Songs like The Ballad of Dewey James by Alex Smith
Based on a tempo of (+/- 10%) and a similar genre
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Alex Smith
Funta
156 bpm • G# Maj • 02:33 • -6.31db
0% Popularity • 38% Danceability • 98% Energy • 37% Liveness
78% Instrumentalness • 40% Positiveness
0% Popularity • 38% Danceability • 98% Energy • 37% Liveness
78% Instrumentalness • 40% Positiveness
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Sarah Thompson
Cosmic Overture
158 bpm • F min • 02:21 • -20.26db
23% Popularity • 41% Danceability • 31% Energy • 11% Liveness
61% Instrumentalness • 47% Positiveness
23% Popularity • 41% Danceability • 31% Energy • 11% Liveness
61% Instrumentalness • 47% Positiveness
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Emily Johnson
Stardust Serenade
158 bpm • F Maj • 02:19 • -22.73db
24% Popularity • 47% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 62% Positiveness
24% Popularity • 47% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 62% Positiveness
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Eugene Godsoe
Mad
153 bpm • E min • 02:50 • -26.65db
12% Popularity • 16% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Tom Hall
Metallic Voyage
160 bpm • E min • 01:44 • -17.33db
14% Popularity • 57% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
14% Popularity • 57% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Patrick Koprek
grandfather
150 bpm • G# Maj • 01:45 • -21.96db
9% Popularity • 50% Danceability • 1% Energy • 13% Liveness
97% Instrumentalness • 35% Positiveness
9% Popularity • 50% Danceability • 1% Energy • 13% Liveness
97% Instrumentalness • 35% Positiveness
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Emma Klavier
Schneeflockentanz
160 bpm • F min • 01:29 • -28.64db
14% Popularity • 55% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 63% Positiveness
14% Popularity • 55% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 63% Positiveness
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Sarah Thompson
Whispering Waters
158 bpm • F Maj • 02:21 • -17.32db
23% Popularity • 64% Danceability • 65% Energy • 12% Liveness
92% Instrumentalness • 92% Positiveness
23% Popularity • 64% Danceability • 65% Energy • 12% Liveness
92% Instrumentalness • 92% Positiveness
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Melo Anon
Worthwhile Words
150 bpm • B min • 02:20 • -20.56db
13% Popularity • 70% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 64% Positiveness
13% Popularity • 70% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 64% Positiveness
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Alex Smith
Blockhead
164 bpm • E Maj • 02:43 • -5.67db
0% Popularity • 36% Danceability • 99% Energy • 30% Liveness
73% Instrumentalness • 72% Positiveness
0% Popularity • 36% Danceability • 99% Energy • 30% Liveness
73% Instrumentalness • 72% Positiveness
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Donna Brooks
You'd Be so Nice to Come Home To
148 bpm • C Maj • 02:09 • -15.92db
0% Popularity • 49% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 49% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Sabrina Lopez
Dreams in the Countryside
147 bpm • C# Maj • 01:23 • -23.45db
12% Popularity • 46% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
12% Popularity • 46% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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The Old Blue Dogs
As the Years Go Passing By
146 bpm • D min • 04:53 • -19.47db
0% Popularity • 51% Danceability • 9% Energy • 10% Liveness
10% Instrumentalness • 26% Positiveness
0% Popularity • 51% Danceability • 9% Energy • 10% Liveness
10% Instrumentalness • 26% Positiveness
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Alberto Moggi
Loved by Lady
168 bpm • F min • 02:04 • -13.87db
8% Popularity • 50% Danceability • 30% Energy • 16% Liveness
92% Instrumentalness • 41% Positiveness
8% Popularity • 50% Danceability • 30% Energy • 16% Liveness
92% Instrumentalness • 41% Positiveness
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Loudvig
Notre-Dame Opus No.3
169 bpm • C Maj • 02:06 • -21.66db
10% Popularity • 25% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 54% Positiveness
10% Popularity • 25% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 54% Positiveness
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Alex Smith
Frequently for Me
168 bpm • D Maj • 02:22 • -5.96db
0% Popularity • 43% Danceability • 95% Energy • 10% Liveness
76% Instrumentalness • 83% Positiveness
0% Popularity • 43% Danceability • 95% Energy • 10% Liveness
76% Instrumentalness • 83% Positiveness
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Blake Pulitzer
The Pure Romance
170 bpm • F# min • 02:19 • -21.73db
29% Popularity • 56% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 42% Positiveness
29% Popularity • 56% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 42% Positiveness
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Sabrina Lopez
Save the Planet
147 bpm • F# min • 01:31 • -24.84db
16% Popularity • 62% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 82% Positiveness
16% Popularity • 62% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 82% Positiveness
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Project Hologram
Beautiful Sea
170 bpm • G Maj • 01:09 • -19.89db
37% Popularity • 41% Danceability • 52% Energy • 11% Liveness
97% Instrumentalness • 62% Positiveness
37% Popularity • 41% Danceability • 52% Energy • 11% Liveness
97% Instrumentalness • 62% Positiveness
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Anna Wally
Stardust Serenity
170 bpm • G# min • 01:31 • -23.28db
17% Popularity • 48% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 66% Positiveness
17% Popularity • 48% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 66% Positiveness
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Lastingsingled
Meteor Melodies
171 bpm • F# min • 01:15 • -22.06db
9% Popularity • 45% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
9% Popularity • 45% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
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Alex Smith
Celestial Harmony
143 bpm • G Maj • 02:17 • -18.79db
24% Popularity • 64% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 26% Positiveness
24% Popularity • 64% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 26% Positiveness
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Edward Rosan
Azalea
142 bpm • D min • 02:26 • -23.58db
23% Popularity • 51% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 51% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Weightless Studio
Space between us
142 bpm • A min • 01:25 • -32.08db
10% Popularity • 71% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 0% Positiveness
10% Popularity • 71% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 0% Positiveness
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夏廣隆
松濤聲遠
142 bpm • C Maj • 01:13 • -26db
13% Popularity • 56% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 55% Positiveness
13% Popularity • 56% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 55% Positiveness
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MoeSync
The Only Way - Emotional Instrumental Mu...
172 bpm • E min • 02:28 • -20.69db
25% Popularity • 46% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
25% Popularity • 46% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Donna Brooks
The Lamp Is Low
142 bpm • G min • 02:23 • -25.47db
0% Popularity • 49% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 49% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Sarah Thompson
Breaking Barriers
141 bpm • C# Maj • 02:21 • -21.58db
22% Popularity • 23% Danceability • 12% Energy • 15% Liveness
82% Instrumentalness • 9% Positiveness
22% Popularity • 23% Danceability • 12% Energy • 15% Liveness
82% Instrumentalness • 9% Positiveness
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Alex Smith
After the anger
172 bpm • A min • 03:11 • -5.52db
3% Popularity • 46% Danceability • 78% Energy • 12% Liveness
64% Instrumentalness • 15% Positiveness
3% Popularity • 46% Danceability • 78% Energy • 12% Liveness
64% Instrumentalness • 15% Positiveness
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Tomasz Trzcinski
Pulsars, Pt. 1: Episode 2
141 bpm • F min • 02:26 • -27.95db
9% Popularity • 60% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 39% Positiveness
9% Popularity • 60% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 39% Positiveness
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Piano Colourful Sounds
Stars on earth
172 bpm • G Maj • 01:57 • -18.94db
21% Popularity • 24% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
21% Popularity • 24% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Luis Enrique Augusto
YOUR MET ME
173 bpm • E Maj • 01:56 • -40.22db
10% Popularity • 52% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
10% Popularity • 52% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
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Blake Pulitzer
Shadow Of Love
173 bpm • D min • 02:30 • -19.18db
28% Popularity • 62% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
28% Popularity • 62% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Emily Johnson
Dreams of Dawn
140 bpm • E Maj • 02:17 • -25.71db
26% Popularity • 48% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 61% Positiveness
26% Popularity • 48% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 61% Positiveness
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Sarah Thompson
Ethereal Emotions
140 bpm • D# min • 02:21 • -35.35db
24% Popularity • 42% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 55% Positiveness
24% Popularity • 42% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 55% Positiveness
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Borch
Sun Is Coming
173 bpm • F# Maj • 01:59 • -23.65db
13% Popularity • 43% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
13% Popularity • 43% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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The Gracious
Burger Grills
140 bpm • B min • 04:23 • -22.03db
16% Popularity • 17% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
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Alex Smith
Wine
174 bpm • E min • 04:30 • -10.7db
0% Popularity • 37% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 37% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Quintessential
Il sole nasce a occidente
140 bpm • C Maj • 02:06 • -28.68db
21% Popularity • 65% Danceability • 14% Energy • 8% Liveness
97% Instrumentalness • 36% Positiveness
21% Popularity • 65% Danceability • 14% Energy • 8% Liveness
97% Instrumentalness • 36% Positiveness
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Emily Johnson
Zestful Zenith
140 bpm • C min • 02:19 • -24.23db
23% Popularity • 63% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
23% Popularity • 63% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Benjamin Carter
Bridge to Eternity
140 bpm • C# min • 02:20 • -21.95db
23% Popularity • 43% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
23% Popularity • 43% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Samiro Powel
New Information
174 bpm • F min • 01:17 • -22.52db
9% Popularity • 45% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
9% Popularity • 45% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Sam Sullivan
Couple of Things
139 bpm • G# min • 01:21 • -24.44db
9% Popularity • 73% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
9% Popularity • 73% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Melvin Eats Mangos
Eighteen
139 bpm • F# min • 01:04 • -20.65db
12% Popularity • 51% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
12% Popularity • 51% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
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Olivia Rodrig
Timeless Memories
139 bpm • D Maj • 01:37 • -35.12db
10% Popularity • 53% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
10% Popularity • 53% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
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Emily Johnson
Boundless Adventure
140 bpm • C# Maj • 02:18 • -22.35db
22% Popularity • 62% Danceability • 15% Energy • 12% Liveness
78% Instrumentalness • 12% Positiveness
22% Popularity • 62% Danceability • 15% Energy • 12% Liveness
78% Instrumentalness • 12% Positiveness
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Aaron Sander
Floating Through Space
139 bpm • C# Maj • 01:14 • -23.71db
15% Popularity • 56% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 56% Positiveness
15% Popularity • 56% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 56% Positiveness
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Erald Tevez
Revolution in the desert
139 bpm • D# Maj • 01:15 • -21.02db
13% Popularity • 55% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 78% Positiveness
13% Popularity • 55% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 78% Positiveness
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Alex Smith
Good Feelings
176 bpm • C# Maj • 01:44 • -5.67db
0% Popularity • 32% Danceability • 96% Energy • 7% Liveness
78% Instrumentalness • 94% Positiveness
0% Popularity • 32% Danceability • 96% Energy • 7% Liveness
78% Instrumentalness • 94% Positiveness
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The Old Blue Dogs
Eyesight to the Blind
138 bpm • A Maj • 04:23 • -12.15db
0% Popularity • 48% Danceability • 38% Energy • 33% Liveness
5% Instrumentalness • 74% Positiveness
0% Popularity • 48% Danceability • 38% Energy • 33% Liveness
5% Instrumentalness • 74% Positiveness
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AVGA
Splurgy Of Stories
138 bpm • A Maj • 01:14 • -25.03db
21% Popularity • 62% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
21% Popularity • 62% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
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Emma Klavier
Morgentau
138 bpm • F Maj • 01:28 • -28.37db
9% Popularity • 54% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
9% Popularity • 54% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Shades of Piano
For you from my heart
177 bpm • C Maj • 02:15 • -24.61db
13% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
13% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Goffredo Torres
No More Clouds
177 bpm • E Maj • 01:14 • -24.79db
15% Popularity • 44% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 24% Positiveness
15% Popularity • 44% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 24% Positiveness
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Alex Smith
All Right
176 bpm • A Maj • 03:00 • -5.52db
0% Popularity • 33% Danceability • 99% Energy • 7% Liveness
76% Instrumentalness • 78% Positiveness
0% Popularity • 33% Danceability • 99% Energy • 7% Liveness
76% Instrumentalness • 78% Positiveness
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The Old Blue Dogs
Phonograph Blues
137 bpm • B Maj • 04:25 • -10.85db
0% Popularity • 44% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 44% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Inner Depth
Piano Melody
137 bpm • F# min • 01:06 • -20.23db
10% Popularity • 67% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
10% Popularity • 67% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
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Lucas Brown
Blazing Heart
137 bpm • G Maj • 02:22 • -25.5db
22% Popularity • 53% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 23% Positiveness
22% Popularity • 53% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 23% Positiveness
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TANI
Try to Do It as Myself
137 bpm • F# min • 01:21 • -25.18db
9% Popularity • 69% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 84% Positiveness
9% Popularity • 69% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 84% Positiveness
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Calmify
Sense It
137 bpm • A# min • 01:20 • -28.06db
21% Popularity • 66% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 88% Positiveness
21% Popularity • 66% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 88% Positiveness
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Alex Smith
The Game
176 bpm • C Maj • 01:51 • -6.06db
0% Popularity • 42% Danceability • 99% Energy • 5% Liveness
78% Instrumentalness • 44% Positiveness
0% Popularity • 42% Danceability • 99% Energy • 5% Liveness
78% Instrumentalness • 44% Positiveness
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Brandon Twede
Adrift
137 bpm • F Maj • 02:07 • -25.82db
13% Popularity • 37% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
13% Popularity • 37% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Ambient Piano Cave
Funny
136 bpm • E Maj • 01:17 • -30.1db
