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The Big Sky-End Title
Songs like
The Big Sky-End Title
by
Dimitri Tiomkin
Based on a tempo of (+/- 10%) and a similar genre
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New England Ragtime Ensemble
Original Rags
165 bpm • G Maj • 04:35 • -12.72db
20% Popularity • 42% Danceability • 31% Energy • 18% Liveness
92% Instrumentalness • 92% Positiveness
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Dublin Screen Orchestra
I'll Take You Home Again Kathleen
169 bpm • D Maj • 03:51 • -16.28db
8% Popularity • 11% Danceability • 20% Energy • 16% Liveness
71% Instrumentalness • 10% Positiveness
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DLG Orchestra
Lawrence Of Arabia
167 bpm • D Maj • 03:45 • -11.1db
20% Popularity • 10% Danceability • 37% Energy • 27% Liveness
94% Instrumentalness • 4% Positiveness
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Marvin Hamlisch
The Entertainer - The Sting/Soundtrack V...
170 bpm • C Maj • 02:33 • -10.42db
28% Popularity • 48% Danceability • 33% Energy • 7% Liveness
92% Instrumentalness • 53% Positiveness
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Memphis Jazz Orchestra
Let Me Call You Sweetheart
172 bpm • A Maj • 01:58 • -14.29db
10% Popularity • 14% Danceability • 22% Energy • 35% Liveness
90% Instrumentalness • 31% Positiveness
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Ian Whitcomb
The Merry Widow Waltz
160 bpm • G Maj • 03:26 • -12.99db
16% Popularity • 46% Danceability • 24% Energy • 16% Liveness
68% Instrumentalness • 55% Positiveness
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New England Ragtime Ensemble
Palm Leaf Rag - A Slow Drag
164 bpm • C Maj • 03:25 • -14db
11% Popularity • 55% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 91% Positiveness
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Dublin Screen Orchestra
Love Scene (The Stream / The Graveyard)
172 bpm • D Maj • 04:27 • -21.2db
9% Popularity • 9% Danceability • 17% Energy • 7% Liveness
14% Instrumentalness • 10% Positiveness
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Jerome Moross
McKay's Ride
172 bpm • C Maj • 01:22 • -9.68db
9% Popularity • 12% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 26% Positiveness
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Original Soundtrack
Daphne's Office
173 bpm • C Maj • 01:15 • -8.27db
11% Popularity • 23% Danceability • 68% Energy • 7% Liveness
90% Instrumentalness • 50% Positiveness
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Carmine Coppola
Michael's Letter
158 bpm • C min • 01:08 • -24.55db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Frank Chacksfield & His Orchestra
Peyton Place
174 bpm • A Maj • 02:37 • -15db
14% Popularity • 14% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 35% Positiveness
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Sidney Torch
Portrait of a Flirt
158 bpm • C Maj • 02:42 • -9db
13% Popularity • 26% Danceability • 42% Energy • 36% Liveness
13% Instrumentalness • 33% Positiveness
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Gary Grant
Empire State Montage
174 bpm • G min • 02:49 • -18.5db
13% Popularity • 8% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Marvin Hamlisch
Pineapple Rag - The Sting/Soundtrack Ver...
174 bpm • G min • 02:36 • -10.35db
22% Popularity • 63% Danceability • 44% Energy • 17% Liveness
80% Instrumentalness • 81% Positiveness
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Nigel Hess
Maigret (Granada TV)
174 bpm • G min • 02:52 • -20.39db
15% Popularity • 24% Danceability • 15% Energy • 24% Liveness
49% Instrumentalness • 26% Positiveness
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Edwin Astley & His Orchestra
Main Theme from "The Saint"
175 bpm • G# Maj • 01:46 • -8.6db
19% Popularity • 26% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Francesco De Masi
Sibyl And Bill
176 bpm • F Maj • 01:46 • -15.03db
13% Popularity • 12% Danceability • 29% Energy • 32% Liveness
76% Instrumentalness • 21% Positiveness
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Jerome Moross
Main Title
177 bpm • G Maj • 03:22 • -8.04db
19% Popularity • 11% Danceability • 46% Energy • 33% Liveness
94% Instrumentalness • 40% Positiveness
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Jack Trombey
Achievement
177 bpm • C Maj • 02:53 • -4.95db
11% Popularity • 19% Danceability • 48% Energy • 32% Liveness
84% Instrumentalness • 54% Positiveness
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Marvin Hamlisch
The Entertainer - The Sting/Soundtrack V...
157 bpm • C Maj • 03:03 • -11.66db
44% Popularity • 62% Danceability • 39% Energy • 9% Liveness
78% Instrumentalness • 36% Positiveness
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Sidney Torch And His Orchestra
A Canadian in Mayfair
156 bpm • F min • 03:00 • -10.38db
10% Popularity • 33% Danceability • 46% Energy • 23% Liveness
45% Instrumentalness • 49% Positiveness
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Audrey
Casablanca
178 bpm • F min • 02:58 • -15.35db
13% Popularity • 18% Danceability • 15% Energy • 17% Liveness
89% Instrumentalness • 4% Positiveness
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Victor Young
Shane Theme
178 bpm • F Maj • 02:53 • -13db
23% Popularity • 8% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Original Soundtrack
Poirot On Boat
155 bpm • G Maj • 01:16 • -11.96db
15% Popularity • 35% Danceability • 28% Energy • 37% Liveness
67% Instrumentalness • 28% Positiveness
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Laurie Johnson
The Avengers
155 bpm • G Maj • 01:02 • -7.47db
24% Popularity • 26% Danceability • 57% Energy • 24% Liveness
47% Instrumentalness • 35% Positiveness
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Marvin Hamlisch
Pineapple Rag / Gladiolus Rag
177 bpm • A# Maj • 02:32 • -8db
26% Popularity • 60% Danceability • 50% Energy • 14% Liveness
80% Instrumentalness • 96% Positiveness
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Frank Chacksfield
Luxembourg valse
179 bpm • D min • 02:42 • -6db
17% Popularity • 22% Danceability • 46% Energy • 13% Liveness
68% Instrumentalness • 44% Positiveness
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Miklos Rozsa
Theme From King Of Kings
179 bpm • G Maj • 02:52 • -8.6db
8% Popularity • 8% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Neal Hefti
Barefoot In The Park Main Title
180 bpm • F Maj • 03:33 • -12.13db
16% Popularity • 32% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Ivor Novello
Theodore and Co.: What a Duke should be
181 bpm • C Maj • 01:55 • -15.25db
14% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Stanley Myers
Sammy and Rosie Get Laid
181 bpm • A# Maj • 01:34 • -12.18db
17% Popularity • 20% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Charles Henderson
Horse Soldiers - Dixie
152 bpm • C Maj • 01:46 • -9.57db
9% Popularity • 39% Danceability • 76% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
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Paul Eakins
Skaters Waltz
182 bpm • C Maj • 03:35 • -13.7db
3% Popularity • 36% Danceability • 46% Energy • 87% Liveness
58% Instrumentalness • 88% Positiveness
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Dimitri Tiomkin
Trailer Music
183 bpm • C Maj • 01:03 • -10.15db
9% Popularity • 22% Danceability • 38% Energy • 17% Liveness
95% Instrumentalness • 42% Positiveness
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New England Conservatory Ragtime Ensemble
Joplin: Maple Leaf Rag
183 bpm • A Maj • 03:14 • -12.62db
19% Popularity • 45% Danceability • 48% Energy • 32% Liveness
85% Instrumentalness • 81% Positiveness
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Dick Hyman
Old Man Mazurka
150 bpm • E min • 02:25 • -17db
22% Popularity • 76% Danceability • 23% Energy • 2% Liveness
5% Instrumentalness • 85% Positiveness
► Preview
Marvin Hamlisch
Luther - The Sting/Soundtrack Version
149 bpm • F Maj • 03:10 • -20.05db
18% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Audrey
The Sting
149 bpm • C Maj • 02:56 • -18.03db
12% Popularity • 50% Danceability • 13% Energy • 6% Liveness
86% Instrumentalness • 50% Positiveness
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Original Soundtrack
The Dance Sequence
185 bpm • A# Maj • 04:55 • -10.96db
12% Popularity • 32% Danceability • 26% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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Vivian Ellis
Coronation Scot
147 bpm • G Maj • 03:01 • -28db
18% Popularity • 26% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 16% Positiveness
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Simeon Orchestra
Solo ante el peligro
146 bpm • D# Maj • 03:40 • -9.18db
10% Popularity • 22% Danceability • 39% Energy • 10% Liveness
81% Instrumentalness • 33% Positiveness
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New England Conservatory Ragtime Ensemble
Joplin: The Easy Winners
189 bpm • A Maj • 03:58 • -15.82db
11% Popularity • 55% Danceability • 41% Energy • 12% Liveness
70% Instrumentalness • 52% Positiveness
► Preview
Marvin Hamlisch
Easy Winners - The Sting/Soundtrack Vers...
