Songs like The Best Years Of Our Lives:Love Themes by Victor Young & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Victor Young & His Orchestra
Private Lives Of Elizabeth And Essex:Lov...
81 bpm • F# Maj • 03:25 • -20.08db
0% Popularity • 17% Danceability • 16% Energy • 31% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 16% Energy • 31% Liveness
92% Instrumentalness • 4% Positiveness
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Raymond Scott
When Cootie Left the Duke - 1941
81 bpm • F Maj • 03:27 • -12.07db
10% Popularity • 36% Danceability • 20% Energy • 16% Liveness
90% Instrumentalness • 21% Positiveness
10% Popularity • 36% Danceability • 20% Energy • 16% Liveness
90% Instrumentalness • 21% Positiveness
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The Merry Macs
You Made Me Love You
81 bpm • G Maj • 03:04 • -15db
27% Popularity • 74% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 74% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Glen Gray
If I Had My Way
81 bpm • D# Maj • 02:37 • -17.61db
11% Popularity • 36% Danceability • 6% Energy • 30% Liveness
33% Instrumentalness • 16% Positiveness
11% Popularity • 36% Danceability • 6% Energy • 30% Liveness
33% Instrumentalness • 16% Positiveness
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Ray Noble & His Orchestra
Looking On The Bright Side Of Life
81 bpm • G# Maj • 03:09 • -17.52db
4% Popularity • 75% Danceability • 17% Energy • 10% Liveness
15% Instrumentalness • 76% Positiveness
4% Popularity • 75% Danceability • 17% Energy • 10% Liveness
15% Instrumentalness • 76% Positiveness
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Fanny Brice
Second Hand Rose
81 bpm • D Maj • 03:26 • -15.07db
7% Popularity • 56% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 56% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Victor Young & His Orchestra
Gitano's Birthday
81 bpm • D min • 01:24 • -35.87db
0% Popularity • 38% Danceability • 0% Energy • 14% Liveness
82% Instrumentalness • 35% Positiveness
0% Popularity • 38% Danceability • 0% Energy • 14% Liveness
82% Instrumentalness • 35% Positiveness
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Anita Ellis
You Can’t See The Sun When You’re Cr...
81 bpm • A# Maj • 02:23 • -9.78db
18% Popularity • 29% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 29% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Roy Hamilton
Beware
81 bpm • C Maj • 02:50 • -18.58db
8% Popularity • 41% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 41% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Blue Barron & His Orchestra
Are You Lonesome Tonight?
82 bpm • A# Maj • 03:11 • -18.24db
12% Popularity • 44% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 44% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Moses Macadam
House Haunted
80 bpm • C min • 05:12 • -10.27db
28% Popularity • 41% Danceability • 27% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 41% Danceability • 27% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Helen O'Connell
Tangerine
80 bpm • A min • 02:29 • -15db
17% Popularity • 47% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 47% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Victor Young & His Orchestra
The Best Years Of Our Lives:Love Themes
81 bpm • F# min • 03:23 • -18.47db
0% Popularity • 8% Danceability • 22% Energy • 35% Liveness
52% Instrumentalness • 7% Positiveness
0% Popularity • 8% Danceability • 22% Energy • 35% Liveness
52% Instrumentalness • 7% Positiveness
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Ethel Waters
Stormy Weather (Alternate Take)
82 bpm • C Maj • 03:05 • -13db
18% Popularity • 36% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 36% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Tex Beneke
Give Me Five Minutes More
82 bpm • F Maj • 02:35 • -4db
29% Popularity • 49% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 49% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Louis Prima
Pensate, Amore
82 bpm • F Maj • 03:05 • -15.51db
19% Popularity • 31% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 31% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Bing Crosby
I Got Plenty O' Nuttin'
82 bpm • F Maj • 03:14 • -16.93db
2% Popularity • 39% Danceability • 10% Energy • 11% Liveness
54% Instrumentalness • 26% Positiveness
2% Popularity • 39% Danceability • 10% Energy • 11% Liveness
54% Instrumentalness • 26% Positiveness
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The Ames Brothers
A Very Precious Love
82 bpm • D# Maj • 02:44 • -11db
15% Popularity • 38% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 38% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Victor Young & His Orchestra
The Earth Moved (Love Theme)
81 bpm • G Maj • 02:55 • -20.86db
0% Popularity • 9% Danceability • 13% Energy • 30% Liveness
16% Instrumentalness • 4% Positiveness
0% Popularity • 9% Danceability • 13% Energy • 30% Liveness
16% Instrumentalness • 4% Positiveness
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Annette Hanshaw
That's Why I Love You
80 bpm • F# Maj • 02:50 • -22.3db
15% Popularity • 32% Danceability • 9% Energy • 10% Liveness
50% Instrumentalness • 49% Positiveness
15% Popularity • 32% Danceability • 9% Energy • 10% Liveness
50% Instrumentalness • 49% Positiveness
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Major Glenn Miller's AAF Overseas Orchestra conducted by Sgt. Jerry Gray - vocal: Sgt. Johnny Desmond
Homesick - That's All
