Songs like That Ain't No Way For Me To Get Along by Catfish Keith
Based on a tempo of (+/- 10%) and a similar genre
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Natural Blues
Rockin’ Goddess Blues
108 bpm • B min • 03:20 • -7.86db
21% Popularity • 70% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 70% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Torbjörn Sörenson
Lonely
108 bpm • G Maj • 02:08 • -10.4db
11% Popularity • 78% Danceability • 42% Energy • 10% Liveness
82% Instrumentalness • 94% Positiveness
11% Popularity • 78% Danceability • 42% Energy • 10% Liveness
82% Instrumentalness • 94% Positiveness
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Sam Mitchell
Field of Grass
108 bpm • G min • 01:40 • -22.85db
16% Popularity • 75% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
16% Popularity • 75% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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Blues Delight
Going Back to the Delta
108 bpm • D min • 03:20 • -8.66db
15% Popularity • 56% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 56% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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FrankRizzMusic
Its True
108 bpm • B min • 04:26 • -7.7db
19% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Catfish Keith
Scoodle Oot 'n' Doo
108 bpm • B Maj • 03:05 • -6.86db
0% Popularity • 64% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 64% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Luther Johnson
You Got Me Runnin'
108 bpm • E Maj • 02:53 • -16.62db
10% Popularity • 84% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 84% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Dan Browning
Ballad Of Uncle Cray
108 bpm • D Maj • 02:52 • -8.7db
16% Popularity • 48% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 48% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Adele Cavanaugh
Blood On Boxcar Floor
109 bpm • F Maj • 02:30 • -12.01db
24% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Satsuma Elephants
J'ai Rencontré Un Homme Borgne
107 bpm • D Maj • 01:29 • -10.57db
26% Popularity • 70% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 83% Positiveness
26% Popularity • 70% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 83% Positiveness
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Kelly Joe Phelps
Talkin' To Jehova
107 bpm • E min • 04:36 • -18db
23% Popularity • 72% Danceability • 14% Energy • 9% Liveness
10% Instrumentalness • 64% Positiveness
23% Popularity • 72% Danceability • 14% Energy • 9% Liveness
10% Instrumentalness • 64% Positiveness
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Catfish Keith
You May Think Funny
108 bpm • B Maj • 03:34 • -20.79db
0% Popularity • 59% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 59% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Sam Mitchell
No More Jam
107 bpm • C# Maj • 01:15 • -20.49db
15% Popularity • 79% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 60% Positiveness
15% Popularity • 79% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 60% Positiveness
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The Lightning Hall
Get Outa That Rut
107 bpm • F# Maj • 05:38 • -19.81db
13% Popularity • 69% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 50% Positiveness
13% Popularity • 69% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 50% Positiveness
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Jesahel
Peace
109 bpm • G Maj • 04:07 • -11.91db
18% Popularity • 71% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 30% Positiveness
18% Popularity • 71% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 30% Positiveness
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Bob Margolin
Rather Than Being Free
107 bpm • C Maj • 04:15 • -11.41db
6% Popularity • 71% Danceability • 50% Energy • 11% Liveness
5% Instrumentalness • 46% Positiveness
6% Popularity • 71% Danceability • 50% Energy • 11% Liveness
5% Instrumentalness • 46% Positiveness
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Sean Costello
Good Advice
107 bpm • G Maj • 03:14 • -11.68db
11% Popularity • 71% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 71% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Karsen Edwards
My Trunk
109 bpm • C Maj • 04:25 • -7.62db
20% Popularity • 59% Danceability • 72% Energy • 47% Liveness
1% Instrumentalness • 89% Positiveness
20% Popularity • 59% Danceability • 72% Energy • 47% Liveness
1% Instrumentalness • 89% Positiveness
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Sam Mitchell
Serendipity
107 bpm • F# Maj • 01:42 • -22.4db
16% Popularity • 77% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
16% Popularity • 77% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Alvin Youngblood Hart
Illinois Blues
109 bpm • B min • 04:19 • -17.64db
