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The 3 Musketeers, Act II (Arr. J. Longstaff): No. ...
Songs like
The 3 Musketeers, Act II (Arr. J. Longstaff): No. 19, Calais Capture
by
Malcolm Arnold
Based on a tempo of (+/- 10%) and a similar genre
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Malcolm Arnold
Hobson's Choice: IV. Finale
123 bpm • D Maj • 01:14 • -12.64db
1% Popularity • 35% Danceability • 29% Energy • 21% Liveness
80% Instrumentalness • 38% Positiveness
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Emmanuel Chabrier
España - Rhapsody for Orchestra
122 bpm • F Maj • 06:28 • -14.82db
19% Popularity • 38% Danceability • 32% Energy • 3% Liveness
84% Instrumentalness • 26% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: XIII. The Swan
124 bpm • A min • 02:58 • -37.47db
34% Popularity • 17% Danceability • 1% Energy • 7% Liveness
41% Instrumentalness • 4% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
124 bpm • F min • 01:05 • -34db
18% Popularity • 48% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
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Malcolm Arnold
Prelude, Siciliano & Rondo: Prelude
124 bpm • A# Maj • 01:52 • -18db
20% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
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Ferdinand David
Trombone Concertino in E-Flat Major, Op....
124 bpm • D# Maj • 07:47 • -21.69db
20% Popularity • 31% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Percy Grainger
Lincolnshire Posy: I. Lisbon
121 bpm • C# Maj • 01:24 • -26db
27% Popularity • 41% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
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Camille Saint-Saëns
Morceau de concert, Op. 94: I. Allegro m...
121 bpm • F min • 03:25 • -17.88db
16% Popularity • 39% Danceability • 7% Energy • 17% Liveness
40% Instrumentalness • 34% Positiveness
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John P. Paynter
Little Suite No. 1, Op. 53 (arr. J. Payn...
125 bpm • A# Maj • 01:49 • -19.15db
0% Popularity • 42% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Malcolm Arnold
The Bridge on the River Kwai: V. Finale....
124 bpm • C Maj • 03:14 • -9.5db
1% Popularity • 39% Danceability • 69% Energy • 30% Liveness
95% Instrumentalness • 38% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: IV. March "Folk...
125 bpm • A# Maj • 03:44 • -17.83db
19% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
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Igor Stravinsky
Histoire du soldat - Part 1: 1. Marche d...
121 bpm • B min • 01:35 • -19.44db
13% Popularity • 81% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: I. Mornin...
126 bpm • E Maj • 04:03 • -22db
35% Popularity • 17% Danceability • 4% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4 (...
125 bpm • G Maj • 03:01 • -23.47db
2% Popularity • 50% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 1. March: Seven...
121 bpm • F min • 03:21 • -17.06db
33% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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Percy Grainger
Children's March, "Over the Hills and Fa...
120 bpm • A# Maj • 07:03 • -20.13db
27% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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John P. Paynter
Little Suite No. 1, Op. 53 (arr. J. Payn...
126 bpm • D# Maj • 03:32 • -25.02db
0% Popularity • 17% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4 (...
126 bpm • D min • 02:26 • -21.99db
2% Popularity • 43% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: IV. I pi...
120 bpm • B Maj • 05:36 • -16.36db
24% Popularity • 18% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March (Seven...
120 bpm • F min • 03:25 • -14db
30% Popularity • 54% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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George Gershwin
Walking the Dog
120 bpm • C Maj • 03:06 • -13.47db
26% Popularity • 39% Danceability • 17% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Leonard Bernstein
Candide: I. The Best of All Possible Wor...
127 bpm • D# Maj • 02:01 • -17db
23% Popularity • 67% Danceability • 23% Energy • 23% Liveness
92% Instrumentalness • 76% Positiveness
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Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
119 bpm • F Maj • 04:41 • -17.88db
33% Popularity • 53% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 43% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": III. Hu...
