Songs like That's The Way Love Goes by Louis Tomlinson
Based on a tempo of (+/- 10%) and a similar genre
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THE DRIVER ERA
Preacher Man
120 bpm • C# Maj • 03:39 • -3.93db
53% Popularity • 69% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 69% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Omar Rudberg
Symphony
120 bpm • F# Maj • 02:49 • -5.74db
45% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Ashe
Another Man's Jeans
120 bpm • C# Maj • 02:45 • -5.39db
53% Popularity • 72% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
53% Popularity • 72% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Steve Aoki
Just Hold On - TJH87 Remix
120 bpm • B Maj • 04:56 • -5.31db
24% Popularity • 55% Danceability • 84% Energy • 14% Liveness
3% Instrumentalness • 12% Positiveness
24% Popularity • 55% Danceability • 84% Energy • 14% Liveness
3% Instrumentalness • 12% Positiveness
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FINNEAS
Shelter
120 bpm • D# min • 03:07 • -10.04db
48% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Reneé Rapp
Colorado
120 bpm • F Maj • 02:52 • -7.52db
65% Popularity • 82% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 82% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Louis Tomlinson
That's The Way Love Goes
120 bpm • F# Maj • 02:30 • -6.27db
53% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Day
VICIOUS
120 bpm • A Maj • 02:12 • -5.87db
53% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Liam Payne
Bedroom Floor
120 bpm • C# Maj • 03:08 • -7.15db
51% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Steve Aoki
Just Hold On - Rain Man Remix
120 bpm • B Maj • 03:09 • -4.79db
23% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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The Next Step
My Turn
120 bpm • D Maj • 01:42 • -8.42db
27% Popularity • 59% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 59% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Alfie Jukes
take my breath
120 bpm • G# min • 03:11 • -17db
32% Popularity • 52% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 52% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Louis Tomlinson
Change
120 bpm • E Maj • 04:42 • -10.36db
53% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
53% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Luke Hemmings
Starting Line
120 bpm • D Maj • 04:30 • -5.31db
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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One Direction
Stockholm Syndrome
121 bpm • D Maj • 03:34 • -4.96db
69% Popularity • 68% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 68% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Isaac Anderson
Light Me In Red
119 bpm • G# Maj • 02:52 • -5.06db
21% Popularity • 59% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 59% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Conan Gray
Lookalike
122 bpm • A# Maj • 03:40 • -10.12db
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Louis Tomlinson
Defenceless
119 bpm • B Maj • 03:43 • -5.87db
57% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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ZAYN
Tonight
122 bpm • A# Maj • 03:40 • -5db
50% Popularity • 64% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 64% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Liam Payne
Say It All
122 bpm • F# Maj • 03:27 • -4.69db
37% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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One Direction
Little Black Dress
121 bpm • E Maj • 02:37 • -3.51db
59% Popularity • 63% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 63% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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Harry Styles
Love Of My Life
118 bpm • G Maj • 03:11 • -8.23db
72% Popularity • 56% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
72% Popularity • 56% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Jonas Brothers
Hesitate
118 bpm • D Maj • 03:28 • -7db
54% Popularity • 62% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 62% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Louis Tomlinson
Kill My Mind - Track By Track
119 bpm • C# min • 01:23 • -20.39db
19% Popularity • 72% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 72% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Alessia Cara
You Let Me Down
118 bpm • C# Maj • 03:13 • -7.67db
56% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tom Millichamp
If I
122 bpm • F min • 03:28 • -11.11db
34% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Lewis Capaldi
Heavenly Kind Of State Of Mind
122 bpm • D min • 03:21 • -3.37db
58% Popularity • 65% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 65% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Harry Styles
Carolina
122 bpm • E min • 03:09 • -4.02db
65% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Ruel
I DON'T WANNA BE LIKE YOU
122 bpm • C# Maj • 02:43 • -4.87db
52% Popularity • 70% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
52% Popularity • 70% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Taylor Grey
Fallin'
118 bpm • A# Maj • 04:44 • -8.32db
12% Popularity • 75% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 75% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Taylor Bickett
QUARTER LIFE CRISIS
118 bpm • F Maj • 03:18 • -4db
58% Popularity • 82% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
58% Popularity • 82% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Ashe
Taylor
118 bpm • B Maj • 02:47 • -10.02db
39% Popularity • 64% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 64% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Bryce Xavier
Romeo
122 bpm • D# Maj • 03:03 • -13.66db
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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One Direction
Where Do Broken Hearts Go
123 bpm • E Maj • 03:49 • -3.72db
66% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
66% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Luke Hemmings
Saigon
117 bpm • D min • 03:41 • -5.47db
54% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Thomas Day
Bonnie & Clyde
123 bpm • F Maj • 02:32 • -4.29db
38% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Here At Last
Remedy
124 bpm • D Maj • 02:35 • -10.59db
35% Popularity • 70% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 70% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Louis Tomlinson
Lucky Again
124 bpm • D Maj • 03:27 • -4.69db
57% Popularity • 71% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 71% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Mark Ambor
