Songs like The Beautiful Blue Danube, Waltz, op. 314 by Sir John Pritchard
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Mozart: Die Entführung aus dem Serail, ...
98 bpm • G Maj • 02:50 • -26.56db
2% Popularity • 55% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 55% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 5, The Swimmer
98 bpm • E min • 05:51 • -18.21db
9% Popularity • 31% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 31% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Rossini: Guillaume Tell, Act 1 Scene 1: ...
98 bpm • G Maj • 03:58 • -28.16db
9% Popularity • 17% Danceability • 3% Energy • 22% Liveness
39% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 22% Liveness
39% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
98 bpm • A Maj • 01:41 • -13.33db
9% Popularity • 46% Danceability • 30% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 46% Danceability • 30% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
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Johann Strauss II
Strauss II, J: Eine Nacht in Venedig, Ac...
98 bpm • D Maj • 02:10 • -15.13db
15% Popularity • 36% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 36% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Orchestra of the Accademia di Santa Cecilia, Rome
Act Three, Scene Two
98 bpm • D Maj • 04:30 • -14.17db
1% Popularity • 27% Danceability • 23% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
1% Popularity • 27% Danceability • 23% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
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Francesco Cilea
Ciléa: Adriana Lecouvreur, Act 1 Scene ...
98 bpm • G# Maj • 03:21 • -15.34db
12% Popularity • 24% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 24% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Tre giorni son che Nina
99 bpm • G min • 01:43 • -19db
23% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Joseph Canteloube
Lou Coucut, Serie 4, No. 6
99 bpm • A# Maj • 01:53 • -17.62db
5% Popularity • 54% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 54% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Jacques Offenbach
Offenbach: La Belle Hélène, Act 2: Ent...
98 bpm • C# min • 02:59 • -24.54db
13% Popularity • 25% Danceability • 3% Energy • 37% Liveness
49% Instrumentalness • 8% Positiveness
13% Popularity • 25% Danceability • 3% Energy • 37% Liveness
49% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Madama Butterfly: Tu, tu, piccolo iddio
97 bpm • B min • 02:49 • -15db
11% Popularity • 26% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
11% Popularity • 26% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Giacomo Meyerbeer
Meyerbeer: Les Huguenots: Et maintenant ...
97 bpm • C# Maj • 05:18 • -14db
29% Popularity • 29% Danceability • 58% Energy • 67% Liveness
6% Instrumentalness • 23% Positiveness
29% Popularity • 29% Danceability • 58% Energy • 67% Liveness
6% Instrumentalness • 23% Positiveness
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Gioachino Rossini
William Tell / Act 2: "Ils s'éloignent ...
97 bpm • G# Maj • 08:12 • -23.31db
1% Popularity • 24% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Jules Massenet
Manon, Act II: Adieu, notre petite table
97 bpm • G min • 04:30 • -25.45db
11% Popularity • 31% Danceability • 6% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
11% Popularity • 31% Danceability • 6% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: Cielo e mar!
96 bpm • D# Maj • 04:23 • -16.56db
36% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
36% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: "O Lola ...
96 bpm • F min • 02:10 • -30.45db
13% Popularity • 20% Danceability • 4% Energy • 63% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 63% Liveness
0% Instrumentalness • 13% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
100 bpm • A# Maj • 06:56 • -28.75db
24% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Euridice),...
96 bpm • D Maj • 03:49 • -18.95db
29% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Offenbach: Robinson Crusoë, Act 2: Vals...
100 bpm • A Maj • 03:57 • -18.64db
13% Popularity • 37% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 37% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
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Giuseppe Sarti
Lungi dal caro bene
96 bpm • G# Maj • 03:23 • -17db
15% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
15% Popularity • 24% Danceability • 13% Energy • 9% Liveness
19% Instrumentalness • 9% Positiveness
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Orchestra of the Accademia di Santa Cecilia, Rome
Act One, Scene Two
96 bpm • D Maj • 02:50 • -34.74db
1% Popularity • 36% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
1% Popularity • 36% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Voi lo sapete
96 bpm • E min • 03:15 • -14.07db
29% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Faust, CG 4 / Act 3: Chanson du roi de T...
