Songs like The Banks Of The Sansretour by Piotr Musiał
Based on a tempo of (+/- 10%) and a similar genre
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Bill Brown
The Evil's Creatures
95 bpm • E min • 02:15 • -10db
35% Popularity • 52% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
35% Popularity • 52% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Gareth Coker
Main Theme
95 bpm • D min • 01:56 • -26db
51% Popularity • 34% Danceability • 5% Energy • 8% Liveness
72% Instrumentalness • 9% Positiveness
51% Popularity • 34% Danceability • 5% Energy • 8% Liveness
72% Instrumentalness • 9% Positiveness
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Brad Derrick
Dawn Gleams on Cyrodiil
95 bpm • A min • 05:21 • -18.87db
36% Popularity • 12% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 12% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Josh Whelchel
a Moment at the Canvas
95 bpm • A min • 02:19 • -17.86db
33% Popularity • 72% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 32% Positiveness
33% Popularity • 72% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 32% Positiveness
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Piotr Musiał
The City Must Survive
95 bpm • G min • 04:10 • -8.11db
46% Popularity • 40% Danceability • 72% Energy • 16% Liveness
95% Instrumentalness • 25% Positiveness
46% Popularity • 40% Danceability • 72% Energy • 16% Liveness
95% Instrumentalness • 25% Positiveness
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Frida Johansson
Mist in the Mire
95 bpm • D min • 09:26 • -9.97db
38% Popularity • 34% Danceability • 51% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
38% Popularity • 34% Danceability • 51% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
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Bill Brown
Knighting Ceremony
95 bpm • D min • 02:08 • -11.62db
39% Popularity • 14% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Daniel Licht
Battle 3-4 Medley
95 bpm • A# min • 02:06 • -15.46db
36% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
36% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
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Brad Derrick
Ascadian Idyll
95 bpm • G min • 04:57 • -17.12db
40% Popularity • 12% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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EA Games Soundtrack
Lelianna's Song
96 bpm • E min • 02:33 • -14.3db
37% Popularity • 29% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 29% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Piotr Musiał
The Banks Of The Sansretour
95 bpm • C Maj • 03:58 • -15.39db
46% Popularity • 12% Danceability • 26% Energy • 18% Liveness
17% Instrumentalness • 7% Positiveness
46% Popularity • 12% Danceability • 26% Energy • 18% Liveness
17% Instrumentalness • 7% Positiveness
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Jeremy Soule
Ancient Stones
96 bpm • G# min • 04:45 • -22.73db
57% Popularity • 25% Danceability • 12% Energy • 7% Liveness
97% Instrumentalness • 7% Positiveness
57% Popularity • 25% Danceability • 12% Energy • 7% Liveness
97% Instrumentalness • 7% Positiveness
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Ari Pulkkinen
Shadowthorn Thicket
96 bpm • C min • 04:12 • -20db
18% Popularity • 54% Danceability • 13% Energy • 28% Liveness
96% Instrumentalness • 43% Positiveness
18% Popularity • 54% Danceability • 13% Energy • 28% Liveness
96% Instrumentalness • 43% Positiveness
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Doyle W. Donehoo
Fight Without Hope
96 bpm • A min • 03:06 • -11.32db
27% Popularity • 46% Danceability • 44% Energy • 20% Liveness
98% Instrumentalness • 8% Positiveness
27% Popularity • 46% Danceability • 44% Energy • 20% Liveness
98% Instrumentalness • 8% Positiveness
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Gareth Coker
A Shine Upon Inkwater Marsh
94 bpm • G# min • 03:06 • -31db
45% Popularity • 24% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Maclaine Diemer
Glint's Legacy
96 bpm • A Maj • 03:02 • -21.26db
26% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Piotr Musiał
The Inevitable
96 bpm • F min • 04:06 • -12.66db
30% Popularity • 34% Danceability • 47% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
30% Popularity • 34% Danceability • 47% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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Chance Thomas
Learning to Ride
97 bpm • G# Maj • 03:03 • -18.02db
32% Popularity • 54% Danceability • 44% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
32% Popularity • 54% Danceability • 44% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
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Funcom Soundtrack
An Oasis of Calm
92 bpm • F Maj • 03:23 • -15.72db
29% Popularity • 48% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
29% Popularity • 48% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Arnaud Roy
Nomadic Cities (The Roving Clans Theme)
