Songs like The Bird of Dawning Singeth All Night Long: The bird of dawning singeth all night long by Jean Coulthard
Based on a tempo of (+/- 10%) and a similar genre
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![Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): On a branch of a big tree (The Bird) cover art](https://i.scdn.co/image/ab67616d00001e02f8f124b3c9cbe2123a602857)
Raymond Leppard
Peter and the Wolf - A Musical Tale for ...
143 bpm • C Maj • 01:31 • -25.1db
10% Popularity • 39% Danceability • 6% Energy • 23% Liveness
69% Instrumentalness • 36% Positiveness
10% Popularity • 39% Danceability • 6% Energy • 23% Liveness
69% Instrumentalness • 36% Positiveness
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Alberto Ginastera
Estancia, Op. 8: Scene 1, El Amanecer - ...
144 bpm • C Maj • 01:33 • -18.56db
11% Popularity • 48% Danceability • 42% Energy • 61% Liveness
90% Instrumentalness • 40% Positiveness
11% Popularity • 48% Danceability • 42% Energy • 61% Liveness
90% Instrumentalness • 40% Positiveness
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Jean Coulthard
The Bird of Dawning Singeth All Night Lo...
143 bpm • C# Maj • 05:21 • -27.54db
0% Popularity • 17% Danceability • 5% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 5% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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Jean Sibelius
Lemminkäinen, Op. 22: IV. Lemminkäinen...
144 bpm • C min • 06:36 • -24.5db
10% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
10% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
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Gabrieli String Quartet
Elsie Cubitt (The Dancing Men)
144 bpm • C# Maj • 03:56 • -33.9db
10% Popularity • 13% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: IV. Frolicsome F...
144 bpm • G Maj • 03:08 • -18.22db
7% Popularity • 30% Danceability • 24% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
7% Popularity • 30% Danceability • 24% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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Georges Bizet
Bizet: L'Arlésienne Suite No. 1, Op. 23...
142 bpm • E Maj • 04:26 • -24.85db
5% Popularity • 22% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
5% Popularity • 22% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
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Luca Schettino
String Quartet N 17: IV. Ballade
145 bpm • G Maj • 03:25 • -23.58db
11% Popularity • 32% Danceability • 5% Energy • 34% Liveness
20% Instrumentalness • 69% Positiveness
11% Popularity • 32% Danceability • 5% Energy • 34% Liveness
20% Instrumentalness • 69% Positiveness
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Robert Parsons
A Songe Called Trumpetts
142 bpm • F# Maj • 01:39 • -39.92db
10% Popularity • 39% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
10% Popularity • 39% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
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Gustav Holst
The Planets Op.32: III. Mercury. The Win...
145 bpm • F Maj • 03:28 • -23.39db
8% Popularity • 18% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Jean Coulthard
Of Fields and Forests
145 bpm • A min • 07:08 • -24.84db
0% Popularity • 46% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
0% Popularity • 46% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Series II., Op. 72, B. ...
140 bpm • F# min • 04:36 • -15.1db
8% Popularity • 24% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 16% Positiveness
8% Popularity • 24% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 16% Positiveness
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Karsten Masch
Opus No. 5 Karsten Masch - Tubae Spei - ...
140 bpm • C# min • 03:12 • -16.48db
28% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
28% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No.4 In F Minor Op.36: III. Sch...
147 bpm • C Maj • 06:04 • -26.37db
7% Popularity • 45% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
7% Popularity • 45% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Sergei Rachmaninoff
Woodland Suite: III. Moon-Fairy (Arr. Of...
139 bpm • A Maj • 02:08 • -34.07db
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Charles Camilleri
Malta Suite for Clarinet and Piano: III....
139 bpm • A min • 01:55 • -19.44db
9% Popularity • 49% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
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Jean Coulthard
Three Love Songs: There is No Darkness
139 bpm • F Maj • 03:19 • -18.98db
0% Popularity • 33% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 33% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Swedish Chamber Orchestra
Sov du lilla videung - Sing along
138 bpm • B Maj • 02:00 • -20.17db
12% Popularity • 15% Danceability • 10% Energy • 13% Liveness
83% Instrumentalness • 7% Positiveness
12% Popularity • 15% Danceability • 10% Energy • 13% Liveness
83% Instrumentalness • 7% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
138 bpm • A min • 02:16 • -23.84db
12% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Erik Satie
Relâche, Pt. 2: No. 10, La femme rejoin...
