Songs like The Banks of My Own Lovely Lee by Joe Lynch
Based on a tempo of (+/- 10%) and a similar genre
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Brian Coll
Green Fields Of Ireland
98 bpm • G# Maj • 02:49 • -12.02db
30% Popularity • 59% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 59% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Declan Hunt
Boys Of Kilmichael
98 bpm • D Maj • 03:03 • -10.86db
26% Popularity • 49% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 49% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Joe Lynch
The Banks of My Own Lovely Lee
98 bpm • B Maj • 02:47 • -11db
32% Popularity • 49% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 49% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Barnbrack
I'll Take You Home Again Kathleen
98 bpm • E Maj • 04:43 • -11db
13% Popularity • 42% Danceability • 34% Energy • 92% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 42% Danceability • 34% Energy • 92% Liveness
0% Instrumentalness • 21% Positiveness
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Brendan Bowyer
On the Banks of My Own Lovely Lee
98 bpm • D Maj • 03:07 • -19.04db
28% Popularity • 42% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 42% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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The Clancy Brothers & Tommy Makem
South Australia
97 bpm • C Maj • 02:00 • -15.02db
22% Popularity • 80% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 80% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Irish Ramblers
God Save Ireland
97 bpm • A Maj • 02:52 • -14.62db
13% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Brogue
The Wild Rover
99 bpm • G Maj • 03:04 • -9.67db
32% Popularity • 60% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 60% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Clydesiders
The Waverley Polka
97 bpm • D Maj • 02:37 • -8.16db
12% Popularity • 71% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 71% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Dolores Keane
Caledonia
97 bpm • C Maj • 04:38 • -16db
38% Popularity • 69% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 69% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Frances Black
Wall Of Tears
97 bpm • G# Maj • 04:04 • -10db
31% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Paddy Reilly
Deportees
99 bpm • D Maj • 05:45 • -13.34db
22% Popularity • 54% Danceability • 26% Energy • 96% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 54% Danceability • 26% Energy • 96% Liveness
0% Instrumentalness • 38% Positiveness
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Skipinnish
Piper to the End
97 bpm • A# Maj • 03:55 • -8db
28% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Barnbrack
Star of the County Down
97 bpm • D min • 01:53 • -15db
27% Popularity • 58% Danceability • 33% Energy • 15% Liveness
3% Instrumentalness • 79% Positiveness
27% Popularity • 58% Danceability • 33% Energy • 15% Liveness
3% Instrumentalness • 79% Positiveness
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John Spillane
An Poc Ar Buile
97 bpm • C Maj • 03:05 • -9.36db
20% Popularity • 72% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 72% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Calum Kennedy
The Dark Island
99 bpm • A# Maj • 04:01 • -15.26db
16% Popularity • 21% Danceability • 35% Energy • 96% Liveness
6% Instrumentalness • 20% Positiveness
16% Popularity • 21% Danceability • 35% Energy • 96% Liveness
6% Instrumentalness • 20% Positiveness
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The Countrymen
Cornish Lads Are Fishermen
99 bpm • F# Maj • 03:35 • -6.92db
22% Popularity • 61% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 61% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Dessie O'Halloran
I'll Fly Away
97 bpm • D Maj • 03:48 • -10.29db
24% Popularity • 56% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 56% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Ball
Golden Jubilee
99 bpm • D Maj • 02:24 • -14.13db
34% Popularity • 63% Danceability • 46% Energy • 28% Liveness
3% Instrumentalness • 63% Positiveness
34% Popularity • 63% Danceability • 46% Energy • 28% Liveness
3% Instrumentalness • 63% Positiveness
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Kathy Durkin
Working Man
97 bpm • D Maj • 04:25 • -18.51db
28% Popularity • 53% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 53% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Brendan Bowyer
Rose of Mooncoin
97 bpm • C Maj • 03:07 • -20db
20% Popularity • 50% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 50% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Frank Patterson
Try to Remember
99 bpm • A# Maj • 03:16 • -11.63db
11% Popularity • 56% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 56% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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The Irish Ramblers
Only Our Rivers Run Free
100 bpm • B min • 03:30 • -17.15db
11% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Joe Lynch
Once On a Summer
96 bpm • G Maj • 02:45 • -6.64db
0% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Barleycorn
RóisÃn
100 bpm • G Maj • 03:57 • -15.94db
15% Popularity • 39% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 39% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Flying Column
