Songs like The 4.15 Bradford Executive - Remastered by Allan Holdsworth
Based on a tempo of (+/- 10%) and a similar genre
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Tribal Tech
Salt Lick
146 bpm • C# Maj • 09:44 • -11db
15% Popularity • 42% Danceability • 64% Energy • 20% Liveness
63% Instrumentalness • 59% Positiveness
15% Popularity • 42% Danceability • 64% Energy • 20% Liveness
63% Instrumentalness • 59% Positiveness
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Chick Corea
Captain Marvel
146 bpm • G min • 04:57 • -15.26db
29% Popularity • 37% Danceability • 51% Energy • 10% Liveness
87% Instrumentalness • 79% Positiveness
29% Popularity • 37% Danceability • 51% Energy • 10% Liveness
87% Instrumentalness • 79% Positiveness
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The Aristocrats
Get It Like That
145 bpm • D min • 07:46 • -9db
30% Popularity • 47% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
30% Popularity • 47% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
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Allan Holdsworth
The 4.15 Bradford Executive
147 bpm • G Maj • 08:28 • -14.26db
12% Popularity • 39% Danceability • 64% Energy • 5% Liveness
5% Instrumentalness • 26% Positiveness
12% Popularity • 39% Danceability • 64% Energy • 5% Liveness
5% Instrumentalness • 26% Positiveness
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Brett Garsed
Tjhelmerich@earthlink.Net
147 bpm • F# min • 07:06 • -7db
8% Popularity • 40% Danceability • 69% Energy • 7% Liveness
78% Instrumentalness • 67% Positiveness
8% Popularity • 40% Danceability • 69% Energy • 7% Liveness
78% Instrumentalness • 67% Positiveness
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Tim Miller
Synergy
147 bpm • B min • 02:19 • -10.45db
11% Popularity • 32% Danceability • 86% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
11% Popularity • 32% Danceability • 86% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
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Klaus Doldinger's Passport
Big Bang
145 bpm • D# Maj • 03:54 • -15db
17% Popularity • 46% Danceability • 52% Energy • 17% Liveness
52% Instrumentalness • 54% Positiveness
17% Popularity • 46% Danceability • 52% Energy • 17% Liveness
52% Instrumentalness • 54% Positiveness
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Chick Corea
Glebe St. Blues
147 bpm • C min • 07:01 • -7.87db
8% Popularity • 48% Danceability • 64% Energy • 13% Liveness
10% Instrumentalness • 61% Positiveness
8% Popularity • 48% Danceability • 64% Energy • 13% Liveness
10% Instrumentalness • 61% Positiveness
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U.K.
Time To Kill
145 bpm • D Maj • 04:57 • -11.41db
25% Popularity • 34% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 34% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Bill Connors
On The Edge
147 bpm • A Maj • 05:19 • -8db
9% Popularity • 40% Danceability • 86% Energy • 34% Liveness
85% Instrumentalness • 42% Positiveness
9% Popularity • 40% Danceability • 86% Energy • 34% Liveness
85% Instrumentalness • 42% Positiveness
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Brett Garsed
Colliding Chimps
145 bpm • D Maj • 06:16 • -6db
14% Popularity • 54% Danceability • 84% Energy • 25% Liveness
38% Instrumentalness • 73% Positiveness
14% Popularity • 54% Danceability • 84% Energy • 25% Liveness
38% Instrumentalness • 73% Positiveness
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Cristiano Parato
Pillow
144 bpm • A Maj • 01:45 • -21db
31% Popularity • 39% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
31% Popularity • 39% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Return To Forever
The Romantic Warrior - Instrumental
144 bpm • G Maj • 10:51 • -12db
32% Popularity • 38% Danceability • 61% Energy • 11% Liveness
78% Instrumentalness • 44% Positiveness
32% Popularity • 38% Danceability • 61% Energy • 11% Liveness
