Songs like That Home by The Cinematic Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Hollow Coves
Home
85 bpm • C# Maj • 03:22 • -12db
45% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Harrison Storm
Run
85 bpm • C# min • 03:16 • -8.94db
60% Popularity • 55% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
60% Popularity • 55% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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The Cinematic Orchestra
That Home
85 bpm • A Maj • 01:43 • -14.21db
71% Popularity • 41% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
71% Popularity • 41% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Lissom
Limbo
84 bpm • A min • 03:58 • -22.45db
48% Popularity • 12% Danceability • 7% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
48% Popularity • 12% Danceability • 7% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
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Marika Hackman
I Follow Rivers
86 bpm • G Maj • 02:46 • -15.04db
54% Popularity • 28% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
54% Popularity • 28% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Michael Kiwanuka
Home Again
86 bpm • A min • 03:29 • -11.47db
68% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
68% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Billie Marten
Bird
86 bpm • F# Maj • 03:40 • -12.75db
42% Popularity • 24% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 24% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Charlie Cunningham
Headlights
86 bpm • A Maj • 03:32 • -15.47db
49% Popularity • 62% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
49% Popularity • 62% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
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Phosphorescent
Song for Zula
86 bpm • E Maj • 06:10 • -8.26db
61% Popularity • 49% Danceability • 62% Energy • 5% Liveness
54% Instrumentalness • 52% Positiveness
61% Popularity • 49% Danceability • 62% Energy • 5% Liveness
54% Instrumentalness • 52% Positiveness
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nilu
Are You With Me
84 bpm • A Maj • 04:09 • -8.67db
62% Popularity • 17% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
62% Popularity • 17% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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The Irrepressibles
Two Men in Love
87 bpm • F Maj • 06:26 • -12.35db
50% Popularity • 24% Danceability • 36% Energy • 12% Liveness
6% Instrumentalness • 10% Positiveness
50% Popularity • 24% Danceability • 36% Energy • 12% Liveness
6% Instrumentalness • 10% Positiveness
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Dustin Tebbutt
Resin
83 bpm • C# min • 03:23 • -12.93db
62% Popularity • 26% Danceability • 37% Energy • 12% Liveness
18% Instrumentalness • 20% Positiveness
62% Popularity • 26% Danceability • 37% Energy • 12% Liveness
18% Instrumentalness • 20% Positiveness
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Kodaline
Everything Works Out in the End
83 bpm • C Maj • 03:37 • -11.29db
66% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
66% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Lord Huron
The Night We Met
87 bpm • D Maj • 03:28 • -9.51db
89% Popularity • 54% Danceability • 37% Energy • 64% Liveness
28% Instrumentalness • 10% Positiveness
89% Popularity • 54% Danceability • 37% Energy • 64% Liveness
28% Instrumentalness • 10% Positiveness
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Gibran Alcocer
Idea 10
87 bpm • G min • 02:08 • -20.45db
76% Popularity • 34% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 71% Positiveness
76% Popularity • 34% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 71% Positiveness
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The Cinematic Orchestra
To Believe
87 bpm • E min • 05:27 • -11.4db
47% Popularity • 18% Danceability • 10% Energy • 23% Liveness
24% Instrumentalness • 5% Positiveness
47% Popularity • 18% Danceability • 10% Energy • 23% Liveness
24% Instrumentalness • 5% Positiveness
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Lissom
Scalped
87 bpm • F min • 04:22 • -20.12db
32% Popularity • 20% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Billie Eilish
when the party's over
83 bpm • E Maj • 03:16 • -14.08db
84% Popularity • 37% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
84% Popularity • 37% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Gem Club
Marathon (In Roses)
83 bpm • D# Maj • 04:41 • -13.62db
33% Popularity • 40% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
33% Popularity • 40% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
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Benjamin Francis Leftwich
Atlas Hands
83 bpm • F# Maj • 02:53 • -11.89db
51% Popularity • 63% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 63% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Gregory Alan Isakov
San Luis
82 bpm • G min • 04:32 • -12.76db
71% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
71% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
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Genevieve Stokes
Habits
82 bpm • A Maj • 02:14 • -9.47db
68% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
68% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Hozier
Cherry Wine - Live
83 bpm • C# Maj • 04:00 • -14.85db
68% Popularity • 42% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
68% Popularity • 42% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Woodlock
Forever Ago
82 bpm • A Maj • 04:42 • -17db
52% Popularity • 43% Danceability • 20% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
52% Popularity • 43% Danceability • 20% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
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The Cinematic Orchestra
Prelude
82 bpm • F# min • 02:43 • -19.67db
35% Popularity • 12% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 15% Positiveness
35% Popularity • 12% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 15% Positiveness
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Lissom
Big Sleep - Sped Up
88 bpm • B min • 03:13 • -17.42db
