Songs like The 3 Musketeers, Act II (Arr. J. Longstaff): No. 25, Happy Ending by Malcolm Arnold
Based on a tempo of (+/- 10%) and a similar genre
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Anonymous
Lisbon "Dublin Bay"
127 bpm • D# Maj • 01:19 • -19.08db
17% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
17% Popularity • 38% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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William Grant Still
Symphony No. 1, "Afro-American": III. Hu...
127 bpm • G# Maj • 03:16 • -17.72db
20% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
20% Popularity • 48% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 55% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Arthur Bliss
Adam Zero: Approach of Autumn
128 bpm • D min • 03:34 • -38db
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
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Alfred Reed
Armenian Dances: Part II: I. Hov Arek
128 bpm • A min • 04:19 • -22db
20% Popularity • 17% Danceability • 12% Energy • 16% Liveness
91% Instrumentalness • 11% Positiveness
20% Popularity • 17% Danceability • 12% Energy • 16% Liveness
91% Instrumentalness • 11% Positiveness
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John P. Paynter
Little Suite No. 1, Op. 53 (arr. J. Payn...
126 bpm • D# Maj • 03:32 • -25.02db
0% Popularity • 17% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 2...
128 bpm • C Maj • 01:42 • -35db
16% Popularity • 26% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
16% Popularity • 26% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Emmanuel Chabrier
Habanera
128 bpm • A Maj • 04:07 • -27db
20% Popularity • 20% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
20% Popularity • 20% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4 (...
126 bpm • D min • 02:26 • -21.99db
2% Popularity • 43% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
2% Popularity • 43% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
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Donald Grantham
Southern Harmony: I. The Midnight Cry
129 bpm • G# Maj • 02:21 • -12db
19% Popularity • 48% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
19% Popularity • 48% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Aaron Copland
Rodeo: No. 2, Corral Nocturne
129 bpm • C Maj • 04:00 • -32.75db
11% Popularity • 16% Danceability • 0% Energy • 7% Liveness
52% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 0% Energy • 7% Liveness
52% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: IV. March "Folk...
125 bpm • A# Maj • 03:44 • -17.83db
19% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
19% Popularity • 62% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
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Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4 (...
125 bpm • G Maj • 03:01 • -23.47db
1% Popularity • 50% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
1% Popularity • 50% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Ferde Grofé
Grand Canyon Suite: 2. The Painted Deser...
129 bpm • B min • 05:25 • -23.85db
14% Popularity • 17% Danceability • 3% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Aram Khachaturian
Spartacus: Adagio of Spartacus and Phryg...
129 bpm • G# Maj • 09:09 • -22.37db
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 8% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Dag Wirén
Serenade for String Orchestra, Op. 11: I...
129 bpm • C Maj • 03:13 • -21.61db
13% Popularity • 44% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 20% Positiveness
13% Popularity • 44% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 20% Positiveness
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John P. Paynter
Little Suite No. 1, Op. 53 (arr. J. Payn...
125 bpm • A# Maj • 01:49 • -19.15db
0% Popularity • 42% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
0% Popularity • 42% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Eric Coates
London Suite: 3. Knightsbridge (March)
124 bpm • C Maj • 04:12 • -16db
26% Popularity • 33% Danceability • 25% Energy • 13% Liveness
95% Instrumentalness • 29% Positiveness
26% Popularity • 33% Danceability • 25% Energy • 13% Liveness
95% Instrumentalness • 29% Positiveness
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Malcolm Arnold
Prelude, Siciliano & Rondo: Prelude
124 bpm • A# Maj • 01:52 • -18db
20% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
20% Popularity • 35% Danceability • 12% Energy • 22% Liveness
77% Instrumentalness • 10% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
124 bpm • F min • 01:05 • -34db
18% Popularity • 48% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
18% Popularity • 48% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
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Vincent Persichetti
Symphony No. 6, Op. 69 "Symphony for Ban...
130 bpm • A# Maj • 06:05 • -18.25db
10% Popularity • 31% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
10% Popularity • 31% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Vasily Kalinnikov
Symphony No. 1 in G Minor: IV. Finale: A...