78% Instrumentalness • 44% Positiveness
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Allan Holdsworth
Floppy Hat
144 bpm • B Maj • 02:46 • -22.7db
26% Popularity • 46% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 15% Positiveness
26% Popularity • 46% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 15% Positiveness
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Tribal Tech
Signal Path
144 bpm • F min • 06:30 • -14db
14% Popularity • 47% Danceability • 51% Energy • 17% Liveness
64% Instrumentalness • 52% Positiveness
14% Popularity • 47% Danceability • 51% Energy • 17% Liveness
64% Instrumentalness • 52% Positiveness
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Chick Corea
500 Miles High
148 bpm • F Maj • 09:10 • -15db
25% Popularity • 35% Danceability • 61% Energy • 13% Liveness
5% Instrumentalness • 30% Positiveness
25% Popularity • 35% Danceability • 61% Energy • 13% Liveness
5% Instrumentalness • 30% Positiveness
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Larry Coryell
Low-Lee-Tah
144 bpm • B Maj • 04:20 • -15.65db
16% Popularity • 39% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 52% Positiveness
16% Popularity • 39% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 52% Positiveness
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Steps Ahead
Cajun
144 bpm • F Maj • 06:18 • -8.02db
13% Popularity • 28% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 28% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jeff Berlin
Groovin' High
144 bpm • C min • 06:20 • -16.37db
18% Popularity • 34% Danceability • 47% Energy • 7% Liveness
67% Instrumentalness • 88% Positiveness
18% Popularity • 34% Danceability • 47% Energy • 7% Liveness
67% Instrumentalness • 88% Positiveness
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Anders Johansson
On the Frozen Lake
149 bpm • C# min • 04:52 • -13.09db
9% Popularity • 34% Danceability • 71% Energy • 11% Liveness
78% Instrumentalness • 46% Positiveness
9% Popularity • 34% Danceability • 71% Energy • 11% Liveness
78% Instrumentalness • 46% Positiveness
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Return To Forever
The Endless Night
149 bpm • A min • 09:52 • -13.31db
12% Popularity • 40% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 44% Positiveness
12% Popularity • 40% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 44% Positiveness
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Chick Corea
Night Sprite
144 bpm • C Maj • 04:36 • -12db
21% Popularity • 38% Danceability • 72% Energy • 9% Liveness
74% Instrumentalness • 77% Positiveness
21% Popularity • 38% Danceability • 72% Energy • 9% Liveness
74% Instrumentalness • 77% Positiveness
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Stanley Clarke
Song to John, (Pt. 2)
143 bpm • G Maj • 06:05 • -20.63db
13% Popularity • 37% Danceability • 35% Energy • 10% Liveness
87% Instrumentalness • 51% Positiveness
13% Popularity • 37% Danceability • 35% Energy • 10% Liveness
87% Instrumentalness • 51% Positiveness
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Allan Holdsworth
Tullio - Remastered
150 bpm • A min • 06:02 • -11.5db
11% Popularity • 25% Danceability • 51% Energy • 9% Liveness
60% Instrumentalness • 29% Positiveness
11% Popularity • 25% Danceability • 51% Energy • 9% Liveness
60% Instrumentalness • 29% Positiveness
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Larry Carlton
Point It Up
149 bpm • D min • 04:59 • -13.33db
20% Popularity • 38% Danceability • 72% Energy • 6% Liveness
93% Instrumentalness • 71% Positiveness
20% Popularity • 38% Danceability • 72% Energy • 6% Liveness
93% Instrumentalness • 71% Positiveness
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Vital Techtones
The Litigants
150 bpm • C# Maj • 07:07 • -8db
11% Popularity • 47% Danceability • 78% Energy • 10% Liveness
74% Instrumentalness • 64% Positiveness