15% Popularity • 40% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
15% Popularity • 40% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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The Lightning Hall
Get Outta That Rut
107 bpm • F# Maj • 05:37 • -15.77db
12% Popularity • 72% Danceability • 16% Energy • 12% Liveness
18% Instrumentalness • 56% Positiveness
12% Popularity • 72% Danceability • 16% Energy • 12% Liveness
18% Instrumentalness • 56% Positiveness
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Rory Block
Walking Blues
106 bpm • A# Maj • 03:45 • -15db
34% Popularity • 83% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 83% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Stephen Murphy
The Devils Right Hand
106 bpm • G Maj • 02:13 • -15.91db
17% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Malcolm Holcombe
Pitiful Blues
106 bpm • F min • 03:46 • -11db
27% Popularity • 52% Danceability • 51% Energy • 12% Liveness
18% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 51% Energy • 12% Liveness
18% Instrumentalness • 57% Positiveness
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Sam Mitchell
Dammon
107 bpm • C# Maj • 01:05 • -22.57db
17% Popularity • 62% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
17% Popularity • 62% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Catfish Keith
Lotus Blossom
110 bpm • D# Maj • 04:26 • -6.92db
0% Popularity • 52% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 52% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Find ones tongue
When I'm gone
106 bpm • G Maj • 02:49 • -8.05db
13% Popularity • 59% Danceability • 50% Energy • 20% Liveness
47% Instrumentalness • 77% Positiveness
13% Popularity • 59% Danceability • 50% Energy • 20% Liveness
47% Instrumentalness • 77% Positiveness
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Otis Taylor
My Soul's in Louisiana
110 bpm • C Maj • 03:35 • -9db
28% Popularity • 64% Danceability • 54% Energy • 38% Liveness
2% Instrumentalness • 34% Positiveness
28% Popularity • 64% Danceability • 54% Energy • 38% Liveness
2% Instrumentalness • 34% Positiveness
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Todd Snider
Turn It Up - Purple Version
110 bpm • A Maj • 05:30 • -12.39db
15% Popularity • 71% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 71% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Stoll Vaughan
Farmer's Almanac
110 bpm • D Maj • 02:49 • -5.29db
8% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Alex Jordan
Canyonland
110 bpm • G Maj • 02:37 • -9.59db
11% Popularity • 59% Danceability • 82% Energy • 24% Liveness
62% Instrumentalness • 81% Positiveness
11% Popularity • 59% Danceability • 82% Energy • 24% Liveness
62% Instrumentalness • 81% Positiveness
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Sam Mitchell
Vibes on the Storm
106 bpm • D# min • 01:53 • -23.12db
17% Popularity • 74% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 39% Positiveness
17% Popularity • 74% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 39% Positiveness
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Christopher K. Doyle
Five & Dime
106 bpm • G# min • 04:08 • -7.32db
9% Popularity • 48% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 48% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Kevin Brown
Blues For Macon
106 bpm • C min • 02:41 • -20.12db
8% Popularity • 51% Danceability • 8% Energy • 37% Liveness
20% Instrumentalness • 24% Positiveness
8% Popularity • 51% Danceability • 8% Energy • 37% Liveness
20% Instrumentalness • 24% Positiveness
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oneHoodie
Faith
110 bpm • F Maj • 01:06 • -13.49db
18% Popularity • 79% Danceability • 25% Energy • 57% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 79% Danceability • 25% Energy • 57% Liveness
0% Instrumentalness • 78% Positiveness
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Luther Dickinson
Highwater (Soldier)
110 bpm • G Maj • 03:06 • -12.34db
3% Popularity • 79% Danceability • 79% Energy • 11% Liveness
5% Instrumentalness • 83% Positiveness
3% Popularity • 79% Danceability • 79% Energy • 11% Liveness
5% Instrumentalness • 83% Positiveness
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King Barry C Thomas
One or the other
106 bpm • C# Maj • 03:49 • -21.36db
11% Popularity • 71% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 71% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Joel Timoner
Empty Road
106 bpm • C min • 02:52 • -8.85db
11% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Jeff Lang
Dislocation Blues
110 bpm • D Maj • 05:27 • -6.59db
9% Popularity • 78% Danceability • 57% Energy • 13% Liveness
37% Instrumentalness • 76% Positiveness
9% Popularity • 78% Danceability • 57% Energy • 13% Liveness
37% Instrumentalness • 76% Positiveness
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Tony Joe White
Wonder Why I Feel So Bad