82 bpm • D# Maj • 02:00 • -13db
9% Popularity • 35% Danceability • 17% Energy • 11% Liveness
46% Instrumentalness • 24% Positiveness
9% Popularity • 35% Danceability • 17% Energy • 11% Liveness
46% Instrumentalness • 24% Positiveness
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Shirley Temple
Toyland
82 bpm • G# Maj • 01:09 • -8.98db
8% Popularity • 31% Danceability • 20% Energy • 50% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 31% Danceability • 20% Energy • 50% Liveness
0% Instrumentalness • 39% Positiveness
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The Merry Macs
Laughing on the Outside
83 bpm • A# Maj • 02:45 • -15db
16% Popularity • 44% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 44% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Frankie Carle & His Orchestra with Marjorie Hughes
Oh What It Seemed To Be
82 bpm • A min • 02:58 • -11.56db
7% Popularity • 51% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 51% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Victor Young & His Orchestra
La Vie En Rose
82 bpm • C Maj • 03:13 • -14.68db
1% Popularity • 15% Danceability • 33% Energy • 48% Liveness
94% Instrumentalness • 11% Positiveness
1% Popularity • 15% Danceability • 33% Energy • 48% Liveness
94% Instrumentalness • 11% Positiveness
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Fats Waller
Lonesome Road - Pipe Organ
83 bpm • G# Maj • 02:41 • -18.75db
9% Popularity • 35% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
9% Popularity • 35% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Patti Page
If I Were You Baby, I'd Love Me - Live O...
83 bpm • G# min • 02:36 • -12.5db
15% Popularity • 56% Danceability • 50% Energy • 93% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 56% Danceability • 50% Energy • 93% Liveness
0% Instrumentalness • 78% Positiveness
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The Chordettes
I'm Drifting Back to Dreamland
83 bpm • C# Maj • 02:12 • -21.88db
15% Popularity • 30% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 30% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Dwight Dragoo
Pray Day
83 bpm • E Maj • 02:34 • -15.15db
8% Popularity • 52% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 52% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Mindy Carson
My Foolish Heart - Single Version
79 bpm • E Maj • 03:06 • -8.66db
17% Popularity • 26% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 26% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Victor Young & His Orchestra
Clopin-Clopant
82 bpm • G Maj • 02:31 • -16.23db
0% Popularity • 19% Danceability • 18% Energy • 30% Liveness
33% Instrumentalness • 30% Positiveness
0% Popularity • 19% Danceability • 18% Energy • 30% Liveness
33% Instrumentalness • 30% Positiveness
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Joanie Sommers
Winter in New England
79 bpm • C Maj • 03:23 • -18.78db
20% Popularity • 21% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 21% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Alex Mendham and His Orchestra
I've Got a Feelin' You're Foolin'
78 bpm • C# Maj • 03:43 • -11.52db
10% Popularity • 58% Danceability • 26% Energy • 17% Liveness
90% Instrumentalness • 60% Positiveness
10% Popularity • 58% Danceability • 26% Energy • 17% Liveness
90% Instrumentalness • 60% Positiveness
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Roy Rogers and Dale Evans
Oh, What a Beautiful Morning
84 bpm • D# Maj • 01:40 • -6.95db
9% Popularity • 52% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 52% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Jimmie Lunceford
The First Time I Saw You
78 bpm • C Maj • 02:48 • -8.02db
18% Popularity • 60% Danceability • 29% Energy • 7% Liveness
1% Instrumentalness • 64% Positiveness
18% Popularity • 60% Danceability • 29% Energy • 7% Liveness
1% Instrumentalness • 64% Positiveness
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Gary Grant
Continue (reprise)
84 bpm • F Maj • 01:39 • -24db
16% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 34% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Victor Young & His Orchestra
The Massacre And Love Theme
80 bpm • E min • 03:05 • -17.92db
0% Popularity • 21% Danceability • 18% Energy • 12% Liveness
29% Instrumentalness • 7% Positiveness
0% Popularity • 21% Danceability • 18% Energy • 12% Liveness
29% Instrumentalness • 7% Positiveness
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Bert Lown
My Heart's Desire
84 bpm • A# Maj • 02:50 • -16.24db
10% Popularity • 54% Danceability • 22% Energy • 23% Liveness
67% Instrumentalness • 62% Positiveness
10% Popularity • 54% Danceability • 22% Energy • 23% Liveness
67% Instrumentalness • 62% Positiveness
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Mary Brooks
My Heart Is Wasting Time
78 bpm • C min • 03:17 • -22.97db
26% Popularity • 28% Danceability • 4% Energy • 10% Liveness
33% Instrumentalness • 21% Positiveness
26% Popularity • 28% Danceability • 4% Energy • 10% Liveness
33% Instrumentalness • 21% Positiveness
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Oscar Hammerstein II
Marianne
84 bpm • F min • 02:57 • -12.2db
0% Popularity • 32% Danceability • 39% Energy • 42% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 32% Danceability • 39% Energy • 42% Liveness
0% Instrumentalness • 34% Positiveness
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Raymond Scott
Yesterday's Ice Cubes - 1951 Vocal Versi...
