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The Battle Of Endor I
Songs like
The Battle Of Endor I - From "Star Wars: Return of the Jedi"
by
John Williams
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Newman
The Night Window
77 bpm • A# Maj • 03:41 • -20.65db
45% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Don Davis
The Raptor Room
77 bpm • D Maj • 02:35 • -13.84db
20% Popularity • 20% Danceability • 40% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Michael Kamen
Souls Don't Die
77 bpm • C min • 04:10 • -23.44db
14% Popularity • 9% Danceability • 10% Energy • 11% Liveness
74% Instrumentalness • 5% Positiveness
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Keko
Dueling Destinies - A Star Wars: Knights...
77 bpm • E min • 04:59 • -13db
29% Popularity • 10% Danceability • 31% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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The Meridian Studio Orchestra
STAR TREK (2009) - Enterprising Young Me...
77 bpm • A min • 02:37 • -15db
8% Popularity • 21% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Claude Debussy
Prelude a l'apres-midi d'un faune, L. 86
77 bpm • C# Maj • 11:45 • -32.94db
47% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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William Ross
I Will Do What I Must
77 bpm • C# Maj • 02:48 • -13db
36% Popularity • 10% Danceability • 60% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Don Davis
The Hat Returns/ End Credits
77 bpm • A# Maj • 05:10 • -13.8db
25% Popularity • 11% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Boston Pops Orchestra
Suite : The Jedi Steps
77 bpm • F min • 03:34 • -22.02db
12% Popularity • 17% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Austin Wintory
Nadir
78 bpm • C Maj • 07:27 • -16.98db
13% Popularity • 8% Danceability • 30% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Ludwig Göransson
The Asset
78 bpm • B Maj • 01:35 • -22.26db
34% Popularity • 17% Danceability • 3% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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John Williams
The Ways of the Force
78 bpm • F min • 03:14 • -14.98db
29% Popularity • 17% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 1 in B-Flat Minor, Op...
78 bpm • C# Maj • 03:41 • -14.18db
48% Popularity • 39% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 15% Positiveness
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Steve Jablonsky
Sam on the Roof
78 bpm • D Maj • 02:02 • -17.6db
33% Popularity • 23% Danceability • 29% Energy • 28% Liveness
87% Instrumentalness • 8% Positiveness
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Don Davis
Clash Of Extinction
76 bpm • C# min • 01:42 • -9.29db
16% Popularity • 16% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Joe Hisaishi
One Summer's Day
78 bpm • C Maj • 04:03 • -26.93db
47% Popularity • 31% Danceability • 6% Energy • 28% Liveness
88% Instrumentalness • 4% Positiveness
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Kevin Kiner
It's Over Now
76 bpm • G Maj • 01:54 • -8db
39% Popularity • 18% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 5% Positiveness
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John Williams
Main Title (The Story Continues)
76 bpm • A# Maj • 05:10 • -14.92db
30% Popularity • 11% Danceability • 23% Energy • 15% Liveness
81% Instrumentalness • 8% Positiveness
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Jay Chattaway
Set Course for Home
78 bpm • A Maj • 03:32 • -23.56db
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
59% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Symphony No. 3 in C Minor, Op. 44: IV. A...
75 bpm • F min • 06:30 • -14.4db
17% Popularity • 14% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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James Horner
Combat Drop
79 bpm • A min • 03:29 • -16.83db
25% Popularity • 16% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Joe Hisaishi
Oriental Wind
76 bpm • F min • 05:31 • -19db
39% Popularity • 15% Danceability • 23% Energy • 17% Liveness
90% Instrumentalness • 12% Positiveness
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Natalie Holt
Inquisitors' Hunt
75 bpm • D min • 03:09 • -16db
34% Popularity • 24% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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John Williams
Enter Lord Vader
79 bpm • A min • 04:13 • -17.01db
39% Popularity • 11% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Joel McNeely
Imperial City
79 bpm • D Maj • 08:08 • -23.2db
13% Popularity • 8% Danceability • 4% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
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Patrick Doyle
Another Year Ends
75 bpm • G Maj • 02:18 • -17.88db
46% Popularity • 10% Danceability • 12% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Basil Poledouris
Across The Board/End Credits
79 bpm • F min • 07:33 • -17db
27% Popularity • 10% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Deciphering the Signal
75 bpm • D Maj • 03:08 • -24.4db
34% Popularity • 61% Danceability • 23% Energy • 38% Liveness
85% Instrumentalness • 9% Positiveness
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Elliot Goldenthal
Alien 3: Adagio
79 bpm • E min • 04:21 • -23db
20% Popularity • 7% Danceability • 4% Energy • 6% Liveness
61% Instrumentalness • 3% Positiveness
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John Williams
The Falcon
79 bpm • A# min • 03:32 • -11.02db
30% Popularity • 44% Danceability • 47% Energy • 39% Liveness
74% Instrumentalness • 20% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Symphony No. 1 in D Minor, Op. 13: III. ...