123 bpm • G Maj • 09:16 • -16db
17% Popularity • 30% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 23% Positiveness
17% Popularity • 30% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 23% Positiveness
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Malcolm Arnold
English Dances, Set 2, Op. 33: No. 4. Gi...
131 bpm • F Maj • 02:12 • -16.28db
3% Popularity • 31% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 38% Positiveness
3% Popularity • 31% Danceability • 37% Energy • 32% Liveness
82% Instrumentalness • 38% Positiveness
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Aaron Copland
Rodeo: No. 1, Buckaroo Holiday
131 bpm • F Maj • 07:11 • -18.87db
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
15% Popularity • 44% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: III. March (Fol...
123 bpm • C min • 03:49 • -14db
25% Popularity • 70% Danceability • 30% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
25% Popularity • 70% Danceability • 30% Energy • 5% Liveness
90% Instrumentalness • 77% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
123 bpm • G min • 04:47 • -24.84db
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
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Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
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Julie Giroux
One Life Beautiful
131 bpm • C# Maj • 05:40 • -22db
25% Popularity • 16% Danceability • 9% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 9% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27 (Arr M. Jo...
130 bpm • F Maj • 01:47 • -17.55db
9% Popularity • 39% Danceability • 30% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
9% Popularity • 39% Danceability • 30% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
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Joseph Willcox Jenkins
American Overture
132 bpm • F Maj • 04:52 • -16.62db
13% Popularity • 44% Danceability • 26% Energy • 15% Liveness
65% Instrumentalness • 30% Positiveness
13% Popularity • 44% Danceability • 26% Energy • 15% Liveness
65% Instrumentalness • 30% Positiveness
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Amy Beach
Symphony in E Minor, Op. 32, "Gaelic Sym...
122 bpm • F Maj • 07:26 • -28db
17% Popularity • 22% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Dmitry Kabalevsky
Colas Breugnon Overture, Op. 24
132 bpm • F Maj • 04:43 • -19db
15% Popularity • 29% Danceability • 31% Energy • 5% Liveness
84% Instrumentalness • 18% Positiveness
15% Popularity • 29% Danceability • 31% Energy • 5% Liveness
84% Instrumentalness • 18% Positiveness
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Percy Grainger
Lincolnshire Posy: I. Lisbon
121 bpm • C# Maj • 01:24 • -26db
27% Popularity • 41% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
27% Popularity • 41% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Malcolm Arnold
Tam O'Shanter, Op. 51 (Arr. J. Paynter)
131 bpm • G Maj • 08:09 • -17.78db
5% Popularity • 28% Danceability • 26% Energy • 6% Liveness
81% Instrumentalness • 7% Positiveness
5% Popularity • 28% Danceability • 26% Energy • 6% Liveness
81% Instrumentalness • 7% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Emmanuel Chabrier
Joyeuse marche: Marche joyeuse
121 bpm • C Maj • 03:46 • -16.7db
16% Popularity • 58% Danceability • 30% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
16% Popularity • 58% Danceability • 30% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Frederick Delius
Florida Suite: By the River
133 bpm • D# Maj • 07:09 • -27.38db
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Malcolm Arnold
Overture
123 bpm • D min • 04:22 • -13.7db
6% Popularity • 25% Danceability • 47% Energy • 48% Liveness
68% Instrumentalness • 20% Positiveness
6% Popularity • 25% Danceability • 47% Energy • 48% Liveness
68% Instrumentalness • 20% Positiveness
► Preview
Ralph Vaughan Williams
Charterhouse Suite: Prelude
134 bpm • F Maj • 01:44 • -30.72db
41% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
41% Popularity • 46% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 41% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: III. Intermez...