106 bpm • A Maj • 03:57 • -14.55db
11% Popularity • 70% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
11% Popularity • 70% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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BeetRootJam
No Place Like Home (Skiffle Mix)
106 bpm • D Maj • 03:10 • -7.28db
14% Popularity • 59% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 59% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Suitcase Rags Trio
House of the Risin' Sun Blues
110 bpm • B min • 04:37 • -10.86db
10% Popularity • 46% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
10% Popularity • 46% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
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Charlie Musselwhite
Rank Strangers
106 bpm • A Maj • 02:27 • -15.56db
37% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Bad Temper Joe
Travel Light
111 bpm • G Maj • 02:43 • -9.83db
16% Popularity • 59% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 59% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Catfish Keith
Goin' Down to Memphis
105 bpm • C# Maj • 02:48 • -18.12db
0% Popularity • 74% Danceability • 18% Energy • 11% Liveness
20% Instrumentalness • 17% Positiveness
0% Popularity • 74% Danceability • 18% Energy • 11% Liveness
20% Instrumentalness • 17% Positiveness
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John Clifton
Swamp Dump
105 bpm • C min • 03:48 • -10.89db
8% Popularity • 74% Danceability • 54% Energy • 34% Liveness
39% Instrumentalness • 48% Positiveness
8% Popularity • 74% Danceability • 54% Energy • 34% Liveness
39% Instrumentalness • 48% Positiveness
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Jontavious Willis
Daddy's Dough
111 bpm • D Maj • 02:28 • -4.79db
11% Popularity • 96% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 96% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Otis Taylor
Resurrection Blues
111 bpm • G min • 04:28 • -12.4db
8% Popularity • 46% Danceability • 37% Energy • 10% Liveness
37% Instrumentalness • 52% Positiveness
8% Popularity • 46% Danceability • 37% Energy • 10% Liveness
37% Instrumentalness • 52% Positiveness
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Fabio Mazzini
Valbura
105 bpm • C Maj • 02:27 • -13.47db
18% Popularity • 46% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 26% Positiveness
18% Popularity • 46% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 26% Positiveness
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Andy Fairweather Low
Too Many Friends
105 bpm • C Maj • 02:25 • -10.83db
15% Popularity • 91% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 91% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Vic Ruggiero
Gone too long
105 bpm • A Maj • 03:02 • -9db
11% Popularity • 70% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 70% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Det blev handgemäng
Nobod´'s Fault but Mine
105 bpm • G min • 07:12 • -14.59db
8% Popularity • 48% Danceability • 21% Energy • 8% Liveness
21% Instrumentalness • 17% Positiveness
8% Popularity • 48% Danceability • 21% Energy • 8% Liveness
21% Instrumentalness • 17% Positiveness
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Harrison Kennedy
Blues Solution
111 bpm • D min • 02:37 • -5.84db
8% Popularity • 69% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 69% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Knut Nordhagen & Bluepack
Invisible Blues
112 bpm • A min • 03:51 • -13.62db
12% Popularity • 45% Danceability • 54% Energy • 35% Liveness
21% Instrumentalness • 74% Positiveness
12% Popularity • 45% Danceability • 54% Energy • 35% Liveness
21% Instrumentalness • 74% Positiveness
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Karsen Edwards
Insomnia
104 bpm • B Maj • 05:24 • -7.21db
20% Popularity • 36% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 36% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Delta Moon
Skinny Woman
112 bpm • C Maj • 03:27 • -11.46db
13% Popularity • 67% Danceability • 71% Energy • 16% Liveness
42% Instrumentalness • 84% Positiveness
13% Popularity • 67% Danceability • 71% Energy • 16% Liveness
42% Instrumentalness • 84% Positiveness
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Nick Gravenites
Poor Boy
112 bpm • C Maj • 02:26 • -9.49db
23% Popularity • 63% Danceability • 47% Energy • 11% Liveness
3% Instrumentalness • 72% Positiveness
23% Popularity • 63% Danceability • 47% Energy • 11% Liveness
3% Instrumentalness • 72% Positiveness
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Michael van Merwyk
Feel Like Going On
104 bpm • D Maj • 03:39 • -11.78db
20% Popularity • 75% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 75% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Lightning Hall
Snake Oil Man
112 bpm • G# Maj • 04:37 • -16.24db
14% Popularity • 76% Danceability • 26% Energy • 8% Liveness
57% Instrumentalness • 84% Positiveness
14% Popularity • 76% Danceability • 26% Energy • 8% Liveness
57% Instrumentalness • 84% Positiveness
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The Lightning Hall
Fat Chance City
112 bpm • C# Maj • 04:35 • -15.42db
13% Popularity • 96% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 96% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Catfish Keith
Hawaiian Cowboy
104 bpm • G# Maj • 04:05 • -6.5db
0% Popularity • 58% Danceability • 84% Energy • 23% Liveness
2% Instrumentalness • 65% Positiveness
0% Popularity • 58% Danceability • 84% Energy • 23% Liveness
2% Instrumentalness • 65% Positiveness
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The Liberators
Find the Groove
104 bpm • A Maj • 02:05 • -15.73db
17% Popularity • 64% Danceability • 54% Energy • 20% Liveness
38% Instrumentalness • 63% Positiveness
17% Popularity • 64% Danceability • 54% Energy • 20% Liveness
38% Instrumentalness • 63% Positiveness
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Ledfoot
The Day I Died
112 bpm • F min • 03:12 • -13.86db
17% Popularity • 74% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 43% Positiveness
17% Popularity • 74% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 43% Positiveness
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Katell Guigneux
Cuba
113 bpm • F# Maj • 05:01 • -11.14db
29% Popularity • 76% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 76% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Michael van Merwyk
The Blues Will Do Your Heart Good
113 bpm • G min • 03:13 • -9.86db
19% Popularity • 71% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 71% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Deadwoods
Can't Take It Back
104 bpm • A min • 01:47 • -10.85db
25% Popularity • 70% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 70% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Catfish Keith
Gonna Live That Life
104 bpm • D Maj • 02:47 • -17.83db
0% Popularity • 67% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 65% Positiveness
0% Popularity • 67% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 65% Positiveness
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Delta Moon
Cabbagetown Shuffle
113 bpm • G Maj • 02:29 • -11.42db
15% Popularity • 68% Danceability • 65% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
15% Popularity • 68% Danceability • 65% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
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Chris Thomas King
Death Letter Blues
113 bpm • G Maj • 05:28 • -8.7db
27% Popularity • 67% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 67% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Wizz Jones
Dallas Blues - Remastered
113 bpm • F# min • 03:54 • -11.71db
18% Popularity • 61% Danceability • 31% Energy • 57% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 61% Danceability • 31% Energy • 57% Liveness
0% Instrumentalness • 68% Positiveness
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Vince Converse
Montrose Blues
103 bpm • D Maj • 02:01 • -17.14db
9% Popularity • 42% Danceability • 6% Energy • 13% Liveness
42% Instrumentalness • 16% Positiveness
9% Popularity • 42% Danceability • 6% Energy • 13% Liveness
42% Instrumentalness • 16% Positiveness
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Malcolm Holcombe
On Tennessee Land
103 bpm • A# min • 02:19 • -8.6db
7% Popularity • 74% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
7% Popularity • 74% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Otis Taylor
Prophets' Mission
103 bpm • C Maj • 03:34 • -10.34db
13% Popularity • 74% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
13% Popularity • 74% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
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Hazmat Modine
Walk It Off
103 bpm • B Maj • 04:21 • -11.92db
8% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Lightning Tommy
Jack of All Trades
113 bpm • A# Maj • 03:28 • -10.87db
10% Popularity • 65% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 65% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
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Doug Mclane
Make Meaningless
114 bpm • D min • 05:26 • -11.13db
15% Popularity • 47% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 47% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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John Sebastian
Jug Band Music
114 bpm • E Maj • 04:02 • -9.6db
8% Popularity • 78% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 78% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Calum Ingram
Demon Eyes
114 bpm • A Maj • 03:35 • -14db
11% Popularity • 61% Danceability • 49% Energy • 18% Liveness
58% Instrumentalness • 82% Positiveness
11% Popularity • 61% Danceability • 49% Energy • 18% Liveness