92 bpm • G# Maj • 04:02 • -19db
30% Popularity • 57% Danceability • 18% Energy • 18% Liveness
86% Instrumentalness • 16% Positiveness
30% Popularity • 57% Danceability • 18% Energy • 18% Liveness
86% Instrumentalness • 16% Positiveness
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Grant Kirkhope
Dalentarth
92 bpm • E min • 04:09 • -21db
29% Popularity • 18% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Maclaine Diemer
Heart of Thorns Theme
97 bpm • A# Maj • 02:51 • -13.17db
32% Popularity • 25% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 21% Positiveness
32% Popularity • 25% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 21% Positiveness
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Gareth Coker
The Ancestral Trees
98 bpm • D Maj • 01:48 • -17.74db
39% Popularity • 18% Danceability • 14% Energy • 6% Liveness
79% Instrumentalness • 10% Positiveness
39% Popularity • 18% Danceability • 14% Energy • 6% Liveness
79% Instrumentalness • 10% Positiveness
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Will Savino
Vonnedale Dawn
92 bpm • E min • 03:11 • -20.7db
30% Popularity • 11% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Sam Cardon
Passages
92 bpm • E min • 02:41 • -20.56db
32% Popularity • 21% Danceability • 15% Energy • 57% Liveness
87% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 15% Energy • 57% Liveness
87% Instrumentalness • 4% Positiveness
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Piotr Musiał
Snow Is Ever-Changing (Bonus Track)
92 bpm • C Maj • 01:48 • -15.18db
26% Popularity • 18% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 18% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Jeff van Dyck
Shogun II: Total War
92 bpm • A min • 03:05 • -11db
29% Popularity • 33% Danceability • 61% Energy • 16% Liveness
86% Instrumentalness • 15% Positiveness
29% Popularity • 33% Danceability • 61% Energy • 16% Liveness
86% Instrumentalness • 15% Positiveness
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Brad Derrick
The Three Banners: Fanfare
99 bpm • A min • 01:39 • -14.88db
45% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Collosia
Blessing of Vivec
99 bpm • E min • 03:18 • -19.72db
31% Popularity • 15% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Jeremy Soule
The City Gates
91 bpm • G min • 03:46 • -18db
56% Popularity • 11% Danceability • 21% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 21% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
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Bill Brown
Lovers Reunited
91 bpm • A min • 02:19 • -13.18db
40% Popularity • 11% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 11% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Piotr Musiał
Arrival
91 bpm • D min • 04:15 • -24.06db
27% Popularity • 23% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Borislav Slavov
Divine's Lament
91 bpm • G Maj • 04:21 • -16.95db
33% Popularity • 40% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 20% Positiveness
33% Popularity • 40% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 20% Positiveness
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SIE Sound Team
Hunter's Dream
91 bpm • G# min • 03:34 • -29.75db
48% Popularity • 11% Danceability • 7% Energy • 19% Liveness
50% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 7% Energy • 19% Liveness
50% Instrumentalness • 4% Positiveness
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Josh Whelchel
to Further Stillness
99 bpm • D# Maj • 02:08 • -22.19db
33% Popularity • 38% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
33% Popularity • 38% Danceability • 5% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Gareth Coker
Ori, Lost In the Storm
100 bpm • D min • 01:08 • -17.62db
56% Popularity • 25% Danceability • 24% Energy • 41% Liveness
90% Instrumentalness • 18% Positiveness
56% Popularity • 25% Danceability • 24% Energy • 41% Liveness
90% Instrumentalness • 18% Positiveness
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Glenn Stafford
Mountains of Thunder
91 bpm • D Maj • 05:55 • -18db
34% Popularity • 11% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 11% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Nir Shor
Stonewall District
100 bpm • A# Maj • 04:06 • -23db
23% Popularity • 32% Danceability • 9% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
23% Popularity • 32% Danceability • 9% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Brad Derrick
Moth, Butterfly, and Torchbug
90 bpm • G Maj • 05:42 • -19db
44% Popularity • 10% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
44% Popularity • 10% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Sam Hulick
I Was Lost Without You
100 bpm • D min • 02:34 • -13.26db
41% Popularity • 25% Danceability • 10% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 10% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
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Todd Masten
Cradle of Civilization (Sick Sate Rittim...