78 bpm • G min • 02:40 • -11.26db
14% Popularity • 53% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 53% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Jack Buchanan
Who
84 bpm • A# min • 01:21 • -11db
29% Popularity • 46% Danceability • 26% Energy • 13% Liveness
36% Instrumentalness • 59% Positiveness
29% Popularity • 46% Danceability • 26% Energy • 13% Liveness
36% Instrumentalness • 59% Positiveness
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Peter Deunov
Evera
78 bpm • F Maj • 01:29 • -14.18db
14% Popularity • 8% Danceability • 29% Energy • 17% Liveness
97% Instrumentalness • 20% Positiveness
14% Popularity • 8% Danceability • 29% Energy • 17% Liveness
97% Instrumentalness • 20% Positiveness
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Joni James
You Are My Love - Remastered
78 bpm • D# Maj • 02:44 • -9.46db
9% Popularity • 40% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 40% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Jeanette MacDonald
Beyond The Blue Horizon
78 bpm • A# Maj • 02:14 • -16db
14% Popularity • 28% Danceability • 30% Energy • 12% Liveness
56% Instrumentalness • 52% Positiveness
14% Popularity • 28% Danceability • 30% Energy • 12% Liveness
56% Instrumentalness • 52% Positiveness
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Ronnie Hilton
A Hundred Miles from Everywhere
85 bpm • G Maj • 02:44 • -17db
8% Popularity • 25% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 25% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Ethel Waters
Heat Wave
85 bpm • D Maj • 03:01 • -10db
19% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Gene Autry
Purple Sage In The Twilight
85 bpm • C# Maj • 01:45 • -15.48db
8% Popularity • 32% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 32% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Rudy Vallee and His Connecticut Yankees
Same Old Moon
77 bpm • C Maj • 03:07 • -18.6db
37% Popularity • 31% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 31% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Victor Young & His Orchestra
My Foolish Heart:Love Themes
77 bpm • G Maj • 03:25 • -17.07db
0% Popularity • 7% Danceability • 21% Energy • 22% Liveness
70% Instrumentalness • 4% Positiveness
0% Popularity • 7% Danceability • 21% Energy • 22% Liveness
70% Instrumentalness • 4% Positiveness
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Swing & Sway With Sammy Kaye With Don Cornell
That's My Desire
85 bpm • D min • 02:37 • -16.22db
15% Popularity • 32% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 32% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jim Nabors
Somewhere My Love (Lara's Theme from "Dr...
85 bpm • A# Maj • 01:51 • -14.88db
10% Popularity • 43% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 43% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Nat King Cole Trio
Kee-Mo Ky-Mo (The Magic Song) - 1992 Dig...
77 bpm • A min • 02:20 • -17.38db
13% Popularity • 73% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 73% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Bob Crosby & The Bob Cats
When My Dream Boat Comes Home
86 bpm • A# Maj • 02:29 • -11.96db
26% Popularity • 68% Danceability • 25% Energy • 28% Liveness
34% Instrumentalness • 62% Positiveness
26% Popularity • 68% Danceability • 25% Energy • 28% Liveness
34% Instrumentalness • 62% Positiveness
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幸福合唱團
櫻花樹下
86 bpm • E min • 03:32 • -27.16db
9% Popularity • 33% Danceability • 5% Energy • 10% Liveness
28% Instrumentalness • 14% Positiveness
9% Popularity • 33% Danceability • 5% Energy • 10% Liveness
28% Instrumentalness • 14% Positiveness
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Marilyn Monroe
The River of No Return - Remastered
77 bpm • A Maj • 02:11 • -10.79db
9% Popularity • 33% Danceability • 31% Energy • 17% Liveness
1% Instrumentalness • 20% Positiveness
9% Popularity • 33% Danceability • 31% Energy • 17% Liveness
1% Instrumentalness • 20% Positiveness
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Julius LaRosa
Anywhere I Wander
76 bpm • C Maj • 02:40 • -19.69db
12% Popularity • 22% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 22% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Tony Bennett
No Hard Feelings - New Mono to Stereo Mi...
