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The Bird Wave
Songs like
The Bird Wave
by
Jimmy McGriff
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy McGriff
The Bird Wave
95 bpm • F min • 04:02 • -7.47db
31% Popularity • 65% Danceability • 87% Energy • 4% Liveness
61% Instrumentalness • 96% Positiveness
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Jeremy Steig
Alias
95 bpm • C# Maj • 04:20 • -14.83db
9% Popularity • 58% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Stone Alliance
Sweetie-Pie
95 bpm • A# min • 04:28 • -9.91db
13% Popularity • 70% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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The Howard Roberts Quartet
Florence Of Arabia
95 bpm • F Maj • 01:44 • -15.31db
36% Popularity • 68% Danceability • 48% Energy • 6% Liveness
84% Instrumentalness • 83% Positiveness
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O'Donel Levy
People Make the World Go Round
95 bpm • B min • 04:43 • -7.54db
20% Popularity • 73% Danceability • 56% Energy • 9% Liveness
83% Instrumentalness • 78% Positiveness
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Mickey & The Soul Generation
Iron Leg
95 bpm • C min • 02:14 • -7db
20% Popularity • 70% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Jimmy McGriff
Moonlight in Vermont
95 bpm • D# min • 03:47 • -13.52db
0% Popularity • 46% Danceability • 19% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Giggin' Down
95 bpm • F Maj • 03:04 • -11db
19% Popularity • 71% Danceability • 77% Energy • 10% Liveness
86% Instrumentalness • 93% Positiveness
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Afrique
Kissing My Love
96 bpm • G# Maj • 03:08 • -10.14db
11% Popularity • 78% Danceability • 67% Energy • 22% Liveness
64% Instrumentalness • 96% Positiveness
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24 Carat Black
Brown-Baggin'
94 bpm • A# Maj • 06:47 • -10db
12% Popularity • 67% Danceability • 57% Energy • 16% Liveness
90% Instrumentalness • 88% Positiveness
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The Jazz Crusaders
Why Do You Laugh At Me?
96 bpm • C Maj • 02:35 • -12.46db
27% Popularity • 48% Danceability • 34% Energy • 10% Liveness
96% Instrumentalness • 37% Positiveness
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Stanley Turrentine
Sister Sanctified
94 bpm • F Maj • 06:02 • -10.6db
9% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy McGriff
Healin' Feelin
96 bpm • F min • 05:09 • -8.63db
10% Popularity • 61% Danceability • 81% Energy • 14% Liveness
89% Instrumentalness • 85% Positiveness
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The Meters
Funky Miracle
96 bpm • B min • 02:27 • -14.11db
29% Popularity • 83% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 57% Positiveness
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Afrique
House of the Rising Funk
96 bpm • F Maj • 03:20 • -10.43db
21% Popularity • 73% Danceability • 56% Energy • 11% Liveness
26% Instrumentalness • 66% Positiveness
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Fatback Band
Mister Bass Man
96 bpm • G# Maj • 03:22 • -14db
34% Popularity • 76% Danceability • 58% Energy • 26% Liveness
64% Instrumentalness • 97% Positiveness
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George Benson
Footin' It
96 bpm • E Maj • 04:22 • -12.34db
30% Popularity • 71% Danceability • 32% Energy • 9% Liveness
67% Instrumentalness • 56% Positiveness
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Patrice Rushen
The Hump
94 bpm • C# Maj • 06:11 • -7.84db
30% Popularity • 70% Danceability • 86% Energy • 35% Liveness
65% Instrumentalness • 94% Positiveness
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Houston Person
The Houston Express
94 bpm • F min • 05:51 • -11.76db
3% Popularity • 61% Danceability • 60% Energy • 7% Liveness
31% Instrumentalness • 90% Positiveness
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Tom Scott And The L.A. Express
Sneakin' In The Back
94 bpm • G# Maj • 04:46 • -13.02db
30% Popularity • 75% Danceability • 37% Energy • 6% Liveness