100 bpm • D min • 02:57 • -15.24db
24% Popularity • 44% Danceability • 38% Energy • 8% Liveness
88% Instrumentalness • 50% Positiveness
24% Popularity • 44% Danceability • 38% Energy • 8% Liveness
88% Instrumentalness • 50% Positiveness
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Adam Skorupa
Howl Of The White Wolf
100 bpm • F min • 01:54 • -11.16db
32% Popularity • 50% Danceability • 91% Energy • 33% Liveness
81% Instrumentalness • 55% Positiveness
32% Popularity • 50% Danceability • 91% Energy • 33% Liveness
81% Instrumentalness • 55% Positiveness
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Lena Raine
Auric Wilds
100 bpm • G min • 03:07 • -25.88db
33% Popularity • 49% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
33% Popularity • 49% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
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Piotr Musiał
Reaching the Shores (Bonus Track)
90 bpm • E min • 01:34 • -17.12db
26% Popularity • 18% Danceability • 25% Energy • 18% Liveness
86% Instrumentalness • 11% Positiveness
26% Popularity • 18% Danceability • 25% Energy • 18% Liveness
86% Instrumentalness • 11% Positiveness
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Brad Derrick
A Land of War and Poetry
100 bpm • A min • 04:01 • -12db
41% Popularity • 39% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
41% Popularity • 39% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Mikolai Stroinski
Aen Seidhe
100 bpm • D Maj • 02:36 • -12.19db
46% Popularity • 49% Danceability • 42% Energy • 12% Liveness
48% Instrumentalness • 20% Positiveness
46% Popularity • 49% Danceability • 42% Energy • 12% Liveness
48% Instrumentalness • 20% Positiveness
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Daniel Licht
Intro the Return
90 bpm • E min • 01:10 • -16.72db
43% Popularity • 36% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
43% Popularity • 36% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Gareth Coker
Up the Spirit Caverns Walls
90 bpm • A Maj • 05:36 • -19db
43% Popularity • 32% Danceability • 29% Energy • 21% Liveness
88% Instrumentalness • 14% Positiveness
43% Popularity • 32% Danceability • 29% Energy • 21% Liveness
88% Instrumentalness • 14% Positiveness
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Christine Slagman
The Fields of Ard Skellig [instrumental...
90 bpm • D min • 03:14 • -25.88db
37% Popularity • 26% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
37% Popularity • 26% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Piotr Musiał
First Shipment
90 bpm • G min • 04:15 • -15.53db
24% Popularity • 20% Danceability • 33% Energy • 7% Liveness
66% Instrumentalness • 5% Positiveness
24% Popularity • 20% Danceability • 33% Energy • 7% Liveness
66% Instrumentalness • 5% Positiveness
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Midnight Syndicate
City of Sails
90 bpm • C Maj • 03:31 • -16.51db
32% Popularity • 32% Danceability • 33% Energy • 13% Liveness
90% Instrumentalness • 39% Positiveness
32% Popularity • 32% Danceability • 33% Energy • 13% Liveness
90% Instrumentalness • 39% Positiveness
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Percival Schuttenbach
The Nightingale
90 bpm • A min • 01:39 • -10.77db
49% Popularity • 80% Danceability • 75% Energy • 20% Liveness
98% Instrumentalness • 72% Positiveness
49% Popularity • 80% Danceability • 75% Energy • 20% Liveness
98% Instrumentalness • 72% Positiveness
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Vile Monarch
Voices of Despair
90 bpm • D min • 04:14 • -13.53db
1% Popularity • 48% Danceability • 24% Energy • 7% Liveness
78% Instrumentalness • 15% Positiveness
1% Popularity • 48% Danceability • 24% Energy • 7% Liveness
78% Instrumentalness • 15% Positiveness
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Daniel Licht
Corvo Attano's Theme
100 bpm • D min • 01:42 • -24db
42% Popularity • 39% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
42% Popularity • 39% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
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Gareth Coker
Finding Sein
90 bpm • D Maj • 01:44 • -14.88db
38% Popularity • 37% Danceability • 47% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
38% Popularity • 37% Danceability • 47% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Piotr Musiał
For Honor! For Toussaint!