11% Popularity • 47% Danceability • 78% Energy • 10% Liveness
74% Instrumentalness • 64% Positiveness
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Return To Forever
Hymn Of The 7th Galaxy
142 bpm • C Maj • 03:31 • -10.11db
26% Popularity • 32% Danceability • 81% Energy • 77% Liveness
82% Instrumentalness • 50% Positiveness
26% Popularity • 32% Danceability • 81% Energy • 77% Liveness
82% Instrumentalness • 50% Positiveness
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Tim Miller
Breathe
150 bpm • A# Maj • 05:44 • -12.97db
9% Popularity • 57% Danceability • 52% Energy • 14% Liveness
63% Instrumentalness • 34% Positiveness
9% Popularity • 57% Danceability • 52% Energy • 14% Liveness
63% Instrumentalness • 34% Positiveness
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Guthrie Govan
Erotic Cakes
142 bpm • A Maj • 03:50 • -5.07db
35% Popularity • 42% Danceability • 89% Energy • 43% Liveness
54% Instrumentalness • 35% Positiveness
35% Popularity • 42% Danceability • 89% Energy • 43% Liveness
54% Instrumentalness • 35% Positiveness
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Tony Williams
Fred
142 bpm • F# min • 06:44 • -15.86db
24% Popularity • 30% Danceability • 70% Energy • 9% Liveness
37% Instrumentalness • 59% Positiveness
24% Popularity • 30% Danceability • 70% Energy • 9% Liveness
37% Instrumentalness • 59% Positiveness
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Al Di Meola
Flight Over Rio
150 bpm • C# min • 07:16 • -12db
30% Popularity • 33% Danceability • 70% Energy • 7% Liveness
19% Instrumentalness • 42% Positiveness
30% Popularity • 33% Danceability • 70% Energy • 7% Liveness
19% Instrumentalness • 42% Positiveness
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Jimmy Haslip
Palo Alto
150 bpm • F min • 04:54 • -15db
14% Popularity • 64% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 82% Positiveness
14% Popularity • 64% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 82% Positiveness
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Virgil Donati
Pinprick
150 bpm • C# min • 04:01 • -6.64db
19% Popularity • 30% Danceability • 91% Energy • 31% Liveness
57% Instrumentalness • 41% Positiveness
19% Popularity • 30% Danceability • 91% Energy • 31% Liveness
57% Instrumentalness • 41% Positiveness
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Tim Miller
Roller Coaster
150 bpm • B min • 03:03 • -10.9db
15% Popularity • 46% Danceability • 89% Energy • 12% Liveness
83% Instrumentalness • 88% Positiveness
15% Popularity • 46% Danceability • 89% Energy • 12% Liveness
83% Instrumentalness • 88% Positiveness
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Wayne Krantz
Alliance
150 bpm • E Maj • 03:38 • -20.92db
37% Popularity • 48% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 68% Positiveness
37% Popularity • 48% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 68% Positiveness
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Scott Henderson
Self Defense
142 bpm • G Maj • 05:00 • -13db
11% Popularity • 51% Danceability • 58% Energy • 8% Liveness
49% Instrumentalness • 45% Positiveness
11% Popularity • 51% Danceability • 58% Energy • 8% Liveness
49% Instrumentalness • 45% Positiveness
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Brand X
Nuclear Burn
151 bpm • C Maj • 06:23 • -16db
36% Popularity • 31% Danceability • 63% Energy • 11% Liveness
33% Instrumentalness • 45% Positiveness
36% Popularity • 31% Danceability • 63% Energy • 11% Liveness
33% Instrumentalness • 45% Positiveness
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Jan Hammer
Twenty One
141 bpm • C# Maj • 05:05 • -12.9db
8% Popularity • 32% Danceability • 93% Energy • 11% Liveness
70% Instrumentalness • 65% Positiveness
8% Popularity • 32% Danceability • 93% Energy • 11% Liveness
70% Instrumentalness • 65% Positiveness
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Allan Holdsworth