148 bpm • C min • 01:01 • -38.39db
8% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Francis Poulenc
Trois mouvements perpétuels, FP 14b: I....
138 bpm • A# Maj • 01:29 • -25.68db
21% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
21% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
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Paule Maurice
Tableaux De Provence: V. Lou Cabridan
138 bpm • G# Maj • 03:47 • -17.08db
20% Popularity • 42% Danceability • 28% Energy • 14% Liveness
87% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 28% Energy • 14% Liveness
87% Instrumentalness • 28% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74 "Path�...
138 bpm • D Maj • 07:58 • -25.67db
9% Popularity • 19% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Eric Coates
Cinderella: 7. Cinderella, once more sit...
148 bpm • G Maj • 01:13 • -36.75db
15% Popularity • 12% Danceability • 0% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
15% Popularity • 12% Danceability • 0% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
137 bpm • A min • 00:59 • -38.07db
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Christian Lindberg
Frustration
138 bpm • G min • 01:48 • -28.75db
14% Popularity • 15% Danceability • 8% Energy • 34% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 8% Energy • 34% Liveness
95% Instrumentalness • 3% Positiveness
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Ferruccio Busoni
Concerto in D Major, Op. 35a: III. Alleg...
149 bpm • G Maj • 06:49 • -24.5db
13% Popularity • 37% Danceability • 14% Energy • 10% Liveness
64% Instrumentalness • 29% Positiveness
13% Popularity • 37% Danceability • 14% Energy • 10% Liveness
64% Instrumentalness • 29% Positiveness
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Sergei Prokofiev
Prokofiev: Violin Concerto No. 1 in D Ma...
137 bpm • A min • 03:57 • -26.75db
18% Popularity • 52% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 47% Positiveness
18% Popularity • 52% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 47% Positiveness
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Sanseti Sabaru
Mystic Raga Serenity
149 bpm • G min • 02:22 • -34.22db
10% Popularity • 13% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
136 bpm • A Maj • 01:57 • -32.98db
12% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Hu-Wei Huang
Pictures from Bashu (arr. Yi-Wen Jiang f...
137 bpm • F Maj • 01:15 • -32.24db
7% Popularity • 23% Danceability • 3% Energy • 4% Liveness
67% Instrumentalness • 16% Positiveness
7% Popularity • 23% Danceability • 3% Energy • 4% Liveness
67% Instrumentalness • 16% Positiveness
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Christian Lindberg
Burning Chaos
137 bpm • F# Maj • 02:22 • -16.87db
15% Popularity • 35% Danceability • 63% Energy • 62% Liveness
81% Instrumentalness • 36% Positiveness
15% Popularity • 35% Danceability • 63% Energy • 62% Liveness
81% Instrumentalness • 36% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo (Prelude ...
136 bpm • D# Maj • 02:35 • -36.64db
2% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
2% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Orion King
Intend
151 bpm • C# Maj • 02:59 • -19.28db
16% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
16% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
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Sanseti Sabaru
Ravi
151 bpm • D min • 02:10 • -33.62db
13% Popularity • 14% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
13% Popularity • 14% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
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Milo Paulus
Proving the Existence of Folkloric Creat...
135 bpm • A min • 03:17 • -21.72db
9% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
9% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
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Dorothy Howell
Humoresque
135 bpm • E min • 03:56 • -19.43db
13% Popularity • 29% Danceability • 10% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
13% Popularity • 29% Danceability • 10% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
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Lennox Berkeley
Divertimento, Op.18: I. Prelude. Moderat...
135 bpm • D min • 03:43 • -23.18db
12% Popularity • 32% Danceability • 6% Energy • 20% Liveness
85% Instrumentalness • 11% Positiveness
12% Popularity • 32% Danceability • 6% Energy • 20% Liveness
85% Instrumentalness • 11% Positiveness
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Ria Mbanefo
Love Sleeping Alone
134 bpm • G min • 02:24 • -22.2db
15% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
15% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
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Eitan Cornfield
Coulthard documentary: Rather than divid...
134 bpm • B min • 04:58 • -25.43db
0% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: II. Arabi...
134 bpm • F Maj • 04:27 • -23.67db
1% Popularity • 40% Danceability • 5% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
1% Popularity • 40% Danceability • 5% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Paul Creston
Saxophone Concerto, Op. 26 (Version for ...
154 bpm • D Maj • 06:00 • -18.49db
7% Popularity • 28% Danceability • 21% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
7% Popularity • 28% Danceability • 21% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
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Jean Coulthard
Serenade: III. Sing Me My Lover
153 bpm • D Maj • 03:27 • -28.01db
0% Popularity • 24% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 24% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: II...