90 bpm • A min • 02:04 • -9.17db
44% Popularity • 63% Danceability • 82% Energy • 33% Liveness
3% Instrumentalness • 47% Positiveness
44% Popularity • 63% Danceability • 82% Energy • 33% Liveness
3% Instrumentalness • 47% Positiveness
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Jamie Christopherson
Island Village
90 bpm • E Maj • 02:04 • -15.75db
32% Popularity • 51% Danceability • 32% Energy • 16% Liveness
96% Instrumentalness • 62% Positiveness
32% Popularity • 51% Danceability • 32% Energy • 16% Liveness
96% Instrumentalness • 62% Positiveness
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Mikolai Stroinski
Commanding The Fury
90 bpm • G Maj • 02:08 • -11.51db
47% Popularity • 53% Danceability • 78% Energy • 43% Liveness
2% Instrumentalness • 40% Positiveness
47% Popularity • 53% Danceability • 78% Energy • 43% Liveness
2% Instrumentalness • 40% Positiveness
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Russell Brower
Howling Fjord
100 bpm • G Maj • 02:59 • -12.05db
37% Popularity • 14% Danceability • 45% Energy • 61% Liveness
34% Instrumentalness • 12% Positiveness
37% Popularity • 14% Danceability • 45% Energy • 61% Liveness
34% Instrumentalness • 12% Positiveness
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Christine Slagman
The Fields of Ard Skellig
90 bpm • D min • 03:14 • -20.31db
40% Popularity • 23% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
40% Popularity • 23% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Gareth Coker
First Steps Into Sunken Glades
90 bpm • D min • 04:33 • -24db
38% Popularity • 31% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
38% Popularity • 31% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Piotr Musiał
Corpus Delicti
90 bpm • D min • 03:02 • -8.81db
7% Popularity • 57% Danceability • 76% Energy • 20% Liveness
90% Instrumentalness • 37% Positiveness
7% Popularity • 57% Danceability • 76% Energy • 20% Liveness
90% Instrumentalness • 37% Positiveness
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David García Díaz
I'm Here
90 bpm • A min • 01:17 • -16.23db
45% Popularity • 30% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
45% Popularity • 30% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Mikolai Stroinski
The Tree When We Sat Once
90 bpm • D min • 02:35 • -13.78db
49% Popularity • 15% Danceability • 18% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
49% Popularity • 15% Danceability • 18% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
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Russell Brower
Garden of Life
90 bpm • E min • 03:28 • -15.28db
35% Popularity • 20% Danceability • 41% Energy • 14% Liveness
24% Instrumentalness • 16% Positiveness
35% Popularity • 20% Danceability • 41% Energy • 14% Liveness
24% Instrumentalness • 16% Positiveness
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Arnaud Roy
Geology
89 bpm • A min • 04:47 • -18db
23% Popularity • 17% Danceability • 17% Energy • 32% Liveness
85% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 17% Energy • 32% Liveness
85% Instrumentalness • 4% Positiveness
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Sonya Belousova
Round of Applause
101 bpm • D Maj • 01:09 • -12db
36% Popularity • 31% Danceability • 50% Energy • 5% Liveness
89% Instrumentalness • 4% Positiveness
36% Popularity • 31% Danceability • 50% Energy • 5% Liveness
89% Instrumentalness • 4% Positiveness
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Piotr Musiał
The Moon Over Mount Gorgon
90 bpm • D min • 02:05 • -14db
43% Popularity • 13% Danceability • 34% Energy • 12% Liveness
74% Instrumentalness • 7% Positiveness
43% Popularity • 13% Danceability • 34% Energy • 12% Liveness
74% Instrumentalness • 7% Positiveness
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Daniel Licht
The GrandPalace
89 bpm • D# Maj • 02:35 • -31.56db
32% Popularity • 17% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
32% Popularity • 17% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Mikolai Stroinski
Whispers Of Oxenfurt
90 bpm • D min • 02:34 • -11db
46% Popularity • 28% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 28% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jeremy Soule
Dawn
89 bpm • A min • 03:57 • -30db
55% Popularity • 13% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
55% Popularity • 13% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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EA Games Soundtrack
Human Nobility
102 bpm • A Maj • 01:21 • -14.45db
30% Popularity • 24% Danceability • 18% Energy • 19% Liveness
98% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 18% Energy • 19% Liveness
98% Instrumentalness • 4% Positiveness
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Bill Brown
Crossroad at Dawn
89 bpm • G min • 02:00 • -19.39db
53% Popularity • 12% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
53% Popularity • 12% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Piotr Musiał
Construction Site
89 bpm • F# min • 04:08 • -18.1db
26% Popularity • 25% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 25% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Russell Shaw
Nearing Town
88 bpm • A# min • 01:10 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
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Daniel Licht
The Dreadful Wale
88 bpm • C# Maj • 01:08 • -28db
44% Popularity • 19% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 19% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Dreyma