Company
124 bpm • F# Maj • 02:49 • -6.78db
51% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Ashton Irwin
Perfect Lie - LIVE
116 bpm • A Maj • 05:00 • -10db
15% Popularity • 61% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 61% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Luke Hemmings
Baby Blue
124 bpm • C Maj • 03:43 • -3.85db
56% Popularity • 54% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 54% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Jonah Marais
War Paint
116 bpm • G# Maj • 03:20 • -9db
24% Popularity • 76% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 76% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Sofia Carson
I Hate the Way
125 bpm • A min • 03:13 • -5db
59% Popularity • 63% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 63% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Louis Tomlinson
Written All Over Your Face
124 bpm • C Maj • 02:40 • -4.54db
62% Popularity • 75% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 75% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Nicholas Galitzine
Comfort
125 bpm • G Maj • 03:22 • -10db
51% Popularity • 72% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 72% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Ashton Irwin
Perfect Lie
116 bpm • A Maj • 04:14 • -9db
32% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Luke Hemmings
Repeat
115 bpm • G Maj • 03:32 • -10db
47% Popularity • 45% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 45% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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We Three
OVERDOSE
125 bpm • A# Maj • 03:47 • -7.32db
35% Popularity • 57% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 57% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Daniel Seavey
Give It A Week
125 bpm • E Maj • 03:02 • -7.67db
39% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Louis Tomlinson
Headline
125 bpm • G Maj • 02:53 • -3.64db
54% Popularity • 64% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
54% Popularity • 64% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Anna Margaret
Something About the Sunshine
125 bpm • F Maj • 03:06 • -6.25db
58% Popularity • 69% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 69% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Dua Lipa
Boys Will Be Boys
125 bpm • D# Maj • 02:46 • -5.95db
56% Popularity • 77% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 77% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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1dVault
Where We Are
125 bpm • C Maj • 03:40 • -8.11db
49% Popularity • 63% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 63% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Mckenna Grace
City Leaver
125 bpm • A Maj • 03:10 • -5.26db
35% Popularity • 76% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 76% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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FINNEAS
Mona Lisa, Mona Lisa
125 bpm • C Maj • 02:52 • -6.84db
51% Popularity • 74% Danceability • 52% Energy • 58% Liveness
2% Instrumentalness • 65% Positiveness
51% Popularity • 74% Danceability • 52% Energy • 58% Liveness
2% Instrumentalness • 65% Positiveness
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Lewis Capaldi
Hollywood
125 bpm • A# Maj • 03:11 • -4.9db
55% Popularity • 72% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 72% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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We Three
Nightlight
115 bpm • C Maj • 03:18 • -8db
41% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Dylan
Blisters
115 bpm • C# min • 03:21 • -5.53db
42% Popularity • 43% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 43% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Stephen Sanchez
Missing You
115 bpm • C min • 03:55 • -12.19db
57% Popularity • 64% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 64% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Yoandri
Cherry on Top
115 bpm • E Maj • 03:45 • -7.09db
26% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Mitch Rowland
Here Comes The Comeback
115 bpm • A# Maj • 02:42 • -6.8db
36% Popularity • 68% Danceability • 68% Energy • 31% Liveness
4% Instrumentalness • 86% Positiveness
36% Popularity • 68% Danceability • 68% Energy • 31% Liveness
4% Instrumentalness • 86% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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One Direction
Walking in the Wind
115 bpm • G# Maj • 03:22 • -6.59db
64% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
64% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Omar Rudberg
It Takes A Fool To Remain Sane
126 bpm • C Maj • 02:57 • -7.22db
53% Popularity • 68% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 68% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
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Taylor Swift
Mastermind
126 bpm • E Maj • 03:11 • -14.06db
74% Popularity • 66% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
74% Popularity • 66% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Isaac Anderson
Survived My Early Twenties
126 bpm • B Maj • 02:26 • -7.57db
23% Popularity • 62% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 62% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Louis Tomlinson
Two of Us - Acoustic
126 bpm • C Maj • 03:46 • -8db
42% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Benson Boone
Better Alone
126 bpm • G Maj • 03:29 • -6.11db
64% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Harry Styles
Matilda
114 bpm • D Maj • 04:05 • -10db
79% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
79% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Thomas Day
Wildflower
114 bpm • C Maj • 02:41 • -5db
42% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Sofia Carson
Blue Side of the Sky
114 bpm • E min • 03:02 • -4.16db
53% Popularity • 70% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 70% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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THE DRIVER ERA
Heaven Angel
114 bpm • F Maj • 03:39 • -4.52db
54% Popularity • 75% Danceability • 79% Energy • 66% Liveness
2% Instrumentalness • 78% Positiveness
54% Popularity • 75% Danceability • 79% Energy • 66% Liveness
2% Instrumentalness • 78% Positiveness
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Lindsay Liebro
Wasted Potential
114 bpm • E Maj • 03:49 • -5db
32% Popularity • 71% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 71% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Mckenna Grace
do all my friends hate me?