Funnels - Remastered
141 bpm • F Maj • 06:13 • -10.58db
17% Popularity • 29% Danceability • 52% Energy • 12% Liveness
5% Instrumentalness • 12% Positiveness
17% Popularity • 29% Danceability • 52% Energy • 12% Liveness
5% Instrumentalness • 12% Positiveness
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Return To Forever
Majestic Dance - Instrumental
151 bpm • A Maj • 05:00 • -9.01db
27% Popularity • 33% Danceability • 70% Energy • 19% Liveness
31% Instrumentalness • 76% Positiveness
27% Popularity • 33% Danceability • 70% Energy • 19% Liveness
31% Instrumentalness • 76% Positiveness
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Uzeb
Spider
151 bpm • E Maj • 04:55 • -14.85db
11% Popularity • 74% Danceability • 55% Energy • 36% Liveness
90% Instrumentalness • 75% Positiveness
11% Popularity • 74% Danceability • 55% Energy • 36% Liveness
90% Instrumentalness • 75% Positiveness
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Gary Willis
Armageddon Blues
151 bpm • A# min • 06:11 • -12db
27% Popularity • 42% Danceability • 60% Energy • 8% Liveness
87% Instrumentalness • 68% Positiveness
27% Popularity • 42% Danceability • 60% Energy • 8% Liveness
87% Instrumentalness • 68% Positiveness
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Al Di Meola
God Bird Change
141 bpm • A min • 03:53 • -8.84db
8% Popularity • 62% Danceability • 76% Energy • 67% Liveness
20% Instrumentalness • 91% Positiveness
8% Popularity • 62% Danceability • 76% Energy • 67% Liveness
20% Instrumentalness • 91% Positiveness
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Larry Coryell
Yin
151 bpm • A# min • 06:06 • -11.28db
9% Popularity • 34% Danceability • 89% Energy • 6% Liveness
52% Instrumentalness • 54% Positiveness
9% Popularity • 34% Danceability • 89% Energy • 6% Liveness
52% Instrumentalness • 54% Positiveness
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Allan Holdsworth
Water on the Brain - Pt II - Remastered
141 bpm • F min • 02:48 • -10.4db
10% Popularity • 39% Danceability • 74% Energy • 37% Liveness
17% Instrumentalness • 55% Positiveness
10% Popularity • 39% Danceability • 74% Energy • 37% Liveness
17% Instrumentalness • 55% Positiveness
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Vital Techtones
Catch Me If U Can
141 bpm • C# min • 04:24 • -5db
24% Popularity • 49% Danceability • 86% Energy • 15% Liveness
88% Instrumentalness • 66% Positiveness
24% Popularity • 49% Danceability • 86% Energy • 15% Liveness
88% Instrumentalness • 66% Positiveness
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Jeff Beck
Sophie
141 bpm • C Maj • 06:30 • -9.84db
26% Popularity • 31% Danceability • 85% Energy • 11% Liveness
6% Instrumentalness • 46% Positiveness
26% Popularity • 31% Danceability • 85% Energy • 11% Liveness
6% Instrumentalness • 46% Positiveness
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Virgil Donati
Out of the Dirt
140 bpm • G Maj • 02:57 • -8db
28% Popularity • 32% Danceability • 80% Energy • 25% Liveness
85% Instrumentalness • 48% Positiveness
28% Popularity • 32% Danceability • 80% Energy • 25% Liveness
85% Instrumentalness • 48% Positiveness
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Return To Forever
The Magician - Instrumental
152 bpm • A Maj • 05:28 • -10.05db
25% Popularity • 36% Danceability • 50% Energy • 8% Liveness
68% Instrumentalness • 16% Positiveness
25% Popularity • 36% Danceability • 50% Energy • 8% Liveness
68% Instrumentalness • 16% Positiveness
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Guthrie Govan
Fives
152 bpm • G Maj • 04:36 • -5.79db
37% Popularity • 41% Danceability • 91% Energy • 37% Liveness
54% Instrumentalness • 44% Positiveness
37% Popularity • 41% Danceability • 91% Energy • 37% Liveness
54% Instrumentalness • 44% Positiveness
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Allan Holdsworth
The Things You See (When You Haven't Got...