82% Instrumentalness • 53% Positiveness
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Herbie Hancock
Oh! Oh! Here He Comes
96 bpm • A Maj • 04:08 • -11db
34% Popularity • 62% Danceability • 68% Energy • 13% Liveness
95% Instrumentalness • 96% Positiveness
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Charles Kynard
El Toro Poo Poo
94 bpm • F Maj • 03:14 • -9.14db
18% Popularity • 55% Danceability • 81% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
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Les McCann
Harlem Buck Dance Strut
97 bpm • C Maj • 05:55 • -14.22db
27% Popularity • 68% Danceability • 49% Energy • 55% Liveness
6% Instrumentalness • 63% Positiveness
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Yusef Lateef
Prayer
96 bpm • A# Maj • 03:20 • -13.8db
15% Popularity • 62% Danceability • 64% Energy • 10% Liveness
42% Instrumentalness • 73% Positiveness
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Jimmy McGriff
Blue Juice
93 bpm • C Maj • 04:08 • -10.87db
24% Popularity • 66% Danceability • 64% Energy • 42% Liveness
50% Instrumentalness • 77% Positiveness
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O'Donel Levy
Didn't I (Blow Your Mind This Time)
97 bpm • D Maj • 03:10 • -17db
20% Popularity • 50% Danceability • 42% Energy • 15% Liveness
94% Instrumentalness • 70% Positiveness
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The Headhunters
God Make Me Funky
97 bpm • D Maj • 09:39 • -8db
33% Popularity • 62% Danceability • 84% Energy • 6% Liveness
18% Instrumentalness • 85% Positiveness
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Leroy & The Drivers
The Sad Chicken
97 bpm • C Maj • 03:00 • -5db
19% Popularity • 67% Danceability • 87% Energy • 12% Liveness
85% Instrumentalness • 54% Positiveness
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Dave Hamilton
Soul Suite
97 bpm • A# min • 05:16 • -4.28db
15% Popularity • 73% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 63% Positiveness
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Eddie Henderson
The Kumquat Kids
93 bpm • A min • 04:30 • -8db
22% Popularity • 65% Danceability • 75% Energy • 4% Liveness
7% Instrumentalness • 89% Positiveness
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Pleasure
Dust Yourself Off
97 bpm • C Maj • 03:51 • -7.27db
10% Popularity • 59% Danceability • 94% Energy • 7% Liveness
12% Instrumentalness • 60% Positiveness
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Jimmy McGriff
Blue Juice
93 bpm • C Maj • 04:59 • -11.04db
27% Popularity • 66% Danceability • 61% Energy • 14% Liveness
74% Instrumentalness • 76% Positiveness
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Idris Muhammad
Crap Apple
97 bpm • A# Maj • 05:10 • -7db
30% Popularity • 89% Danceability • 66% Energy • 12% Liveness
39% Instrumentalness • 89% Positiveness
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Eddie Harris
Lovely Is Today
97 bpm • G min • 04:25 • -6.93db
10% Popularity • 52% Danceability • 66% Energy • 25% Liveness
85% Instrumentalness • 59% Positiveness
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Cornell Dupree
Teasin'
93 bpm • C# min • 03:51 • -4.8db
20% Popularity • 73% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Blue Mitchell
Flat Backing
97 bpm • C Maj • 04:20 • -7.63db
5% Popularity • 69% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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The Poets Of Rhythm
50 Yards of Soul
97 bpm • C Maj • 04:02 • -7db
29% Popularity • 73% Danceability • 87% Energy • 4% Liveness
82% Instrumentalness • 92% Positiveness
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Fred Wesley & The Horny Horns
Four Play
93 bpm • A Maj • 08:00 • -9.2db
25% Popularity • 77% Danceability • 51% Energy • 7% Liveness
82% Instrumentalness • 82% Positiveness
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Ike Turner & The Kings Of Rhythm
Thinking Black
97 bpm • G Maj • 02:40 • -10db
28% Popularity • 66% Danceability • 61% Energy • 12% Liveness
90% Instrumentalness • 92% Positiveness
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The Blackbyrds
Reggins
98 bpm • F min • 04:05 • -12db
33% Popularity • 64% Danceability • 51% Energy • 7% Liveness
78% Instrumentalness • 93% Positiveness
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Oliver Nelson
125th Street & 7th Avenue
98 bpm • A# Maj • 06:22 • -7db
13% Popularity • 51% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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The Meters
Hey! Last Minute
93 bpm • D Maj • 03:00 • -17.03db
16% Popularity • 82% Danceability • 46% Energy • 3% Liveness
86% Instrumentalness • 74% Positiveness
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Joe Thomas
Polarizer
98 bpm • G min • 05:33 • -12.01db
22% Popularity • 79% Danceability • 48% Energy • 6% Liveness
74% Instrumentalness • 96% Positiveness
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Billy Butler
The Twang Thang
98 bpm • A# Maj • 05:13 • -17.75db
20% Popularity • 69% Danceability • 25% Energy • 10% Liveness
74% Instrumentalness • 76% Positiveness
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Alphonse Mouzon
Snow Bound
92 bpm • G# Maj • 03:05 • -6.6db
25% Popularity • 67% Danceability • 82% Energy • 15% Liveness
87% Instrumentalness • 96% Positiveness
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Idris Muhammad
Soulful Drums
98 bpm • D min • 04:41 • -15.94db
16% Popularity • 65% Danceability • 39% Energy • 10% Liveness
81% Instrumentalness • 54% Positiveness
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Jimmy McGriff
Round Midnight
98 bpm • D# min • 05:46 • -13.99db
0% Popularity • 41% Danceability • 17% Energy • 15% Liveness
70% Instrumentalness • 20% Positiveness
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Kenny Barron
Tapioca
92 bpm • C# min • 06:11 • -16.31db
3% Popularity • 58% Danceability • 46% Energy • 28% Liveness
64% Instrumentalness • 88% Positiveness
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Ronnie Laws
Tell Me Something Good
92 bpm • C# min • 04:51 • -13.11db
23% Popularity • 58% Danceability • 80% Energy • 18% Liveness
58% Instrumentalness • 82% Positiveness
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Chico Hamilton
Abdullah And Abraham
98 bpm • G Maj • 04:16 • -12db
20% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Fred Wesley & The Horny Horns
Four Play - D.J. Promo 45 Edit Version
92 bpm • A Maj • 03:31 • -8.77db
14% Popularity • 80% Danceability • 53% Energy • 5% Liveness
50% Instrumentalness • 87% Positiveness
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The Poets Of Rhythm
Strokin' the Grits
92 bpm • G Maj • 04:15 • -9.63db
27% Popularity • 79% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 84% Positiveness
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Charles Kynard
Little Ghetto Boy
98 bpm • F min • 03:06 • -8.5db
18% Popularity • 68% Danceability • 63% Energy • 21% Liveness
68% Instrumentalness • 96% Positiveness
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Bob James
One Mint Julep
98 bpm • A# Maj • 09:07 • -8db
19% Popularity • 66% Danceability • 68% Energy • 22% Liveness
53% Instrumentalness • 93% Positiveness
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Carleen & The Groovers
The Thing
98 bpm • C Maj • 02:40 • -6.38db
17% Popularity • 78% Danceability • 67% Energy • 8% Liveness
84% Instrumentalness • 67% Positiveness
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Lafayette Afro Rock Band
Azeta
92 bpm • G# Maj • 06:24 • -7.4db
25% Popularity • 54% Danceability • 85% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
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Fred Wesley & The J.B.'s
You Sure Love To Ball
92 bpm • C Maj • 04:37 • -9.39db
8% Popularity • 60% Danceability • 66% Energy • 17% Liveness
73% Instrumentalness • 46% Positiveness
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Idris Muhammad
Express Yourself
92 bpm • G# Maj • 05:25 • -15.32db
23% Popularity • 68% Danceability • 54% Energy • 28% Liveness
5% Instrumentalness • 96% Positiveness
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Blue Mitchell
H.N.I.C.
