Songs like the angel of 8th ave. by Gang of Youths
Based on a tempo of (+/- 10%) and a similar genre
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Orla Gartland
Why Am I Like This?
90 bpm • D Maj • 03:32 • -7.71db
58% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Lime Cordiale
No Plans To Make Plans
90 bpm • F Maj • 04:18 • -10db
44% Popularity • 81% Danceability • 50% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
44% Popularity • 81% Danceability • 50% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
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Rainbow Kitten Surprise
First Class
90 bpm • C# Maj • 05:43 • -10.19db
64% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Oh Hellos
Hello My Old Heart
90 bpm • C Maj • 04:16 • -10.63db
61% Popularity • 56% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 30% Positiveness
61% Popularity • 56% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 30% Positiveness
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The Paper Kites
Woodland
89 bpm • C Maj • 03:51 • -9.5db
52% Popularity • 55% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 55% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Hozier
Foreigner's God
89 bpm • G# Maj • 03:45 • -8db
54% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Mallrat
Rockstar
89 bpm • E Maj • 03:29 • -5db
34% Popularity • 58% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
34% Popularity • 58% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Sea Wolf
Dear Fellow Traveller
92 bpm • A# min • 03:41 • -8.93db
51% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Gang of Youths
Persevere
88 bpm • C Maj • 04:32 • -11.41db
36% Popularity • 49% Danceability • 36% Energy • 17% Liveness
11% Instrumentalness • 14% Positiveness
36% Popularity • 49% Danceability • 36% Energy • 17% Liveness
11% Instrumentalness • 14% Positiveness
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Julian Moon
Pomegranate Seeds
92 bpm • C# Maj • 02:57 • -6.77db
52% Popularity • 72% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 72% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Mother Mother
Ghosting
92 bpm • B Maj • 04:45 • -5.1db
62% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
62% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Hozier
Someone New
92 bpm • G Maj • 03:42 • -5.95db
73% Popularity • 59% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
73% Popularity • 59% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Phoebe Bridgers
Smoke Signals
88 bpm • A# Maj • 05:24 • -14.6db
61% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
61% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Del Water Gap
Ode to a Conversation Stuck in Your Thro...
88 bpm • B Maj • 03:19 • -6.78db
72% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
72% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Gang of Youths
Magnolia
92 bpm • F# Maj • 05:11 • -6.99db
51% Popularity • 43% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
51% Popularity • 43% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Lime Cordiale
Inappropriate Behaviour
93 bpm • C Maj • 04:13 • -8.47db
57% Popularity • 61% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
57% Popularity • 61% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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The Lumineers
Salt And The Sea
93 bpm • A Maj • 04:30 • -9.25db
53% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
53% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Hozier
Angel Of Small Death & The Codeine Scene
93 bpm • E Maj • 03:39 • -5.75db
67% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
67% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Crawlers
Come Over (Again)
93 bpm • D Maj • 04:14 • -7.74db
59% Popularity • 50% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 50% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Boy & Bear
Fall At Your Feet
87 bpm • C min • 04:31 • -6.6db
54% Popularity • 41% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
54% Popularity • 41% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lord Huron
The Night We Met
87 bpm • D Maj • 03:28 • -9.51db
90% Popularity • 54% Danceability • 37% Energy • 64% Liveness
28% Instrumentalness • 10% Positiveness
90% Popularity • 54% Danceability • 37% Energy • 64% Liveness
28% Instrumentalness • 10% Positiveness
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Paris Paloma
It's Called: Freefall
94 bpm • F# Maj • 02:38 • -15.01db
66% Popularity • 68% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 68% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Gang of Youths
A Sudden Light
94 bpm • C# Maj • 06:52 • -7.27db
27% Popularity • 36% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 36% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Holy Holy
That Message
94 bpm • F# min • 03:33 • -9.68db
36% Popularity • 61% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 61% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Lucy Dacus
Night Shift
86 bpm • A Maj • 06:31 • -7.89db
70% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
70% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Harry Styles
From the Dining Table
