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That'll Be The Day
Songs like
That'll Be The Day
by
The Statler Brothers
Based on a tempo of (+/- 10%) and a similar genre
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Lefty Frizzell
Always Late (With Your Kisses)
117 bpm • A Maj • 03:11 • -10db
30% Popularity • 76% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Tex Ritter
Hillbilly Heaven
117 bpm • D Maj • 03:26 • -12.82db
13% Popularity • 33% Danceability • 44% Energy • 21% Liveness
4% Instrumentalness • 39% Positiveness
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Moe Bandy
Hey Joe (Hey Moe)
117 bpm • F Maj • 02:18 • -7db
31% Popularity • 72% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Jean Shepard
A Dear John Letter
117 bpm • C Maj • 02:37 • -14.25db
37% Popularity • 65% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Kitty Wells
Heartbreak U.S.A.
117 bpm • E Maj • 02:39 • -10db
32% Popularity • 63% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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Charley Pride
Is Anybody Goin' to San Antone
116 bpm • D Maj • 02:13 • -12db
56% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Leroy Van Dyke
Old Time Religion
116 bpm • A# Maj • 02:04 • -9.49db
28% Popularity • 61% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Duncan
Stranger
118 bpm • F Maj • 03:09 • -9db
47% Popularity • 57% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Moe Bandy
I Wouldn't Cheat on Her If She Was Mine
117 bpm • D Maj • 02:32 • -12.26db
31% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Freddy Fender
The Rains Came
116 bpm • A min • 02:16 • -14.26db
30% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Marty Stuart
Cry Cry Cry
118 bpm • D Maj • 02:20 • -16.07db
29% Popularity • 61% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Sheb Wooley
That's My Pa
116 bpm • G Maj • 02:37 • -10.78db
13% Popularity • 65% Danceability • 65% Energy • 40% Liveness
8% Instrumentalness • 76% Positiveness
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Jean Shepard
I'll Take The Dog
116 bpm • E Maj • 02:33 • -8.46db
28% Popularity • 71% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Ricky Skaggs
Highway 40 Blues
118 bpm • E Maj • 03:08 • -12db
48% Popularity • 65% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Little Jimmy Dickens
When the Ship Hit the Sand
116 bpm • E Maj • 02:04 • -11.56db
18% Popularity • 64% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Tanya Tucker
San Antonio Stroll
116 bpm • A Maj • 02:50 • -16.82db
48% Popularity • 66% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Kitty Wells
How Far Is Heaven
116 bpm • F# Maj • 03:08 • -11db
28% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Leroy Van Dyke
Auctioneer
118 bpm • G# Maj • 02:54 • -13.27db
15% Popularity • 78% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Walter Brennan
Old Rivers
118 bpm • A Maj • 02:50 • -9.72db
27% Popularity • 57% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Wynn Stewart
It's Such A Pretty World Today
118 bpm • E Maj • 02:30 • -12.83db
44% Popularity • 62% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Jim Ed Brown
Pop a Top
118 bpm • A Maj • 02:19 • -12.14db
42% Popularity • 54% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Jean Shepard
Second Fiddle (To An Old Guitar)
119 bpm • C Maj • 02:12 • -9.37db
38% Popularity • 77% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Hawkshaw Hawkins
Lonesome 7-7203
115 bpm • A Maj • 02:43 • -14.69db
38% Popularity • 78% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Gene Watson
The Old Man And His Horn
119 bpm • C Maj • 04:07 • -10db
31% Popularity • 68% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Shelly West
Jose Cuervo
115 bpm • G Maj • 02:40 • -9db
49% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Tom T. Hall
Faster Horses (The Cowboy And The Poet)
115 bpm • G Maj • 02:52 • -13db
50% Popularity • 65% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Ronnie Milsap
(I'm A) Stand by My Woman Man
119 bpm • D Maj • 02:57 • -9.99db
37% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ferlin Husky
Please Help Me I'm Falling
115 bpm • G Maj • 02:13 • -10.26db
25% Popularity • 66% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Tex Ritter
Hillbilly Heaven
115 bpm • A Maj • 03:21 • -18.71db
18% Popularity • 41% Danceability • 19% Energy • 9% Liveness
76% Instrumentalness • 39% Positiveness
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Wynn Stewart
It's A Beautiful Day
119 bpm • G Maj • 02:35 • -9.77db
32% Popularity • 67% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Dan Seals
God Must Be A Cowboy
115 bpm • G# Maj • 03:05 • -11db
49% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Duncan
Hello Mexico (And Adios Baby to You)
119 bpm • B min • 02:58 • -13.17db
19% Popularity • 62% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Moe Bandy
Deep In The Heart Of Texas
115 bpm • F Maj • 02:01 • -10.78db
37% Popularity • 76% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Stevens
The Streak
120 bpm • C Maj • 03:17 • -14.25db
41% Popularity • 69% Danceability • 52% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
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Dick Curless
Big Wheel Cannonball
114 bpm • G Maj • 02:32 • -10.22db
35% Popularity • 71% Danceability • 65% Energy • 12% Liveness
43% Instrumentalness • 96% Positiveness
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MEL STREET
