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The Banshee
Songs like
The Banshee
by
Henry Cowell
Based on a tempo of (+/- 10%) and a similar genre
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KNOXVILLETRACKZ
HFTMRX
174 bpm • C# min • 01:04 • -47.24db
10% Popularity • 7% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 24% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: I. ...
174 bpm • D min • 06:37 • -24db
32% Popularity • 8% Danceability • 10% Energy • 44% Liveness
76% Instrumentalness • 4% Positiveness
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Pierre Boulez
Le marteau sans maître: Avant "l'Artisa...
173 bpm • F min • 01:54 • -29.3db
17% Popularity • 34% Danceability • 3% Energy • 26% Liveness
18% Instrumentalness • 30% Positiveness
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Henry Cowell
The Banshee
174 bpm • C Maj • 02:07 • -35.66db
17% Popularity • 17% Danceability • 1% Energy • 14% Liveness
14% Instrumentalness • 8% Positiveness
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Luciano Berio
Six Encores: Erdenklavier
175 bpm • C min • 01:17 • -29db
15% Popularity • 40% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 53% Positiveness
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Brian Ferneyhough
Sonatas for String Quartet: I. Alpha
176 bpm • G min • 02:03 • -27db
11% Popularity • 23% Danceability • 1% Energy • 12% Liveness
36% Instrumentalness • 11% Positiveness
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Paul Fleming
Gedanken über der Zeit
172 bpm • C# Maj • 01:31 • -27.09db
0% Popularity • 58% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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John Cage
The Perilous Night: No. 1. —
176 bpm • F# Maj • 02:32 • -29.8db
12% Popularity • 37% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 14% Positiveness
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Henryk Górecki
3 Utwory w dawnym stylu (3 Pieces in Old...
176 bpm • F Maj • 02:12 • -16.99db
31% Popularity • 44% Danceability • 17% Energy • 11% Liveness
97% Instrumentalness • 93% Positiveness
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Ruth Crawford Seeger
Prelude No. 1: Andante
172 bpm • C# min • 01:11 • -27.07db
0% Popularity • 37% Danceability • 1% Energy • 13% Liveness
97% Instrumentalness • 8% Positiveness
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Continuum
The Scene Is Clean
177 bpm • B min • 04:55 • -17.46db
2% Popularity • 42% Danceability • 31% Energy • 22% Liveness
33% Instrumentalness • 53% Positiveness
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Maurice Ravel
Gaspard de la nuit, M.55: Le gibet
171 bpm • A# min • 05:11 • -38.75db
10% Popularity • 31% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Toccata And Fugue In D Minor, BWV 565: F...
171 bpm • D min • 06:08 • -14db
32% Popularity • 9% Danceability • 20% Energy • 10% Liveness
40% Instrumentalness • 14% Positiveness
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Alfred Schnittke
String Quartet No. 2: I. Moderato
170 bpm • C Maj • 03:12 • -24.78db
9% Popularity • 10% Danceability • 6% Energy • 29% Liveness
35% Instrumentalness • 3% Positiveness
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Anna Thorvaldsdottir
Ró
180 bpm • C Maj • 10:39 • -17.75db
10% Popularity • 7% Danceability • 15% Energy • 34% Liveness
81% Instrumentalness • 3% Positiveness
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Henry Cowell
Aeolian Harp
169 bpm • G# Maj • 03:22 • -40.18db
1% Popularity • 41% Danceability • 0% Energy • 8% Liveness
3% Instrumentalness • 12% Positiveness
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Philip Glass
Concerto for Saxophone - Quartet: Moveve...
168 bpm • C Maj • 04:52 • -12.92db
9% Popularity • 78% Danceability • 37% Energy • 13% Liveness
88% Instrumentalness • 69% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
166 bpm • G Maj • 03:32 • -17db
30% Popularity • 29% Danceability • 22% Energy • 69% Liveness
83% Instrumentalness • 22% Positiveness
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Arnold Schoenberg
Schoenberg: 6 Little Piano Pieces, Op. 1...
184 bpm • A# Maj • 01:05 • -45db
12% Popularity • 35% Danceability • 0% Energy • 10% Liveness
13% Instrumentalness • 0% Positiveness
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Toru Takemitsu
Romance
164 bpm • G min • 04:13 • -24db
21% Popularity • 41% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Kaija Saariaho
7 Papillons: No. 7. —
185 bpm • G Maj • 01:10 • -22.83db
24% Popularity • 23% Danceability • 23% Energy • 8% Liveness
7% Instrumentalness • 15% Positiveness
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Henry Cowell
Suite for Violin and Piano: II. Allegret...
166 bpm • E min • 01:01 • -16.95db
0% Popularity • 30% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Philip Glass
Etude No.9
188 bpm • F min • 03:03 • -15.16db
1% Popularity • 17% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Jessie Montgomery
Strum
158 bpm • A min • 06:53 • -18.89db
18% Popularity • 34% Danceability • 17% Energy • 7% Liveness
82% Instrumentalness • 35% Positiveness
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Dmitri Shostakovich
Piano Trio No. 2 in E Minor, Op. 67: IV....
161 bpm • A Maj • 10:29 • -20db
31% Popularity • 33% Danceability • 14% Energy • 14% Liveness
16% Instrumentalness • 9% Positiveness
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Jacob Druckman
Reflections on the Nature of Water: IV. ...
157 bpm • C min • 02:10 • -28.95db
24% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Olivier Messiaen
Turangalîla Symphonie: 10. Final
155 bpm • C# Maj • 07:44 • -17db
12% Popularity • 29% Danceability • 38% Energy • 9% Liveness
46% Instrumentalness • 13% Positiveness
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Morton Feldman
Jackson Pollock (1950-51) for two Cellos...
154 bpm • D Maj • 01:22 • -47.69db
21% Popularity • 31% Danceability • 4% Energy • 19% Liveness
67% Instrumentalness • 23% Positiveness
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Philip Glass
Symphony No. 3 - Movement IV
155 bpm • F min • 03:33 • -17.29db
11% Popularity • 40% Danceability • 36% Energy • 64% Liveness
94% Instrumentalness • 76% Positiveness
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John Adams
Adams: Shaker Loops: I. Shaking and Trem...
153 bpm • G Maj • 08:25 • -26.65db
10% Popularity • 22% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Lili Boulanger
D'un matin de printemps
151 bpm • C Maj • 04:49 • -24db
20% Popularity • 22% Danceability • 7% Energy • 7% Liveness
52% Instrumentalness • 14% Positiveness
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Wendy Carlos
Rocky Mountains
149 bpm • E min • 02:53 • -22db
33% Popularity • 12% Danceability • 22% Energy • 47% Liveness
84% Instrumentalness • 3% Positiveness
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Gustav Holst
The Planets, Op. 32: 1. Mars, the Bringe...
149 bpm • G# Maj • 07:21 • -11db
50% Popularity • 22% Danceability • 48% Energy • 15% Liveness
89% Instrumentalness • 8% Positiveness
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John Cage
Sonatas and Interludes for Prepared Pian...
210 bpm • D Maj • 02:06 • -40.97db
27% Popularity • 34% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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The Banshee