127 bpm • G# Maj • 03:16 • -17.72db
21% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 3. March: Folk ...
119 bpm • A# Maj • 03:50 • -13.97db
22% Popularity • 48% Danceability • 27% Energy • 7% Liveness
85% Instrumentalness • 68% Positiveness
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Anonymous
Lisbon "Dublin Bay"
127 bpm • D# Maj • 01:19 • -19.08db
19% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: I. Balletto Detto '...
127 bpm • D Maj • 02:59 • -22.83db
27% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
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Michael Torke
Bright Blue Music
118 bpm • D Maj • 09:07 • -18.69db
10% Popularity • 31% Danceability • 16% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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London Philharmonic Orchestra
3rd Movement: Scherzo
118 bpm • C Maj • 08:14 • -22db
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
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Manuel de Falla
Falla: 7 Canciones populares españolas:...
128 bpm • E Maj • 02:41 • -20.62db
12% Popularity • 38% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
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Malcolm Arnold
English Dances, Set 2, Op. 33: No. 3. Gr...
118 bpm • A min • 02:29 • -24.78db
5% Popularity • 24% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March "Seven...
117 bpm • G# Maj • 03:27 • -20.27db
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Aaron Copland
Rodeo: I. Buckaroo Holiday
117 bpm • F Maj • 07:52 • -18db
13% Popularity • 39% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97 (Reconstructed by M. ...
117 bpm • C min • 02:01 • -18db
18% Popularity • 32% Danceability • 31% Energy • 13% Liveness
97% Instrumentalness • 37% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Igor Stravinsky
Scherzo a la russe (original Jazz band v...
130 bpm • G Maj • 03:37 • -16.76db
23% Popularity • 58% Danceability • 29% Energy • 5% Liveness
88% Instrumentalness • 19% Positiveness
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London Philharmonic Orchestra
1st Movement: Adaggio / Allegro Molto
116 bpm • E min • 09:44 • -15.71db
37% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
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Malcolm Arnold
English Dances, Set 2, Op. 33: No. 4. Gi...
131 bpm • F Maj • 02:12 • -16.28db
4% Popularity • 31% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 38% Positiveness
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William Walton
Crown Imperial
116 bpm • C Maj • 06:42 • -15.9db
25% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
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Aaron Copland
Rodeo: No. 1, Buckaroo Holiday
131 bpm • F Maj • 07:11 • -18.87db
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
► Preview
Jacques Ibert
Ibert: 3 Pièces brèves: I. Allegro
116 bpm • C Maj • 02:17 • -16db
12% Popularity • 51% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 40% Positiveness
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Adolphus Hailstork
3 Spirituals for Orchestra: No. 3. Oh Fr...
115 bpm • F Maj • 02:26 • -23.94db
11% Popularity • 42% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Malcolm Arnold
Four Scottish Dances, Op. 59 - Produced
116 bpm • F Maj • 03:48 • -25.67db
10% Popularity • 18% Danceability • 10% Energy • 14% Liveness
48% Instrumentalness • 6% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Gustav Holst
Suite No. 1 for Military Band in E-Flat ...
132 bpm • G# Maj • 02:52 • -19.06db
7% Popularity • 36% Danceability • 24% Energy • 24% Liveness
91% Instrumentalness • 39% Positiveness
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Øystein Baadsvik
Bass Tuba Concerto in F Minor: I. Prelud...
115 bpm • A# min • 04:09 • -21.2db
10% Popularity • 46% Danceability • 14% Energy • 24% Liveness
94% Instrumentalness • 35% Positiveness
► Preview
Dmitry Kabalevsky
Colas Breugnon Overture, Op. 24
132 bpm • F Maj • 04:43 • -19db
14% Popularity • 29% Danceability • 31% Energy • 5% Liveness
84% Instrumentalness • 18% Positiveness
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Igor Stravinsky
The Rite of Spring, Part 1: II. The Augu...