The Winds of Skellige
88 bpm • E min • 03:05 • -15.7db
26% Popularity • 28% Danceability • 27% Energy • 11% Liveness
49% Instrumentalness • 4% Positiveness
26% Popularity • 28% Danceability • 27% Energy • 11% Liveness
49% Instrumentalness • 4% Positiveness
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Jake Lefkowitz
Pride and Penance
88 bpm • C min • 05:53 • -15db
27% Popularity • 12% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Rik Schaffer
Northpoint Nocturne
88 bpm • F Maj • 05:27 • -24.42db
42% Popularity • 11% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Piotr Musiał
Price of Progress
89 bpm • D min • 04:08 • -17.15db
26% Popularity • 19% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
26% Popularity • 19% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Travis Savoie
Under The Aurora
88 bpm • E min • 03:00 • -17.93db
20% Popularity • 19% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 13% Positiveness
20% Popularity • 19% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 13% Positiveness
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Arnaud Roy
Pierre de Lune
88 bpm • C min • 04:19 • -15.85db
27% Popularity • 51% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
27% Popularity • 51% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Roland Rizzo
Rome (The Medieval Era)
88 bpm • C# min • 03:38 • -15.94db
30% Popularity • 33% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
30% Popularity • 33% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Jeremy Soule
Dusk at the Market
103 bpm • B min • 02:10 • -22.69db
50% Popularity • 14% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
50% Popularity • 14% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Hyperduck Soundworks
Beyond The Imperial Prison (Oblivion Med...
88 bpm • D min • 07:26 • -21.06db
25% Popularity • 10% Danceability • 15% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 15% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Will Savino
Shelter at Last
103 bpm • G# min • 02:36 • -17db
32% Popularity • 53% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
32% Popularity • 53% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Piotr Musiał
Final Push
88 bpm • G min • 04:01 • -14.03db
24% Popularity • 21% Danceability • 41% Energy • 13% Liveness
85% Instrumentalness • 6% Positiveness
24% Popularity • 21% Danceability • 41% Energy • 13% Liveness
85% Instrumentalness • 6% Positiveness
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Gareth Coker
Naru, Embracing the Light
88 bpm • D Maj • 01:24 • -15.72db
49% Popularity • 32% Danceability • 29% Energy • 23% Liveness
93% Instrumentalness • 35% Positiveness
49% Popularity • 32% Danceability • 29% Energy • 23% Liveness
93% Instrumentalness • 35% Positiveness
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Geoff Knorr
Spain (The Medieval Era)
88 bpm • A Maj • 03:48 • -15.08db
27% Popularity • 49% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
27% Popularity • 49% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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David Arkenstone
Time & Tide
88 bpm • D min • 06:15 • -15.41db
30% Popularity • 14% Danceability • 24% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 24% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Two Worlds II
Green Fields Of Antaloor
87 bpm • D min • 04:38 • -20.74db
27% Popularity • 29% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
27% Popularity • 29% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Borough Bound
Hewn from Mythic Stone
87 bpm • C min • 03:17 • -16.19db
27% Popularity • 19% Danceability • 12% Energy • 13% Liveness
70% Instrumentalness • 9% Positiveness
27% Popularity • 19% Danceability • 12% Energy • 13% Liveness
70% Instrumentalness • 9% Positiveness
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Daniel Ran
Maker of Worlds
87 bpm • E min • 05:55 • -18db
32% Popularity • 11% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Aakaash Rao
Reflection
87 bpm • D# min • 01:38 • -18db
45% Popularity • 20% Danceability • 7% Energy • 38% Liveness
55% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 38% Liveness
55% Instrumentalness • 4% Positiveness
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Borislav Slavov
Reflections from the Past
104 bpm • D Maj • 02:43 • -18.5db
35% Popularity • 70% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
35% Popularity • 70% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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EA Games Soundtrack
Elves At The Mercy Of Man
104 bpm • B Maj • 01:21 • -22.19db
37% Popularity • 18% Danceability • 12% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
37% Popularity • 18% Danceability • 12% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
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Two Worlds II
Lands of Despair
87 bpm • G Maj • 02:16 • -15db
45% Popularity • 10% Danceability • 24% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
45% Popularity • 10% Danceability • 24% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
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Joris de Man
Motherless - Part 1 - Motherland
87 bpm • D min • 01:41 • -20.61db
33% Popularity • 13% Danceability • 18% Energy • 58% Liveness
87% Instrumentalness • 12% Positiveness
33% Popularity • 13% Danceability • 18% Energy • 58% Liveness
87% Instrumentalness • 12% Positiveness