140 bpm • E Maj • 05:51 • -9.42db
19% Popularity • 26% Danceability • 73% Energy • 10% Liveness
17% Instrumentalness • 33% Positiveness
19% Popularity • 26% Danceability • 73% Energy • 10% Liveness
17% Instrumentalness • 33% Positiveness
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John Patitucci
Searching, Finding
140 bpm • B min • 05:05 • -17.76db
9% Popularity • 45% Danceability • 39% Energy • 8% Liveness
26% Instrumentalness • 46% Positiveness
9% Popularity • 45% Danceability • 39% Energy • 8% Liveness
26% Instrumentalness • 46% Positiveness
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Al Di Meola
Alien Chase On Arabian Desert
152 bpm • D min • 08:57 • -9.57db
4% Popularity • 33% Danceability • 73% Energy • 6% Liveness
59% Instrumentalness • 32% Positiveness
4% Popularity • 33% Danceability • 73% Energy • 6% Liveness
59% Instrumentalness • 32% Positiveness
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Virgil Donati
In This Life
140 bpm • C Maj • 08:26 • -4db
15% Popularity • 55% Danceability • 88% Energy • 36% Liveness
48% Instrumentalness • 32% Positiveness
15% Popularity • 55% Danceability • 88% Energy • 36% Liveness
48% Instrumentalness • 32% Positiveness
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Benjamin Croft
Brock
140 bpm • B Maj • 04:47 • -13.33db
10% Popularity • 51% Danceability • 67% Energy • 6% Liveness
85% Instrumentalness • 69% Positiveness
10% Popularity • 51% Danceability • 67% Energy • 6% Liveness
85% Instrumentalness • 69% Positiveness
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Scott Henderson
Transatlantic
140 bpm • C# Maj • 08:08 • -10.6db
13% Popularity • 60% Danceability • 55% Energy • 17% Liveness
65% Instrumentalness • 26% Positiveness
13% Popularity • 60% Danceability • 55% Energy • 17% Liveness
65% Instrumentalness • 26% Positiveness
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Evan Marien
Funnels
140 bpm • C# Maj • 03:12 • -18.55db
21% Popularity • 72% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
21% Popularity • 72% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
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Richard Hallebeek
Wristkiller
140 bpm • D Maj • 05:19 • -12db
19% Popularity • 46% Danceability • 83% Energy • 7% Liveness
78% Instrumentalness • 65% Positiveness
19% Popularity • 46% Danceability • 83% Energy • 7% Liveness
78% Instrumentalness • 65% Positiveness
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Adam Nitti
Antisocialmedia
140 bpm • E min • 06:48 • -8db
22% Popularity • 34% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
22% Popularity • 34% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
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Mohini Dey
Kick'B'ass
139 bpm • B min • 05:29 • -6.75db
29% Popularity • 39% Danceability • 88% Energy • 13% Liveness
85% Instrumentalness • 52% Positiveness
29% Popularity • 39% Danceability • 88% Energy • 13% Liveness
85% Instrumentalness • 52% Positiveness
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Lee Ritenour's 6 String Theory
Fives
153 bpm • G Maj • 04:33 • -5db
24% Popularity • 43% Danceability • 76% Energy • 7% Liveness
74% Instrumentalness • 52% Positiveness
24% Popularity • 43% Danceability • 76% Energy • 7% Liveness
74% Instrumentalness • 52% Positiveness
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Bill Bruford
Travels With Myself - And Someone Else
139 bpm • B min • 06:14 • -19.58db
14% Popularity • 33% Danceability • 25% Energy • 7% Liveness
