Songs like The Apple Tree by Nina Nesbitt
Based on a tempo of (+/- 10%) and a similar genre
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NONONO
One Wish
110 bpm • G Maj • 03:17 • -5db
14% Popularity • 63% Danceability • 81% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
14% Popularity • 63% Danceability • 81% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
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Jason Reeves
Helium Hearts
110 bpm • C Maj • 04:08 • -5db
23% Popularity • 63% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 63% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Bry
Staying Together
110 bpm • A Maj • 02:52 • -7.52db
7% Popularity • 63% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 63% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Kesha
The Harold Song
110 bpm • G Maj • 03:58 • -5.55db
44% Popularity • 62% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 62% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Nina Nesbitt
The Apple Tree
110 bpm • D Maj • 02:51 • -6db
26% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jay Brannan
Rob Me Blind
110 bpm • C# Maj • 05:03 • -8.28db
9% Popularity • 69% Danceability • 60% Energy • 10% Liveness
58% Instrumentalness • 36% Positiveness
9% Popularity • 69% Danceability • 60% Energy • 10% Liveness
58% Instrumentalness • 36% Positiveness
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Charlotte Lawrence
Psychopath - Recorded at Spotify Studios...
110 bpm • G min • 02:55 • -5.26db
45% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Rachel Taylor
Come Alive
110 bpm • G Maj • 04:02 • -3.89db
10% Popularity • 59% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 59% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Train
Feels Good at First
110 bpm • G Maj • 03:02 • -7.02db
33% Popularity • 69% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 69% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Karmin
Coming Up Strong
110 bpm • F Maj • 03:38 • -3.1db
20% Popularity • 59% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 59% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Nina Nesbitt
Stay Out
110 bpm • C Maj • 02:43 • -4.44db
30% Popularity • 66% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 66% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Bess Rogers
What We Want
110 bpm • C# Maj • 03:40 • -10.17db
13% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Charlotte Lawrence
Girls Just Wanna Have Fun - Recorded at ...
110 bpm • B min • 02:43 • -8.81db
45% Popularity • 68% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
45% Popularity • 68% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Conor Maynard
Starships - BBC Live Version
111 bpm • A Maj • 03:22 • -13.68db
23% Popularity • 50% Danceability • 25% Energy • 30% Liveness
2% Instrumentalness • 38% Positiveness
23% Popularity • 50% Danceability • 25% Energy • 30% Liveness
2% Instrumentalness • 38% Positiveness
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A Great Big World
There Is an Answer
109 bpm • F Maj • 03:42 • -7db
9% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jason Reeves
Save My Heart
109 bpm • B Maj • 03:44 • -5db
33% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Dia Frampton
Good Boy
111 bpm • A Maj • 03:00 • -4.71db
13% Popularity • 69% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 69% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Paloma Faith
Smoke and Mirrors
109 bpm • B min • 03:06 • -3.16db
35% Popularity • 51% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 51% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Nina Nesbitt
Brit Summer
109 bpm • E Maj • 03:09 • -4.24db
11% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Maria Mena
Fuck You
111 bpm • A# Maj • 03:14 • -6db
18% Popularity • 54% Danceability • 75% Energy • 12% Liveness
84% Instrumentalness • 58% Positiveness
18% Popularity • 54% Danceability • 75% Energy • 12% Liveness
84% Instrumentalness • 58% Positiveness
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Mary Lambert
The Machine
112 bpm • D Maj • 02:51 • -20.05db
9% Popularity • 59% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 59% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Kyle Andrews
You Always Make Me Smile
108 bpm • D Maj • 02:46 • -4.48db
32% Popularity • 64% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 64% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Grizfolk
The Struggle
113 bpm • B min • 03:35 • -4db
14% Popularity • 57% Danceability • 78% Energy • 23% Liveness
28% Instrumentalness • 68% Positiveness
14% Popularity • 57% Danceability • 78% Energy • 23% Liveness
28% Instrumentalness • 68% Positiveness
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Greyson Chance
Heart Like Stone
113 bpm • D Maj • 03:48 • -5.77db
18% Popularity • 65% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 65% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Nina Nesbitt
Statues
112 bpm • C Maj • 04:13 • -11.22db
10% Popularity • 45% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 45% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
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Jay Brannan
Beautifully
107 bpm • C# Maj • 03:13 • -7.47db
10% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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The Good Mad
What Money Paid For
107 bpm • D Maj • 04:21 • -10.28db
14% Popularity • 60% Danceability • 33% Energy • 57% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 60% Danceability • 33% Energy • 57% Liveness
0% Instrumentalness • 24% Positiveness
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Hunter Parrish
Sitting At Home
107 bpm • C# Maj • 02:51 • -4db
20% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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NONONO
Pumpin Blood - Acoustic Version
113 bpm • G Maj • 03:46 • -8db
16% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lelia Broussard
Satellite
107 bpm • C# Maj • 03:11 • -4.89db
10% Popularity • 76% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 76% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Nina Nesbitt
Align
108 bpm • D Maj • 03:58 • -8.46db
14% Popularity • 57% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 57% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Yuna
Rescue
107 bpm • E min • 03:46 • -5db