94 bpm • G# Maj • 03:31 • -16.29db
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
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Ball Park Music
The Perfect Life Does Not Exist
94 bpm • F# Maj • 03:21 • -7.49db
37% Popularity • 44% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 44% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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The Howl & The Hum
Godmanchester Chinese Bridge
94 bpm • B min • 03:38 • -6.25db
22% Popularity • 33% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 33% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Gang of Youths
Vital Signs
94 bpm • D Maj • 07:23 • -7.78db
30% Popularity • 36% Danceability • 77% Energy • 8% Liveness
24% Instrumentalness • 26% Positiveness
30% Popularity • 36% Danceability • 77% Energy • 8% Liveness
24% Instrumentalness • 26% Positiveness
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Powderfinger
My Happiness
86 bpm • C Maj • 04:36 • -5.42db
62% Popularity • 44% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
62% Popularity • 44% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
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Sam Fender
Play God
94 bpm • A# min • 03:45 • -6.29db
59% Popularity • 71% Danceability • 71% Energy • 12% Liveness
5% Instrumentalness • 60% Positiveness
59% Popularity • 71% Danceability • 71% Energy • 12% Liveness
5% Instrumentalness • 60% Positiveness
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Angie McMahon
Slow Mover
95 bpm • D# Maj • 03:10 • -7.1db
51% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Ball Park Music
It's Nice to Be Alive
94 bpm • G# Maj • 03:28 • -7db
50% Popularity • 45% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 45% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Oh Hellos
Bitter Water
95 bpm • G# Maj • 03:16 • -9.78db
55% Popularity • 59% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 59% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Gang of Youths
Still Unbeaten Life
95 bpm • C# Maj • 07:30 • -9.59db
32% Popularity • 44% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 13% Positiveness
32% Popularity • 44% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 13% Positiveness
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Alex Lahey
I Haven’t Been Taking Care Of Myself
95 bpm • A# Maj • 03:46 • -4.39db
32% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Orla Gartland
Did It To Myself
95 bpm • F Maj • 03:16 • -10.55db
43% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Thelma Plum
Clumsy Love
85 bpm • E Maj • 03:07 • -5.53db
48% Popularity • 69% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 69% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Sam Fender
Spit Of You
85 bpm • F# min • 04:33 • -5.93db
58% Popularity • 39% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 39% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Oh Hellos
Constellations
85 bpm • F# Maj • 03:47 • -10.53db
57% Popularity • 56% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 56% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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LAUREL
Adored
96 bpm • A Maj • 03:34 • -4db
38% Popularity • 56% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 56% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Angie McMahon
Knowing Me, Knowing You - triple j Like ...
96 bpm • A Maj • 04:02 • -13.17db
44% Popularity • 64% Danceability • 29% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
44% Popularity • 64% Danceability • 29% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Declan McKenna
Paracetamol
84 bpm • G Maj • 05:18 • -6.32db
47% Popularity • 49% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 49% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 13% Positiveness
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Middle Kids
Never Start
97 bpm • C Maj • 03:17 • -5db
38% Popularity • 45% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 45% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Paris Paloma
labour
84 bpm • B min • 03:57 • -10.3db
77% Popularity • 65% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
77% Popularity • 65% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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The Lumineers
Scotland
97 bpm • A# min • 03:48 • -9.3db
51% Popularity • 58% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
51% Popularity • 58% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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Art of Sleeping
If Only You Could Ease My Mind
98 bpm • D min • 03:36 • -6.97db
46% Popularity • 55% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 55% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Rainbow Kitten Surprise
It's Called: Freefall
98 bpm • D Maj • 02:32 • -6.37db
81% Popularity • 74% Danceability • 52% Energy • 60% Liveness
0% Instrumentalness • 28% Positiveness
81% Popularity • 74% Danceability • 52% Energy • 60% Liveness
0% Instrumentalness • 28% Positiveness
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Declan McKenna
In Blue
97 bpm • C Maj • 04:54 • -10.16db
42% Popularity • 58% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 58% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Gregory Alan Isakov
San Luis
82 bpm • G min • 04:32 • -12.76db
72% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
72% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
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Angie McMahon
Soon
98 bpm • E Maj • 03:43 • -12.23db
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Vundabar
Alien Blues
82 bpm • D# Maj • 02:35 • -5.09db
80% Popularity • 47% Danceability • 76% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
80% Popularity • 47% Danceability • 76% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
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Gang of Youths
L'imaginaire
82 bpm • D Maj • 01:30 • -15.06db
35% Popularity • 10% Danceability • 20% Energy • 46% Liveness
93% Instrumentalness • 27% Positiveness
35% Popularity • 10% Danceability • 20% Energy • 46% Liveness
93% Instrumentalness • 27% Positiveness
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Vera Blue
Settle
82 bpm • E Maj • 03:38 • -7.05db
48% Popularity • 52% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Of Monsters and Men
Visitor
82 bpm • G min • 03:27 • -4.59db
49% Popularity • 57% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 57% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Declan McKenna
Beautiful Faces
99 bpm • C Maj • 03:16 • -1.52db
49% Popularity • 50% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 50% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Angie McMahon
Missing Me
99 bpm • E min • 03:19 • -8.41db
43% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Peach Pit
Alrighty Aphrodite
82 bpm • F# min • 03:27 • -4.68db
67% Popularity • 53% Danceability • 72% Energy • 11% Liveness
9% Instrumentalness • 50% Positiveness
67% Popularity • 53% Danceability • 72% Energy • 11% Liveness
9% Instrumentalness • 50% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
75% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
75% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Gang of Youths
What Can I Do If the Fire Goes Out?
100 bpm • D Maj • 04:55 • -3.5db
45% Popularity • 40% Danceability • 99% Energy • 6% Liveness
15% Instrumentalness • 10% Positiveness
45% Popularity • 40% Danceability • 99% Energy • 6% Liveness
15% Instrumentalness • 10% Positiveness
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Mitski
First Love/Late Spring
100 bpm • C Maj • 04:38 • -8.2db
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
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Cavetown
Devil Town
100 bpm • D# Maj • 02:59 • -8.17db
74% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
74% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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San Fermin
Cairo
100 bpm • D Maj • 03:40 • -8db
43% Popularity • 70% Danceability • 61% Energy • 11% Liveness
11% Instrumentalness • 66% Positiveness
43% Popularity • 70% Danceability • 61% Energy • 11% Liveness
11% Instrumentalness • 66% Positiveness
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Sundara Karma
Flame
100 bpm • G Maj • 03:47 • -4.64db
51% Popularity • 52% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 52% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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boygenius
Bite The Hand
100 bpm • A# Maj • 03:12 • -8.12db
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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The Jungle Giants
She's a Riot
100 bpm • G Maj • 03:41 • -3.8db
59% Popularity • 49% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
59% Popularity • 49% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Matt Corby
Brother
100 bpm • A Maj • 04:14 • -4.93db
57% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
57% Popularity • 66% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Lincoln
Saint Bernard
100 bpm • C# Maj • 01:43 • -11.01db
65% Popularity • 70% Danceability • 23% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
65% Popularity • 70% Danceability • 23% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
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Declan McKenna
Listen to Your Friends
100 bpm • A Maj • 04:18 • -7.08db
51% Popularity • 32% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 32% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Lord Huron
Meet Me In The Woods
81 bpm • F# min • 04:22 • -6.76db
63% Popularity • 54% Danceability • 93% Energy • 7% Liveness
46% Instrumentalness • 60% Positiveness
63% Popularity • 54% Danceability • 93% Energy • 7% Liveness
46% Instrumentalness • 60% Positiveness
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The Last Dinner Party
Nothing Matters
101 bpm • D Maj • 03:02 • -5.1db
77% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
77% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Teddy Hyde
Sex with a Ghost
80 bpm • B min • 04:00 • -12.49db
66% Popularity • 48% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 48% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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The Struts
Could Have Been Me
80 bpm • E Maj • 03:07 • -4.51db
72% Popularity • 54% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
72% Popularity • 54% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Jack River
Fool's Gold
80 bpm • C min • 04:18 • -7db
49% Popularity • 40% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 40% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Nu Deco Ensemble
I Am the Antichrist to You
80 bpm • D# Maj • 05:26 • -12.45db
39% Popularity • 32% Danceability • 21% Energy • 13% Liveness
4% Instrumentalness • 15% Positiveness
39% Popularity • 32% Danceability • 21% Energy • 13% Liveness
4% Instrumentalness • 15% Positiveness
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LAUREL
Life Worth Living
102 bpm • F min • 04:04 • -5.1db
51% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Gang of Youths
tend the garden
102 bpm • C Maj • 04:27 • -8db
33% Popularity • 36% Danceability • 86% Energy • 15% Liveness
30% Instrumentalness • 60% Positiveness
33% Popularity • 36% Danceability • 86% Energy • 15% Liveness
30% Instrumentalness • 60% Positiveness
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Holy Holy
Believe Anything
102 bpm • F min • 04:14 • -5.54db
33% Popularity • 51% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 51% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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flora cash
You're Somebody Else
103 bpm • C# Maj • 03:39 • -9.06db
70% Popularity • 71% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
70% Popularity • 71% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Catfish and the Bottlemen
Longshot
103 bpm • G Maj • 03:52 • -4.03db
62% Popularity • 48% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
62% Popularity • 48% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Didirri
Blue Mood Rising
103 bpm • E Maj • 02:53 • -10db
35% Popularity • 58% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 81% Positiveness
35% Popularity • 58% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 81% Positiveness
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Mitski
Strawberry Blond
78 bpm • C Maj • 01:54 • -8.3db
70% Popularity • 51% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
70% Popularity • 51% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Gang of Youths
Both Sides Now
102 bpm • A# Maj • 05:43 • -12.87db
35% Popularity • 36% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 36% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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Foals
Mountain at My Gates
104 bpm • D min • 04:04 • -5.34db
66% Popularity • 50% Danceability • 93% Energy • 25% Liveness
8% Instrumentalness • 62% Positiveness
66% Popularity • 50% Danceability • 93% Energy • 25% Liveness
8% Instrumentalness • 62% Positiveness
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Paris Paloma
the fruits
78 bpm • G min • 03:29 • -22db
66% Popularity • 40% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
66% Popularity • 40% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
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Maya Hawke
Thérèse
104 bpm • A min • 03:27 • -12db
52% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Paper Kites
Paint
77 bpm • E Maj • 03:11 • -13.05db
62% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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GROUPLOVE
Raspberry
105 bpm • D# Maj • 03:16 • -5.02db
61% Popularity • 49% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 49% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Gang of Youths
Poison Drum
104 bpm • E Maj • 06:26 • -5db
32% Popularity • 49% Danceability • 96% Energy • 32% Liveness
5% Instrumentalness • 32% Positiveness
32% Popularity • 49% Danceability • 96% Energy • 32% Liveness
5% Instrumentalness • 32% Positiveness
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Skegss
Up In The Clouds
105 bpm • C Maj • 02:29 • -9.25db
52% Popularity • 55% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 55% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Spacey Jane
It's Been a Long Day
105 bpm • A# Maj • 04:04 • -6db
50% Popularity • 58% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 58% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Middle Kids
Edge Of Town
105 bpm • C# Maj • 03:45 • -3.57db
45% Popularity • 54% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 54% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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The Crane Wives
Never Love an Anchor
105 bpm • C Maj • 03:48 • -8.2db
58% Popularity • 61% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 61% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Rubens
Masterpiece
105 bpm • F# Maj • 03:36 • -3.81db
42% Popularity • 60% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 60% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Catie Turner
God Must Hate Me
77 bpm • D Maj • 02:29 • -10.11db
59% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
59% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Camp Cope
Seventeen Going Under - triple j Like A ...
77 bpm • E Maj • 03:57 • -8db
38% Popularity • 40% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 40% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
