Songs like The Bird and the Worm by The Used
Based on a tempo of (+/- 10%) and a similar genre
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Yellowcard
Fighting
180 bpm • G Maj • 03:00 • -5db
46% Popularity • 41% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 41% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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The Used
The Bird and the Worm
180 bpm • F# min • 03:45 • -6.87db
58% Popularity • 30% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 30% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Saosin
Voices
180 bpm • A min • 03:37 • -4db
58% Popularity • 31% Danceability • 92% Energy • 38% Liveness
1% Instrumentalness • 26% Positiveness
58% Popularity • 31% Danceability • 92% Energy • 38% Liveness
1% Instrumentalness • 26% Positiveness
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My Chemical Romance
I'm Not Okay (I Promise)
180 bpm • A Maj • 03:06 • -3.43db
76% Popularity • 21% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
76% Popularity • 21% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Anberlin
Paperthin Hymn
180 bpm • F Maj • 03:17 • -12.11db
53% Popularity • 30% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 30% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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All Time Low
Weightless
181 bpm • D Maj • 03:18 • -4.51db
64% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
64% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Yellowcard
Way Away
180 bpm • D min • 03:22 • -4.08db
57% Popularity • 36% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 36% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Chiodos
Those Who Slay Together, Stay Together
182 bpm • D min • 05:04 • -2.93db
33% Popularity • 20% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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The Red Jumpsuit Apparatus
Justify
178 bpm • C min • 03:28 • -3.19db
44% Popularity • 29% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 29% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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The Devil Wears Prada
Still Fly
178 bpm • D min • 04:55 • -4.46db
45% Popularity • 36% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 36% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
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The Used
All That I've Got
178 bpm • G Maj • 03:58 • -4.76db
48% Popularity • 34% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 34% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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All Time Low
Dear Maria, Count Me In
181 bpm • D Maj • 03:02 • -3.13db
77% Popularity • 46% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
77% Popularity • 46% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Saosin
It's Far Better To Learn
182 bpm • D min • 03:54 • -4.82db
46% Popularity • 32% Danceability • 94% Energy • 24% Liveness
14% Instrumentalness • 7% Positiveness
46% Popularity • 32% Danceability • 94% Energy • 24% Liveness
14% Instrumentalness • 7% Positiveness
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Yellowcard
Breathing
180 bpm • E min • 03:38 • -4db
61% Popularity • 38% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 38% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Escape the Fate
Ashley
177 bpm • F Maj • 03:27 • -5.72db
53% Popularity • 27% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 27% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Good Charlotte
The Anthem
178 bpm • C# Maj • 02:55 • -3.13db
75% Popularity • 49% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
75% Popularity • 49% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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The Used
Slit Your Own Throat
177 bpm • G Maj • 03:04 • -4.9db
33% Popularity • 44% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 44% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Thirty Seconds To Mars
The Kill
183 bpm • E min • 03:51 • -3.88db
78% Popularity • 18% Danceability • 91% Energy • 58% Liveness
0% Instrumentalness • 29% Positiveness
78% Popularity • 18% Danceability • 91% Energy • 58% Liveness
0% Instrumentalness • 29% Positiveness
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Killswitch Engage
My Curse
177 bpm • A# min • 04:04 • -2.91db
69% Popularity • 20% Danceability • 96% Energy • 26% Liveness
1% Instrumentalness • 21% Positiveness
69% Popularity • 20% Danceability • 96% Energy • 26% Liveness
1% Instrumentalness • 21% Positiveness
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Anberlin
Godspeed
176 bpm • G# Maj • 03:02 • -4.82db
45% Popularity • 40% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 40% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Saosin
Sleepers
184 bpm • D min • 02:51 • -3.72db
47% Popularity • 28% Danceability • 98% Energy • 34% Liveness
1% Instrumentalness • 34% Positiveness
47% Popularity • 28% Danceability • 98% Energy • 34% Liveness
1% Instrumentalness • 34% Positiveness
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Issues
The Worst of Them
176 bpm • B min • 03:36 • -3.51db
44% Popularity • 48% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 48% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Used
Hospital
177 bpm • D min • 02:56 • -3.94db
41% Popularity • 35% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 35% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Silverstein
Smile In Your Sleep
184 bpm • E min • 03:13 • -3.18db
61% Popularity • 43% Danceability • 95% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
61% Popularity • 43% Danceability • 95% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
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All Time Low
Umbrella
176 bpm • C# Maj • 03:49 • -3.83db
54% Popularity • 42% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 42% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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AFI
Medicate
185 bpm • G# min • 04:20 • -4db
44% Popularity • 18% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 18% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Chiodos
Is It Progression If a Cannibal Uses a F...