35% Popularity • 66% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 66% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Dia Frampton
Daniel
113 bpm • C Maj • 03:35 • -7db
19% Popularity • 65% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 65% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Jayme Dee
Rules
114 bpm • G Maj • 03:27 • -13.86db
31% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jay Brannan
Beautifully
107 bpm • C# Maj • 03:14 • -11.24db
22% Popularity • 61% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 61% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Florence + The Machine
Drumming Song - Acoustic
106 bpm • E min • 03:51 • -7.5db
22% Popularity • 69% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 69% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Nina Nesbitt
We'll Be Back For More
108 bpm • F# Maj • 03:20 • -3.27db
14% Popularity • 55% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 55% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Zach Berkman
All That I Know
114 bpm • A# Maj • 03:57 • -7.65db
7% Popularity • 29% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 29% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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NONONO
Fire Without a Flame
114 bpm • G Maj • 03:17 • -4.31db
14% Popularity • 60% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
14% Popularity • 60% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
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Maria Mena
You're All Telling Stories
114 bpm • C min • 03:51 • -5.99db
11% Popularity • 54% Danceability • 51% Energy • 59% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 54% Danceability • 51% Energy • 59% Liveness
0% Instrumentalness • 37% Positiveness
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Missy Higgins
Hello Hello
114 bpm • B min • 03:00 • -4.87db
26% Popularity • 68% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 68% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Kesha
The Harold Song - Deconstructed Mix
114 bpm • G Maj • 04:53 • -8.04db
24% Popularity • 54% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 54% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Nina Nesbitt
The People
112 bpm • A min • 05:27 • -12.38db
12% Popularity • 33% Danceability • 29% Energy • 36% Liveness
1% Instrumentalness • 26% Positiveness
12% Popularity • 33% Danceability • 29% Energy • 36% Liveness
1% Instrumentalness • 26% Positiveness
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Night Terrors of 1927
Always Take You Back
114 bpm • C# Maj • 05:13 • -7.84db
28% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Keywest
Feels So Cruel
114 bpm • D# Maj • 04:17 • -4.28db
19% Popularity • 53% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 53% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Olly Murs
I'm OK
114 bpm • E Maj • 03:45 • -5.61db
25% Popularity • 67% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 67% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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78violet
Hothouse
106 bpm • A# min • 04:04 • -3.58db
25% Popularity • 53% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 53% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Brandon & Leah
You're so Cold
106 bpm • C# min • 04:55 • -7.67db
10% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Nina Nesbitt
Seesaw
107 bpm • C Maj • 02:47 • -8.38db
9% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Florence + The Machine
Breaking Down - Acoustic
106 bpm • G# Maj • 03:30 • -10db
31% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Right the Stars
Airhead (There's the Moment)
106 bpm • A Maj • 04:05 • -7.72db
9% Popularity • 68% Danceability • 59% Energy • 11% Liveness
49% Instrumentalness • 52% Positiveness
9% Popularity • 68% Danceability • 59% Energy • 11% Liveness
49% Instrumentalness • 52% Positiveness
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Paloma Faith
Freedom
115 bpm • G min • 03:20 • -4.63db
22% Popularity • 64% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 64% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Tich
Obsession
115 bpm • C Maj • 02:56 • -3.18db
17% Popularity • 75% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 75% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Matt Nathanson
Kiss Quick
115 bpm • C# Maj • 04:25 • -8.69db
27% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Nina Nesbitt
He's The One I'm Bringing Back
113 bpm • B min • 03:01 • -4.73db
15% Popularity • 77% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 77% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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The Script
Exit Wounds
115 bpm • C Maj • 04:24 • -4.56db
38% Popularity • 54% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 54% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Kesha
Last Goodbye
115 bpm • B min • 03:50 • -4db
35% Popularity • 56% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 56% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Lucy Schwartz
Life In Letters
105 bpm • F Maj • 03:27 • -10.71db
25% Popularity • 67% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 67% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Dia Frampton
Trapeze
105 bpm • D# Maj • 03:30 • -6.58db
24% Popularity • 56% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 56% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Leddra Chapman
Edie
105 bpm • G Maj • 03:39 • -11.67db
8% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Nina Nesbitt
Make Me Fall
113 bpm • D Maj • 03:50 • -12.67db
12% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Mike Dignam
Beautiful Tragedy
104 bpm • A Maj • 03:54 • -10db
19% Popularity • 50% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 50% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Paloma Faith
Romance Is Dead
116 bpm • F Maj • 03:04 • -3.9db
26% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ryan O'Shaughnessy
Time Stands Still
116 bpm • D# Maj • 03:42 • -8.13db
13% Popularity • 73% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 73% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Karmina
Prove
116 bpm • F# Maj • 03:07 • -8.74db
10% Popularity • 38% Danceability • 32% Energy • 9% Liveness
5% Instrumentalness • 24% Positiveness
10% Popularity • 38% Danceability • 32% Energy • 9% Liveness
5% Instrumentalness • 24% Positiveness