85% Instrumentalness • 9% Positiveness
14% Popularity • 33% Danceability • 25% Energy • 7% Liveness
85% Instrumentalness • 9% Positiveness
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Evan Marien
Non-Brewed Condiment
140 bpm • C Maj • 03:30 • -9.25db
18% Popularity • 44% Danceability • 70% Energy • 11% Liveness
89% Instrumentalness • 69% Positiveness
18% Popularity • 44% Danceability • 70% Energy • 11% Liveness
89% Instrumentalness • 69% Positiveness
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Tony MacAlpine
So There Is Love
139 bpm • A# Maj • 03:41 • -12db
11% Popularity • 42% Danceability • 74% Energy • 8% Liveness
75% Instrumentalness • 53% Positiveness
11% Popularity • 42% Danceability • 74% Energy • 8% Liveness
75% Instrumentalness • 53% Positiveness
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Wayne Krantz
Lynxpaw
153 bpm • A# Maj • 01:40 • -9.83db
31% Popularity • 53% Danceability • 61% Energy • 22% Liveness
47% Instrumentalness • 79% Positiveness
31% Popularity • 53% Danceability • 61% Energy • 22% Liveness
47% Instrumentalness • 79% Positiveness
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Tony Williams
Mr. Spock
153 bpm • F# min • 06:13 • -14db
16% Popularity • 30% Danceability • 81% Energy • 16% Liveness
79% Instrumentalness • 49% Positiveness
16% Popularity • 30% Danceability • 81% Energy • 16% Liveness
79% Instrumentalness • 49% Positiveness
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Allan Holdsworth
Zarabeth - Remastered
139 bpm • D min • 06:31 • -10.12db
15% Popularity • 49% Danceability • 62% Energy • 7% Liveness
9% Instrumentalness • 14% Positiveness
15% Popularity • 49% Danceability • 62% Energy • 7% Liveness
9% Instrumentalness • 14% Positiveness
► Preview
Bill Bruford
Beelzebub
139 bpm • F Maj • 03:22 • -18db
25% Popularity • 45% Danceability • 46% Energy • 5% Liveness
19% Instrumentalness • 63% Positiveness
25% Popularity • 45% Danceability • 46% Energy • 5% Liveness
19% Instrumentalness • 63% Positiveness
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The Aristocrats
Pig's Day Off
153 bpm • D min • 06:04 • -11.12db
18% Popularity • 44% Danceability • 46% Energy • 24% Liveness
89% Instrumentalness • 29% Positiveness
18% Popularity • 44% Danceability • 46% Energy • 24% Liveness
89% Instrumentalness • 29% Positiveness
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Jan Hammer
Magical Dog
139 bpm • G Maj • 06:42 • -9.62db
12% Popularity • 33% Danceability • 90% Energy • 7% Liveness
41% Instrumentalness • 40% Positiveness
12% Popularity • 33% Danceability • 90% Energy • 7% Liveness
41% Instrumentalness • 40% Positiveness
► Preview
Return To Forever
Vulcan Worlds
139 bpm • D Maj • 07:52 • -9.67db
26% Popularity • 34% Danceability • 90% Energy • 14% Liveness
74% Instrumentalness • 40% Positiveness
26% Popularity • 34% Danceability • 90% Energy • 14% Liveness
74% Instrumentalness • 40% Positiveness
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Pat Martino
Mardi Gras
139 bpm • G min • 08:54 • -11.63db
8% Popularity • 36% Danceability • 65% Energy • 12% Liveness
90% Instrumentalness • 82% Positiveness
8% Popularity • 36% Danceability • 65% Energy • 12% Liveness
90% Instrumentalness • 82% Positiveness
► Preview
Tribal Tech
Got Tuh B
154 bpm • C# Maj • 06:43 • -14db
14% Popularity • 38% Danceability • 77% Energy • 11% Liveness
57% Instrumentalness • 51% Positiveness
14% Popularity • 38% Danceability • 77% Energy • 11% Liveness
57% Instrumentalness • 51% Positiveness
► Preview
U.K.