38% Popularity • 45% Danceability • 17% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
38% Popularity • 45% Danceability • 17% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
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Ben Howard
Conrad
82 bpm • A Maj • 06:08 • -12db
54% Popularity • 57% Danceability • 32% Energy • 8% Liveness
52% Instrumentalness • 18% Positiveness
54% Popularity • 57% Danceability • 32% Energy • 8% Liveness
52% Instrumentalness • 18% Positiveness
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Dean Lewis
Waves - Acoustic
89 bpm • D Maj • 04:08 • -11.42db
54% Popularity • 41% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 41% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Paper Kites
Tenenbaum
89 bpm • C# Maj • 03:39 • -18.46db
42% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
42% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
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Patrick Watson
Better in the Shade
81 bpm • C min • 03:36 • -15db
45% Popularity • 42% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
45% Popularity • 42% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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Damien Rice
Delicate
81 bpm • F Maj • 05:12 • -14.5db
55% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
55% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Matt Hartke
London's Song
89 bpm • E Maj • 02:58 • -14.85db
61% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
61% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ólafur Arnalds
and we’ll leave it there…
89 bpm • D# Maj • 03:39 • -16.69db
46% Popularity • 30% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 30% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Zach Webb
Found
81 bpm • A# min • 05:11 • -23db
61% Popularity • 23% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
61% Popularity • 23% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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Lissom
Doppelgänger
81 bpm • G# min • 03:29 • -18.45db
58% Popularity • 28% Danceability • 15% Energy • 11% Liveness
36% Instrumentalness • 14% Positiveness
58% Popularity • 28% Danceability • 15% Energy • 11% Liveness
36% Instrumentalness • 14% Positiveness
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Jaymes Young
I'll Be Good
89 bpm • G Maj • 04:07 • -10.76db
62% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
62% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Ben Howard
Only Love
80 bpm • G# Maj • 04:09 • -10db
69% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Novo Amor
Ontario
90 bpm • A# Maj • 03:12 • -13.89db
68% Popularity • 41% Danceability • 22% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
68% Popularity • 41% Danceability • 22% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Message To Bears
At a Glance
90 bpm • F Maj • 03:39 • -13.64db
40% Popularity • 50% Danceability • 40% Energy • 8% Liveness
66% Instrumentalness • 22% Positiveness
40% Popularity • 50% Danceability • 40% Energy • 8% Liveness
66% Instrumentalness • 22% Positiveness
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The Paper Kites
Tin Lover
90 bpm • C# Maj • 03:19 • -22.24db
41% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
41% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
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The Irrepressibles
In This Shirt
80 bpm • A Maj • 05:35 • -9.58db
72% Popularity • 29% Danceability • 39% Energy • 16% Liveness
38% Instrumentalness • 4% Positiveness
72% Popularity • 29% Danceability • 39% Energy • 16% Liveness
38% Instrumentalness • 4% Positiveness
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Lissom
One And The Same
80 bpm • C min • 02:57 • -17.36db
35% Popularity • 15% Danceability • 19% Energy • 15% Liveness
5% Instrumentalness • 8% Positiveness
35% Popularity • 15% Danceability • 19% Energy • 15% Liveness
5% Instrumentalness • 8% Positiveness
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Billie Eilish
listen before i go
80 bpm • C Maj • 04:02 • -23.02db
75% Popularity • 32% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 8% Positiveness
75% Popularity • 32% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 8% Positiveness
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Sufjan Stevens
Should Have Known Better
91 bpm • G Maj • 05:07 • -20.7db
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
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Illuminine
Atlas, Eyes
91 bpm • F# Maj • 03:20 • -24db
33% Popularity • 33% Danceability • 2% Energy • 20% Liveness
86% Instrumentalness • 14% Positiveness
33% Popularity • 33% Danceability • 2% Energy • 20% Liveness
86% Instrumentalness • 14% Positiveness
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Charlie Cunningham
You Sigh
91 bpm • F# Maj • 02:58 • -9.97db
58% Popularity • 63% Danceability • 45% Energy • 14% Liveness
6% Instrumentalness • 68% Positiveness
58% Popularity • 63% Danceability • 45% Energy • 14% Liveness
6% Instrumentalness • 68% Positiveness
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Richy Mitch & The Coal Miners
Evergreen
79 bpm • D# Maj • 01:27 • -11.66db
89% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
89% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Lissom
Contour
80 bpm • A Maj • 03:04 • -19.33db
37% Popularity • 40% Danceability • 17% Energy • 9% Liveness
45% Instrumentalness • 32% Positiveness
37% Popularity • 40% Danceability • 17% Energy • 9% Liveness
45% Instrumentalness • 32% Positiveness
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The Cinematic Orchestra
Breathe
79 bpm • A min • 06:35 • -14.88db
6% Popularity • 39% Danceability • 8% Energy • 58% Liveness
18% Instrumentalness • 8% Positiveness
6% Popularity • 39% Danceability • 8% Energy • 58% Liveness
18% Instrumentalness • 8% Positiveness
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Blanco White
Colder Heavens
92 bpm • C min • 04:33 • -9.91db
58% Popularity • 46% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 46% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Billie Eilish
What Was I Made For? [From The Motion Pi...