133 bpm • D# Maj • 07:00 • -26.09db
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
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Erik Satie
Relâche, Pt. 1: No. 3, Entrée de la fe...
133 bpm • D Maj • 01:16 • -33.3db
9% Popularity • 20% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 20% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Paul Chihara
Concerto-Fantasy: II. Interlude
133 bpm • C# Maj • 03:47 • -25.08db
11% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Pezzo capriccioso in B Minor, Op. 62
132 bpm • B min • 07:18 • -26.29db
8% Popularity • 23% Danceability • 10% Energy • 13% Liveness
81% Instrumentalness • 14% Positiveness
8% Popularity • 23% Danceability • 10% Energy • 13% Liveness
81% Instrumentalness • 14% Positiveness
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Hu-Wei Huang
Pictures from Bashu (arr. Yi-Wen Jiang f...
132 bpm • D min • 01:08 • -27.33db
10% Popularity • 54% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 62% Positiveness
10% Popularity • 54% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 62% Positiveness
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Ernst von Dohnányi
Variations on a Nursery Song, Op. 25: Va...
131 bpm • G# Maj • 01:30 • -23.37db
7% Popularity • 43% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
7% Popularity • 43% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Dorothy Howell
The Rock
131 bpm • D min • 10:49 • -20.84db
20% Popularity • 29% Danceability • 8% Energy • 30% Liveness
85% Instrumentalness • 5% Positiveness
20% Popularity • 29% Danceability • 8% Energy • 30% Liveness
85% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Tuba Concerto in F Min...
131 bpm • G Maj • 05:10 • -25.37db
10% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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William Hurlstone
The Magic Mirror Suite: VI. Interlude
131 bpm • B min • 03:00 • -26.9db
12% Popularity • 23% Danceability • 3% Energy • 34% Liveness
52% Instrumentalness • 7% Positiveness
12% Popularity • 23% Danceability • 3% Energy • 34% Liveness
52% Instrumentalness • 7% Positiveness
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Andre Caplet
Children's Corner (arr. A. Caplet for or...
131 bpm • C# min • 03:04 • -31db
20% Popularity • 22% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 6% Positiveness
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Igor Stravinsky
Petrushka, K12 (1947 Version): Ia. The S...
131 bpm • A# Maj • 07:36 • -18.03db
18% Popularity • 40% Danceability • 25% Energy • 20% Liveness
65% Instrumentalness • 5% Positiveness
18% Popularity • 40% Danceability • 25% Energy • 20% Liveness
65% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Shostakovich: Symphony No. 6 in B Minor,...
157 bpm • C Maj • 06:34 • -19.01db
10% Popularity • 34% Danceability • 26% Energy • 32% Liveness
78% Instrumentalness • 36% Positiveness
10% Popularity • 34% Danceability • 26% Energy • 32% Liveness
78% Instrumentalness • 36% Positiveness
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Ottorino Respighi
Trittico botticelliano, P. 151: I. La pr...
130 bpm • A Maj • 06:05 • -21.8db
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Georges Bizet
Bizet: L'Arlésienne Suite No. 1, Op. 23...
157 bpm • G# Maj • 03:16 • -30.19db
4% Popularity • 30% Danceability • 3% Energy • 14% Liveness
34% Instrumentalness • 32% Positiveness
4% Popularity • 30% Danceability • 3% Energy • 14% Liveness
34% Instrumentalness • 32% Positiveness
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Graźnya Bacewicz
Concerto for String Orchestra: III. Vivo
130 bpm • A min • 04:20 • -17.79db
20% Popularity • 37% Danceability • 42% Energy • 15% Liveness
95% Instrumentalness • 50% Positiveness
20% Popularity • 37% Danceability • 42% Energy • 15% Liveness
95% Instrumentalness • 50% Positiveness
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Jean Coulthard
Quiet
158 bpm • D min • 02:12 • -17.84db
0% Popularity • 33% Danceability • 10% Energy • 22% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 33% Danceability • 10% Energy • 22% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
129 bpm • G Maj • 09:26 • -26.97db
13% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Eitan Cornfield
Coulthard documentary: I was determined ...
129 bpm • C# Maj • 05:41 • -23.67db
0% Popularity • 64% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 64% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
129 bpm • C Maj • 03:44 • -18.17db
16% Popularity • 31% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
16% Popularity • 31% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
► Preview
Edvard Grieg
Grieg: 4 Symphonic Dances, Op. 64: No. 3...