In The Dead Of Night
154 bpm • E min • 05:34 • -11.01db
37% Popularity • 52% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 52% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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The John Scofield Band
I'm Listening
139 bpm • E Maj • 02:57 • -18db
33% Popularity • 53% Danceability • 23% Energy • 27% Liveness
83% Instrumentalness • 48% Positiveness
33% Popularity • 53% Danceability • 23% Energy • 27% Liveness
83% Instrumentalness • 48% Positiveness
► Preview
Larry Coryell
Birdfingers
154 bpm • F min • 03:10 • -10db
26% Popularity • 43% Danceability • 91% Energy • 5% Liveness
81% Instrumentalness • 69% Positiveness
26% Popularity • 43% Danceability • 91% Energy • 5% Liveness
81% Instrumentalness • 69% Positiveness
► Preview
Anders Johansson
Good Morning, Mr. Coffee
138 bpm • F# Maj • 07:25 • -11.82db
8% Popularity • 32% Danceability • 65% Energy • 17% Liveness
49% Instrumentalness • 61% Positiveness
8% Popularity • 32% Danceability • 65% Energy • 17% Liveness
49% Instrumentalness • 61% Positiveness
► Preview
Dixie Dregs
Vitamin Q
138 bpm • D min • 05:33 • -9.68db
9% Popularity • 40% Danceability • 56% Energy • 26% Liveness
82% Instrumentalness • 65% Positiveness
9% Popularity • 40% Danceability • 56% Energy • 26% Liveness
82% Instrumentalness • 65% Positiveness
► Preview
Tribal Tech
The Big Wave
154 bpm • C# Maj • 06:31 • -10db
21% Popularity • 44% Danceability • 76% Energy • 12% Liveness
86% Instrumentalness • 41% Positiveness
21% Popularity • 44% Danceability • 76% Energy • 12% Liveness
86% Instrumentalness • 41% Positiveness
► Preview
Allan Holdsworth
Countdown - Remastered
138 bpm • C Maj • 03:09 • -15.41db
16% Popularity • 30% Danceability • 49% Energy • 48% Liveness
36% Instrumentalness • 53% Positiveness
16% Popularity • 30% Danceability • 49% Energy • 48% Liveness
36% Instrumentalness • 53% Positiveness
► Preview
Adam Nitti
The Renaissance Man/Rebirth
138 bpm • A min • 06:45 • -8db
9% Popularity • 56% Danceability • 78% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
9% Popularity • 56% Danceability • 78% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
► Preview
Billy Cobham
Electric Man
138 bpm • D Maj • 07:06 • -8.54db
23% Popularity • 60% Danceability • 82% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
23% Popularity • 60% Danceability • 82% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
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Scott Henderson
Bo Fat
138 bpm • D Maj • 08:33 • -12.19db
7% Popularity • 42% Danceability • 70% Energy • 10% Liveness
10% Instrumentalness • 51% Positiveness
7% Popularity • 42% Danceability • 70% Energy • 10% Liveness
10% Instrumentalness • 51% Positiveness
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Wayne Krantz
Faith In The Process
138 bpm • F Maj • 03:53 • -17.6db
30% Popularity • 48% Danceability • 35% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
30% Popularity • 48% Danceability • 35% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
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Stanley Clarke
Life Is Just a Game
155 bpm • D Maj • 08:57 • -13.85db
19% Popularity • 43% Danceability • 59% Energy • 13% Liveness
77% Instrumentalness • 57% Positiveness
19% Popularity • 43% Danceability • 59% Energy • 13% Liveness
77% Instrumentalness • 57% Positiveness
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Allan Holdsworth
Three Sheets to the Wind - Remastered
155 bpm • C# min • 04:14 • -11.36db
8% Popularity • 38% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 38% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Tony MacAlpine
The Watcher
138 bpm • A# Maj • 03:47 • -14db
12% Popularity • 57% Danceability • 51% Energy • 16% Liveness
25% Instrumentalness • 67% Positiveness
12% Popularity • 57% Danceability • 51% Energy • 16% Liveness
25% Instrumentalness • 67% Positiveness
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Frank Zappa
What's New In Baltimore?