75 bpm • C min • 09:23 • -37.22db
1% Popularity • 14% Danceability • 0% Energy • 7% Liveness
38% Instrumentalness • 3% Positiveness
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Don Davis
Brachiosaurus On The Bank
75 bpm • A# Maj • 02:07 • -17.81db
25% Popularity • 11% Danceability • 8% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
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Ludwig Göransson
Come with Me
75 bpm • C min • 02:45 • -22.44db
33% Popularity • 27% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Thomas Newman
The Divers
74 bpm • B min • 01:56 • -17db
32% Popularity • 13% Danceability • 10% Energy • 57% Liveness
94% Instrumentalness • 4% Positiveness
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John Williams
Rebels at Bay
75 bpm • G Maj • 05:21 • -15.32db
30% Popularity • 29% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: I...
75 bpm • D Maj • 05:44 • -16.18db
48% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Patrick Doyle
The Creation
80 bpm • C Maj • 02:01 • -6db
13% Popularity • 29% Danceability • 61% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
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William Ross
End Credit
80 bpm • A# min • 04:02 • -16db
28% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Hey Mando!
80 bpm • C min • 02:13 • -21.01db
41% Popularity • 28% Danceability • 8% Energy • 12% Liveness
41% Instrumentalness • 17% Positiveness
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Kevin Kiner
Maul and Savage Duel Palpatine
80 bpm • F min • 02:51 • -9.53db
30% Popularity • 9% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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John Williams
The Battle of Crait
75 bpm • D Maj • 06:47 • -11.54db
33% Popularity • 20% Danceability • 45% Energy • 42% Liveness
91% Instrumentalness • 9% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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David Newman
Fratelli Chase
80 bpm • D min • 03:05 • -13.97db
9% Popularity • 65% Danceability • 32% Energy • 9% Liveness
78% Instrumentalness • 24% Positiveness
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Howard Shore
The Ring Goes South
80 bpm • A min • 02:03 • -14.99db
52% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Murray Gold
To Save the Doctor
80 bpm • C min • 01:28 • -10.78db
23% Popularity • 36% Danceability • 37% Energy • 25% Liveness
80% Instrumentalness • 17% Positiveness
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John Williams
The Forest Battle
79 bpm • C min • 04:02 • -13.32db
32% Popularity • 53% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 30% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Marc Streitenfeld
Returning the Crown
74 bpm • G Maj • 01:13 • -13.58db
51% Popularity • 49% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Joel McNeely
Into The Sewers
81 bpm • A Maj • 03:00 • -21.84db
11% Popularity • 9% Danceability • 3% Energy • 7% Liveness
32% Instrumentalness • 6% Positiveness
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Cliff Eidelman
Star Trek VI: The Undiscovered Country: ...
73 bpm • F Maj • 07:45 • -19db
25% Popularity • 15% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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John Williams
The Duel
80 bpm • G Maj • 04:02 • -14.58db
33% Popularity • 16% Danceability • 37% Energy • 24% Liveness
92% Instrumentalness • 7% Positiveness
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Rachel Portman
Vianne Gazes at the River - Instrumental
73 bpm • C min • 01:06 • -25.06db
39% Popularity • 28% Danceability • 5% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
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Dario Marianelli
Last Frozen Stand
81 bpm • F min • 04:11 • -16.22db
22% Popularity • 10% Danceability • 39% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Michael Kamen
The Giant Discovered
81 bpm • E min • 04:27 • -12.46db
11% Popularity • 16% Danceability • 39% Energy • 32% Liveness
58% Instrumentalness • 10% Positiveness
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Don Davis
Bullet-Time
73 bpm • E min • 01:10 • -14db
29% Popularity • 26% Danceability • 58% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Dennis McCarthy
Star Trek: Generations: Overture
81 bpm • C min • 03:51 • -14.83db
25% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
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John Williams
Anakin's Theme
74 bpm • F Maj • 03:07 • -22.16db
42% Popularity • 19% Danceability • 11% Energy • 24% Liveness
91% Instrumentalness • 3% Positiveness
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Steven Scott Smalley
The Crystal Palace Conan The Destroyer
73 bpm • F min • 05:19 • -16.75db
12% Popularity • 14% Danceability • 27% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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London Symphony Orchestra
Claire de Lune
81 bpm • C# Maj • 02:03 • -24.85db
43% Popularity • 33% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
Symphony No. 2 in D minor, Op. 40: 1. Al...
81 bpm • F Maj • 11:31 • -16.84db
8% Popularity • 34% Danceability • 33% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
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Howard Shore
Amon Hen
81 bpm • A min • 05:02 • -17.73db
45% Popularity • 10% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Ludwig Göransson
You Are a Mandalorian
81 bpm • G Maj • 03:55 • -16db
37% Popularity • 22% Danceability • 16% Energy • 27% Liveness
75% Instrumentalness • 7% Positiveness
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John Williams
Grievous Speaks to Lord Sidious
74 bpm • E min • 02:48 • -18.96db
43% Popularity • 12% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
47% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Dennis McCarthy
The Enterprise B / Kirk Saves The Day
73 bpm • A# Maj • 03:13 • -19.65db
19% Popularity • 33% Danceability • 28% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
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Klaus Badelt
Gourmet Valse Tartare
73 bpm • C Maj • 06:50 • -19.18db
20% Popularity • 16% Danceability • 16% Energy • 28% Liveness
90% Instrumentalness • 7% Positiveness
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Maurice Ravel
Fanfare for "L'éventail de Jeanne", M. ...