96 bpm • E Maj • 04:38 • -20.38db
1% Popularity • 32% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 32% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Tommaso Giordani
Caro mio ben (Arr. Marriner)
96 bpm • D Maj • 03:11 • -18.61db
7% Popularity • 22% Danceability • 17% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
7% Popularity • 22% Danceability • 17% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
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Jacques Offenbach
La belle Hélène / Act 1: Au mont Ida.....
96 bpm • A# Maj • 03:50 • -17db
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "LÃ ci dar...
96 bpm • A Maj • 03:19 • -13db
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Pyotr Ilyich Tchaikovsky
The Queen of Spades, Op. 68, Act II: Ya ...
96 bpm • D# Maj • 04:01 • -22db
12% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "O soave fan...
101 bpm • C Maj • 04:06 • -24.95db
15% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114 / Act 1: "Mesicku na ne...
95 bpm • F# Maj • 06:42 • -22.94db
2% Popularity • 18% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
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Francis Poulenc
Gloria, FP 144: V. Domine Deus, Agnus De...
95 bpm • E Maj • 05:55 • -23.16db
20% Popularity • 18% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Joseph Canteloube
Postouro Se Tu M'aymo, Serie 5, No. 5
95 bpm • A min • 01:35 • -18.1db
6% Popularity • 50% Danceability • 22% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
6% Popularity • 50% Danceability • 22% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Giacomo Puccini
Chi Il Bel Sogno Di Doretta
101 bpm • F Maj • 03:22 • -19.02db
25% Popularity • 25% Danceability • 20% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
25% Popularity • 25% Danceability • 20% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Voi lo sapete, o ...
101 bpm • E Maj • 05:03 • -18db
23% Popularity • 26% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 26% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
101 bpm • G Maj • 02:57 • -24.97db
11% Popularity • 31% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 27% Positiveness
11% Popularity • 31% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 27% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Entführung aus dem Serail, ...
101 bpm • D# Maj • 06:08 • -22.33db
3% Popularity • 28% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
3% Popularity • 28% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114, B. 203 / Act 1: "O Sil...
95 bpm • F# Maj • 06:40 • -22db
8% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Vaga luna che inargenti
101 bpm • G# Maj • 04:00 • -26db
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: 12. Quando corpus
94 bpm • G# min • 03:44 • -20.69db
12% Popularity • 12% Danceability • 7% Energy • 19% Liveness
41% Instrumentalness • 5% Positiveness
12% Popularity • 12% Danceability • 7% Energy • 19% Liveness
41% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Petite Messe solennelle - Gloria: Cum Sa...
101 bpm • F Maj • 05:48 • -14.08db
5% Popularity • 28% Danceability • 25% Energy • 9% Liveness
50% Instrumentalness • 27% Positiveness
5% Popularity • 28% Danceability • 25% Energy • 9% Liveness
50% Instrumentalness • 27% Positiveness
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Ludwig van Beethoven
Beethoven: Romance for Violin and Orches...
94 bpm • F Maj • 09:09 • -21.66db
1% Popularity • 21% Danceability • 9% Energy • 22% Liveness
14% Instrumentalness • 13% Positiveness
1% Popularity • 21% Danceability • 9% Energy • 22% Liveness
14% Instrumentalness • 13% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I: Frondi tenere e be...
94 bpm • D# Maj • 03:59 • -22.07db
8% Popularity • 21% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
8% Popularity • 21% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
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Richard Strauss
Strauss, R: Der Rosenkavalier, Op. 59, A...
94 bpm • C# Maj • 04:39 • -16.39db
28% Popularity • 15% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Sir John Pritchard
Alleluya, Sing to Jesus (Hyfrydol)
94 bpm • F Maj • 04:38 • -24db
23% Popularity • 12% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 14% Positiveness
23% Popularity • 12% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 14% Positiveness
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Joseph Canteloube
N'ai Pas Leu De Mio, Serie 2, No. 5a
93 bpm • D Maj • 05:20 • -19.56db
4% Popularity • 25% Danceability • 19% Energy • 4% Liveness
3% Instrumentalness • 8% Positiveness
4% Popularity • 25% Danceability • 19% Energy • 4% Liveness
3% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527: Act II Scene 6: Ar...
103 bpm • C Maj • 03:34 • -20.61db
9% Popularity • 32% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 32% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 3. Sanctus
103 bpm • D# Maj • 03:37 • -21.66db
5% Popularity • 14% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Johannes Brahms
Sonata No. 1 for Viola & Piano in F Mino...
93 bpm • F# min • 06:48 • -18.99db
2% Popularity • 27% Danceability • 11% Energy • 7% Liveness
20% Instrumentalness • 23% Positiveness
2% Popularity • 27% Danceability • 11% Energy • 7% Liveness
20% Instrumentalness • 23% Positiveness
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Bedřich Smetana
The Bartered Bride, Act I Scene V: Intro...
103 bpm • C Maj • 04:39 • -18db
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
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Giacomo Puccini
Manon Lescaut: Act IV: Sola, perduta, ab...
93 bpm • A# min • 04:48 • -23db
21% Popularity • 20% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
93 bpm • C Maj • 01:48 • -14db
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
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Charles Gounod
Faust: Faust, Act I: Cavatina: Avant de ...
104 bpm • D# Maj • 03:18 • -22db
12% Popularity • 22% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 17% Positiveness
12% Popularity • 22% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 17% Positiveness
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Jacques Offenbach
Contes d'Hoffmann: Les oiseaux dans la c...
93 bpm • G# Maj • 06:06 • -16.22db
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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Francesco Cavalli
Delizie contente
92 bpm • F min • 03:02 • -24db
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
► Preview
Giacomo Puccini
Tosca / Act I: Mario! Mario! Mario!
104 bpm • G# Maj • 07:43 • -25.19db
24% Popularity • 29% Danceability • 4% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 29% Danceability • 4% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
Beau soir
104 bpm • F# min • 02:33 • -21.59db
7% Popularity • 31% Danceability • 14% Energy • 68% Liveness
14% Instrumentalness • 4% Positiveness
7% Popularity • 31% Danceability • 14% Energy • 68% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Monteverdi: L'Incoronazione di Poppea, S...
92 bpm • A# Maj • 03:45 • -18.77db
1% Popularity • 31% Danceability • 19% Energy • 49% Liveness
0% Instrumentalness • 26% Positiveness
1% Popularity • 31% Danceability • 19% Energy • 49% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Jacques Offenbach
La Grande-Duchesse de Gérolstein, Act I...
104 bpm • E Maj • 03:15 • -21.63db
0% Popularity • 31% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 31% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Chorus Of The Accademia Di Santa Cecilia, Rome
Act One, Scene One
92 bpm • C Maj • 02:55 • -20.08db
1% Popularity • 38% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
1% Popularity • 38% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: 5. Solo (...
92 bpm • G Maj • 07:36 • -29db
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 2:...
92 bpm • F Maj • 03:15 • -23.01db
20% Popularity • 19% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 11% Positiveness
20% Popularity • 19% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 11% Positiveness
► Preview
Giacomo Puccini
Puccini: Turandot, Act 1: "Signore ascol...
92 bpm • C# Maj • 02:42 • -21.17db
17% Popularity • 21% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
Per pieta, bell'idol mio
105 bpm • C min • 02:01 • -16db
13% Popularity • 51% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 51% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Jacques Offenbach
Un mari à la porte: Valse Tyrolienne
105 bpm • G Maj • 03:47 • -13db
7% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Charles Gounod
Gounod: Faust, Act 2: "Vin ou bière, bi...
92 bpm • F Maj • 05:02 • -17db
10% Popularity • 54% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
10% Popularity • 54% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
► Preview
Nicolai Ghiaurov
Mozart: Don Giovanni: La ci darem la man...
91 bpm • A# Maj • 03:13 • -15.9db
21% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Giacomo Carissimi
Vittoria, mio core!
91 bpm • C Maj • 02:32 • -20db
20% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Giacomo Puccini
La bohème, SC 67 / Act 3: "Dunque: è p...