78 bpm • C Maj • 03:42 • -17.67db
91% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
91% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Aquilo
Silhouette
78 bpm • C# Maj • 03:50 • -8.37db
56% Popularity • 23% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
56% Popularity • 23% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
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Greta Svabo Bech
Circles (based on Ludovico Einaudi "Expe...
92 bpm • F# min • 03:57 • -11.99db
54% Popularity • 55% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
54% Popularity • 55% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Ludovico Einaudi
Experience
92 bpm • D Maj • 05:15 • -10.63db
77% Popularity • 45% Danceability • 45% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
77% Popularity • 45% Danceability • 45% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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The Cinematic Orchestra
Breathe - Susumu Yokota in Conversation ...
78 bpm • E min • 05:12 • -18.36db
5% Popularity • 15% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
5% Popularity • 15% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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The Fray
Look After You
78 bpm • F# min • 04:26 • -3.02db
77% Popularity • 45% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
77% Popularity • 45% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Old Sea Brigade
Tidal Wave
93 bpm • C Maj • 03:17 • -10.24db
55% Popularity • 77% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 28% Positiveness
55% Popularity • 77% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 28% Positiveness
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Jesse Marchant
Winter Ghosts
78 bpm • B min • 03:59 • -14db
37% Popularity • 47% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
37% Popularity • 47% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Patrick Watson
Lost With You
77 bpm • E min • 02:55 • -16.71db
63% Popularity • 37% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
63% Popularity • 37% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Hollow Coves
These Memories
77 bpm • C# Maj • 05:13 • -18.18db
38% Popularity • 54% Danceability • 26% Energy • 7% Liveness
10% Instrumentalness • 37% Positiveness
38% Popularity • 54% Danceability • 26% Energy • 7% Liveness
10% Instrumentalness • 37% Positiveness
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Damien Rice
Chandelier
93 bpm • A min • 05:13 • -19.04db
46% Popularity • 31% Danceability • 6% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
46% Popularity • 31% Danceability • 6% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
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Novo Amor
Carry You
93 bpm • G Maj • 04:33 • -7.99db
67% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
67% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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The Paper Kites
Paint
77 bpm • E Maj • 03:11 • -13.05db
62% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Kodaline
High Hopes
77 bpm • E Maj • 03:50 • -6.37db
65% Popularity • 49% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 49% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Lissom
Big Sleep
77 bpm • A min • 03:41 • -17.57db
39% Popularity • 16% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 20% Positiveness
39% Popularity • 16% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 20% Positiveness
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BANNERS
Ghosts
77 bpm • C Maj • 04:10 • -7.15db
50% Popularity • 50% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
50% Popularity • 50% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Henry Green
Electric Feel
94 bpm • D# min • 03:19 • -16.44db
55% Popularity • 40% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 40% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Harry Styles
From the Dining Table
94 bpm • G# Maj • 03:31 • -16.29db
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
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Edith Whiskers
Can't Help Falling in Love
77 bpm • C Maj • 03:02 • -17.38db
42% Popularity • 42% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
42% Popularity • 42% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
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Aquilo
You There
77 bpm • C Maj • 04:13 • -14.71db
52% Popularity • 31% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
52% Popularity • 31% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Fink
We Watch The Stars - Berlin Session
94 bpm • A Maj • 03:45 • -15.78db
56% Popularity • 58% Danceability • 19% Energy • 11% Liveness
5% Instrumentalness • 31% Positiveness
56% Popularity • 58% Danceability • 19% Energy • 11% Liveness
5% Instrumentalness • 31% Positiveness
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Cigarettes After Sex
Apocalypse
94 bpm • F Maj • 04:50 • -9.01db
89% Popularity • 37% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
89% Popularity • 37% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
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Bon Iver
Skinny Love
76 bpm • E min • 03:58 • -14.03db
71% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
71% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Aron Wright
Build It Better
95 bpm • E Maj • 03:54 • -13db
