Songs like The Beat(en) Generation by The The
Based on a tempo of (+/- 10%) and a similar genre
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The The
The Beat(en) Generation
170 bpm • C Maj • 03:02 • -17db
36% Popularity • 58% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 77% Positiveness
36% Popularity • 58% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 77% Positiveness
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World Party
What Is Love All About?
169 bpm • D# min • 04:05 • -6.9db
26% Popularity • 55% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 55% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 85% Positiveness
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Furniture
Love Your Shoes
169 bpm • E Maj • 03:26 • -8db
10% Popularity • 49% Danceability • 93% Energy • 38% Liveness
7% Instrumentalness • 65% Positiveness
10% Popularity • 49% Danceability • 93% Energy • 38% Liveness
7% Instrumentalness • 65% Positiveness
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That Petrol Emotion
Cellophane
168 bpm • B min • 02:48 • -11db
11% Popularity • 45% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 45% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Cactus World News
YEARS LATER
172 bpm • G Maj • 04:10 • -8.96db
17% Popularity • 32% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
17% Popularity • 32% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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The Icicle Works
Out of Season
168 bpm • C# min • 04:43 • -13.25db
15% Popularity • 53% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 53% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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The Beat
Mirror in the Bathroom - 2012 Remaster
172 bpm • G Maj • 03:08 • -10.38db
55% Popularity • 64% Danceability • 64% Energy • 3% Liveness
4% Instrumentalness • 95% Positiveness
55% Popularity • 64% Danceability • 64% Energy • 3% Liveness
4% Instrumentalness • 95% Positiveness
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The Mighty Lemon Drops
Happy Head
167 bpm • G# Maj • 02:27 • -6.15db
15% Popularity • 36% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 36% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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The The
August & September
174 bpm • C Maj • 05:45 • -15db
23% Popularity • 53% Danceability • 39% Energy • 13% Liveness
4% Instrumentalness • 22% Positiveness
23% Popularity • 53% Danceability • 39% Energy • 13% Liveness
4% Instrumentalness • 22% Positiveness
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World Party
And I Fell Back Alone
175 bpm • E Maj • 03:57 • -11db
31% Popularity • 34% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 34% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Big Country
Inwards
164 bpm • D Maj • 04:34 • -11db
29% Popularity • 48% Danceability • 74% Energy • 18% Liveness
60% Instrumentalness • 77% Positiveness
29% Popularity • 48% Danceability • 74% Energy • 18% Liveness
60% Instrumentalness • 77% Positiveness
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Lou Reed
I Love You, Suzanne
163 bpm • D Maj • 03:17 • -6.97db
37% Popularity • 53% Danceability • 86% Energy • 13% Liveness
36% Instrumentalness • 79% Positiveness
37% Popularity • 53% Danceability • 86% Energy • 13% Liveness
36% Instrumentalness • 79% Positiveness
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The Housemartins
I Smell Winter
177 bpm • A Maj • 03:26 • -10.67db
31% Popularity • 56% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 56% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Icicle Works
Understanding Jane
162 bpm • C Maj • 03:21 • -11db
28% Popularity • 34% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 34% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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The The
Dogs Of Lust
162 bpm • A Maj • 03:08 • -5db
39% Popularity • 41% Danceability • 88% Energy • 35% Liveness
73% Instrumentalness • 76% Positiveness
39% Popularity • 41% Danceability • 88% Energy • 35% Liveness
73% Instrumentalness • 76% Positiveness
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Babybird
Goodnight
161 bpm • A Maj • 02:53 • -7.73db
28% Popularity • 51% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 51% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Big Country
The Crossing
163 bpm • D Maj • 07:07 • -12.49db
19% Popularity • 28% Danceability • 67% Energy • 6% Liveness
42% Instrumentalness • 49% Positiveness
19% Popularity • 28% Danceability • 67% Energy • 6% Liveness
42% Instrumentalness • 49% Positiveness
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The Divine Comedy
Becoming More Like Alfie
161 bpm • E min • 02:59 • -5.46db
31% Popularity • 56% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 56% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Lloyd Cole
Pay For It
180 bpm • A Maj • 06:20 • -10.54db
14% Popularity • 62% Danceability • 81% Energy • 4% Liveness
1% Instrumentalness • 63% Positiveness
14% Popularity • 62% Danceability • 81% Energy • 4% Liveness
