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That Was Yesterday
Songs like
That Was Yesterday
by
Leon Bridges
Based on a tempo of (+/- 10%) and a similar genre
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Leon Bridges
That Was Yesterday
181 bpm • A Maj • 03:50 • -6.18db
54% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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St. Paul & The Broken Bones
Broken Bones and Pocket Change
179 bpm • A min • 03:47 • -6.24db
40% Popularity • 30% Danceability • 66% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
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Dojo Cuts
I Don't Want to Wait
182 bpm • A Maj • 03:34 • -9db
40% Popularity • 43% Danceability • 34% Energy • 12% Liveness
72% Instrumentalness • 68% Positiveness
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Patty Griffin
Heavenly Day
184 bpm • B Maj • 03:45 • -7db
47% Popularity • 30% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Los Coast
A Change Is Gonna Come
177 bpm • A# Maj • 03:23 • -5.94db
52% Popularity • 35% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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John Mayer
The Heart of Life
176 bpm • C# Maj • 03:18 • -11.03db
66% Popularity • 50% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Sons Of The East
It Must Be Luck
176 bpm • D# Maj • 03:43 • -11.88db
52% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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St. Paul & The Broken Bones
Half the City
179 bpm • G min • 03:17 • -6db
50% Popularity • 55% Danceability • 68% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
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Durand Jones & The Indications
Long Way Home
175 bpm • G Maj • 03:21 • -4.43db
48% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Leon Bridges
Like a Ship
174 bpm • F min • 05:53 • -7.11db
40% Popularity • 31% Danceability • 85% Energy • 18% Liveness
13% Instrumentalness • 51% Positiveness
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Elle King
Good Thing Gone
174 bpm • D Maj • 04:52 • -7.01db
39% Popularity • 59% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Ray LaMontagne
Trouble
173 bpm • G Maj • 04:01 • -12.73db
57% Popularity • 32% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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HAIM
Hallelujah - Bonus Track
188 bpm • G# Maj • 03:10 • -6.88db
49% Popularity • 26% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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St. Paul & The Broken Bones
Grass Is Greener
176 bpm • G Maj • 04:14 • -7db
46% Popularity • 34% Danceability • 49% Energy • 23% Liveness
4% Instrumentalness • 25% Positiveness
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KaiL Baxley
Tell the Falling Sun
172 bpm • A# Maj • 04:00 • -9db
30% Popularity • 47% Danceability • 33% Energy • 26% Liveness
47% Instrumentalness • 29% Positiveness
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Leon Bridges
Better Man
188 bpm • G Maj • 02:20 • -4.94db
63% Popularity • 40% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Fruit Bats
Today
172 bpm • E Maj • 04:15 • -14db
42% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jim James
Why Can't We Live Together
171 bpm • D Maj • 03:39 • -13db
34% Popularity • 45% Danceability • 34% Energy • 10% Liveness
13% Instrumentalness • 25% Positiveness
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Kurt Vile
How Lucky
171 bpm • F Maj • 03:23 • -9.96db
54% Popularity • 52% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Celeste
I Can See The Change
171 bpm • F Maj • 03:37 • -8.8db
40% Popularity • 34% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Ray LaMontagne
You Are the Best Thing
171 bpm • A# Maj • 03:51 • -4.87db
67% Popularity • 58% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Leon Bridges
Daisy Mae
171 bpm • E min • 02:56 • -7.87db
45% Popularity • 48% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jordan Mackampa
Yours to Keep
171 bpm • C# Maj • 03:22 • -8db
51% Popularity • 44% Danceability • 52% Energy • 38% Liveness
5% Instrumentalness • 22% Positiveness
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Joy Oladokun
Sweet Symphony
171 bpm • G# Maj • 03:48 • -9.53db
63% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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The Meltdown
Side By Side
170 bpm • E Maj • 04:16 • -7.68db
55% Popularity • 70% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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Son Little
about her. again.
170 bpm • B Maj • 03:46 • -10.22db
43% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Ray LaMontagne
Hold You in My Arms
170 bpm • G Maj • 05:06 • -13.81db
60% Popularity • 50% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Lake Street Dive
Bad Self Portraits
168 bpm • G# min • 03:24 • -5.45db
56% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Dip
O.P. Jebediah
169 bpm • G Maj • 04:02 • -6.57db
54% Popularity • 45% Danceability • 61% Energy • 66% Liveness
2% Instrumentalness • 70% Positiveness
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Rayland Baxter
Willy's Song
167 bpm • C# min • 03:43 • -8.2db
50% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Flying Stars Of Brooklyn NY
My God Has A Telephone
198 bpm • B Maj • 02:55 • -8.6db
69% Popularity • 58% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Beta Radio
Our Remains
198 bpm • C# min • 04:04 • -12.08db
55% Popularity • 33% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 29% Positiveness
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Jordan Mackampa
Care for Your Mother
164 bpm • F min • 04:13 • -10.62db
43% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Leon Bridges
Lisa Sawyer
201 bpm • G min • 04:03 • -7.66db
46% Popularity • 42% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Dip
Atlas
162 bpm • A# Maj • 03:47 • -7db
51% Popularity • 44% Danceability • 65% Energy • 58% Liveness
0% Instrumentalness • 92% Positiveness
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Ben Howard
Hot Heavy Summer
162 bpm • B Maj • 03:49 • -15db
52% Popularity • 62% Danceability • 25% Energy • 11% Liveness
60% Instrumentalness • 62% Positiveness
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Lake Street Dive
Good Kisser
160 bpm • A# Maj • 03:38 • -3.89db
62% Popularity • 48% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Otis Redding
That's How Strong My Love Is
162 bpm • D# min • 02:24 • -10.23db
55% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Durand Jones & The Indications
Young Americans
160 bpm • C Maj • 05:37 • -6.29db
40% Popularity • 34% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Wilder Woods
Supply & Demand
160 bpm • G# Maj • 03:16 • -5.05db
50% Popularity • 49% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Jordan Mackampa
Teardrops in a Hurricane
160 bpm • A Maj • 04:28 • -12.33db
35% Popularity • 29% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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John Mayer
I Guess I Just Feel Like
160 bpm • E Maj • 04:46 • -9.1db
66% Popularity • 55% Danceability • 48% Energy • 9% Liveness
7% Instrumentalness • 17% Positiveness
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Leon Bridges
Ball Of Confusion
158 bpm • G min • 04:39 • -3.86db
26% Popularity • 58% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Jon and Roy
When You're Gone
206 bpm • D Maj • 02:58 • -15.92db
54% Popularity • 60% Danceability • 28% Energy • 11% Liveness
21% Instrumentalness • 63% Positiveness
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Nathaniel Rateliff
Mavis
157 bpm • B Maj • 04:12 • -11.65db
41% Popularity • 49% Danceability • 52% Energy • 10% Liveness
64% Instrumentalness • 63% Positiveness
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Black Pumas
OCT 33
156 bpm • A min • 04:49 • -7.77db
45% Popularity • 62% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Marcus King
Wildflowers & Wine
157 bpm • C Maj • 04:48 • -8.64db
61% Popularity • 45% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Fruit Bats
The Bottom of It
156 bpm • C Maj • 03:01 • -10.73db
64% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Rayland Baxter
Yellow Eyes
154 bpm • A# Maj • 03:50 • -7.9db
58% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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That Was Yesterday