99 bpm • A# Maj • 05:20 • -8.81db
10% Popularity • 76% Danceability • 48% Energy • 6% Liveness
82% Instrumentalness • 78% Positiveness
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Bob James
Nautilus
98 bpm • A min • 05:05 • -14.18db
40% Popularity • 50% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
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Incredible Bongo Band
Pipeline
99 bpm • G min • 03:55 • -9db
21% Popularity • 52% Danceability • 48% Energy • 12% Liveness
44% Instrumentalness • 30% Positiveness
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Lonnie Liston Smith
Space Lady
91 bpm • F# min • 06:36 • -12.18db
16% Popularity • 60% Danceability • 58% Energy • 15% Liveness
18% Instrumentalness • 78% Positiveness
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Ronnie Foster
On The Avenue
99 bpm • B min • 06:14 • -11db
30% Popularity • 59% Danceability • 67% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
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O'Donel Levy
I Want To Make It With You
99 bpm • F Maj • 03:44 • -8.64db
15% Popularity • 68% Danceability • 72% Energy • 22% Liveness
25% Instrumentalness • 81% Positiveness
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Gene Harris & The Three Sounds
Book Of Slim
91 bpm • D min • 03:23 • -9.07db
42% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy McGriff
The Bird
99 bpm • D# Maj • 03:11 • -9.8db
32% Popularity • 74% Danceability • 56% Energy • 8% Liveness
51% Instrumentalness • 92% Positiveness
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James Moody
You Follow Me
91 bpm • A# min • 06:12 • -14.99db
12% Popularity • 82% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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The Meters
Here Comes the Meter Man
91 bpm • C Maj • 02:55 • -10.47db
35% Popularity • 57% Danceability • 89% Energy • 5% Liveness
3% Instrumentalness • 90% Positiveness
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Wade Marcus
Spinning Wheel
99 bpm • G# Maj • 03:57 • -19.76db
13% Popularity • 54% Danceability • 44% Energy • 8% Liveness
3% Instrumentalness • 71% Positiveness
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Howard Roberts
Walk Tall
99 bpm • F Maj • 02:17 • -15.29db
37% Popularity • 71% Danceability • 38% Energy • 8% Liveness
75% Instrumentalness • 76% Positiveness
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Hampton Hawes
Web
91 bpm • C# Maj • 03:30 • -10.43db
11% Popularity • 71% Danceability • 72% Energy • 15% Liveness
29% Instrumentalness • 93% Positiveness
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Lalo Schifrin
Tabu
91 bpm • F min • 04:32 • -17db
13% Popularity • 56% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
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The Mar-Keys
Plantation Inn
99 bpm • F Maj • 02:39 • -12db
32% Popularity • 86% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 92% Positiveness
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Lafayette Afro Rock Band
Heels & Soles
91 bpm • B Maj • 04:32 • -4.62db
16% Popularity • 45% Danceability • 92% Energy • 27% Liveness
62% Instrumentalness • 81% Positiveness
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Kenny Barron
The Bird
99 bpm • D# Maj • 03:13 • -17.43db
2% Popularity • 76% Danceability • 36% Energy • 8% Liveness
28% Instrumentalness • 96% Positiveness
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Jimmy McGriff
Cute
91 bpm • F Maj • 03:30 • -14db
6% Popularity • 59% Danceability • 53% Energy • 21% Liveness
76% Instrumentalness • 68% Positiveness
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Harvey & The Phenomenals
Soul and Sunshine
99 bpm • A# min • 03:59 • -6.85db
28% Popularity • 71% Danceability • 85% Energy • 2% Liveness
82% Instrumentalness • 94% Positiveness
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Chico Hamilton
I Can Hear The Grass Grow
100 bpm • A# min • 04:10 • -17.64db
15% Popularity • 77% Danceability • 47% Energy • 15% Liveness
84% Instrumentalness • 50% Positiveness
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The Sugarman 3
Got to Get Back to My Baby
91 bpm • C min • 04:40 • -6.38db
28% Popularity • 56% Danceability • 81% Energy • 23% Liveness
84% Instrumentalness • 96% Positiveness
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Herbie Hancock
Fat Albert Rotunda
100 bpm • A# min • 06:29 • -11.15db
25% Popularity • 66% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Lonnie Liston Smith
Cosmic Funk
100 bpm • D Maj • 05:36 • -10.5db
18% Popularity • 55% Danceability • 78% Energy • 12% Liveness
7% Instrumentalness • 92% Positiveness
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Redd Holt Unlimited
I Shot the Sheriff
100 bpm • C min • 02:20 • -9db
28% Popularity • 72% Danceability • 79% Energy • 8% Liveness
78% Instrumentalness • 94% Positiveness
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The Greyboy Allstars
Fire-Eater
100 bpm • G Maj • 04:32 • -7.31db
15% Popularity • 67% Danceability • 83% Energy • 4% Liveness
58% Instrumentalness • 97% Positiveness
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Black Heat
Zimba Ku
90 bpm • A# Maj • 04:38 • -12.96db
24% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Patrice Rushen
Kickin' Back
100 bpm • F min • 07:35 • -16.55db
14% Popularity • 72% Danceability • 48% Energy • 6% Liveness
71% Instrumentalness • 90% Positiveness
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David Axelrod
Cast Your Fate To The Wind
100 bpm • D# Maj • 03:27 • -14.44db
21% Popularity • 63% Danceability • 32% Energy • 22% Liveness
88% Instrumentalness • 38% Positiveness
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Alan Tew
Headlights
100 bpm • E min • 01:10 • -17.76db
30% Popularity • 62% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Gene Harris & The Three Sounds
Put On Train
90 bpm • D# Maj • 05:51 • -10db
22% Popularity • 58% Danceability • 67% Energy • 12% Liveness
54% Instrumentalness • 75% Positiveness
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Marva Whitney
In The Middle
101 bpm • G Maj • 02:47 • -12.07db
23% Popularity • 74% Danceability • 44% Energy • 6% Liveness
69% Instrumentalness • 67% Positiveness
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Black Heat
Rapid Fire
101 bpm • E Maj • 01:33 • -15db
30% Popularity • 68% Danceability • 48% Energy • 6% Liveness
82% Instrumentalness • 81% Positiveness
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Reuben Wilson
Hot Rod
90 bpm • C min • 06:27 • -11db
23% Popularity • 75% Danceability • 71% Energy • 7% Liveness
76% Instrumentalness • 83% Positiveness
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René Costy
Scrabble
101 bpm • G Maj • 04:12 • -6.34db
24% Popularity • 48% Danceability • 76% Energy • 15% Liveness
41% Instrumentalness • 93% Positiveness
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Donny Hathaway
Valdez in the Country
101 bpm • C Maj • 03:30 • -10.75db
33% Popularity • 56% Danceability • 68% Energy • 39% Liveness
62% Instrumentalness • 70% Positiveness
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C.C.P.P.
Joris of Lumina
101 bpm • C Maj • 03:11 • -4.07db
29% Popularity • 69% Danceability • 97% Energy • 12% Liveness
64% Instrumentalness • 68% Positiveness
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The Daktaris
Eltsuhg Ibal Lasiti
101 bpm • A# Maj • 05:07 • -10.88db
30% Popularity • 88% Danceability • 50% Energy • 7% Liveness
84% Instrumentalness • 93% Positiveness
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The Howard Roberts Quartet
Deep Fry
89 bpm • C Maj • 02:27 • -17.07db
21% Popularity • 63% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 56% Positiveness
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The Meters
Sing a Simple Song
101 bpm • D Maj • 03:06 • -12.57db
30% Popularity • 59% Danceability • 80% Energy • 32% Liveness
69% Instrumentalness • 83% Positiveness
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Les McCann
Dunbar High School Marching Band
101 bpm • C Maj • 06:06 • -11.23db
14% Popularity • 49% Danceability • 74% Energy • 14% Liveness
3% Instrumentalness • 66% Positiveness
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Michel Sardaby
Welcome New Warmth
101 bpm • A# min • 04:16 • -15db
31% Popularity • 52% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 78% Positiveness
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Bob James
Storm King
89 bpm • G min • 06:36 • -8.95db
21% Popularity • 71% Danceability • 59% Energy • 27% Liveness
8% Instrumentalness • 86% Positiveness
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The Bird Wave