86 bpm • F# Maj • 02:36 • -6.07db
8% Popularity • 26% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 26% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Victor Young & His Orchestra
Pablo's Gypsy Cave
86 bpm • E min • 02:54 • -25.91db
0% Popularity • 16% Danceability • 10% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
0% Popularity • 16% Danceability • 10% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
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Jo Stafford
Drink to Me Only with Thine Eyes
76 bpm • A Maj • 02:31 • -13.67db
10% Popularity • 16% Danceability • 15% Energy • 62% Liveness
3% Instrumentalness • 36% Positiveness
10% Popularity • 16% Danceability • 15% Energy • 62% Liveness
3% Instrumentalness • 36% Positiveness
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Paul Whiteman & His Orchestra
Deep Purple
76 bpm • G# Maj • 04:57 • -17.58db
11% Popularity • 29% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
11% Popularity • 29% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
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Pedro Concepcion
Kay Lungkot Nitong Hating Gabi
86 bpm • A Maj • 03:26 • -18.02db
9% Popularity • 30% Danceability • 8% Energy • 23% Liveness
1% Instrumentalness • 18% Positiveness
9% Popularity • 30% Danceability • 8% Energy • 23% Liveness
1% Instrumentalness • 18% Positiveness
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Lee Wiley
A Ship Without a Sail
86 bpm • B Maj • 03:27 • -22.94db
22% Popularity • 37% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
22% Popularity • 37% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
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Frankie Laine
Hold Me
76 bpm • G# Maj • 02:19 • -18db
12% Popularity • 43% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 43% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Alfred Newman
Love Is a Many-Splendored Thing
86 bpm • C Maj • 02:11 • -21.94db
21% Popularity • 24% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 19% Positiveness
21% Popularity • 24% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 19% Positiveness
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Jimmie Rodgers
Come Where My Love Lies Dreaming
76 bpm • F min • 02:55 • -14.7db
12% Popularity • 34% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 34% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Victor Young & His Orchestra
Gone With The Wind:Love Themes
87 bpm • A# Maj • 03:23 • -19.09db
0% Popularity • 9% Danceability • 19% Energy • 31% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 9% Danceability • 19% Energy • 31% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Jimmie Lunceford
Margie
76 bpm • C min • 03:16 • -11.03db
9% Popularity • 39% Danceability • 38% Energy • 78% Liveness
88% Instrumentalness • 43% Positiveness
9% Popularity • 39% Danceability • 38% Energy • 78% Liveness
88% Instrumentalness • 43% Positiveness
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Victor Young
Main Title
87 bpm • A# Maj • 02:15 • -8.09db
17% Popularity • 12% Danceability • 48% Energy • 28% Liveness
92% Instrumentalness • 45% Positiveness
17% Popularity • 12% Danceability • 48% Energy • 28% Liveness
92% Instrumentalness • 45% Positiveness
► Preview
Howard Keel
My Defenses Are Down
76 bpm • A Maj • 03:25 • -10.41db
13% Popularity • 28% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 28% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Williams
As I Love You
87 bpm • A# Maj • 02:40 • -11.15db
10% Popularity • 27% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 27% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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James Cagney & Sally Sweetland
Mary's A Grand Old Name
76 bpm • D# Maj • 01:53 • -22.72db
12% Popularity • 60% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 60% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Rudy Vallee
A Pretty Girl Is Like a Melody
87 bpm • D# Maj • 03:04 • -11.8db
22% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Victor Young & His Orchestra
Gypsy Camp
87 bpm • A min • 03:00 • -19.11db
0% Popularity • 15% Danceability • 13% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 13% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Dwight Dragoo
Next Time
75 bpm • C# Maj • 02:24 • -10.57db
8% Popularity • 41% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 41% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Cab Calloway
Afternoon Moon - Live
75 bpm • F min • 03:53 • -12.27db
7% Popularity • 40% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 40% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 46% Positiveness
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Jane Morgan
Old Cape Cod
75 bpm • F Maj • 02:31 • -14db
15% Popularity • 33% Danceability • 23% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 33% Danceability • 23% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
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Billy Eckstine
I'm out to forget tonight
