58 • -5.51db
30% Popularity • 56% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 56% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Stan Coster
Lawson's Loaded Dog
113 bpm • F min • 04:15 • -10.42db
16% Popularity • 80% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 80% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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McAlister Kemp
Fight Me
113 bpm • A Maj • 03:27 • -6.89db
24% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Curtain
Roper River
113 bpm • G Maj • 02:53 • -7.21db
25% Popularity • 73% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 73% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Darlinghurst
Hangman
113 bpm • B Maj • 03:14 • -6.45db
21% Popularity • 66% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 66% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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James McKay
Collerina Road
113 bpm • G Maj • 02:19 • -4.58db
40% Popularity • 79% Danceability • 80% Energy • 53% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 79% Danceability • 80% Energy • 53% Liveness
0% Instrumentalness • 89% Positiveness
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The Viper Creek Band
Green Light
107 bpm • B min • 03:21 • -4.4db
23% Popularity • 56% Danceability • 86% Energy • 28% Liveness
5% Instrumentalness • 66% Positiveness
23% Popularity • 56% Danceability • 86% Energy • 28% Liveness
5% Instrumentalness • 66% Positiveness
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Matt Scullion
We Invented That
107 bpm • A Maj • 02:52 • -5.79db
27% Popularity • 78% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 78% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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James Blundell
Cloncurry Cattle Song
107 bpm • D Maj • 03:24 • -11.67db
31% Popularity • 74% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 74% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Costa
Tractors & Bikes
107 bpm • A Maj • 02:50 • -6.15db
16% Popularity • 68% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 68% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Travis Sinclair
El Dorado Saddle
106 bpm • D Maj • 03:35 • -10.2db
26% Popularity • 70% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 70% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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Colin Buchanan
Fishing Fraser Island
114 bpm • A# Maj • 02:43 • -8.29db
30% Popularity • 68% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 68% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Danny Phegan
The Halfway Hotel
114 bpm • G Maj • 03:36 • -6.5db
10% Popularity • 55% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 55% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Adam Brand
Party Down Under
114 bpm • E min • 03:16 • -4.77db
39% Popularity • 57% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 57% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
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Kaylee Bell
Just A Little Crazy
114 bpm • A Maj • 03:22 • -3.6db
37% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Simply Bushed
The Great Australian Love Song
106 bpm • C Maj • 03:33 • -6.13db
15% Popularity • 72% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 72% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Andrew Swift
Runaway Train
106 bpm • F Maj • 03:58 • -6db
21% Popularity • 68% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 68% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Josh Arnold
Share the Stars
106 bpm • D Maj • 03:15 • -8.21db
0% Popularity • 34% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 34% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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John Williamson
Cydi
105 bpm • G Maj • 03:00 • -8.03db
26% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Brad Cox
Water On The Ground
114 bpm • A Maj • 04:12 • -9.22db
36% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Lily Grace
Annie June
115 bpm • B Maj • 03:26 • -5.93db
20% Popularity • 62% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 62% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Steve Forde
Summer's Little Angel
105 bpm • C Maj • 02:53 • -5db
32% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Casey Barnes
The Way We Ride
105 bpm • G# Maj • 03:11 • -4db
29% Popularity • 60% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 60% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Josh Arnold
May God Smile on You and Me
114 bpm • E Maj • 02:53 • -5.03db
1% Popularity • 43% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
1% Popularity • 43% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Dallas Steele
No Way Home (For Daddy's Girl)
105 bpm • B min • 03:20 • -6.05db
19% Popularity • 55% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 55% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Brad Cox
Acres
105 bpm • C# Maj • 03:52 • -4.99db
46% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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James Blundell
Age Of Grace
115 bpm • A Maj • 03:33 • -11.55db
26% Popularity • 66% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 66% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Ted Egan
Drinkers of the Territory
116 bpm • F Maj • 05:59 • -14.62db
19% Popularity • 77% Danceability • 76% Energy • 89% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 77% Danceability • 76% Energy • 89% Liveness
0% Instrumentalness • 71% Positiveness
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Max Jackson
Runnin'
116 bpm • A Maj • 03:06 • -2.98db
24% Popularity • 61% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 61% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Josh Arnold
Gateway to the West
115 bpm • G Maj • 02:57 • -4.63db
3% Popularity • 66% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 66% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Dallas Steele
Browndog's Song: The Sequel
116 bpm • D Maj • 03:47 • -5.41db
37% Popularity • 73% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 73% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Sara Storer
Back out Back
116 bpm • F Maj • 03:50 • -7.19db
24% Popularity • 72% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 72% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Luke O'Shea
How Well Have You Loved?