Dying Rebel
96 bpm • A Maj • 04:04 • -8.1db
11% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Charlie and the Bhoys
The Glasgow Irish (Rebel Version)
100 bpm • D Maj • 03:18 • -9.74db
14% Popularity • 61% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 61% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Terry O' Neill
Something Inside So Strong
96 bpm • G Maj • 03:35 • -13.97db
21% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Seamus Begley
Today
100 bpm • E Maj • 03:17 • -14.95db
26% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Lynch
King Child
96 bpm • C# Maj • 02:53 • -10.04db
0% Popularity • 57% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 57% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Blarney Lads
Black Velvet Band
96 bpm • G Maj • 03:20 • -7.81db
25% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Kathy Durkin
Home Away from Home
100 bpm • G# Maj • 03:42 • -10.27db
16% Popularity • 65% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 65% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Andy Stewart
I Belong to Glasgow / Sailing Up the Cly...
96 bpm • G Maj • 05:45 • -11.44db
13% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Derek McCormick
Come Back Paddy Reilly
100 bpm • G Maj • 03:31 • -12.93db
14% Popularity • 43% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
14% Popularity • 43% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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The Dicey Rileys
The Black Velvet Band
100 bpm • G Maj • 03:48 • -7.93db
31% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Paddy's Dream
That Land I Loved So Well
100 bpm • D Maj • 02:55 • -15.91db
10% Popularity • 53% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 53% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Joe Lynch
Olagón
96 bpm • C min • 02:22 • -3.8db
0% Popularity • 56% Danceability • 72% Energy • 32% Liveness
9% Instrumentalness • 94% Positiveness
0% Popularity • 56% Danceability • 72% Energy • 32% Liveness
9% Instrumentalness • 94% Positiveness
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John Close
Viva La Quinta Brigada
95 bpm • C Maj • 05:02 • -7.42db
18% Popularity • 66% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 66% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Celtic Thunder
Black Velvet Band
101 bpm • G Maj • 03:14 • -7.39db
29% Popularity • 63% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 63% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Andy Cooney
The Irish Wedding Song
95 bpm • A Maj • 03:24 • -11.5db
31% Popularity • 57% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 57% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Willie Brady
Irish Republican Army
95 bpm • C# Maj • 01:59 • -8.88db
16% Popularity • 63% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 63% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Barleycorn
Cavan Girl
101 bpm • E Maj • 03:18 • -13.09db
25% Popularity • 53% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 53% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Joe Lynch
Old House
95 bpm • F Maj • 02:09 • -8.68db
0% Popularity • 41% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 41% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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The Countrymen
Tregarthen's Anthem
95 bpm • D Maj • 03:32 • -9db
11% Popularity • 63% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
11% Popularity • 63% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
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Bogside Volunteers
Men Behind The Wire
101 bpm • F Maj • 01:50 • -18db
23% Popularity • 60% Danceability • 27% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 60% Danceability • 27% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
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The Irish Ramblers
The Foggy Dew
95 bpm • B min • 03:03 • -13.44db
31% Popularity • 64% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
31% Popularity • 64% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Toirdelbach
The Hills of Connemara
95 bpm • D Maj • 02:21 • -11.05db
38% Popularity • 65% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
38% Popularity • 65% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Barleycorn
Carrickfergus
101 bpm • D Maj • 05:07 • -15.26db
8% Popularity • 20% Danceability • 15% Energy • 15% Liveness
29% Instrumentalness • 20% Positiveness
8% Popularity • 20% Danceability • 15% Energy • 15% Liveness
29% Instrumentalness • 20% Positiveness
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The Johnstons
The Spanish Lady
95 bpm • F Maj • 02:41 • -12.64db
17% Popularity • 63% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 63% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Joe Lynch
Come Back Paddy Reilly
95 bpm • D# Maj • 03:25 • -12.87db
0% Popularity • 49% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 49% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Bridie Gallagher
Moonlight In Mayo
95 bpm • G Maj • 02:56 • -8.65db
11% Popularity • 31% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 31% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Maura O'Connell
Living In These Troubled Times - 2022 Re...