158 bpm • D Maj • 06:32 • -18.6db
1% Popularity • 23% Danceability • 12% Energy • 34% Liveness
89% Instrumentalness • 18% Positiveness
1% Popularity • 23% Danceability • 12% Energy • 34% Liveness
89% Instrumentalness • 18% Positiveness
► Preview
Erik Satie
Relâche, Pt. 1: No. 10, Final
129 bpm • D Maj • 01:14 • -21.39db
8% Popularity • 48% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 36% Positiveness
8% Popularity • 48% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 36% Positiveness
► Preview
James Ricci
Night Music
129 bpm • F# min • 07:53 • -19db
7% Popularity • 21% Danceability • 12% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 12% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
129 bpm • G Maj • 04:11 • -13.56db
25% Popularity • 45% Danceability • 37% Energy • 62% Liveness
82% Instrumentalness • 24% Positiveness
25% Popularity • 45% Danceability • 37% Energy • 62% Liveness
82% Instrumentalness • 24% Positiveness
► Preview
Christian Lindberg
Tromsö 2018 I
128 bpm • C Maj • 01:11 • -11db
14% Popularity • 54% Danceability • 41% Energy • 61% Liveness
80% Instrumentalness • 52% Positiveness
14% Popularity • 54% Danceability • 41% Energy • 61% Liveness
80% Instrumentalness • 52% Positiveness
► Preview
Gustav Holst
A Fugal Concerto, Op. 40: II. Adagio
128 bpm • D Maj • 03:10 • -28.77db
20% Popularity • 18% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Nikos Skalkottas
5 Greek Dances, AK 11b (Arr. for String ...
160 bpm • G min • 02:11 • -20.19db
17% Popularity • 33% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 72% Positiveness
17% Popularity • 33% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 72% Positiveness
► Preview
Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
► Preview
Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:00 • -14.56db
16% Popularity • 32% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
16% Popularity • 32% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Franz Schmidt
Symphony No. 4 in C Major: III. Molto vi...
127 bpm • C# Maj • 07:11 • -22.93db
10% Popularity • 30% Danceability • 16% Energy • 19% Liveness
89% Instrumentalness • 25% Positiveness
10% Popularity • 30% Danceability • 16% Energy • 19% Liveness
89% Instrumentalness • 25% Positiveness
► Preview
Agneta Krilova
The Rose Petal Waltz
126 bpm • C# Maj • 04:00 • -21.86db
17% Popularity • 30% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
17% Popularity • 30% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Igor Stravinsky
Petrushka, K012 (1947 Version), Pt. 1, "...
126 bpm • D min • 07:51 • -21.11db
9% Popularity • 39% Danceability • 13% Energy • 64% Liveness
29% Instrumentalness • 7% Positiveness
9% Popularity • 39% Danceability • 13% Energy • 64% Liveness
29% Instrumentalness • 7% Positiveness
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Jean Coulthard
12 Essays on a Cantabile Theme: No. 9. T...
163 bpm • C Maj • 03:03 • -27db
0% Popularity • 15% Danceability • 3% Energy • 7% Liveness
71% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 3% Energy • 7% Liveness
71% Instrumentalness • 4% Positiveness
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Andre Kostelanetz & His Orchestra
Serenade
125 bpm • A Maj • 02:35 • -19.57db
9% Popularity • 21% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 7% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:01 • -15.36db
20% Popularity • 25% Danceability • 23% Energy • 62% Liveness
85% Instrumentalness • 19% Positiveness
20% Popularity • 25% Danceability • 23% Energy • 62% Liveness
85% Instrumentalness • 19% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: II. Petit ...
125 bpm • C min • 03:17 • -27.4db
0% Popularity • 20% Danceability • 5% Energy • 33% Liveness
5% Instrumentalness • 16% Positiveness
0% Popularity • 20% Danceability • 5% Energy • 33% Liveness
5% Instrumentalness • 16% Positiveness
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Frederick Delius
Hassan, DCW 8, Act 1 Scene 1: Prelude. S...
164 bpm • E Maj • 04:22 • -24.99db
16% Popularity • 9% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
16% Popularity • 9% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Stanisław Moniuszko
Verbum nobile: Overture
125 bpm • G Maj • 05:14 • -20.58db
19% Popularity • 37% Danceability • 11% Energy • 22% Liveness
91% Instrumentalness • 46% Positiveness
19% Popularity • 37% Danceability • 11% Energy • 22% Liveness
91% Instrumentalness • 46% Positiveness
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Ralph Vaughan Williams
Violin Concerto in D Minor "Accademico":...