15% Popularity • 72% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 0% Positiveness
15% Popularity • 72% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 0% Positiveness
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PIANOEL
Miss You
136 bpm • G Maj • 03:07 • -16.91db
11% Popularity • 70% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
11% Popularity • 70% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
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Anna Bondareva
Unknownteaching
136 bpm • G min • 02:48 • -19.38db
13% Popularity • 64% Danceability • 1% Energy • 24% Liveness
97% Instrumentalness • 7% Positiveness
13% Popularity • 64% Danceability • 1% Energy • 24% Liveness
97% Instrumentalness • 7% Positiveness
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Luis Enrique Augusto
Darling
135 bpm • E Maj • 02:02 • -38.08db
10% Popularity • 64% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 74% Positiveness
10% Popularity • 64% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 74% Positiveness
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TANI
Ain't No Good
135 bpm • F Maj • 01:16 • -25.31db
9% Popularity • 74% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 66% Positiveness
9% Popularity • 74% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 66% Positiveness
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Gullielme Fitzgerald
Threads of Fate
135 bpm • D min • 01:26 • -21.94db
11% Popularity • 62% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
11% Popularity • 62% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Luciano Keys
Serenata en Quahog
180 bpm • C# Maj • 02:09 • -26.08db
22% Popularity • 38% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 15% Positiveness
22% Popularity • 38% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 15% Positiveness
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Sibille Crawford
Tropical Winds Screams Destroy the Sweat...
180 bpm • G Maj • 01:44 • -17.39db
17% Popularity • 45% Danceability • 38% Energy • 15% Liveness
95% Instrumentalness • 50% Positiveness
17% Popularity • 45% Danceability • 38% Energy • 15% Liveness
95% Instrumentalness • 50% Positiveness
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Alex Smith
Up the Creek
180 bpm • G Maj • 01:50 • -6.65db
0% Popularity • 38% Danceability • 97% Energy • 17% Liveness
78% Instrumentalness • 27% Positiveness
0% Popularity • 38% Danceability • 97% Energy • 17% Liveness
78% Instrumentalness • 27% Positiveness
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Luis Enrique Augusto
YOUR BRANDS
135 bpm • E Maj • 02:02 • -38.59db
10% Popularity • 70% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 71% Positiveness
10% Popularity • 70% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 71% Positiveness
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Tom Hall
Hurt Area
180 bpm • C# min • 01:43 • -13.79db
13% Popularity • 41% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 51% Positiveness
13% Popularity • 41% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 51% Positiveness
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Glen Gefferson
Many Changes Under Bread
180 bpm • D# Maj • 01:43 • -15.49db
10% Popularity • 51% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
10% Popularity • 51% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
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Emily Johnson
Alive-Rumba
180 bpm • C Maj • 03:17 • -5.71db
19% Popularity • 84% Danceability • 73% Energy • 11% Liveness
53% Instrumentalness • 97% Positiveness
19% Popularity • 84% Danceability • 73% Energy • 11% Liveness
53% Instrumentalness • 97% Positiveness
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Sam Sullivan
I See the Light Through the Window
135 bpm • C min • 01:14 • -23.76db
8% Popularity • 58% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 56% Positiveness
8% Popularity • 58% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 56% Positiveness
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Alex Smith
Heartsounds
180 bpm • B Maj • 02:11 • -23db
24% Popularity • 70% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
24% Popularity • 70% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Natasha Lior
Quietly
135 bpm • A# Maj • 02:24 • -28.34db
15% Popularity • 78% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 64% Positiveness
15% Popularity • 78% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 64% Positiveness
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Tom Hall
Broken Chance
180 bpm • C Maj • 01:47 • -16.99db
16% Popularity • 44% Danceability • 31% Energy • 16% Liveness
94% Instrumentalness • 38% Positiveness
16% Popularity • 44% Danceability • 31% Energy • 16% Liveness
94% Instrumentalness • 38% Positiveness
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Glen Gefferson
The Storms of Kind
180 bpm • G min • 01:44 • -15.51db
12% Popularity • 44% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 44% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 7% Positiveness
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Disney Lullabies
Peaceful Night
135 bpm • D# min • 05:29 • -30.75db
11% Popularity • 51% Danceability • 0% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
11% Popularity • 51% Danceability • 0% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
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PIANOEL
Good Night
135 bpm • E Maj • 02:28 • -19.19db
11% Popularity • 53% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
11% Popularity • 53% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Elizabeth Ogonek
Where Are We Now: I. We Have Come a Long...
135 bpm • D min • 02:14 • -31.7db
3% Popularity • 16% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
3% Popularity • 16% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Luis Enrique Augusto
ILY ELISA
135 bpm • E Maj • 02:03 • -38.61db
10% Popularity • 75% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 55% Positiveness
10% Popularity • 75% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 55% Positiveness
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Aurora Dumbledore
Harmony of Silent Raindrops
135 bpm • A Maj • 02:26 • -29.36db
12% Popularity • 66% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 23% Positiveness
12% Popularity • 66% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 23% Positiveness
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Giulio Brouzet
Buzzer Bayou
135 bpm • C# Maj • 04:26 • -12.19db
0% Popularity • 75% Danceability • 63% Energy • 7% Liveness
10% Instrumentalness • 90% Positiveness
0% Popularity • 75% Danceability • 63% Energy • 7% Liveness
10% Instrumentalness • 90% Positiveness
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WNDR 430
MODUPEOLUWA (Gratitude)
134 bpm • A# Maj • 06:25 • -25.9db
9% Popularity • 43% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
9% Popularity • 43% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Donna Brooks
You Make Me Feel so Young
134 bpm • G# Maj • 02:54 • -22.12db
0% Popularity • 57% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 57% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Nightingale
Stormy Nights - Radio Edit
133 bpm • G Maj • 02:31 • -17.61db
18% Popularity • 57% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
18% Popularity • 57% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
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Natourer
Deep Ocean
134 bpm • G Maj • 01:23 • -26.86db
13% Popularity • 59% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
13% Popularity • 59% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Massimo Colombo
Triad 3
133 bpm • C min • 01:21 • -26.65db
9% Popularity • 61% Danceability • 5% Energy • 10% Liveness
98% Instrumentalness • 47% Positiveness
9% Popularity • 61% Danceability • 5% Energy • 10% Liveness
98% Instrumentalness • 47% Positiveness
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Alex Smith
Toxic Waste
184 bpm • C# Maj • 01:59 • -6.24db
0% Popularity • 39% Danceability • 99% Energy • 32% Liveness
76% Instrumentalness • 36% Positiveness
0% Popularity • 39% Danceability • 99% Energy • 32% Liveness
76% Instrumentalness • 36% Positiveness
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Pia No
Scared to Be Lonely
200 bpm • C min • 01:08 • -10.56db
8% Popularity • 59% Danceability • 60% Energy • 10% Liveness
64% Instrumentalness • 93% Positiveness
8% Popularity • 59% Danceability • 60% Energy • 10% Liveness
64% Instrumentalness • 93% Positiveness
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MIguel Blank Jr
The Striking of the Big Ben Hours Is Alw...
200 bpm • D# Maj • 01:51 • -17.36db
15% Popularity • 50% Danceability • 9% Energy • 30% Liveness
95% Instrumentalness • 19% Positiveness
15% Popularity • 50% Danceability • 9% Energy • 30% Liveness
95% Instrumentalness • 19% Positiveness
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Colwell Snodbury
Dwell Beneath Forever
196 bpm • F Maj • 01:25 • -26.41db
19% Popularity • 47% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 42% Positiveness
19% Popularity • 47% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 42% Positiveness
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Chiara Brittanni
Kiss of a Dream
203 bpm • A min • 02:40 • -22.73db
16% Popularity • 10% Danceability • 8% Energy • 12% Liveness
80% Instrumentalness • 20% Positiveness
16% Popularity • 10% Danceability • 8% Energy • 12% Liveness
80% Instrumentalness • 20% Positiveness
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Elara Blake
Morning Coffee
213 bpm • C Maj • 01:53 • -24.25db
18% Popularity • 56% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
18% Popularity • 56% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