49% Popularity • 53% Danceability • 33% Energy • 11% Liveness
17% Instrumentalness • 16% Positiveness
49% Popularity • 53% Danceability • 33% Energy • 11% Liveness
17% Instrumentalness • 16% Positiveness
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Villagers
Dawning On Me
95 bpm • G Maj • 03:19 • -14.32db
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Ocie Elliott
Down by the Water
95 bpm • E Maj • 02:58 • -12db
73% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
73% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Cinematic Orchestra
Ma Fleur
76 bpm • A Maj • 04:32 • -12.47db
29% Popularity • 56% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 32% Positiveness
29% Popularity • 56% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 32% Positiveness
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Agnes Obel
The Curse
95 bpm • C min • 05:53 • -12.06db
56% Popularity • 61% Danceability • 24% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
56% Popularity • 61% Danceability • 24% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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The Lumineers
Ophelia
76 bpm • F Maj • 02:40 • -6.52db
67% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
67% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Tom Odell
True Colours
76 bpm • A# Maj • 02:23 • -12.1db
63% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
63% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Taylor Swift
exile
76 bpm • F# Maj • 04:45 • -8.43db
80% Popularity • 30% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
80% Popularity • 30% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jake Houlsby
Howl
75 bpm • A# Maj • 03:38 • -14.95db
46% Popularity • 51% Danceability • 35% Energy • 12% Liveness
79% Instrumentalness • 27% Positiveness
46% Popularity • 51% Danceability • 35% Energy • 12% Liveness
79% Instrumentalness • 27% Positiveness
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The Cinematic Orchestra
To Believe - Lucinda Chua Rework
95 bpm • B min • 04:14 • -12.48db
17% Popularity • 18% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Sufjan Stevens
Visions of Gideon
75 bpm • F min • 04:07 • -18.2db
66% Popularity • 25% Danceability • 31% Energy • 9% Liveness
68% Instrumentalness • 20% Positiveness
66% Popularity • 25% Danceability • 31% Energy • 9% Liveness
68% Instrumentalness • 20% Positiveness
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Lowswimmer
Can't Be By Myself
75 bpm • E Maj • 02:55 • -11.67db
45% Popularity • 44% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 44% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Alex Kehm
Intimacy
75 bpm • F min • 01:57 • -12.99db
53% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Hazlett
Blame The Moon
75 bpm • A# Maj • 03:43 • -15.38db
68% Popularity • 50% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
68% Popularity • 50% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Ben Howard
Depth Over Distance
75 bpm • D min • 04:48 • -11.1db
51% Popularity • 26% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
51% Popularity • 26% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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KALEO
All the Pretty Girls
75 bpm • C# Maj • 04:29 • -6.61db
72% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
72% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Nick Mulvey
Meet Me There
97 bpm • E Maj • 03:26 • -7.49db
56% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
56% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Cigarettes After Sex
Nothing's Gonna Hurt You Baby
97 bpm • E Maj • 04:46 • -14.07db
75% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
75% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
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Gem Club
Michael
74 bpm • C Maj • 02:21 • -13db
40% Popularity • 44% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
40% Popularity • 44% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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The Cinematic Orchestra
To Build A Home - Radio Version
74 bpm • A Maj • 03:15 • -14.79db
42% Popularity • 32% Danceability • 16% Energy • 8% Liveness
3% Instrumentalness • 5% Positiveness
42% Popularity • 32% Danceability • 16% Energy • 8% Liveness
3% Instrumentalness • 5% Positiveness
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Son Lux
No Fate Awaits Me
74 bpm • E Maj • 04:37 • -14db
35% Popularity • 37% Danceability • 16% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
35% Popularity • 37% Danceability • 16% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
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Ocie Elliott
Like a River
74 bpm • D# Maj • 03:35 • -11.27db
59% Popularity • 62% Danceability • 38% Energy • 12% Liveness
84% Instrumentalness • 28% Positiveness
59% Popularity • 62% Danceability • 38% Energy • 12% Liveness
84% Instrumentalness • 28% Positiveness
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Keaton Henson
Small Hands
98 bpm • F min • 03:00 • -8db
46% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Fink
Yesterday Was Hard On All Of Us
98 bpm • A min • 04:55 • -9.52db
45% Popularity • 59% Danceability • 62% Energy • 15% Liveness
3% Instrumentalness • 23% Positiveness
45% Popularity • 59% Danceability • 62% Energy • 15% Liveness
3% Instrumentalness • 23% Positiveness