164 bpm • G Maj • 04:08 • -19.92db
8% Popularity • 27% Danceability • 26% Energy • 18% Liveness
80% Instrumentalness • 34% Positiveness
8% Popularity • 27% Danceability • 26% Energy • 18% Liveness
80% Instrumentalness • 34% Positiveness
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Christian Lindberg
Tromsö 2018 IV
124 bpm • C# Maj • 01:01 • -8db
18% Popularity • 59% Danceability • 51% Energy • 39% Liveness
96% Instrumentalness • 45% Positiveness
18% Popularity • 59% Danceability • 51% Energy • 39% Liveness
96% Instrumentalness • 45% Positiveness
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Ernst von Dohnányi
Sextet for Piano, Clarinet, Horn and Str...
165 bpm • G# Maj • 06:00 • -20.18db
11% Popularity • 15% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Le carnaval des animaux
Le Carnaval des animaux - Introduction e...
165 bpm • A min • 02:21 • -17.14db
10% Popularity • 55% Danceability • 28% Energy • 36% Liveness
1% Instrumentalness • 35% Positiveness
10% Popularity • 55% Danceability • 28% Energy • 36% Liveness
1% Instrumentalness • 35% Positiveness
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Camille Saint-Saëns
Étienne Marcel, R. 209, Act III, The Ni...
124 bpm • D# Maj • 01:54 • -15.97db
10% Popularity • 42% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 47% Positiveness
10% Popularity • 42% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 47% Positiveness
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Eitan Cornfield
Coulthard documentary: I feel that music...
124 bpm • A# min • 04:42 • -23.24db
0% Popularity • 63% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 63% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Franz Schmidt
Notre Dame, Op. 2: Intermezzo. Sehr zur�...
123 bpm • C# Maj • 03:38 • -24.31db
7% Popularity • 17% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Jules Massenet
Les Érinnyes: Invocation
166 bpm • E min • 02:06 • -26.72db
22% Popularity • 9% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
22% Popularity • 9% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Jean Coulthard
Les chansons du coeur: No. 2. Je tissera...
123 bpm • D Maj • 01:10 • -16.82db
0% Popularity • 41% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 41% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Gounod
Gounod: Petite Symphonie in B-Flat for 9...
123 bpm • A# Maj • 05:41 • -19.43db
1% Popularity • 44% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 33% Positiveness
1% Popularity • 44% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 33% Positiveness
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Antonin Dvorak
Symphony No.8 In G Major Op.88: III. All...
167 bpm • C Maj • 05:54 • -23.18db
8% Popularity • 16% Danceability • 10% Energy • 35% Liveness
92% Instrumentalness • 32% Positiveness
8% Popularity • 16% Danceability • 10% Energy • 35% Liveness
92% Instrumentalness • 32% Positiveness
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Eitan Cornfield
Coulthard documentary: I had my lesson t...
123 bpm • F min • 05:30 • -22.58db
0% Popularity • 62% Danceability • 17% Energy • 50% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 62% Danceability • 17% Energy • 50% Liveness
0% Instrumentalness • 47% Positiveness
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AntonÃn Dvořák
String Quartet No. 5, Op. 9: II. Andante...
122 bpm • G# Maj • 08:07 • -23.11db
10% Popularity • 19% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
10% Popularity • 19% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Daniel Auber
Couvin, S. 2: Act II Prelude
167 bpm • C Maj • 01:27 • -34db
22% Popularity • 26% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 3% Positiveness
22% Popularity • 26% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 3% Positiveness
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Jean Coulthard
When Music Sounds
168 bpm • G Maj • 03:36 • -30.24db
1% Popularity • 16% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 5% Positiveness
1% Popularity • 16% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 5% Positiveness
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Jean Sibelius
Karelia Suite, Op. 11: III. Alla marcia....
168 bpm • A Maj • 04:45 • -19.56db
14% Popularity • 24% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
14% Popularity • 24% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Clara Schumann
3 Romances: Andante molto
170 bpm • C# Maj • 02:56 • -22.92db
15% Popularity • 16% Danceability • 2% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 2% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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William Walton
Music for Children: No. 7. Song at Dusk:...
170 bpm • A# min • 01:16 • -29.34db
9% Popularity • 9% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