185 bpm • D Maj • 03:25 • -5db
39% Popularity • 33% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 33% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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The Red Jumpsuit Apparatus
Am I The Enemy
185 bpm • C Maj • 03:18 • -5db
48% Popularity • 27% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 27% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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The Used
Take It Away
176 bpm • E min • 03:37 • -5.45db
34% Popularity • 28% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 28% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Escape the Fate
Something
175 bpm • A# min • 03:37 • -5.81db
48% Popularity • 40% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 40% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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blessthefall
Hey Baby, Here's That Song You Wanted
185 bpm • D# min • 03:14 • -2.77db
58% Popularity • 20% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
58% Popularity • 20% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Black Veil Brides
Perfect Weapon
185 bpm • A Maj • 04:07 • -4.43db
53% Popularity • 38% Danceability • 99% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 38% Danceability • 99% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Yellowcard
For You, And Your Denial
175 bpm • D Maj • 03:33 • -4db
58% Popularity • 39% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 39% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Trapt
Headstrong
185 bpm • E min • 04:45 • -5.82db
74% Popularity • 49% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
74% Popularity • 49% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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The Used
Cut up Angels
176 bpm • A Maj • 03:47 • -4.24db
19% Popularity • 32% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 32% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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The Red Jumpsuit Apparatus
Atrophy
175 bpm • C Maj • 03:18 • -3.68db
41% Popularity • 29% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 29% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Thirty Seconds To Mars
Attack
175 bpm • F min • 03:08 • -1.89db
67% Popularity • 33% Danceability • 88% Energy • 77% Liveness
0% Instrumentalness • 28% Positiveness
67% Popularity • 33% Danceability • 88% Energy • 77% Liveness
0% Instrumentalness • 28% Positiveness
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Destroy Rebuild Until God Shows
Graveyard Dancing
185 bpm • D# min • 02:59 • -5.3db
45% Popularity • 20% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 20% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Eyes Set To Kill
Broken Frames
185 bpm • F# Maj • 02:53 • -3.38db
40% Popularity • 40% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 40% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Thrice
The Artist In The Ambulance
175 bpm • F min • 03:39 • -4.1db
58% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Used
Fuck You
175 bpm • D Maj • 02:57 • -5db
46% Popularity • 36% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 36% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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My Chemical Romance
You Know What They Do to Guys Like Us in...
186 bpm • G# Maj • 02:53 • -3.76db
65% Popularity • 39% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
65% Popularity • 39% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Black Veil Brides
Knives and Pens
186 bpm • D min • 04:15 • -4.7db
61% Popularity • 42% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 42% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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From First To Last
Two As One
174 bpm • C# Maj • 03:20 • -2db
34% Popularity • 34% Danceability • 100% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 34% Danceability • 100% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Flyleaf
Fire Fire
174 bpm • E min • 03:01 • -4.46db
51% Popularity • 42% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 42% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Scary Kids Scaring Kids
The Deep End
174 bpm • G# min • 04:12 • -4.22db
40% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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The Used
People Are Vomit
175 bpm • C# Maj • 02:52 • -4db
40% Popularity • 41% Danceability • 92% Energy • 11% Liveness
13% Instrumentalness • 55% Positiveness
40% Popularity • 41% Danceability • 92% Energy • 11% Liveness
13% Instrumentalness • 55% Positiveness
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Yellowcard
Ocean Avenue
174 bpm • F# min • 03:18 • -3.75db
73% Popularity • 49% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
73% Popularity • 49% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Black Veil Brides
Fallen Angels
174 bpm • F# min • 03:44 • -3.42db
57% Popularity • 38% Danceability • 97% Energy • 34% Liveness
5% Instrumentalness • 57% Positiveness
57% Popularity • 38% Danceability • 97% Energy • 34% Liveness
5% Instrumentalness • 57% Positiveness
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Thrice
Stare At The Sun
187 bpm • C min • 03:23 • -3.23db
53% Popularity • 23% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
53% Popularity • 23% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Sum 41
The Hell Song
173 bpm • G# min • 03:18 • -5.53db
67% Popularity • 36% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 66% Positiveness
67% Popularity • 36% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 66% Positiveness
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Alesana
The Thespian
187 bpm • A# Maj • 03:57 • -3.19db
50% Popularity • 32% Danceability • 97% Energy • 51% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 32% Danceability • 97% Energy • 51% Liveness
0% Instrumentalness • 29% Positiveness
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The Used
Bulimic
175 bpm • A Maj • 03:20 • -4.69db
47% Popularity • 38% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 38% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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blink-182
Feeling This
173 bpm • E Maj • 02:52 • -5.95db
70% Popularity • 41% Danceability • 96% Energy • 53% Liveness
0% Instrumentalness • 62% Positiveness
70% Popularity • 41% Danceability • 96% Energy • 53% Liveness
0% Instrumentalness • 62% Positiveness
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Bullet For My Valentine
Fever
173 bpm • C Maj • 03:57 • -3.33db
53% Popularity • 44% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 44% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Escape the Fate
The Flood
188 bpm • G# Maj • 03:33 • -5db
48% Popularity • 39% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 39% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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From First To Last
Note to Self
172 bpm • E min • 03:53 • -5db
51% Popularity • 21% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 21% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Atreyu
Right Side Of The Bed
172 bpm • G# Maj • 03:42 • -5db
53% Popularity • 25% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 72% Positiveness
53% Popularity • 25% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 72% Positiveness
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The Used
I'm a Fake
174 bpm • C Maj • 04:06 • -7.35db
28% Popularity • 21% Danceability • 82% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 21% Danceability • 82% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
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Anberlin
The Feel Good Drag
189 bpm • F min • 03:27 • -11.91db
58% Popularity • 34% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 50% Positiveness
58% Popularity • 34% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 50% Positiveness
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Bring Me The Horizon
Happy Song
172 bpm • F Maj • 03:59 • -3.41db
68% Popularity • 30% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
68% Popularity • 30% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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AFI
Beautiful Thieves
172 bpm • E Maj • 03:46 • -5db
42% Popularity • 26% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 26% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Hawthorne Heights
Where Can I Stab Myself In The Ears
171 bpm • D# min • 03:42 • -3db
35% Popularity • 45% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 45% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Emarosa
A Toast to the future kids!
170 bpm • G# min • 03:48 • -3.81db
47% Popularity • 33% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 33% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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The Used
Noise and Kisses
187 bpm • C Maj • 02:49 • -4.66db
43% Popularity • 30% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 30% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Sugarcult
Pretty Girl (The Way)
170 bpm • A# min • 03:28 • -6.5db
45% Popularity • 45% Danceability • 85% Energy • 93% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 45% Danceability • 85% Energy • 93% Liveness
0% Instrumentalness • 40% Positiveness
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Dance Gavin Dance
Uneasy Hearts Weigh The Most
170 bpm • F# min • 03:38 • -3.2db
59% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Senses Fail
Can't Be Saved
170 bpm • D Maj • 03:07 • -3.24db
61% Popularity • 33% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
61% Popularity • 33% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Hawthorne Heights
Ohio Is For Lovers
170 bpm • G# min • 04:04 • -6.87db
64% Popularity • 57% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
64% Popularity • 57% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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All Time Low
Remembering Sunday
170 bpm • F# min • 04:16 • -4.8db
59% Popularity • 45% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 45% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Used
Liar Liar (Burn in Hell)
172 bpm • A Maj • 02:52 • -4db
41% Popularity • 41% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
41% Popularity • 41% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Anberlin
Reclusion
170 bpm • D Maj • 03:31 • -5.73db
36% Popularity • 45% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 45% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Set It Off
I'll Sleep When I'm Dead
170 bpm • C# min • 03:24 • -3.87db
59% Popularity • 40% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 40% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Coheed and Cambria
The Running Free
170 bpm • B min • 04:12 • -4.34db
45% Popularity • 48% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 48% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Tonight Alive
Lonely Girl
170 bpm • G min • 03:11 • -3.43db
45% Popularity • 41% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 41% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Of Mice & Men
My Understandings
170 bpm • D min • 02:33 • -5.53db
46% Popularity • 33% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 33% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Used
Smother Me
171 bpm • C Maj • 06:17 • -7.38db
38% Popularity • 33% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 33% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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Underoath
A Boy Brushed Red Living In Black And Wh...
170 bpm • C# min • 04:28 • -3.6db
61% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Emery
Walls
169 bpm • C# min • 03:23 • -5db
48% Popularity • 27% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 27% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Hoobastank
Same Direction
169 bpm • D Maj • 03:15 • -3.31db
54% Popularity • 40% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 40% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Simple Plan
I'd Do Anything
169 bpm • G# Maj • 03:17 • -6.86db
63% Popularity • 40% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
63% Popularity • 40% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Hawthorne Heights
Saying Sorry
169 bpm • C# min • 03:07 • -2.2db
55% Popularity • 42% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 42% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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The Used
Buried Myself Alive
171 bpm • G Maj • 04:02 • -5.02db
59% Popularity • 26% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 26% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 39% Positiveness
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Anberlin
The Resistance
192 bpm • F min • 03:16 • -4.83db
43% Popularity • 46% Danceability • 93% Energy • 5% Liveness
3% Instrumentalness • 56% Positiveness
43% Popularity • 46% Danceability • 93% Energy • 5% Liveness
3% Instrumentalness • 56% Positiveness
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Sum 41
Still Waiting
192 bpm • G Maj • 02:38 • -4.92db
73% Popularity • 43% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
73% Popularity • 43% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Sleeping With Sirens
If You Can't Hang
192 bpm • D min • 04:10 • -3.53db
70% Popularity • 39% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
70% Popularity • 39% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Four Year Strong
It Must Really Suck To Be Four Year Stro...
168 bpm • G Maj • 03:16 • -3.79db
46% Popularity • 25% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 25% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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I Set My Friends On Fire
Things That Rhyme With Orange
168 bpm • F Maj • 03:24 • -3.7db
49% Popularity • 46% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 46% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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The Used
Earthquake
170 bpm • D Maj • 03:29 • -6.1db
39% Popularity • 18% Danceability • 88% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 18% Danceability • 88% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Senses Fail
Calling All Cars
168 bpm • D Maj • 03:23 • -3.16db
53% Popularity • 37% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 37% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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New Years Day
Angel Eyes
168 bpm • E Maj • 02:56 • -3.21db
48% Popularity • 31% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 31% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Jimmy Eat World
Pain
168 bpm • C min • 03:01 • -3db
61% Popularity • 40% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 40% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
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New Found Glory
All Downhill From Here
168 bpm • A Maj • 03:12 • -4.07db
58% Popularity • 43% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
58% Popularity • 43% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Fall of Troy
F.C.P.R.E.M.I.X.
168 bpm • A min • 03:57 • -5.53db
56% Popularity • 23% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 23% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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The Used
Hands and Faces
170 bpm • D Maj • 03:25 • -4.35db
26% Popularity • 45% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 45% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 50% Positiveness
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Yellowcard
Lights And Sounds
168 bpm • B min • 03:28 • -3.68db
62% Popularity • 34% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 34% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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The Sleeping
Don't Hold Back
168 bpm • G# min • 04:32 • -5.08db
46% Popularity • 38% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 38% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Taking Back Sunday
Error Operator
167 bpm • D# min • 02:51 • -4db
46% Popularity • 38% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
46% Popularity • 38% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