186 bpm • A Maj • 02:44 • -10db
31% Popularity • 62% Danceability • 40% Energy • 7% Liveness
21% Instrumentalness • 86% Positiveness
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Dimitri Tiomkin
Natasha's Waltz
146 bpm • F# min • 02:20 • -13.36db
2% Popularity • 19% Danceability • 30% Energy • 16% Liveness
87% Instrumentalness • 40% Positiveness
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Original Soundtrack
The Cocktail Party
188 bpm • D# Maj • 01:26 • -15.13db
18% Popularity • 40% Danceability • 31% Energy • 10% Liveness
29% Instrumentalness • 93% Positiveness
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Laurie Johnson
End Titles Theme
145 bpm • C Maj • 01:12 • -7.55db
13% Popularity • 25% Danceability • 64% Energy • 31% Liveness
47% Instrumentalness • 61% Positiveness
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Anton Karas
The Third Man: The Third Man Theme (The ...
145 bpm • D Maj • 02:07 • -11.52db
30% Popularity • 50% Danceability • 52% Energy • 16% Liveness
75% Instrumentalness • 92% Positiveness
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Alex North
Shane
145 bpm • E min • 04:30 • -11.17db
11% Popularity • 25% Danceability • 38% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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Alyssa Roscoe
Active Beehive
144 bpm • C Maj • 00:53 • -26db
10% Popularity • 56% Danceability • 6% Energy • 45% Liveness
86% Instrumentalness • 63% Positiveness
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Carmine Coppola
Sicilian Medley: Va Pensiero/Mazurka (Al...
143 bpm • F# Maj • 02:09 • -16.38db
22% Popularity • 39% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 71% Positiveness
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Original Soundtrack
Hotel Balcony
144 bpm • D# Maj • 01:09 • -13.73db
17% Popularity • 28% Danceability • 29% Energy • 32% Liveness
90% Instrumentalness • 38% Positiveness
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Carter Burwell
The End of Buster Scruggs
142 bpm • C Maj • 03:47 • -14.61db
20% Popularity • 23% Danceability • 17% Energy • 31% Liveness
89% Instrumentalness • 12% Positiveness
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André Previn
Exit Music* - Instrumental
142 bpm • D# Maj • 01:14 • -13db
22% Popularity • 23% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
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Dimitri Tiomkin
Red River
143 bpm • G# Maj • 03:28 • -10.79db
11% Popularity • 30% Danceability • 33% Energy • 8% Liveness
9% Instrumentalness • 35% Positiveness
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Byron McKay
Build, Sleep, Repeat
142 bpm • G Maj • 03:55 • -19.92db
9% Popularity • 16% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Emiliano Branda
Dusk's Deception
141 bpm • C min • 02:32 • -14.23db
10% Popularity • 25% Danceability • 5% Energy • 26% Liveness
92% Instrumentalness • 14% Positiveness
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Original Soundtrack
Check Out
141 bpm • F# Maj • 01:34 • -13.65db
11% Popularity • 20% Danceability • 26% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Marvin Hamlisch
The Glove - The Sting/Soundtrack Version
205 bpm • A# Maj • 01:50 • -10.52db
23% Popularity • 42% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Avengers
Bewitched
210 bpm • F Maj • 01:01 • -14.59db
27% Popularity • 43% Danceability • 17% Energy • 13% Liveness
74% Instrumentalness • 89% Positiveness
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Richard Hageman
Stagecoach
141 bpm • G# Maj • 02:03 • -13db
13% Popularity • 37% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Charlie Mole
The Beginning
208 bpm • C# Maj • 01:08 • -9.44db
13% Popularity • 19% Danceability • 37% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
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The Big Sky-End Title