104 bpm • D Maj • 03:23 • -6.33db
20% Popularity • 37% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 37% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Hurricane Fall
How We Get Down
104 bpm • D Maj • 02:59 • -3db
26% Popularity • 62% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 62% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Catherine Britt
Red Dirt
104 bpm • B Maj • 02:20 • -5db
23% Popularity • 59% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 59% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Arnold
Cobb & Co Country
105 bpm • G Maj • 03:50 • -6.35db
8% Popularity • 61% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 61% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Adam Eckersley Band
Wheels
117 bpm • B Maj • 04:03 • -4.34db
11% Popularity • 36% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 36% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Sara Storer
Raining on the Plains
104 bpm • F min • 03:08 • -8.96db
37% Popularity • 69% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 69% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Deep Creek Road
What If I Was Willing
117 bpm • E Maj • 03:30 • -5.58db
30% Popularity • 56% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 56% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Hurricane Fall
Love Her Right
104 bpm • D Maj • 03:32 • -3db
18% Popularity • 58% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 58% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Matt Scullion
The Shit Song
117 bpm • C Maj • 02:50 • -5.28db
27% Popularity • 78% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 78% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Josh Arnold
3 Moons
105 bpm • A Maj • 03:48 • -6.18db
2% Popularity • 66% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
2% Popularity • 66% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Paul Costa
Drinkin' Hours
117 bpm • A# Maj • 03:29 • -5.21db
16% Popularity • 61% Danceability • 83% Energy • 20% Liveness
3% Instrumentalness • 95% Positiveness
16% Popularity • 61% Danceability • 83% Energy • 20% Liveness
3% Instrumentalness • 95% Positiveness
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James Blundell
Down On The Farm
103 bpm • D Maj • 03:56 • -8.23db
35% Popularity • 66% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 66% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Sammy White
Friends With The Bottle
103 bpm • A Maj • 03:20 • -4.84db
25% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Melinda Schneider
9 To 5
103 bpm • F Maj • 03:27 • -7.13db
26% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Matt Scullion
Clutch Start
117 bpm • D Maj • 03:19 • -9.6db
13% Popularity • 91% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 91% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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McAlister Kemp
It Don't Buy You Love
103 bpm • F Maj • 04:06 • -7db
16% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Arnold
Place of Song
116 bpm • E Maj • 03:06 • -6.45db
0% Popularity • 69% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 69% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Slim Dusty
Charleville
103 bpm • E Maj • 03:06 • -9.12db
29% Popularity • 74% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 74% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Dallas Steele
Brown Dog's Song
118 bpm • D Maj • 03:20 • -12.75db
34% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Paul Costa
Road Train
118 bpm • D min • 02:41 • -4.69db
26% Popularity • 62% Danceability • 91% Energy • 31% Liveness
1% Instrumentalness • 67% Positiveness
26% Popularity • 62% Danceability • 91% Energy • 31% Liveness
1% Instrumentalness • 67% Positiveness
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The Viper Creek Band
Kickin' Up Dust
118 bpm • A min • 04:10 • -4.61db
19% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 65% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Tom Curtain
When The Rain Comes Down
118 bpm • C min • 04:00 • -6.05db
22% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Matt Scullion
The Aldi Song
118 bpm • C Maj • 03:06 • -6.64db
30% Popularity • 83% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 83% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Bushwackers
Another Trip to Bunnings
118 bpm • C Maj • 03:48 • -5.51db
26% Popularity • 77% Danceability • 66% Energy • 52% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 77% Danceability • 66% Energy • 52% Liveness
0% Instrumentalness • 92% Positiveness
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Dallas Steele
Let It Rain
102 bpm • D Maj • 03:34 • -13.06db
9% Popularity • 61% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 61% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Chad Morgan
Truckloads of Starvin' Kangaroo
102 bpm • E Maj • 02:16 • -10.91db
20% Popularity • 75% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 75% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Buddy Goode
Dickens Cider
102 bpm • G Maj • 02:17 • -5.72db
17% Popularity • 74% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 74% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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John Williamson
Goondiwindi Pork
119 bpm • C Maj • 03:26 • -15db
41% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Josh Arnold
Stonehenge Strong and Proud
119 bpm • C Maj • 03:02 • -6.7db
1% Popularity • 71% Danceability • 72% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
1% Popularity • 71% Danceability • 72% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
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Steve Forde
I Ain't That Guy
119 bpm • D Maj • 02:50 • -5.29db
24% Popularity • 57% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 57% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Slim Dusty
Indian Pacific
101 bpm • D# Maj • 03:30 • -10.94db
29% Popularity • 71% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 71% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness