Songs like The 3 Musketeers, Act I (Arr. J. Longstaff): No. 15, Constance and D'artagnan by Malcolm Arnold
Based on a tempo of (+/- 10%) and a similar genre
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AntonÃn Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Malcolm Arnold
Trek To The Bridge
92 bpm • F Maj • 08:26 • -13.93db
1% Popularity • 18% Danceability • 43% Energy • 31% Liveness
26% Instrumentalness • 14% Positiveness
1% Popularity • 18% Danceability • 43% Energy • 31% Liveness
26% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite (arr. G. Jacob):...
92 bpm • C min • 03:12 • -31.42db
12% Popularity • 11% Danceability • 2% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
12% Popularity • 11% Danceability • 2% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
48% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Gustav Holst
First Suite in E-Flat Major, Op. 28 No. ...
92 bpm • D# Maj • 04:50 • -20.45db
33% Popularity • 15% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
33% Popularity • 15% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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David Maslanka
Give Us This Day: II. Very fast
92 bpm • F Maj • 07:09 • -19.59db
15% Popularity • 34% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
15% Popularity • 34% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Florence Beatrice Price
Symphony No. 4 in D Minor: II. Andante c...
93 bpm • A# Maj • 05:40 • -33db
11% Popularity • 11% Danceability • 1% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 1% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
93 bpm • A# Maj • 03:13 • -30.78db
16% Popularity • 21% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Toccata & Fugue in D Minor, BWV 565
93 bpm • D min • 09:06 • -20.13db
17% Popularity • 15% Danceability • 15% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
17% Popularity • 15% Danceability • 15% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
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Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
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David Maslanka
Give Us This Day: II. —
91 bpm • F Maj • 07:23 • -20db
28% Popularity • 32% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
28% Popularity • 32% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Hubert Parry
An English Suite: VI. Air
91 bpm • G Maj • 02:09 • -29db
29% Popularity • 20% Danceability • 3% Energy • 6% Liveness
75% Instrumentalness • 8% Positiveness
29% Popularity • 20% Danceability • 3% Energy • 6% Liveness
75% Instrumentalness • 8% Positiveness
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Leonard Bernstein
Divertimento: V: Turkey Trot: Allegretto...
91 bpm • C Maj • 01:44 • -28.51db
32% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
32% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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David Maslanka
A Child's Garden of Dreams, Book 1: I. T...
90 bpm • C Maj • 05:00 • -23db
11% Popularity • 15% Danceability • 4% Energy • 14% Liveness
71% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 4% Energy • 14% Liveness
71% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: XIV. Finale
94 bpm • C Maj • 02:07 • -15.63db
29% Popularity • 44% Danceability • 26% Energy • 7% Liveness
61% Instrumentalness • 56% Positiveness
29% Popularity • 44% Danceability • 26% Energy • 7% Liveness
61% Instrumentalness • 56% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Percy Grainger
Lincolnshire Posy: VI. The Lost Lady Fou...
94 bpm • A min • 02:44 • -22db
27% Popularity • 43% Danceability • 6% Energy • 8% Liveness
74% Instrumentalness • 47% Positiveness
27% Popularity • 43% Danceability • 6% Energy • 8% Liveness
74% Instrumentalness • 47% Positiveness
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Gabriel Fauré
Fantasie for Flute and Piano by Gabriel ...
90 bpm • C Maj • 05:07 • -25db
12% Popularity • 29% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 24% Positiveness
12% Popularity • 29% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 24% Positiveness
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Jeremy Siepmann
Instruments Of The Orchestra: Prokofiev:...
94 bpm • G# Maj • 01:55 • -34.44db
24% Popularity • 19% Danceability • 2% Energy • 20% Liveness
45% Instrumentalness • 9% Positiveness
24% Popularity • 19% Danceability • 2% Energy • 20% Liveness
45% Instrumentalness • 9% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: III. Intermezzo...
90 bpm • C min • 03:58 • -29db
16% Popularity • 10% Danceability • 2% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 2% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: III. No...
89 bpm • A Maj • 08:26 • -22.88db
26% Popularity • 15% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
26% Popularity • 15% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
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Paul Dukas
Fanfare from La Peri
95 bpm • F min • 02:24 • -16db
11% Popularity • 23% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
11% Popularity • 23% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 1. Pesant...
95 bpm • D Maj • 02:08 • -17.85db
5% Popularity • 38% Danceability • 35% Energy • 15% Liveness
90% Instrumentalness • 51% Positiveness
5% Popularity • 38% Danceability • 35% Energy • 15% Liveness
90% Instrumentalness • 51% Positiveness
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Percy Grainger
Lincolnshire Posy: IV. The Brisk Young S...
95 bpm • A# Maj • 01:37 • -25.96db
26% Popularity • 38% Danceability • 6% Energy • 15% Liveness
94% Instrumentalness • 70% Positiveness
26% Popularity • 38% Danceability • 6% Energy • 15% Liveness
94% Instrumentalness • 70% Positiveness
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André Messager
Solo de concours
89 bpm • F min • 05:50 • -21db
16% Popularity • 25% Danceability • 6% Energy • 9% Liveness
74% Instrumentalness • 12% Positiveness
16% Popularity • 25% Danceability • 6% Energy • 9% Liveness
74% Instrumentalness • 12% Positiveness
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Edvard Grieg
Grieg: The Last Spring, Op. 34, No. 2
89 bpm • G Maj • 05:47 • -25db
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: III. Elegie
89 bpm • D Maj • 09:05 • -21.19db
40% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
40% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Johannes Brahms
Waltz in A flat major, Op.39 No. 15
89 bpm • A Maj • 01:47 • -20db
50% Popularity • 22% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
50% Popularity • 22% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: I. Moderato
89 bpm • D Maj • 03:14 • -21.21db
40% Popularity • 36% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 36% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Aaron Copland
Down a Country Lane
89 bpm • F Maj • 02:17 • -28db
19% Popularity • 15% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
19% Popularity • 15% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Malcolm Arnold
4 Cornish Dances, Op. 91: No. 3. Con mot...
88 bpm • F Maj • 02:36 • -21.85db
2% Popularity • 10% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
2% Popularity • 10% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
39% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
39% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Leonard Bernstein
On the Town, Act 1: Lonely Town. Pas de ...
88 bpm • D Maj • 03:03 • -19.62db
17% Popularity • 9% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: III. Villanella: An...
88 bpm • B min • 05:55 • -35db
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: III. Andantino qua...
97 bpm • G Maj • 10:39 • -24.66db
32% Popularity • 17% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Richard Strauss
Vienna Philharmonic Fanfare
97 bpm • D# Maj • 02:31 • -14db
13% Popularity • 36% Danceability • 62% Energy • 67% Liveness
90% Instrumentalness • 29% Positiveness
13% Popularity • 36% Danceability • 62% Energy • 67% Liveness
90% Instrumentalness • 29% Positiveness
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John P. Paynter
4 Scottish Dances, Op. 59 (arr. J.P. Pay...
87 bpm • E min • 02:20 • -14.45db
0% Popularity • 35% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 47% Positiveness
0% Popularity • 35% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 47% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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London Philharmonic Orchestra
Slavonic Dance No. 2 in E Minor, Op. 72
97 bpm • C Maj • 05:35 • -13db
29% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
29% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: IV. I pi...
87 bpm • B Maj • 05:19 • -15.8db
9% Popularity • 9% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
9% Popularity • 9% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
► Preview
Maurice Ravel
Le Tombeau de Couperin, M. 68: V. Menuet...
97 bpm • G Maj • 04:53 • -25.01db
12% Popularity • 19% Danceability • 4% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
► Preview
Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
► Preview
Johann Sebastian Bach
Brandenburg Concerto No. 3 in G Major, B...
98 bpm • G Maj • 05:44 • -14.59db
43% Popularity • 61% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 80% Positiveness
43% Popularity • 61% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 80% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Louis Ganne
Andante et Scherzo for Flute and Piano b...
87 bpm • D Maj • 06:41 • -24db
13% Popularity • 25% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
13% Popularity • 25% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
► Preview
Richard Wagner
Tannhauser: Overture
98 bpm • B Maj • 09:48 • -21db
30% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Percy Grainger
Molly on the Shore
98 bpm • G# Maj • 04:06 • -24.04db
28% Popularity • 51% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 33% Positiveness
28% Popularity • 51% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 33% Positiveness
► Preview
Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
26% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
David Maslanka
Give Us This Day: I. —
86 bpm • A# Maj • 08:28 • -23db
26% Popularity • 9% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Malcolm Arnold
4 Scottish Dances, Op. 59: No. 3, Allegr...
86 bpm • G min • 04:16 • -28db
14% Popularity • 9% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Claude Debussy
Suite bergamasque, L.75 - Orch. Henri Pi...
86 bpm • C# Maj • 04:28 • -28.48db
9% Popularity • 9% Danceability • 5% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Suite No. 2, P. 138: IV. Bergamasca: All...
