Songs like The Baghdad Monologue: Repeat and Repeat by Carl Faia
Based on a tempo of (+/- 10%) and a similar genre
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Geoffrey D'Ombrain
Evocation 3 - Original Mix
89 bpm • C min • 06:19 • -16.14db
9% Popularity • 16% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Laura Cannell
When I Returned You Were Gone
89 bpm • G Maj • 05:05 • -11.57db
11% Popularity • 10% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 4% Positiveness
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Miljan Minic
Meditations in D Major
89 bpm • B min • 02:04 • -20.68db
12% Popularity • 19% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Conor Brodie
Immortality
89 bpm • E min • 03:55 • -16.71db
10% Popularity • 20% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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AKIRA HONDA
Seraphic Descent
89 bpm • E Maj • 03:26 • -18.8db
16% Popularity • 26% Danceability • 26% Energy • 48% Liveness
62% Instrumentalness • 22% Positiveness
16% Popularity • 26% Danceability • 26% Energy • 48% Liveness
62% Instrumentalness • 22% Positiveness
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Fuad Kunya Khaleel
Luang Prabang
90 bpm • F min • 02:52 • -14.33db
11% Popularity • 60% Danceability • 44% Energy • 14% Liveness
91% Instrumentalness • 22% Positiveness
11% Popularity • 60% Danceability • 44% Energy • 14% Liveness
91% Instrumentalness • 22% Positiveness
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Lofi Sage
Prohibition
88 bpm • C min • 01:24 • -28.38db
12% Popularity • 42% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
12% Popularity • 42% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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sleepyhead
melancholy
90 bpm • C# Maj • 01:24 • -40.53db
15% Popularity • 58% Danceability • 1% Energy • 11% Liveness
80% Instrumentalness • 57% Positiveness
15% Popularity • 58% Danceability • 1% Energy • 11% Liveness
80% Instrumentalness • 57% Positiveness
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Martien van der Knijff
One more light
90 bpm • G# Maj • 03:22 • -24db
11% Popularity • 58% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 58% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Irena And Vojtech Havlovi
Soft And Easy
90 bpm • C# Maj • 01:16 • -35.56db
18% Popularity • 19% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
18% Popularity • 19% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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God of Delusions
One South
88 bpm • D Maj • 00:59 • -19.18db
20% Popularity • 30% Danceability • 21% Energy • 17% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 30% Danceability • 21% Energy • 17% Liveness
97% Instrumentalness • 3% Positiveness
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Douglas Anderson
Chamber Symphony No. 2: II. Violin Caden...
87 bpm • C Maj • 08:20 • -18.63db
7% Popularity • 16% Danceability • 8% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 8% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
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Muzyka do Relaksu
Muzyka do Spania
91 bpm • C min • 02:24 • -20.8db
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Jenny La Costa
Ascending Bell
87 bpm • D# Maj • 01:08 • -9.49db
12% Popularity • 29% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 29% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Austin Hurt
Gentle forest rain
87 bpm • D Maj • 02:05 • -18.83db
13% Popularity • 29% Danceability • 55% Energy • 18% Liveness
86% Instrumentalness • 18% Positiveness
13% Popularity • 29% Danceability • 55% Energy • 18% Liveness
86% Instrumentalness • 18% Positiveness
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Kasia Kadłubowska
Woods Of Saturn
87 bpm • C min • 02:40 • -17.69db
14% Popularity • 13% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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cheptsov alex
Farewell low tide
87 bpm • G min • 02:42 • -22.34db
13% Popularity • 22% Danceability • 16% Energy • 19% Liveness
87% Instrumentalness • 7% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 19% Liveness
87% Instrumentalness • 7% Positiveness
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VooCha
Heliopause
86 bpm • B min • 02:54 • -13.14db
8% Popularity • 13% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Meditation Music Collective of Lotus
Chakra
87 bpm • D Maj • 01:20 • -19.71db
24% Popularity • 13% Danceability • 8% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 8% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
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Claudio Rocchetti
Green Dancing Devil
86 bpm • D Maj • 01:33 • -18.33db
7% Popularity • 39% Danceability • 43% Energy • 11% Liveness
47% Instrumentalness • 17% Positiveness
7% Popularity • 39% Danceability • 43% Energy • 11% Liveness
47% Instrumentalness • 17% Positiveness
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Harry Mousnier
El cercamiento
92 bpm • G min • 01:02 • -17.16db
22% Popularity • 21% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
22% Popularity • 21% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Tempête fluviale
Duoya
86 bpm • C Maj • 01:06 • -14.16db
22% Popularity • 69% Danceability • 1% Energy • 10% Liveness
10% Instrumentalness • 23% Positiveness
22% Popularity • 69% Danceability • 1% Energy • 10% Liveness
10% Instrumentalness • 23% Positiveness