134 bpm • D# Maj • 02:40 • -24db
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Dmitri Shostakovich
Jazz Suite No. 1: II. Polka
134 bpm • C Maj • 01:35 • -24db
30% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
30% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Malcolm Arnold
4 Irish Dances, Op. 126: No. 4. Vivace
132 bpm • A min • 02:06 • -24.85db
1% Popularity • 34% Danceability • 1% Energy • 17% Liveness
89% Instrumentalness • 20% Positiveness
1% Popularity • 34% Danceability • 1% Energy • 17% Liveness
89% Instrumentalness • 20% Positiveness
► Preview
Ralph Vaughan Williams
English Folk Song Suite: 1. March: Seven...
121 bpm • F min • 03:21 • -17.06db
32% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
32% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
► Preview
Percy Grainger
Children's March, "Over the Hills and Fa...
120 bpm • A# Maj • 07:03 • -20.13db
27% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
27% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
► Preview
Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
► Preview
Carl Nielsen
Aladdin, Op. 34, FS 89, CNW 17, Act IV: ...
135 bpm • D min • 02:57 • -25.08db
17% Popularity • 18% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 14% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 14% Positiveness
► Preview
Gustav Holst
Second Suite in F Major, Op. 28 No. 2, H...
119 bpm • F Maj • 04:41 • -17.88db
33% Popularity • 53% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 43% Positiveness
33% Popularity • 53% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 43% Positiveness
► Preview
Malcolm Arnold
English Dances, Set 1, Op. 27: No. 3. Me...
132 bpm • A min • 02:25 • -31.79db
3% Popularity • 16% Danceability • 4% Energy • 6% Liveness
73% Instrumentalness • 3% Positiveness
3% Popularity • 16% Danceability • 4% Energy • 6% Liveness
73% Instrumentalness • 3% Positiveness
► Preview
Eric Whitacre
October
135 bpm • C# Maj • 07:32 • -18.98db
30% Popularity • 15% Danceability • 9% Energy • 6% Liveness
71% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 9% Energy • 6% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Arthur Bliss
Adam Zero: Adam's Fates
118 bpm • D min • 01:29 • -18.1db
13% Popularity • 43% Danceability • 29% Energy • 7% Liveness
95% Instrumentalness • 21% Positiveness
13% Popularity • 43% Danceability • 29% Energy • 7% Liveness
95% Instrumentalness • 21% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Malcolm Arnold
Three Shanties for Wind Quintet, Op. 4: ...
133 bpm • C min • 02:02 • -33.54db
4% Popularity • 20% Danceability • 0% Energy • 10% Liveness
43% Instrumentalness • 10% Positiveness
4% Popularity • 20% Danceability • 0% Energy • 10% Liveness
43% Instrumentalness • 10% Positiveness
► Preview
US Marine Band
Variations On "America"
118 bpm • F Maj • 06:25 • -20db
12% Popularity • 37% Danceability • 9% Energy • 9% Liveness
69% Instrumentalness • 23% Positiveness
12% Popularity • 37% Danceability • 9% Energy • 9% Liveness
69% Instrumentalness • 23% Positiveness
► Preview
Howard Hanson
Symphony No. 2, Op. 30, "Romantic": III....
136 bpm • C# Maj • 07:16 • -19db
10% Popularity • 22% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
10% Popularity • 22% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
► Preview
Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
137 bpm • F Maj • 02:11 • -18db
17% Popularity • 44% Danceability • 12% Energy • 9% Liveness
82% Instrumentalness • 55% Positiveness
17% Popularity • 44% Danceability • 12% Energy • 9% Liveness
82% Instrumentalness • 55% Positiveness
► Preview
Ferde Grofé
Grand Canyon Suite: 1. Sunrise
137 bpm • A Maj • 06:41 • -18.37db
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
20% Popularity • 15% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Malcolm Arnold
English Dances, Set 1, Op. 27: No. 2. Vi...
134 bpm • F Maj • 01:44 • -17.55db
4% Popularity • 40% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 41% Positiveness
4% Popularity • 40% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 41% Positiveness
► Preview
Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
35% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
35% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
► Preview
Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
► Preview
David Maslanka
Concerto for Alto Saxophone and Wind Ens...
117 bpm • F Maj • 09:29 • -24db
11% Popularity • 21% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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George Gershwin
Piano Concerto in F Major: III. Allegro ...