82 bpm • G Maj • 01:58 • -20.73db
5% Popularity • 30% Danceability • 14% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Howard Shore
The White Tree
72 bpm • E min • 03:25 • -15.15db
42% Popularity • 7% Danceability • 31% Energy • 6% Liveness
82% Instrumentalness • 6% Positiveness
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John Williams
Imperial Attack
82 bpm • E Maj • 06:18 • -15.59db
40% Popularity • 17% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Murray Gold
This Time There's Three of Us (The Majes...
82 bpm • F Maj • 07:03 • -17.62db
30% Popularity • 18% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Ludwig Göransson
HammerTime
82 bpm • C# min • 02:17 • -13.12db
35% Popularity • 55% Danceability • 59% Energy • 20% Liveness
86% Instrumentalness • 8% Positiveness
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Shirley Walker
Superman: The Animated Series (Main Titl...
72 bpm • A# Maj • 01:06 • -11.61db
29% Popularity • 26% Danceability • 52% Energy • 9% Liveness
79% Instrumentalness • 40% Positiveness
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Howard Shore
A Storm Is Coming
72 bpm • D Maj • 02:52 • -21.28db
43% Popularity • 12% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Harald Kloser
Alien vs. Predator Main Theme
82 bpm • A# Maj • 03:29 • -13.77db
17% Popularity • 16% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 2: N...
83 bpm • E min • 03:00 • -19db
44% Popularity • 10% Danceability • 21% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Natalie Holt
Order 66
83 bpm • C min • 01:40 • -14db
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
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John Williams
Star Wars Main Title and Ambush on Corus...
72 bpm • F Maj • 03:49 • -15.82db
33% Popularity • 9% Danceability • 29% Energy • 20% Liveness
94% Instrumentalness • 5% Positiveness
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Michael Kamen
He's A Weapon
83 bpm • D# Maj • 02:43 • -15.74db
8% Popularity • 9% Danceability • 17% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
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Gustav Holst
The Planets, Op. 32: II. Venus, the Brin...
83 bpm • G# Maj • 08:20 • -37db
38% Popularity • 8% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Joel McNeely
The Seduction Of Princess Leia
72 bpm • G Maj • 03:43 • -20.94db
12% Popularity • 12% Danceability • 9% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Rob Lane
The Burdens of Duty
72 bpm • C min • 02:11 • -24db
41% Popularity • 19% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Ludwig Göransson
The Baby
83 bpm • C Maj • 03:20 • -18.83db
33% Popularity • 22% Danceability • 6% Energy • 4% Liveness
56% Instrumentalness • 7% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Prelude...
83 bpm • A# Maj • 01:45 • -13.96db
13% Popularity • 16% Danceability • 22% Energy • 19% Liveness
60% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 2 in B Flat Major, Op...
71 bpm • D# Maj • 09:07 • -23db
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Boston Pops Orchestra
Theme
83 bpm • C Maj • 08:13 • -15.93db
30% Popularity • 29% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 22% Positiveness
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Patrick Doyle
Foreign Visitors Arrive
83 bpm • G Maj • 01:29 • -12.91db
43% Popularity • 22% Danceability • 32% Energy • 23% Liveness
89% Instrumentalness • 15% Positiveness
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Stu Phillips
Prologue / Main Title
71 bpm • F Maj • 03:54 • -17db
12% Popularity • 7% Danceability • 4% Energy • 15% Liveness
64% Instrumentalness • 4% Positiveness
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Ludwig Göransson
To the Jawas
83 bpm • F min • 01:35 • -15db
35% Popularity • 55% Danceability • 24% Energy • 30% Liveness
90% Instrumentalness • 11% Positiveness
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John Williams
Bounty Hunter's Pursuit
83 bpm • G# Maj • 03:22 • -19db
33% Popularity • 16% Danceability • 11% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
83 bpm • G Maj • 03:29 • -18.49db
13% Popularity • 28% Danceability • 22% Energy • 68% Liveness
77% Instrumentalness • 26% Positiveness
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Cliff Eidelman
Clear All Moorings - Star Trek VI/Soundt...
71 bpm • D Maj • 01:39 • -23db
26% Popularity • 14% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
83 bpm • E Maj • 02:39 • -19.05db
44% Popularity • 19% Danceability • 19% Energy • 8% Liveness
83% Instrumentalness • 17% Positiveness
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Kevin Kiner
Padmé
71 bpm • E Maj • 01:39 • -11.72db
36% Popularity • 21% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Ludwig Göransson
The Next Journey
83 bpm • C min • 02:35 • -16db
31% Popularity • 36% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
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Joel McNeely
Main Theme From Star Wars And Leia's Nig...
84 bpm • A# Maj • 03:47 • -16db
15% Popularity • 10% Danceability • 28% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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The Battle Of Endor I