1% Instrumentalness • 63% Positiveness
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A House
Take It Easy on Me
180 bpm • C Maj • 04:01 • -11.58db
10% Popularity • 42% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 42% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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The The
Helpline Operator
180 bpm • G# min • 04:48 • -5.28db
31% Popularity • 52% Danceability • 62% Energy • 15% Liveness
8% Instrumentalness • 72% Positiveness
31% Popularity • 52% Danceability • 62% Energy • 15% Liveness
8% Instrumentalness • 72% Positiveness
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The Housemartins
I Can't Put My Finger On It
160 bpm • A Maj • 02:27 • -12.27db
26% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Triffids
Kelly's Blues
181 bpm • A min • 04:34 • -7.56db
5% Popularity • 42% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
5% Popularity • 42% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Howard Devoto
Rainy Season - 2007 Digital Remaster
160 bpm • B min • 05:05 • -11db
16% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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The Teardrop Explodes
Reward
160 bpm • C Maj • 02:42 • -4db
47% Popularity • 39% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
47% Popularity • 39% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Fun Boy Three
The More I See (The Less I Believe)
159 bpm • E min • 03:40 • -11db
31% Popularity • 72% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 72% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Something Happens
Beach
160 bpm • A Maj • 03:28 • -6.4db
12% Popularity • 27% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 27% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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The Alarm
Marching On
159 bpm • F# Maj • 03:37 • -3.6db
23% Popularity • 41% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 41% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Frankie Goes To Hollywood
Born To Run
157 bpm • A Maj • 03:59 • -15db
40% Popularity • 27% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 27% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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The Boomtown Rats
The Elephants Graveyard
158 bpm • A Maj • 03:45 • -0.86db
16% Popularity • 26% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 26% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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The Go-Betweens
Love Goes On! - 2004 Digital Remaster
157 bpm • C Maj • 03:19 • -7.47db
30% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Fun Boy Three
Well Fancy That
184 bpm • C# Maj • 03:05 • -14db
25% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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The Icicle Works
Up Here in the North of England
184 bpm • G Maj • 05:12 • -10.91db
9% Popularity • 29% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 29% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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The Jam
Beat Surrender
157 bpm • D Maj • 03:27 • -11.07db
42% Popularity • 40% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 40% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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The Housemartins
Sitting On A Fence
185 bpm • F Maj • 02:58 • -10.59db
31% Popularity • 35% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 35% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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World Party
God On My Side
156 bpm • E Maj • 04:15 • -8.7db
26% Popularity • 24% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 24% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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The The
Infected
186 bpm • E Maj • 04:30 • -2.35db
14% Popularity • 40% Danceability • 99% Energy • 24% Liveness
11% Instrumentalness • 40% Positiveness
14% Popularity • 40% Danceability • 99% Energy • 24% Liveness
11% Instrumentalness • 40% Positiveness
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The Teardrop Explodes
Reward - BBC Session Peel Plus 1980
155 bpm • C Maj • 03:00 • -7.13db
9% Popularity • 49% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 49% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Fine Young Cannibals
Couldn't Care More
187 bpm • G# min • 03:29 • -5.32db
30% Popularity • 43% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 43% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Elvis Costello
Veronica
154 bpm • C Maj • 03:09 • -7db
48% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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The Housemartins
The People Who Grinned Themselves To Dea...
186 bpm • F Maj • 03:34 • -12db
34% Popularity • 38% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 38% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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The Go-Betweens
Was There Anything I Could Do? - 2004 Di...