138 bpm • F min • 06:56 • -19db
21% Popularity • 36% Danceability • 18% Energy • 15% Liveness
90% Instrumentalness • 27% Positiveness
21% Popularity • 36% Danceability • 18% Energy • 15% Liveness
90% Instrumentalness • 27% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Malcolm Arnold
4 Scottish Dances, Op. 59: No. 4, Con br...
136 bpm • D Maj • 01:44 • -17db
16% Popularity • 24% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 47% Positiveness
16% Popularity • 24% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 47% Positiveness
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Aaron Copland
Rodeo: I. Buckaroo Holiday
117 bpm • F Maj • 07:52 • -18db
14% Popularity • 39% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
14% Popularity • 39% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March "Seven...
117 bpm • G# Maj • 03:27 • -20.27db
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Aram Khachaturian
Gayaneh, Ballet Suite: Gayaneh's Adagio
117 bpm • G# Maj • 04:00 • -32.62db
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Malcolm Arnold
Quintet No. 1, Op. 73: III. Con brio
137 bpm • F Maj • 03:19 • -18.34db
6% Popularity • 43% Danceability • 26% Energy • 24% Liveness
95% Instrumentalness • 33% Positiveness
6% Popularity • 43% Danceability • 26% Energy • 24% Liveness
95% Instrumentalness • 33% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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John P. Paynter
4 Scottish Dances, Op. 59: No. 4. Con br...
139 bpm • D Maj • 01:45 • -7.35db
1% Popularity • 33% Danceability • 58% Energy • 8% Liveness
84% Instrumentalness • 34% Positiveness
1% Popularity • 33% Danceability • 58% Energy • 8% Liveness
84% Instrumentalness • 34% Positiveness
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Nikolai Rimsky-Korsakov
Trombone Concerto in B-Flat Major: I. Al...
139 bpm • A# Maj • 02:37 • -20.54db
25% Popularity • 27% Danceability • 10% Energy • 24% Liveness
95% Instrumentalness • 20% Positiveness
25% Popularity • 27% Danceability • 10% Energy • 24% Liveness
95% Instrumentalness • 20% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
25% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
25% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
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William Walton
Crown Imperial
116 bpm • C Maj • 06:42 • -15.9db
25% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
25% Popularity • 22% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Malcolm Arnold
English Dances, Set 2, Op. 33: No. 3. Gr...
118 bpm • A min • 02:29 • -24.78db
4% Popularity • 24% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
4% Popularity • 24% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Aaron Copland
Letter from Home
140 bpm • C Maj • 05:44 • -26db
13% Popularity • 14% Danceability • 2% Energy • 17% Liveness
66% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 2% Energy • 17% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Jacques Ibert
Ibert: 3 Pièces brèves: I. Allegro
116 bpm • C Maj • 02:17 • -16db
12% Popularity • 51% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 40% Positiveness
12% Popularity • 51% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 40% Positiveness
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David Diamond
Symphony No. 4: I. Allegretto
140 bpm • D min • 05:07 • -24.25db
9% Popularity • 15% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Ralph Vaughan Williams
Sea Songs
115 bpm • G# Maj • 04:01 • -19db
22% Popularity • 40% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 32% Positiveness
22% Popularity • 40% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
140 bpm • C Maj • 10:01 • -16.14db
13% Popularity • 17% Danceability • 14% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Malcolm Arnold
4 Irish Dances, Op. 126: No. 1. Allegro ...
137 bpm • G Maj • 01:19 • -19.9db
17% Popularity • 38% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 71% Positiveness
17% Popularity • 38% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 71% Positiveness
► Preview
Samuel Coleridge-Taylor
Petite Suite de Concert, Op. 77: III. Un...
140 bpm • A Maj • 03:40 • -28.62db
19% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
First Suite in E-Flat Major, Op. 28 No. ...
141 bpm • C min • 02:53 • -25db
34% Popularity • 35% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 46% Positiveness
34% Popularity • 35% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 46% Positiveness