92 bpm • F# Maj • 06:08 • -16db
25% Popularity • 24% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 24% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Myrthen, Op. 25: No. 7. Die Lotosblume
91 bpm • C Maj • 01:47 • -26db
27% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
27% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
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Renata Tebaldi
Vissi D'arte - Tosca Atto Ii
91 bpm • D# Maj • 03:26 • -12.44db
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Boris Godounov - Moussorgsky after Pushk...
105 bpm • G Maj • 04:06 • -15.79db
9% Popularity • 20% Danceability • 41% Energy • 8% Liveness
9% Instrumentalness • 12% Positiveness
9% Popularity • 20% Danceability • 41% Energy • 8% Liveness
9% Instrumentalness • 12% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
91 bpm • C Maj • 01:48 • -21db
27% Popularity • 18% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 18% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Franz Liszt
Rhapsodie espagnole S254 (2007 - Remaste...
91 bpm • D Maj • 01:16 • -19.06db
0% Popularity • 40% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
0% Popularity • 40% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 1: Vogliatemi ben...
92 bpm • A# Maj • 07:53 • -15.17db
38% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice / Act 3: Aria: "Che fa...
106 bpm • C Maj • 05:37 • -18.56db
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
90 bpm • F Maj • 05:31 • -18.88db
19% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Joseph Canteloube
Lo Fiolaire, Serie 3, No. 1
106 bpm • D min • 02:46 • -22.21db
6% Popularity • 25% Danceability • 14% Energy • 12% Liveness
5% Instrumentalness • 9% Positiveness
6% Popularity • 25% Danceability • 14% Energy • 12% Liveness
5% Instrumentalness • 9% Positiveness
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Gioachino Rossini
Petite messe solennelle: Gloria in excel...
106 bpm • F Maj • 02:14 • -24db
25% Popularity • 26% Danceability • 9% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
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Gustave Charpentier
Louise, Act III: Depuis le jour
90 bpm • G Maj • 04:48 • -22.97db
6% Popularity • 23% Danceability • 8% Energy • 19% Liveness
20% Instrumentalness • 3% Positiveness
6% Popularity • 23% Danceability • 8% Energy • 19% Liveness
20% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 1: Sorride Vostro...
105 bpm • F Maj • 03:30 • -22.14db
24% Popularity • 43% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 43% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Richard Strauss
Elektra, Op. 58, TrV 223: "Allein! Weh, ...
90 bpm • F min • 09:28 • -16db
10% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
19% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
19% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Beethoven: Romance for Violin and Orches...
107 bpm • G Maj • 04:30 • -22.81db
4% Popularity • 23% Danceability • 4% Energy • 9% Liveness
17% Instrumentalness • 16% Positiveness
4% Popularity • 23% Danceability • 4% Energy • 9% Liveness
17% Instrumentalness • 16% Positiveness
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George Frideric Handel
Serse / Act I HWV40: "Ombra mai fu"
90 bpm • E Maj • 03:03 • -21.78db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Suor Angelica: Ave Maria, piena di grati...
106 bpm • F Maj • 03:33 • -34db
14% Popularity • 16% Danceability • 3% Energy • 35% Liveness
14% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 35% Liveness
14% Instrumentalness • 4% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59, Act III: Mari...
90 bpm • C# Maj • 06:22 • -17.95db
9% Popularity • 11% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 3% Positiveness
9% Popularity • 11% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 3% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
107 bpm • F Maj • 01:13 • -14.64db
23% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Francis Poulenc
Gloria: VI. Qui sedes ad dexteram Patris
89 bpm • G Maj • 06:13 • -20.4db
20% Popularity • 18% Danceability • 9% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 9% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
► Preview
Paul Hindemith
Concerto for Viola & Small Orchestra - "...
107 bpm • G# Maj • 06:51 • -17.72db
1% Popularity • 31% Danceability • 22% Energy • 18% Liveness
68% Instrumentalness • 23% Positiveness
1% Popularity • 31% Danceability • 22% Energy • 18% Liveness
68% Instrumentalness • 23% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
26% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
26% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
107 bpm • G Maj • 04:31 • -29.42db
18% Popularity • 22% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
4 Letzte Lieder, TrV 296: No. 2, Septemb...
89 bpm • D Maj • 04:53 • -24db
13% Popularity • 13% Danceability • 6% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 6% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