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NONONO
Jungle
116 bpm • C Maj • 04:00 • -4.26db
17% Popularity • 67% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 67% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Nina Nesbitt
Bright Blue Eyes
114 bpm • C Maj • 04:09 • -15.14db
11% Popularity • 55% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 55% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Ed Sheeran
Little Bird - Deluxe Edition
104 bpm • G# Maj • 03:44 • -8.68db
49% Popularity • 84% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 84% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Alex Winston
Careless
104 bpm • F Maj • 04:17 • -7.7db
20% Popularity • 60% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 60% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Andrew Belle
All Those Pretty Lights
104 bpm • F# Maj • 04:02 • -5.46db
37% Popularity • 63% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 63% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Bry
Sum Me Up
117 bpm • A Maj • 02:32 • -9.33db
11% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Ryan O'Shaughnessy
Sofa Bed
117 bpm • C Maj • 03:36 • -8.48db
10% Popularity • 80% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 80% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Nina Nesbitt
18 Candles
105 bpm • E min • 03:13 • -5.76db
15% Popularity • 65% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 65% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Dani Shay
One
117 bpm • G min • 04:23 • -7.08db
8% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Jayme Dee
Love Whiplash
117 bpm • F# min • 02:45 • -5.61db
13% Popularity • 69% Danceability • 80% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 69% Danceability • 80% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
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Shelly Fraley
All That I Wanted
117 bpm • F Maj • 03:39 • -10db
16% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Cher Lloyd
Sirens
117 bpm • G# Maj • 03:55 • -3db
45% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Tristan Prettyman
Back to Home
117 bpm • A Maj • 03:46 • -6.51db
31% Popularity • 64% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 64% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Nina Nesbitt
Mr C
116 bpm • B Maj • 02:42 • -5.29db
21% Popularity • 67% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 67% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Ed Sheeran
Grade 8 - Acoustic
103 bpm • B min • 03:00 • -11.5db
18% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Diana Vickers
Cinderella
117 bpm • C# Maj • 03:43 • -3.02db
24% Popularity • 67% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 67% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Rosi Golan
Follow The Arrow
103 bpm • A Maj • 03:14 • -8.53db
17% Popularity • 61% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 61% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Good Mad
Don't Stay Low
103 bpm • G Maj • 02:08 • -7.58db
30% Popularity • 60% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 60% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Dia Frampton
The Broken Ones
118 bpm • E Maj • 04:14 • -7db
23% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Nina Nesbitt
Only Love
116 bpm • E Maj • 03:15 • -8.46db
7% Popularity • 76% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 76% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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One Night Only
Long Time Coming
118 bpm • G Maj • 03:40 • -9.52db
15% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jay Brannan
Half-Boyfriend
118 bpm • D Maj • 04:11 • -8.55db
8% Popularity • 60% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 60% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Jason Reeves
Someone Somewhere.
118 bpm • F Maj • 04:28 • -4.83db
20% Popularity • 52% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 52% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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The Rescues
My Heart With You
119 bpm • C# Maj • 04:16 • -17.93db
9% Popularity • 52% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 52% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Florence + The Machine
My Boy Builds Coffins - iTunes Live: Lon...
118 bpm • A min • 02:47 • -7.61db
23% Popularity • 53% Danceability • 36% Energy • 88% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 53% Danceability • 36% Energy • 88% Liveness
0% Instrumentalness • 48% Positiveness
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Nina Nesbitt
Chewing Gum
118 bpm • F# min • 03:19 • -3db
31% Popularity • 72% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 72% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Tegan and Sara
How Come You Don't Want Me
102 bpm • A Maj • 02:51 • -4.68db
36% Popularity • 71% Danceability • 75% Energy • 52% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 71% Danceability • 75% Energy • 52% Liveness
0% Instrumentalness • 18% Positiveness
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NONONO
Human Being
119 bpm • C Maj • 03:22 • -3.95db
11% Popularity • 71% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
11% Popularity • 71% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
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Karmin
Neon Love
101 bpm • C# min • 04:26 • -4.12db
17% Popularity • 52% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 52% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Ed Sheeran
Grade 8
101 bpm • C min • 02:59 • -9.98db
49% Popularity • 74% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 74% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Florence + The Machine
Lover To Lover - Ceremonials Tour Versio...
119 bpm • C Maj • 03:43 • -3.7db
25% Popularity • 56% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 56% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 33% Positiveness
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Nina Nesbitt
Noserings and Shoestrings - Live
102 bpm • C# Maj • 03:36 • -8.88db
12% Popularity • 63% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 63% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Plug In Stereo
I Blame You
101 bpm • C Maj • 02:44 • -4.89db
17% Popularity • 66% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 66% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