154 bpm • E min • 03:06 • -7.25db
28% Popularity • 56% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 56% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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The The
Infected - 12" Remix
186 bpm • E Maj • 06:15 • -3.41db
13% Popularity • 41% Danceability • 99% Energy • 29% Liveness
43% Instrumentalness • 68% Positiveness
13% Popularity • 41% Danceability • 99% Energy • 29% Liveness
43% Instrumentalness • 68% Positiveness
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World Party
Ain't Gonna Come Till I'm Ready
188 bpm • C min • 05:05 • -8.02db
29% Popularity • 57% Danceability • 66% Energy • 7% Liveness
57% Instrumentalness • 68% Positiveness
29% Popularity • 57% Danceability • 66% Energy • 7% Liveness
57% Instrumentalness • 68% Positiveness
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Talk Talk
Today - 1997 Remaster
153 bpm • F# min • 03:30 • -6.03db
38% Popularity • 54% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 54% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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The Feelies
The High Road
153 bpm • G Maj • 04:22 • -7.03db
12% Popularity • 55% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 96% Positiveness
12% Popularity • 55% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 96% Positiveness
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The Beautiful South
We'll Deal With You Later
152 bpm • A min • 04:07 • -12.64db
23% Popularity • 53% Danceability • 55% Energy • 36% Liveness
6% Instrumentalness • 58% Positiveness
23% Popularity • 53% Danceability • 55% Energy • 36% Liveness
6% Instrumentalness • 58% Positiveness
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The Church
Almost With You - 2002 Digital Remaster
152 bpm • C Maj • 04:14 • -5.14db
42% Popularity • 37% Danceability • 82% Energy • 14% Liveness
2% Instrumentalness • 61% Positiveness
42% Popularity • 37% Danceability • 82% Energy • 14% Liveness
2% Instrumentalness • 61% Positiveness
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The The
The Sinking Feeling
152 bpm • D Maj • 03:41 • -13db
37% Popularity • 64% Danceability • 38% Energy • 17% Liveness
1% Instrumentalness • 72% Positiveness
37% Popularity • 64% Danceability • 38% Energy • 17% Liveness
1% Instrumentalness • 72% Positiveness
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Haircut 100
Fantastic Day
152 bpm • G Maj • 03:13 • -14.38db
40% Popularity • 45% Danceability • 61% Energy • 4% Liveness
4% Instrumentalness • 85% Positiveness
40% Popularity • 45% Danceability • 61% Energy • 4% Liveness
4% Instrumentalness • 85% Positiveness
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The Style Council
Walls Come Tumbling Down
151 bpm • E min • 03:24 • -6.16db
52% Popularity • 43% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 43% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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The Screaming Blue Messiahs
Wild Blue Yonder
192 bpm • C Maj • 04:41 • -15.17db
21% Popularity • 43% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 43% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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The Undertones
Wednesday Week
150 bpm • F Maj • 02:17 • -10.68db
33% Popularity • 34% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 34% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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The Go-Betweens
Spring Rain - Remaster 2004
150 bpm • C Maj • 03:10 • -8.24db
27% Popularity • 56% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 56% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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The The
The Mercy Beat
151 bpm • E min • 07:23 • -4.26db
17% Popularity • 57% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 57% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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XTC
Making Plans For Nigel
150 bpm • G Maj • 03:53 • -14.01db
33% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Aztec Camera
Pillar to Post
150 bpm • E Maj • 04:01 • -8.27db
25% Popularity • 59% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 59% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Squeeze
Another Nail In My Heart
150 bpm • E Maj • 02:56 • -14db
48% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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The Alarm
Where Were You Hiding When the Storm Bro...
150 bpm • C# Maj • 03:01 • -3.67db
28% Popularity • 37% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 37% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Go-Betweens
I Just Get Caught Out - Remaster 2004
150 bpm • D Maj • 02:17 • -8db
14% Popularity • 48% Danceability • 94% Energy • 7% Liveness
8% Instrumentalness • 83% Positiveness
14% Popularity • 48% Danceability • 94% Energy • 7% Liveness
8% Instrumentalness • 83% Positiveness
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Department S
Is Vic There? - Paul Tickle Mix
149 bpm • A min • 03:06 • -14db
37% Popularity • 49% Danceability • 74% Energy • 31% Liveness
1% Instrumentalness • 76% Positiveness
37% Popularity • 49% Danceability • 74% Energy • 31% Liveness
1% Instrumentalness • 76% Positiveness
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XTC
Making Plans For Nigel
150 bpm • G Maj • 04:13 • -6.04db
58% Popularity • 63% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 63% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Cactus World News
THE BRIDGE
149 bpm • G Maj • 04:16 • -8.19db