138 bpm • E Maj • 05:19 • -11.84db
20% Popularity • 32% Danceability • 70% Energy • 42% Liveness
6% Instrumentalness • 69% Positiveness
20% Popularity • 32% Danceability • 70% Energy • 42% Liveness
6% Instrumentalness • 69% Positiveness
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Steve Khan
Daily Bulls
137 bpm • G min • 07:00 • -9.76db
5% Popularity • 43% Danceability • 79% Energy • 12% Liveness
23% Instrumentalness • 64% Positiveness
5% Popularity • 43% Danceability • 79% Energy • 12% Liveness
23% Instrumentalness • 64% Positiveness
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Tony Williams
Lady Jade
137 bpm • C Maj • 03:57 • -17.33db
13% Popularity • 33% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 33% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Chick Corea
Looking At The World
155 bpm • C Maj • 05:29 • -14.96db
16% Popularity • 55% Danceability • 38% Energy • 12% Liveness
9% Instrumentalness • 27% Positiveness
16% Popularity • 55% Danceability • 38% Energy • 12% Liveness
9% Instrumentalness • 27% Positiveness
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Allan Holdsworth
Questions - Remastered
155 bpm • G min • 04:04 • -10.81db
15% Popularity • 46% Danceability • 60% Energy • 14% Liveness
53% Instrumentalness • 31% Positiveness
15% Popularity • 46% Danceability • 60% Energy • 14% Liveness
53% Instrumentalness • 31% Positiveness
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Wayne Krantz
Whippersnapper
137 bpm • G Maj • 06:47 • -10db
22% Popularity • 36% Danceability • 83% Energy • 70% Liveness
22% Instrumentalness • 78% Positiveness
22% Popularity • 36% Danceability • 83% Energy • 70% Liveness
22% Instrumentalness • 78% Positiveness
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Guthrie Govan
Uncle Skunk
136 bpm • E Maj • 05:29 • -6.68db
32% Popularity • 54% Danceability • 94% Energy • 32% Liveness
60% Instrumentalness • 66% Positiveness
32% Popularity • 54% Danceability • 94% Energy • 32% Liveness
60% Instrumentalness • 66% Positiveness
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Dixie Dregs
Assembly Line
157 bpm • D Maj • 04:22 • -10.06db
18% Popularity • 33% Danceability • 92% Energy • 13% Liveness
82% Instrumentalness • 54% Positiveness
18% Popularity • 33% Danceability • 92% Energy • 13% Liveness
82% Instrumentalness • 54% Positiveness
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Chick Corea Elektric Band
Check Blast
136 bpm • F min • 03:38 • -7db
19% Popularity • 38% Danceability • 86% Energy • 67% Liveness
37% Instrumentalness • 36% Positiveness
19% Popularity • 38% Danceability • 86% Energy • 67% Liveness
37% Instrumentalness • 36% Positiveness
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Brand X
And So To F...
158 bpm • C Maj • 06:28 • -14.07db
24% Popularity • 21% Danceability • 83% Energy • 15% Liveness
82% Instrumentalness • 23% Positiveness
24% Popularity • 21% Danceability • 83% Energy • 15% Liveness
82% Instrumentalness • 23% Positiveness
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Allan Holdsworth
Letters of Marque - Remastered
137 bpm • E Maj • 07:02 • -10.28db
18% Popularity • 36% Danceability • 80% Energy • 12% Liveness
68% Instrumentalness • 48% Positiveness
18% Popularity • 36% Danceability • 80% Energy • 12% Liveness
68% Instrumentalness • 48% Positiveness