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CTM
Dante
86 bpm • A min • 02:15 • -15.44db
8% Popularity • 9% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
8% Popularity • 9% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
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Dimitri AC
It Runs Fine
86 bpm • C min • 03:01 • -21.69db
13% Popularity • 10% Danceability • 7% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 7% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Nature Symphonic Orchestra
Aqua - Koshi Chimes
92 bpm • D Maj • 05:00 • -24.19db
7% Popularity • 42% Danceability • 18% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
7% Popularity • 42% Danceability • 18% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
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Cosmic Drifters
Astral Cascades
86 bpm • C Maj • 02:24 • -9.65db
9% Popularity • 27% Danceability • 48% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 48% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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CELEST!AL V!BRAT!ON
DREAMWALK
93 bpm • G min • 01:20 • -22.87db
35% Popularity • 11% Danceability • 1% Energy • 9% Liveness
32% Instrumentalness • 3% Positiveness
35% Popularity • 11% Danceability • 1% Energy • 9% Liveness
32% Instrumentalness • 3% Positiveness
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Zion Lambert
Rhapsody of Only One
86 bpm • D min • 01:29 • -21.49db
15% Popularity • 37% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
15% Popularity • 37% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
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Kamil Dossar
Silk Examples
93 bpm • G min • 02:37 • -27.63db
14% Popularity • 20% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
14% Popularity • 20% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Prehistoric
Harbor of Dreams27
85 bpm • C# min • 01:13 • -32.52db
18% Popularity • 18% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
18% Popularity • 18% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Carol Brooks
Slack off Solo
85 bpm • C Maj • 01:12 • -18.14db
10% Popularity • 14% Danceability • 54% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 54% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Chris Cresswell
From Dreams, We Emerge
85 bpm • D# Maj • 09:08 • -19.13db
16% Popularity • 10% Danceability • 17% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
16% Popularity • 10% Danceability • 17% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
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Enzo Corne
evergreen
85 bpm • C Maj • 01:19 • -33.29db
15% Popularity • 28% Danceability • 4% Energy • 16% Liveness
93% Instrumentalness • 81% Positiveness
15% Popularity • 28% Danceability • 4% Energy • 16% Liveness
93% Instrumentalness • 81% Positiveness
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DJ Chakra D
Crashing Waves
85 bpm • A Maj • 02:10 • -16.67db
20% Popularity • 18% Danceability • 36% Energy • 69% Liveness
5% Instrumentalness • 11% Positiveness
20% Popularity • 18% Danceability • 36% Energy • 69% Liveness
5% Instrumentalness • 11% Positiveness
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Martien van der Knijff
Yellow
84 bpm • A# min • 04:28 • -20db
11% Popularity • 35% Danceability • 25% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 35% Danceability • 25% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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David Smur
Track 2
94 bpm • A# min • 02:36 • -15.01db
9% Popularity • 47% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 47% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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lutfi anggraeni
Bell E
84 bpm • C Maj • 01:05 • -11.13db
20% Popularity • 38% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 38% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Jack Wood
Blur
84 bpm • C# Maj • 05:46 • -15.23db
11% Popularity • 35% Danceability • 21% Energy • 54% Liveness
91% Instrumentalness • 11% Positiveness
11% Popularity • 35% Danceability • 21% Energy • 54% Liveness
91% Instrumentalness • 11% Positiveness
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Negrica Musica
Patra
94 bpm • F# Maj • 02:03 • -11.47db
14% Popularity • 48% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 48% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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DJ Chakra D
Beach Time
84 bpm • F# Maj • 02:09 • -18.41db
18% Popularity • 19% Danceability • 30% Energy • 58% Liveness
42% Instrumentalness • 17% Positiveness
18% Popularity • 19% Danceability • 30% Energy • 58% Liveness
42% Instrumentalness • 17% Positiveness
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Carl Faia
Ame Aluné
95 bpm • E min • 05:43 • -12.63db
0% Popularity • 72% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
0% Popularity • 72% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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DJ Vittoria
Intelligent Mind
83 bpm • F# Maj • 01:54 • -16.97db
20% Popularity • 59% Danceability • 8% Energy • 11% Liveness
69% Instrumentalness • 46% Positiveness
20% Popularity • 59% Danceability • 8% Energy • 11% Liveness
69% Instrumentalness • 46% Positiveness
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Petra Haller
Giske
95 bpm • E min • 02:25 • -35.82db
7% Popularity • 26% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
7% Popularity • 26% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Aki Yli-Salomäki
Tiedät kyllä miksi
83 bpm • A Maj • 07:41 • -18db
12% Popularity • 8% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Serene Rose
Sounds of Chimes
83 bpm • G min • 01:16 • -45db
10% Popularity • 12% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
10% Popularity • 12% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
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DJ Chakra D
Jarryns Dream
84 bpm • F# Maj • 02:07 • -18.47db
18% Popularity • 17% Danceability • 28% Energy • 52% Liveness
47% Instrumentalness • 16% Positiveness
18% Popularity • 17% Danceability • 28% Energy • 52% Liveness
47% Instrumentalness • 16% Positiveness
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Giuseppe Ielasi
05
95 bpm • D# min • 05:35 • -20.77db
9% Popularity • 23% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 7% Positiveness
9% Popularity • 23% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 7% Positiveness
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Trapets
On the Edge of Beauty III
83 bpm • C Maj • 03:17 • -21.64db
9% Popularity • 15% Danceability • 14% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 14% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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iu takahashi
Culvert
83 bpm • A# Maj • 05:51 • -18.01db
9% Popularity • 13% Danceability • 27% Energy • 21% Liveness
92% Instrumentalness • 5% Positiveness
9% Popularity • 13% Danceability • 27% Energy • 21% Liveness
92% Instrumentalness • 5% Positiveness
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mike d'autunno
The Pencil of the Storm
96 bpm • E Maj • 01:02 • -34db
36% Popularity • 12% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
36% Popularity • 12% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
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External Mod
Strune
96 bpm • D Maj • 02:41 • -32.16db
17% Popularity • 22% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
17% Popularity • 22% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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DJ Chakra D
Water Love
83 bpm • F Maj • 02:08 • -18.18db
18% Popularity • 18% Danceability • 36% Energy • 60% Liveness
83% Instrumentalness • 16% Positiveness
18% Popularity • 18% Danceability • 36% Energy • 60% Liveness
83% Instrumentalness • 16% Positiveness
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MIZU
Flutter
96 bpm • A# min • 04:04 • -10.2db
14% Popularity • 39% Danceability • 51% Energy • 6% Liveness
61% Instrumentalness • 5% Positiveness
14% Popularity • 39% Danceability • 51% Energy • 6% Liveness
61% Instrumentalness • 5% Positiveness
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Perila
Scivia
96 bpm • C# Maj • 04:42 • -23.04db
7% Popularity • 16% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Thomas Durante
A Series of Bagels Being Crushed
82 bpm • A Maj • 01:11 • -39.78db
10% Popularity • 37% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 37% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Radio Mental Space
Michine Scan
96 bpm • B Maj • 01:31 • -21.94db
20% Popularity • 37% Danceability • 27% Energy • 49% Liveness
82% Instrumentalness • 4% Positiveness
20% Popularity • 37% Danceability • 27% Energy • 49% Liveness
82% Instrumentalness • 4% Positiveness
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Risto Holopainen
The Wastebasket of Timbre
82 bpm • D Maj • 08:08 • -14.47db
12% Popularity • 20% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 20% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Ümit Armağan
Universe - Concert Performance
82 bpm • F# Maj • 05:56 • -13.05db
11% Popularity • 18% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Ganavya
we made it to the underpass
96 bpm • G Maj • 01:33 • -18.51db
22% Popularity • 24% Danceability • 20% Energy • 16% Liveness
97% Instrumentalness • 41% Positiveness
22% Popularity • 24% Danceability • 20% Energy • 16% Liveness
97% Instrumentalness • 41% Positiveness
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Fotina Zaychuk
Couple
82 bpm • B min • 02:15 • -14.35db
31% Popularity • 26% Danceability • 46% Energy • 12% Liveness
77% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 46% Energy • 12% Liveness
77% Instrumentalness • 7% Positiveness
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Charles Cosenza
Flop Piano
82 bpm • B Maj • 01:09 • -26.53db
12% Popularity • 24% Danceability • 28% Energy • 22% Liveness
94% Instrumentalness • 10% Positiveness
12% Popularity • 24% Danceability • 28% Energy • 22% Liveness
94% Instrumentalness • 10% Positiveness
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Superpoze
Mort d'Aubrac
82 bpm • G Maj • 02:10 • -28.24db
10% Popularity • 20% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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DJ Chakra D
Night Rains
97 bpm • G# Maj • 02:01 • -18.06db
15% Popularity • 32% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 32% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Daisy Rickman
Howl
81 bpm • C Maj • 04:05 • -17.53db
21% Popularity • 16% Danceability • 7% Energy • 26% Liveness
94% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 7% Energy • 26% Liveness
94% Instrumentalness • 3% Positiveness
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Narls
This Way
97 bpm • C# Maj • 01:02 • -23.07db
8% Popularity • 47% Danceability • 0% Energy • 5% Liveness
7% Instrumentalness • 24% Positiveness
8% Popularity • 47% Danceability • 0% Energy • 5% Liveness
7% Instrumentalness • 24% Positiveness
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ジョンのサン
4-2広場
81 bpm • G# min • 01:08 • -20.62db
10% Popularity • 61% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 60% Positiveness
10% Popularity • 61% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 60% Positiveness
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Sunuh
Lulldenn
98 bpm • B Maj • 01:18 • -26db
13% Popularity • 85% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
13% Popularity • 85% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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L. June
Don't be afraid
81 bpm • C# Maj • 01:22 • -23.9db
13% Popularity • 45% Danceability • 4% Energy • 13% Liveness
78% Instrumentalness • 34% Positiveness
13% Popularity • 45% Danceability • 4% Energy • 13% Liveness
78% Instrumentalness • 34% Positiveness
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Kathryn Gresham
Faymere
98 bpm • B Maj • 01:18 • -32.97db
9% Popularity • 52% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 37% Positiveness
9% Popularity • 52% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 37% Positiveness
► Preview
Woodward Harrington
Fjord
98 bpm • B Maj • 01:18 • -32db
16% Popularity • 59% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
16% Popularity • 59% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
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Shawn Kutcher
432Hz Anxiety Relief
81 bpm • C# Maj • 01:00 • -21.53db
13% Popularity • 16% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
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Mason Hunt
Kris Khan
98 bpm • B Maj • 01:18 • -28.26db
14% Popularity • 57% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
14% Popularity • 57% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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zelot
plut
99 bpm • A min • 01:01 • -34.13db
26% Popularity • 62% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
26% Popularity • 62% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
► Preview
Laura Cannell
The Earth Under the Sea
99 bpm • G Maj • 02:46 • -9.71db
10% Popularity • 21% Danceability • 28% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
10% Popularity • 21% Danceability • 28% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Zuinatre
Paramount
80 bpm • C Maj • 01:16 • -27.31db
10% Popularity • 55% Danceability • 0% Energy • 34% Liveness
93% Instrumentalness • 65% Positiveness
10% Popularity • 55% Danceability • 0% Energy • 34% Liveness
93% Instrumentalness • 65% Positiveness
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Dept. Mind
Brightness
80 bpm • D Maj • 01:02 • -12.74db
18% Popularity • 38% Danceability • 39% Energy • 17% Liveness
88% Instrumentalness • 5% Positiveness
18% Popularity • 38% Danceability • 39% Energy • 17% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Shawn Kutcher
Whole Body Healing
80 bpm • C# Maj • 01:03 • -21.99db
10% Popularity • 26% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
10% Popularity • 26% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
MIZU
Elegy (As Soft Night Marches In)
80 bpm • C min • 02:52 • -21.4db
12% Popularity • 15% Danceability • 16% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 16% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
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Slide Like Zey
Get in the Coma
80 bpm • F# min • 01:18 • -23.09db
10% Popularity • 76% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 56% Positiveness
10% Popularity • 76% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 56% Positiveness
► Preview
Charley Wild
Mid Month Madness
80 bpm • G# Maj • 00:54 • -21.34db
10% Popularity • 36% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 24% Positiveness
10% Popularity • 36% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 24% Positiveness
► Preview
Narls
Yes Mam
99 bpm • B min • 00:52 • -11.43db
13% Popularity • 15% Danceability • 1% Energy • 14% Liveness
97% Instrumentalness • 21% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 14% Liveness
97% Instrumentalness • 21% Positiveness
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Teddie Bruz
Pondering Alley
80 bpm • A min • 01:42 • -19.63db
7% Popularity • 29% Danceability • 3% Energy • 27% Liveness
85% Instrumentalness • 10% Positiveness
7% Popularity • 29% Danceability • 3% Energy • 27% Liveness
85% Instrumentalness • 10% Positiveness
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Shawn Kutcher
Mind Repair
80 bpm • C# Maj • 01:03 • -22.1db
10% Popularity • 30% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
10% Popularity • 30% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Kengo Tokusashi
MUSIC FOR SAUNA WHISK Section 2
99 bpm • B min • 02:34 • -29.06db
11% Popularity • 37% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 37% Positiveness
11% Popularity • 37% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 37% Positiveness
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Slide Like Zey
So Out of Luck
80 bpm • G min • 01:06 • -14.95db
13% Popularity • 41% Danceability • 27% Energy • 25% Liveness
99% Instrumentalness • 26% Positiveness
13% Popularity • 41% Danceability • 27% Energy • 25% Liveness
99% Instrumentalness • 26% Positiveness
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John Luther Adams
Three High Places (Double Bass Version):...
99 bpm • G Maj • 04:42 • -30.07db
11% Popularity • 28% Danceability • 3% Energy • 21% Liveness
95% Instrumentalness • 5% Positiveness
11% Popularity • 28% Danceability • 3% Energy • 21% Liveness
95% Instrumentalness • 5% Positiveness
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Narls
What We Have to Do
80 bpm • G min • 01:18 • -21.32db
17% Popularity • 82% Danceability • 0% Energy • 8% Liveness
76% Instrumentalness • 46% Positiveness
17% Popularity • 82% Danceability • 0% Energy • 8% Liveness
76% Instrumentalness • 46% Positiveness
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Yogi
Wind Chimes
99 bpm • G# Maj • 01:00 • -27.39db
16% Popularity • 23% Danceability • 38% Energy • 6% Liveness
82% Instrumentalness • 16% Positiveness
16% Popularity • 23% Danceability • 38% Energy • 6% Liveness
82% Instrumentalness • 16% Positiveness
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Bart Wac
Gods of Wisdom
99 bpm • D Maj • 01:26 • -18.12db
18% Popularity • 32% Danceability • 49% Energy • 14% Liveness
97% Instrumentalness • 80% Positiveness
18% Popularity • 32% Danceability • 49% Energy • 14% Liveness
97% Instrumentalness • 80% Positiveness
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Sleep Station
Dreams of Peace
79 bpm • A min • 06:35 • -25.19db
7% Popularity • 26% Danceability • 15% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
7% Popularity • 26% Danceability • 15% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Slide Like Zey
Duel
80 bpm • G min • 01:06 • -11.89db
8% Popularity • 84% Danceability • 5% Energy • 18% Liveness
66% Instrumentalness • 48% Positiveness
8% Popularity • 84% Danceability • 5% Energy • 18% Liveness
66% Instrumentalness • 48% Positiveness
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James Hertzing
Yadu
100 bpm • C# min • 01:16 • -21.27db
12% Popularity • 19% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
12% Popularity • 19% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
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Elven Spark27
Nebula Orbit27
79 bpm • C# min • 01:02 • -32.19db
13% Popularity • 17% Danceability • 1% Energy • 11% Liveness
100% Instrumentalness • 3% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 11% Liveness
100% Instrumentalness • 3% Positiveness
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George Ian Hewitt
Caverns
79 bpm • G# Maj • 01:34 • -28.59db
14% Popularity • 25% Danceability • 3% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
14% Popularity • 25% Danceability • 3% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Carl Faia
The Baghdad Monologue: Kamil Is in the G...
79 bpm • B Maj • 03:19 • -18.95db
0% Popularity • 31% Danceability • 17% Energy • 28% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 31% Danceability • 17% Energy • 28% Liveness
1% Instrumentalness • 4% Positiveness
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Irena And Vojtech Havlovi
Piano & Violoncello 7
79 bpm • C Maj • 02:27 • -23.13db
13% Popularity • 20% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Slide Like Zey
Get in the Boat
80 bpm • E Maj • 01:06 • -16.3db
8% Popularity • 48% Danceability • 15% Energy • 25% Liveness
13% Instrumentalness • 50% Positiveness
8% Popularity • 48% Danceability • 15% Energy • 25% Liveness
13% Instrumentalness • 50% Positiveness
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Brahma Bliss
Sacral Chakra
79 bpm • C Maj • 03:44 • -14.92db
29% Popularity • 17% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