115 bpm • A# Maj • 03:02 • -22db
31% Popularity • 50% Danceability • 26% Energy • 66% Liveness
80% Instrumentalness • 42% Positiveness
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Malcolm Arnold
Whistle Down the Wind: II. The Three Kin...
116 bpm • E min • 01:47 • -19.51db
1% Popularity • 38% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 49% Positiveness
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Kenneth J. Alford
Colonel Bogey
114 bpm • A# Maj • 04:36 • -14.1db
3% Popularity • 38% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Leonard Bernstein
Candide: V. Make Our Garden Grow
133 bpm • C min • 03:36 • -20db
23% Popularity • 16% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Gustav Holst
First Suite in E-Flat Major, Op. 28 No. ...
133 bpm • G# Maj • 02:58 • -16.8db
34% Popularity • 46% Danceability • 23% Energy • 20% Liveness
94% Instrumentalness • 40% Positiveness
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Frederick Delius
Florida Suite: By the River
133 bpm • D# Maj • 07:09 • -27.38db
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Malcolm Arnold
4 Irish Dances, Op. 126: No. 4. Vivace
132 bpm • A min • 02:06 • -24.85db
2% Popularity • 34% Danceability • 1% Energy • 17% Liveness
89% Instrumentalness • 20% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Philip Lane
Pantomime: Vivace
113 bpm • G min • 02:02 • -22db
16% Popularity • 48% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 37% Positiveness
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Camille Saint-Saëns
Romance for horn & piano, Op. 36
134 bpm • F Maj • 03:48 • -22.62db
17% Popularity • 28% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
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Joseph Haydn
Haydn: Trumpet Concerto In E Flat - I Al...
134 bpm • D# Maj • 07:12 • -18.05db
31% Popularity • 35% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Aaron Copland
Fanfare for the Common Man
113 bpm • A# Maj • 02:03 • -12.2db
24% Popularity • 30% Danceability • 19% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27: No. 3. Me...
132 bpm • A min • 02:25 • -31.79db
4% Popularity • 16% Danceability • 4% Energy • 6% Liveness
73% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 1: II. Polka
134 bpm • C Maj • 01:35 • -24db
31% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Edvard Grieg
March of the dwarfs
134 bpm • C min • 03:30 • -20db
11% Popularity • 39% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: Introduction
112 bpm • E Maj • 02:38 • -25db
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4: ...
133 bpm • C min • 02:02 • -33.54db
4% Popularity • 20% Danceability • 0% Energy • 10% Liveness
43% Instrumentalness • 10% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
► Preview
Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
34% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: I. Pezzo in...
112 bpm • C Maj • 09:30 • -19db
32% Popularity • 32% Danceability • 27% Energy • 37% Liveness
82% Instrumentalness • 16% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
► Preview
Malcolm Arnold
English Dances, Set 1, Op. 27: No. 2. Vi...
134 bpm • F Maj • 01:44 • -17.55db
5% Popularity • 40% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 41% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Marche slave, Op. 31, TH 45
111 bpm • A# min • 09:24 • -14db
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Florence Beatrice Price
Symphony No. 1 in E Minor: III. Juba Dan...
111 bpm • F Maj • 03:40 • -21.63db
19% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 4, Con br...
136 bpm • D Maj • 01:44 • -17db
16% Popularity • 24% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 47% Positiveness
► Preview
Howard Hanson
Symphony No. 2, Op. 30, "Romantic": III....
136 bpm • C# Maj • 07:16 • -19db
9% Popularity • 22% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
JoaquÃn Turina
Danzas fantasticas, Op. 22: Orgia
136 bpm • D Maj • 04:49 • -14.76db
21% Popularity • 30% Danceability • 20% Energy • 14% Liveness
80% Instrumentalness • 24% Positiveness
► Preview
Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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The 3 Musketeers, Act II (Arr. J. Longstaff): No. ...