58% Instrumentalness • 82% Positiveness
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John Primer
Rosalee Blues
114 bpm • E Maj • 04:49 • -3.27db
11% Popularity • 54% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 54% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Kelly Joe Phelps
Hobo's Son
114 bpm • D Maj • 04:07 • -14.51db
10% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Steve The Trailplayer
born to fret
102 bpm • G Maj • 02:15 • -10.8db
24% Popularity • 48% Danceability • 43% Energy • 17% Liveness
3% Instrumentalness • 82% Positiveness
24% Popularity • 48% Danceability • 43% Energy • 17% Liveness
3% Instrumentalness • 82% Positiveness
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Michael van Merwyk
Lonely Days
102 bpm • D Maj • 02:32 • -12.26db
33% Popularity • 59% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 59% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Fiona Boyes & The Fortune Tellers
I'll Be Your Fool (Live)
114 bpm • E min • 04:43 • -10.49db
9% Popularity • 61% Danceability • 43% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 61% Danceability • 43% Energy • 67% Liveness
0% Instrumentalness • 58% Positiveness
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Fiona Boyes
One Day Late
114 bpm • D Maj • 03:01 • -8.11db
19% Popularity • 73% Danceability • 38% Energy • 17% Liveness
7% Instrumentalness • 81% Positiveness
19% Popularity • 73% Danceability • 38% Energy • 17% Liveness
7% Instrumentalness • 81% Positiveness
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Todd Snider
Joe's Blues - Purple Version
114 bpm • A Maj • 05:16 • -14.84db
14% Popularity • 72% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 72% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Nine Below Zero
Harmonica For Jnr Harmonica For J And R
115 bpm • D Maj • 01:17 • -8.73db
15% Popularity • 54% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 54% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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The Black Denims
Two Fingers of Whisky
115 bpm • G Maj • 03:00 • -6.64db
9% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Craig Erickson
Dusty Road Blues
101 bpm • G Maj • 03:11 • -12.79db
8% Popularity • 51% Danceability • 23% Energy • 9% Liveness
8% Instrumentalness • 45% Positiveness
8% Popularity • 51% Danceability • 23% Energy • 9% Liveness
8% Instrumentalness • 45% Positiveness
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Curtis Salgado
The Gift Of Robert Charles
101 bpm • D Maj • 03:53 • -13.91db
25% Popularity • 56% Danceability • 9% Energy • 11% Liveness
47% Instrumentalness • 36% Positiveness
25% Popularity • 56% Danceability • 9% Energy • 11% Liveness
47% Instrumentalness • 36% Positiveness
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Catfish Keith
Bust 'em Down
101 bpm • F# Maj • 04:03 • -6.88db
1% Popularity • 66% Danceability • 71% Energy • 20% Liveness
2% Instrumentalness • 61% Positiveness
1% Popularity • 66% Danceability • 71% Energy • 20% Liveness
2% Instrumentalness • 61% Positiveness
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Duke And The Drivers
Just Ain't The Rock
115 bpm • E Maj • 04:46 • -6.87db
14% Popularity • 83% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 83% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Guy Davis
Rolling In My Sweet Baby's Arms
101 bpm • E Maj • 02:41 • -10.08db
13% Popularity • 53% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 53% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Gary O'Slide
Sleepy Dog
101 bpm • C# Maj • 01:37 • -15.43db
15% Popularity • 57% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 42% Positiveness
15% Popularity • 57% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 42% Positiveness
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Charlie Musselwhite
Homeless Child
115 bpm • F min • 02:59 • -8.33db
16% Popularity • 63% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 63% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Malcolm Holcombe
To The Homeland
116 bpm • G# Maj • 03:45 • -15.46db
9% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Catfish Keith
Preaching the Blues
115 bpm • C Maj • 04:02 • -15.88db
0% Popularity • 70% Danceability • 34% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
0% Popularity • 70% Danceability • 34% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Leo Kottke
Wheels
116 bpm • D# Maj • 01:47 • -15.87db
11% Popularity • 65% Danceability • 34% Energy • 16% Liveness
87% Instrumentalness • 87% Positiveness
11% Popularity • 65% Danceability • 34% Energy • 16% Liveness
87% Instrumentalness • 87% Positiveness
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Ruurd Jellema
Your Planet
116 bpm • F Maj • 04:19 • -13.35db
28% Popularity • 68% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 68% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