Smokey Mountain Memories
114 bpm • F Maj • 03:02 • -8db
31% Popularity • 57% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Hank Locklin
Send Me the Pillow You Dream On
120 bpm • D# Maj • 02:27 • -11.63db
38% Popularity • 60% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Walter Brennan
Old Rivers
120 bpm • A Maj • 02:47 • -5db
33% Popularity • 60% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Tom T. Hall
Ballad Of Forty Dollars
114 bpm • D Maj • 03:01 • -16db
48% Popularity • 56% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Charlie Rich
I Take It On Home
114 bpm • F Maj • 02:50 • -14.89db
31% Popularity • 48% Danceability • 21% Energy • 17% Liveness
46% Instrumentalness • 42% Positiveness
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Carl Butler
Don't Let Me Cross Over
114 bpm • G Maj • 02:57 • -12.25db
39% Popularity • 59% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ronnie Milsap
I Wouldn't Have Missed It For The World
114 bpm • G Maj • 03:37 • -10.84db
58% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Randy Travis
King of the Road
120 bpm • D Maj • 03:47 • -11db
45% Popularity • 84% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Roy Rogers
Ride Concrete Cowboy, Ride
120 bpm • C min • 02:56 • -8db
26% Popularity • 66% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Tom T. Hall
A Week In A Country Jail
114 bpm • A Maj • 03:03 • -13db
43% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Larry Gatlin & The Gatlin Brothers
Talkin' To The Moon
114 bpm • G Maj • 03:37 • -9.69db
18% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Jean Shepard
Slippin' Away
113 bpm • F Maj • 02:29 • -8.39db
40% Popularity • 74% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Johny Hortin
Horse Is Brave
113 bpm • C Maj • 03:10 • -15.54db
18% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Gene Watson
Love In The Hot Afternoon
113 bpm • E Maj • 03:19 • -8.27db
45% Popularity • 58% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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C.W. McCall
There Won't Be No Country Music (There W...
121 bpm • G Maj • 03:47 • -17.04db
30% Popularity • 60% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Willis Brothers
Give Me Forty Acres
121 bpm • F Maj • 02:36 • -10.9db
37% Popularity • 68% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Larry Gatlin & The Gatlin Brothers
All the Gold In California
113 bpm • D Maj • 02:37 • -12.06db
48% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Ferlin Husky
Timber I'm Falling
113 bpm • E Maj • 02:32 • -7.35db
35% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Tommy Collins
If You Can't Bite, Don't Growl
113 bpm • D Maj • 01:59 • -9.02db
27% Popularity • 62% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Jeannie C. Riley
Mr. Harper - Remastered 2022
122 bpm • G Maj • 02:09 • -8.01db
29% Popularity • 72% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Kitty Wells
Hey Joe
113 bpm • A# Maj • 02:39 • -10.05db
35% Popularity • 76% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Tex Ritter
I Dreamed Of A Hill-Billy Heaven
122 bpm • D# Maj • 03:10 • -14.6db
23% Popularity • 52% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Larry Gatlin & The Gatlin Brothers
All the Gold In California
113 bpm • D Maj • 02:39 • -8db
28% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Tanya Tucker
It's A Cowboy Lovin' Night
122 bpm • A Maj • 02:30 • -7.11db
13% Popularity • 62% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Wills & His Texas Playboys
Cotton Eyed Joe
112 bpm • G Maj • 02:40 • -12db
23% Popularity • 70% Danceability • 28% Energy • 13% Liveness
24% Instrumentalness • 93% Positiveness
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Leroy Van Dyke
My Adobe Hacienda
112 bpm • F Maj • 02:01 • -11db
37% Popularity • 72% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Bill Anderson
Walk Out Backwards
122 bpm • E Maj • 02:29 • -14.3db
37% Popularity • 54% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Tex Ritter
Just Beyond the Moon
113 bpm • G Maj • 02:58 • -13.32db
31% Popularity • 61% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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George Morgan
I'm in Love Again - Remastered
122 bpm • E Maj • 02:38 • -11.82db
23% Popularity • 63% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Jeannie C. Riley
Harper Valley P.T.A. - Remastered 2022
122 bpm • E Maj • 03:15 • -6.6db
55% Popularity • 81% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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C.W. McCall
Convoy
112 bpm • F Maj • 03:50 • -14.88db
61% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The Highwaymen
The Road Goes On Forever
112 bpm • D Maj • 04:41 • -10db
54% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Tommy Overstreet
Gwen (Congratulations)
123 bpm • C Maj • 02:37 • -12.39db
21% Popularity • 81% Danceability • 33% Energy • 6% Liveness
8% Instrumentalness • 90% Positiveness
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The Statler Brothers
Fifteen Years Ago
123 bpm • C Maj • 02:56 • -11.6db
14% Popularity • 48% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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The Statlers
We Got The Memories
111 bpm • D Maj • 03:03 • -14.36db
8% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Tom T. Hall
I Washed My Face In The Morning Dew - Si...