75 bpm • C# Maj • 03:07 • -6.44db
0% Popularity • 27% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 27% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Eddy Howard
To Each His Own
75 bpm • D# Maj • 03:05 • -13.63db
16% Popularity • 51% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 51% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Arthur Freed
You and I
88 bpm • D Maj • 02:33 • -22.37db
20% Popularity • 30% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 30% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Mary Brooks
You Are Still The One In My Heart
74 bpm • G# Maj • 03:18 • -20.82db
26% Popularity • 43% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
26% Popularity • 43% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
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The Chordettes
Let the Rest of the World Go By
89 bpm • B Maj • 02:42 • -20.2db
11% Popularity • 30% Danceability • 2% Energy • 32% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 30% Danceability • 2% Energy • 32% Liveness
0% Instrumentalness • 5% Positiveness
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Victor Young & His Orchestra
Wuthering Heights:Love Themes
89 bpm • D Maj • 03:28 • -17.81db
0% Popularity • 10% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Betty Grable
You're MY Little Pin-Up Girl
89 bpm • F# Maj • 02:41 • -9db
8% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Del Courtney
Mississippi Dreamboat
89 bpm • A min • 02:20 • -17.46db
13% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Pedro Concepcion
Nagmamahal Ako
89 bpm • G Maj • 03:09 • -16.92db
9% Popularity • 32% Danceability • 9% Energy • 15% Liveness
4% Instrumentalness • 19% Positiveness
9% Popularity • 32% Danceability • 9% Energy • 15% Liveness
4% Instrumentalness • 19% Positiveness
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Cole Porter (composer), The MGM Studio Orchestra
Cyd Leaves Paris
89 bpm • C Maj • 01:25 • -16.68db
18% Popularity • 21% Danceability • 16% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 16% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
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Geraldo
Don’t Sweetheart Me
74 bpm • C min • 02:49 • -10.85db
21% Popularity • 59% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 59% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Victor Young & His Orchestra
Prelude
89 bpm • D min • 01:34 • -19.72db
0% Popularity • 19% Danceability • 19% Energy • 32% Liveness
94% Instrumentalness • 14% Positiveness
0% Popularity • 19% Danceability • 19% Energy • 32% Liveness
94% Instrumentalness • 14% Positiveness
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Tommy Edwards
Baby Baby Baby
89 bpm • C Maj • 02:50 • -20db
11% Popularity • 22% Danceability • 6% Energy • 23% Liveness
17% Instrumentalness • 14% Positiveness
11% Popularity • 22% Danceability • 6% Energy • 23% Liveness
17% Instrumentalness • 14% Positiveness
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Danny Williams
Where Or When - Remastered
89 bpm • F Maj • 02:45 • -13.45db
28% Popularity • 26% Danceability • 27% Energy • 15% Liveness
21% Instrumentalness • 28% Positiveness
28% Popularity • 26% Danceability • 27% Energy • 15% Liveness
21% Instrumentalness • 28% Positiveness
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Jane Froman
With A Song In My Heart
89 bpm • A# Maj • 02:28 • -12db
18% Popularity • 28% Danceability • 26% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 28% Danceability • 26% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
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Andy Russell
The Very Thought Of You - Remastered
73 bpm • G# Maj • 03:02 • -13.25db
12% Popularity • 23% Danceability • 13% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 23% Danceability • 13% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
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Patty Andrews
Too Young
90 bpm • F Maj • 02:40 • -13.62db
12% Popularity • 31% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 31% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Victor Young & His Orchestra
La Seine
89 bpm • C Maj • 02:48 • -16.74db
0% Popularity • 15% Danceability • 24% Energy • 34% Liveness
88% Instrumentalness • 20% Positiveness
0% Popularity • 15% Danceability • 24% Energy • 34% Liveness
88% Instrumentalness • 20% Positiveness
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Don Cornell
Hold My Hand
90 bpm • F Maj • 02:35 • -17db
11% Popularity • 56% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 56% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Billy Murray
Oh! You Beautiful Doll
73 bpm • D# Maj • 03:13 • -14db
7% Popularity • 59% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 59% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Jeanette MacDonald
Ah Sweet Mystery Of Life
90 bpm • C min • 03:32 • -16.1db
16% Popularity • 27% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 27% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