95 bpm • C Maj • 03:18 • -13.11db
32% Popularity • 52% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 52% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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The James Connolly Military Band
The Irish National Anthem (The Soldiers ...
94 bpm • A# Maj • 02:51 • -10.82db
6% Popularity • 53% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
6% Popularity • 53% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
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Barleycorn
A Song for Ireland
101 bpm • G Maj • 04:29 • -13.02db
21% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Andy Stewart
Wild Rover
94 bpm • G Maj • 02:42 • -11db
17% Popularity • 65% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 65% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Joe Lynch
Cottage By the Lee
95 bpm • E Maj • 02:21 • -10.61db
0% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Sonny Knowles
Dublin Saunter
102 bpm • G# Maj • 02:29 • -16.37db
17% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Brier
The First Of May
94 bpm • B Maj • 03:17 • -17db
12% Popularity • 52% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 52% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Derek Warfield
Hail Glorious Saint Patrick
102 bpm • G Maj • 04:01 • -4.78db
5% Popularity • 25% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 25% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Barleycorn
Candlelight and Wine
95 bpm • A Maj • 03:10 • -15db
24% Popularity • 53% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 48% Positiveness
24% Popularity • 53% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 48% Positiveness
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Alastair McDonald
Harlaw
94 bpm • F Maj • 04:27 • -14db
12% Popularity • 74% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 74% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Joe Lynch
Molly Malone
95 bpm • C Maj • 02:59 • -10.38db
0% Popularity • 62% Danceability • 40% Energy • 12% Liveness
6% Instrumentalness • 56% Positiveness
0% Popularity • 62% Danceability • 40% Energy • 12% Liveness
6% Instrumentalness • 56% Positiveness
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Glasgow Celtic Supporters
A Soldier's Song
103 bpm • A# Maj • 03:12 • -14db
23% Popularity • 53% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 53% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Dolores Keane
Faraway in Australia
103 bpm • F Maj • 02:55 • -8.85db
41% Popularity • 54% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 54% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Kieran Davenport
Gerard Casey
103 bpm • D# Maj • 04:47 • -14.63db
18% Popularity • 62% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 60% Positiveness
18% Popularity • 62% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 60% Positiveness
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Barleycorn
The Lakes of Coolfin
101 bpm • F Maj • 03:11 • -10.42db
12% Popularity • 45% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 45% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Caera
BáidÃn FheilimÃ
93 bpm • C# min • 01:52 • -11db
28% Popularity • 61% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 61% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Joe Lynch
Red Rose
94 bpm • D# Maj • 02:51 • -8.54db
0% Popularity • 32% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 32% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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The Irish Ramblers
Grace
93 bpm • C Maj • 04:52 • -14.65db
12% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Brian Kennedy
Carrickfergus
93 bpm • D Maj • 04:59 • -14.4db
30% Popularity • 35% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 35% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Dermot O'Brien
Boulavogue
93 bpm • E Maj • 03:21 • -12.04db
10% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Eugene McEldowney
Reluctant Patriot
93 bpm • E Maj • 02:07 • -14.64db
23% Popularity • 69% Danceability • 28% Energy • 72% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 69% Danceability • 28% Energy • 72% Liveness
0% Instrumentalness • 88% Positiveness
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Wolfe Tones
The Blackbird of Sweet Avondale
93 bpm • E min • 03:54 • -20.16db
11% Popularity • 51% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 51% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Joe Lynch
When You Were Sweet Sixteen
104 bpm • G Maj • 03:21 • -8.18db
0% Popularity • 34% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 34% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
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The Corrib Folk
Sing Irishmen Sing
104 bpm • G Maj • 02:34 • -6db
22% Popularity • 46% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 46% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Frankie McBride
Forty Shades Of Green
104 bpm • D Maj • 03:14 • -7.83db
15% Popularity • 48% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 48% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Dermot O'Brien
Bold Fenian Men
93 bpm • E min • 02:35 • -16.32db
23% Popularity • 53% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 53% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Barleycorn
Grace
104 bpm • C Maj • 04:37 • -16.73db
18% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Sean Dunphy
The Banks of My Own Lovely Lee
92 bpm • G Maj • 03:00 • -18.23db
16% Popularity • 53% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 53% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Joe Lynch
The Bard of Armagh
104 bpm • F Maj • 02:26 • -9.81db
0% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Barnbrack
Will You Go Lassie Go
104 bpm • D Maj • 03:45 • -12.57db
11% Popularity • 29% Danceability • 28% Energy • 7% Liveness
24% Instrumentalness • 19% Positiveness
11% Popularity • 29% Danceability • 28% Energy • 7% Liveness
24% Instrumentalness • 19% Positiveness
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Brendan Bowyer
Love Thee Dearest
105 bpm • G Maj • 02:52 • -19db
29% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Alastair McDonald and Leo Maguire
Mary Jane.
92 bpm • D Maj • 03:44 • -16db
14% Popularity • 59% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 59% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Barleycorn
My Last Farewell
104 bpm • A Maj • 04:28 • -15db
24% Popularity • 48% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 48% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Dolores Keane
The Island
92 bpm • A Maj • 04:56 • -14.9db
30% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Joe Lynch
Forty Shades of Green
104 bpm • A# Maj • 03:10 • -13.12db
0% Popularity • 70% Danceability • 37% Energy • 11% Liveness
46% Instrumentalness • 50% Positiveness
0% Popularity • 70% Danceability • 37% Energy • 11% Liveness
46% Instrumentalness • 50% Positiveness
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Sean Dunphy
Danny Boy
92 bpm • G# Maj • 03:21 • -18.94db
24% Popularity • 25% Danceability • 14% Energy • 29% Liveness
7% Instrumentalness • 21% Positiveness
24% Popularity • 25% Danceability • 14% Energy • 29% Liveness
7% Instrumentalness • 21% Positiveness
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Dermot O'Brien
Dublin Town in 1962
105 bpm • A Maj • 05:43 • -8db
21% Popularity • 50% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 50% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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John Spillane
Óró, Sé Do Bheatha Abhaile
105 bpm • C Maj • 01:27 • -10.92db
37% Popularity • 82% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 82% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Barnbrack
When I Was a Lad
91 bpm • G Maj • 02:44 • -12db
22% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Brendan Bowyer
The Swallow
105 bpm • E Maj • 03:45 • -16db
31% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Joe Lynch
But Now I Know
92 bpm • A# Maj • 03:42 • -11.15db
0% Popularity • 54% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 54% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Brier
The Galway Shawl
91 bpm • G Maj • 03:56 • -17db
31% Popularity • 41% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
31% Popularity • 41% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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John McNicholl
Las Vegas in the Hills of Donegal
105 bpm • G Maj • 03:26 • -8db
26% Popularity • 73% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 73% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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John Bluthal
The Wild Colonial Boy
91 bpm • D Maj • 05:59 • -13.69db
0% Popularity • 55% Danceability • 61% Energy • 91% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 55% Danceability • 61% Energy • 91% Liveness
0% Instrumentalness • 34% Positiveness
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Danny Doyle
Many Young Men Of Twenty
106 bpm • G Maj • 02:27 • -16db
10% Popularity • 62% Danceability • 42% Energy • 10% Liveness
46% Instrumentalness • 92% Positiveness
10% Popularity • 62% Danceability • 42% Energy • 10% Liveness
46% Instrumentalness • 92% Positiveness
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Brendan Bowyer
Boolavogue
91 bpm • F Maj • 03:42 • -8.19db
37% Popularity • 40% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
37% Popularity • 40% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
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The Yetties
The Lincolnshire Poacher
106 bpm • G Maj • 02:07 • -8.64db
8% Popularity • 68% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 68% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