114 bpm • D# Maj • 03:24 • -6.93db
51% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
51% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Harry Styles
Only Angel
114 bpm • F Maj • 04:51 • -4.11db
65% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
65% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Academic
I Feel It Too
127 bpm • F Maj • 03:39 • -3.51db
40% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Cate
Funny Story
114 bpm • F# Maj • 02:55 • -5.76db
40% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Niall Horan
Since We're Alone
127 bpm • C# Maj • 04:02 • -7.99db
58% Popularity • 71% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 71% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Louis Tomlinson
Two of Us
127 bpm • C Maj • 03:37 • -5.63db
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Harry Styles
Daydreaming
114 bpm • E min • 03:07 • -5.3db
71% Popularity • 71% Danceability • 81% Energy • 13% Liveness
2% Instrumentalness • 90% Positiveness
71% Popularity • 71% Danceability • 81% Energy • 13% Liveness
2% Instrumentalness • 90% Positiveness
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Nick Jonas
Introducing Me
113 bpm • B Maj • 03:06 • -6.05db
63% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 51% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Ashe
Love You Need
127 bpm • A Maj • 03:15 • -7.05db
45% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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ZAYN
Outside
113 bpm • B Maj • 03:28 • -9.41db
52% Popularity • 48% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
52% Popularity • 48% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Conan Gray
Memories
113 bpm • B Maj • 04:08 • -6.31db
79% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
79% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Isaac Anderson
Take Me To Church (Spare Room Session)
128 bpm • E min • 03:58 • -12.7db
18% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Alfie Jukes
kinda wish
128 bpm • D Maj • 03:11 • -16.58db
38% Popularity • 63% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 63% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Louis Tomlinson
She Is Beauty We Are World Class
128 bpm • B min • 03:39 • -6.47db
53% Popularity • 53% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 53% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Harry Styles
Ever Since New York
128 bpm • A# Maj • 04:13 • -6.76db
64% Popularity • 39% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
64% Popularity • 39% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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One Direction
Fool's Gold
128 bpm • F# Maj • 03:30 • -4.85db
65% Popularity • 52% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 52% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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THE DRIVER ERA
Back To You
128 bpm • D# min • 02:02 • -5db
47% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Austin Moon
Steal Your Heart
128 bpm • C# Maj • 03:21 • -4.99db
53% Popularity • 72% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
53% Popularity • 72% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Dylan
Bad Bitches Beat Heartbreak
128 bpm • F Maj • 03:44 • -7.24db
15% Popularity • 76% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 76% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Steve Aoki
Just Hold On - Steve Aoki Festival Edit
128 bpm • F# Maj • 03:43 • -3.66db
32% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Here At Last
Tongue
112 bpm • D Maj • 02:42 • -4.88db
34% Popularity • 85% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 85% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Andrew Cushin
You'll Be Free
112 bpm • C Maj • 03:33 • -5.17db
28% Popularity • 43% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 43% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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THE DRIVER ERA
Afterglow
128 bpm • F# Maj • 03:11 • -7.35db
57% Popularity • 70% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
57% Popularity • 70% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