86 bpm • D Maj • 05:38 • -20.78db
21% Popularity • 34% Danceability • 5% Energy • 9% Liveness
69% Instrumentalness • 32% Positiveness
21% Popularity • 34% Danceability • 5% Energy • 9% Liveness
69% Instrumentalness • 32% Positiveness
► Preview
Johann Strauss II
Artist's Life - Waltz Op. 316
98 bpm • C Maj • 08:40 • -24db
33% Popularity • 31% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 13% Positiveness
33% Popularity • 31% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 13% Positiveness
► Preview
George Gershwin
Cuban Overture
98 bpm • G Maj • 09:47 • -13db
21% Popularity • 25% Danceability • 42% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
21% Popularity • 25% Danceability • 42% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
► Preview
Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Johann Strauss II
Die Fledermaus (The Bat), Overture (RV 5...
99 bpm • D Maj • 02:04 • -20.93db
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
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Camille Saint-Saëns
Sonate, Op. 168: I. Allegretto moderato
85 bpm • G Maj • 02:43 • -27db
17% Popularity • 25% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 17% Positiveness
17% Popularity • 25% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 17% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Nabucco: Overture
100 bpm • F Maj • 07:30 • -16.05db
27% Popularity • 29% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 17% Positiveness
27% Popularity • 29% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
Konzertstück op.113 for Basset Horn, Cl...
85 bpm • F Maj • 02:23 • -21.54db
14% Popularity • 52% Danceability • 17% Energy • 9% Liveness
78% Instrumentalness • 71% Positiveness
14% Popularity • 52% Danceability • 17% Energy • 9% Liveness
78% Instrumentalness • 71% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: Slow Dance
100 bpm • E min • 01:55 • -26.17db
28% Popularity • 18% Danceability • 5% Energy • 24% Liveness
95% Instrumentalness • 14% Positiveness
28% Popularity • 18% Danceability • 5% Energy • 24% Liveness
95% Instrumentalness • 14% Positiveness
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John P. Paynter
4 Scottish Dances, Op. 59: No. 3. Allegr...
85 bpm • G min • 04:16 • -33.31db
1% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
1% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Pini di Roma, P. 141: I. I pini di Villa...
85 bpm • F Maj • 02:46 • -22db
22% Popularity • 22% Danceability • 26% Energy • 81% Liveness
73% Instrumentalness • 51% Positiveness
22% Popularity • 22% Danceability • 26% Energy • 81% Liveness
73% Instrumentalness • 51% Positiveness
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Malcolm Arnold
English Dances, Set 2, Op. 33: No. 1. Al...
84 bpm • A# Maj • 03:07 • -20.14db
4% Popularity • 39% Danceability • 30% Energy • 10% Liveness
82% Instrumentalness • 20% Positiveness
4% Popularity • 39% Danceability • 30% Energy • 10% Liveness
82% Instrumentalness • 20% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Percy Grainger
Harvest Hymn
84 bpm • D Maj • 03:41 • -19.07db
24% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Øystein Baadsvik
Bass Tuba Concerto in F Minor: II. Roman...
84 bpm • E min • 04:46 • -24.78db
8% Popularity • 8% Danceability • 6% Energy • 18% Liveness
92% Instrumentalness • 19% Positiveness
8% Popularity • 8% Danceability • 6% Energy • 18% Liveness
92% Instrumentalness • 19% Positiveness
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John P. Paynter
4 Scottish Dances, Op. 59: No. 1. Pesant...
84 bpm • E min • 02:21 • -8.93db
1% Popularity • 30% Danceability • 40% Energy • 22% Liveness
89% Instrumentalness • 52% Positiveness
1% Popularity • 30% Danceability • 40% Energy • 22% Liveness
89% Instrumentalness • 52% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Tuba Concerto in F Minor: II. Romanza
84 bpm • B min • 04:58 • -22db
15% Popularity • 11% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
15% Popularity • 11% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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Malcolm Arnold
Four Scottish Dances, Op. 59: III. Alleg...
84 bpm • F Maj • 02:42 • -22db
6% Popularity • 15% Danceability • 8% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
6% Popularity • 15% Danceability • 8% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: III. Anit...
84 bpm • D min • 03:18 • -34.16db
37% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
37% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Ottorino Respighi
Pines Of Rome, P. 141: 3. The Pines Of T...
84 bpm • E Maj • 06:48 • -31.27db
22% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
22% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
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John Farrar
English Pastoral Impressions: I. Spring ...
101 bpm • D# Maj • 04:59 • -31db
25% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
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Samuel Coleridge-Taylor
Ballade in A Minor, Op. 33: I. Allegro e...
101 bpm • A min • 05:48 • -19.62db
31% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