111 bpm • G Maj • 02:44 • -12db
40% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Lynn Anderson
Ride, Ride, Ride
111 bpm • C# Maj • 02:00 • -7.27db
15% Popularity • 76% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Hank Locklin
Happy Birthday to Me
124 bpm • A# Maj • 02:27 • -11.15db
24% Popularity • 57% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Moe Bandy
Barstool Mountain - 2012 Recording
124 bpm • D Maj • 02:46 • -7db
19% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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The Statler Brothers
This Ole House
124 bpm • D Maj • 01:46 • -8.86db
31% Popularity • 80% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Jim Ed Brown
The Three Bells
111 bpm • F Maj • 02:57 • -11.95db
23% Popularity • 44% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Billy Walker
Come a Little Bit Closer
124 bpm • C Maj • 02:31 • -13.51db
26% Popularity • 75% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Dick Curless
A Tombstone Every Mile
110 bpm • C Maj • 03:03 • -10db
37% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Hank Locklin
Yoùre the Reason
124 bpm • A Maj • 02:18 • -8.43db
26% Popularity • 62% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Carl Smith
Hey Joe
110 bpm • D Maj • 02:30 • -6.72db
30% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Moe Bandy
Someday Soon
124 bpm • A# Maj • 03:11 • -12db
25% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Marty Stuart
Between You And Me
110 bpm • A Maj • 02:16 • -10.32db
34% Popularity • 57% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Crystal Gayle
I'll Get Over You - Remastered
110 bpm • G# Maj • 03:31 • -12.55db
40% Popularity • 57% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Connie Smith
Tiny Blue Transistor Radio
124 bpm • C# Maj • 02:33 • -9.22db
26% Popularity • 55% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Duncan
She Can Put Her Shoes Under My Bed (Anyt...
110 bpm • F Maj • 02:53 • -12db
30% Popularity • 65% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Carl Smith
Hey Joe!
110 bpm • D Maj • 02:31 • -11.68db
22% Popularity • 73% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Tom T. Hall
Old Dogs, Children And Watermelon Wine
110 bpm • F Maj • 04:11 • -15.99db
50% Popularity • 53% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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C.W. McCall
Old Home Filler-Up An' Keep On A-Truckin...
110 bpm • F# Maj • 02:57 • -16db
35% Popularity • 58% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Hank Locklin
Fraulein
125 bpm • A Maj • 01:13 • -8db
38% Popularity • 50% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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The Browns
Looking Back to See
125 bpm • A Maj • 02:18 • -7.23db
32% Popularity • 66% Danceability • 67% Energy • 12% Liveness
11% Instrumentalness • 88% Positiveness
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Johnny Duncan
Sweet Country Woman
110 bpm • C# Maj • 02:46 • -12.92db
27% Popularity • 51% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Crystal Gayle
I'll Do It All Over Again
125 bpm • D Maj • 02:56 • -10.15db
30% Popularity • 73% Danceability • 42% Energy • 33% Liveness
1% Instrumentalness • 53% Positiveness
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Connie Smith
Cincinnati, Ohio
125 bpm • C Maj • 02:11 • -11db
19% Popularity • 59% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Rodriguez
North Of The Border
109 bpm • C# Maj • 03:41 • -12.3db
24% Popularity • 68% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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C.W. McCall
Wolf Creek Pass
125 bpm • C Maj • 04:00 • -16.64db
43% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Browns
I Heard the Bluebirds Sing
109 bpm • E Maj • 02:36 • -4.63db
22% Popularity • 72% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Tom T. Hall
The Old Side of Town
109 bpm • A Maj • 03:04 • -9.62db
35% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Barbara Mandrell
Tonight My Baby's Coming Home
109 bpm • B Maj • 02:03 • -8db
29% Popularity • 55% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Red Foley
Alabama Jubilee
125 bpm • C Maj • 02:47 • -13.44db
33% Popularity • 79% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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The Statler Brothers
Elizabeth
109 bpm • D Maj • 03:24 • -14.2db
36% Popularity • 57% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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That'll Be The Day