21% Popularity • 44% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 44% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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The Beautiful South
Tonight I Fancy Myself
149 bpm • C Maj • 03:25 • -14.25db
30% Popularity • 45% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 45% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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The Wonder Stuff
Piece Of Sky
194 bpm • D Maj • 02:22 • -8.29db
21% Popularity • 40% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 40% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Style Council
Here's One That Got Away
149 bpm • D Maj • 02:35 • -6.15db
28% Popularity • 46% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 46% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Primal Scream
Imperial
149 bpm • G# Maj • 03:37 • -11.01db
32% Popularity • 38% Danceability • 94% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
32% Popularity • 38% Danceability • 94% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
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Dexys Midnight Runners
There There My Dear - 2000 Remaster
148 bpm • D Maj • 03:32 • -9db
31% Popularity • 62% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 62% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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The The
Love Is Stronger Than Death
148 bpm • G min • 04:24 • -5.1db
13% Popularity • 47% Danceability • 69% Energy • 9% Liveness
65% Instrumentalness • 20% Positiveness
13% Popularity • 47% Danceability • 69% Energy • 9% Liveness
65% Instrumentalness • 20% Positiveness
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The Fall
Victoria
148 bpm • G Maj • 02:45 • -9db
40% Popularity • 49% Danceability • 79% Energy • 18% Liveness
17% Instrumentalness • 90% Positiveness
40% Popularity • 49% Danceability • 79% Energy • 18% Liveness
17% Instrumentalness • 90% Positiveness
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The Wonder Stuff
Red Berry Joy Town
148 bpm • A min • 02:51 • -10db
22% Popularity • 55% Danceability • 96% Energy • 33% Liveness
4% Instrumentalness • 48% Positiveness
22% Popularity • 55% Danceability • 96% Energy • 33% Liveness
4% Instrumentalness • 48% Positiveness
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The Housemartins
There Is Always Something There To Remin...
148 bpm • C Maj • 03:30 • -7.42db
29% Popularity • 37% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 82% Positiveness
29% Popularity • 37% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 82% Positiveness
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Orange Juice
Felicity
147 bpm • G Maj • 02:35 • -7db
25% Popularity • 38% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 38% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Dexys Midnight Runners
Listen To This
147 bpm • D Maj • 03:18 • -16db
29% Popularity • 45% Danceability • 48% Energy • 18% Liveness
9% Instrumentalness • 74% Positiveness
29% Popularity • 45% Danceability • 48% Energy • 18% Liveness
9% Instrumentalness • 74% Positiveness
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The The
Love Is Stronger Than Death
148 bpm • G min • 04:37 • -6db
37% Popularity • 48% Danceability • 67% Energy • 8% Liveness
72% Instrumentalness • 12% Positiveness
37% Popularity • 48% Danceability • 67% Energy • 8% Liveness
72% Instrumentalness • 12% Positiveness
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The Bluebells
Cath
148 bpm • G Maj • 03:49 • -8db
21% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Soft Cell
Bedsitter
145 bpm • G Maj • 03:35 • -10.13db
40% Popularity • 64% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 64% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The Silencers
Bullets and Blue Eyes
145 bpm • D Maj • 05:07 • -12.8db
16% Popularity • 49% Danceability • 68% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
16% Popularity • 49% Danceability • 68% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
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The Human League
The Sound Of The Crowd - Remastered 2002
145 bpm • G Maj • 04:06 • -10.15db
44% Popularity • 77% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 77% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Half Man Half Biscuit
Dickie Davies Eyes
200 bpm • D Maj • 04:28 • -10.19db
21% Popularity • 17% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 17% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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The The
That Was the Day
145 bpm • D# Maj • 03:57 • -13db
21% Popularity • 61% Danceability • 42% Energy • 16% Liveness
7% Instrumentalness • 78% Positiveness
21% Popularity • 61% Danceability • 42% Energy • 16% Liveness
7% Instrumentalness • 78% Positiveness
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The Wonder Stuff
It's Yer Money, I'm After Baby
144 bpm • C Maj • 02:48 • -9db
28% Popularity • 51% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 51% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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The Triffids
Jerdacuttup Man
201 bpm • B min • 04:44 • -9.31db
7% Popularity • 26% Danceability • 70% Energy • 50% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 26% Danceability • 70% Energy • 50% Liveness
0% Instrumentalness • 49% Positiveness
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Lloyd Cole
Undressed
202 bpm • B Maj • 03:04 • -14.6db
26% Popularity • 46% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 46% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness