Songs like The Bitter End by The Mobile Homes
Based on a tempo of (+/- 10%) and a similar genre
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ABU NEIN
Dying into a Dance
115 bpm • D Maj • 03:40 • -12.35db
14% Popularity • 64% Danceability • 50% Energy • 15% Liveness
41% Instrumentalness • 15% Positiveness
14% Popularity • 64% Danceability • 50% Energy • 15% Liveness
41% Instrumentalness • 15% Positiveness
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The Mobile Homes
Ill
115 bpm • G Maj • 03:21 • -4.71db
7% Popularity • 61% Danceability • 83% Energy • 22% Liveness
47% Instrumentalness • 71% Positiveness
7% Popularity • 61% Danceability • 83% Energy • 22% Liveness
47% Instrumentalness • 71% Positiveness
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Vision Talk
Unlike - Demo 1
115 bpm • G# Maj • 03:09 • -13.09db
18% Popularity • 67% Danceability • 76% Energy • 10% Liveness
18% Instrumentalness • 93% Positiveness
18% Popularity • 67% Danceability • 76% Energy • 10% Liveness
18% Instrumentalness • 93% Positiveness
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Iris
One Kind
115 bpm • A min • 04:42 • -6.82db
16% Popularity • 59% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 59% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Red Cell
We Will Be Birds Tonight
115 bpm • B Maj • 04:00 • -9.11db
8% Popularity • 54% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 54% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Torul
Explain
115 bpm • E Maj • 03:03 • -6.47db
32% Popularity • 62% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 65% Positiveness
32% Popularity • 62% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 65% Positiveness
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Sea of Sin
Don't Let Go - XXXY Edit
115 bpm • F# Maj • 04:00 • -7.37db
15% Popularity • 46% Danceability • 92% Energy • 18% Liveness
8% Instrumentalness • 61% Positiveness
15% Popularity • 46% Danceability • 92% Energy • 18% Liveness
8% Instrumentalness • 61% Positiveness
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The Mobile Homes
Conclusion
115 bpm • F min • 03:37 • -5.99db
10% Popularity • 61% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
10% Popularity • 61% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
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Michele Marson
An '80s Dream
116 bpm • B min • 03:32 • -10.26db
14% Popularity • 65% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 65% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Babylonia
Of All the Things We've Made
116 bpm • G# min • 04:37 • -8.31db
12% Popularity • 54% Danceability • 65% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
12% Popularity • 54% Danceability • 65% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
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Iris
Feeder
114 bpm • B Maj • 03:22 • -5.93db
9% Popularity • 56% Danceability • 87% Energy • 7% Liveness
5% Instrumentalness • 56% Positiveness
9% Popularity • 56% Danceability • 87% Energy • 7% Liveness
5% Instrumentalness • 56% Positiveness
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Beborn Beton
Burning Gasoline
114 bpm • G Maj • 04:49 • -7.21db
10% Popularity • 57% Danceability • 91% Energy • 12% Liveness
6% Instrumentalness • 80% Positiveness
10% Popularity • 57% Danceability • 91% Energy • 12% Liveness
6% Instrumentalness • 80% Positiveness
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Red Cell
Good Morning, Good Light
116 bpm • D min • 03:18 • -6.79db
11% Popularity • 55% Danceability • 87% Energy • 13% Liveness
1% Instrumentalness • 30% Positiveness
11% Popularity • 55% Danceability • 87% Energy • 13% Liveness
1% Instrumentalness • 30% Positiveness
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The Mobile Homes
Love to Be Loved
115 bpm • C# Maj • 03:48 • -13.25db
6% Popularity • 59% Danceability • 59% Energy • 6% Liveness
6% Instrumentalness • 86% Positiveness
6% Popularity • 59% Danceability • 59% Energy • 6% Liveness
6% Instrumentalness • 86% Positiveness
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Birmingham Electric
Stateless - Parralox Remix
116 bpm • B Maj • 05:57 • -6.31db
14% Popularity • 64% Danceability • 88% Energy • 11% Liveness
44% Instrumentalness • 57% Positiveness
14% Popularity • 64% Danceability • 88% Energy • 11% Liveness
44% Instrumentalness • 57% Positiveness
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Code 64
Hall of Mirrors
114 bpm • F Maj • 03:39 • -8.41db
16% Popularity • 65% Danceability • 86% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
16% Popularity • 65% Danceability • 86% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Tobias Bernstrup
Only One
114 bpm • A# Maj • 03:56 • -7.72db
10% Popularity • 55% Danceability • 89% Energy • 28% Liveness
52% Instrumentalness • 59% Positiveness
10% Popularity • 55% Danceability • 89% Energy • 28% Liveness
52% Instrumentalness • 59% Positiveness
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Iris
Don't Cry
114 bpm • C min • 04:29 • -9.62db
13% Popularity • 57% Danceability • 62% Energy • 11% Liveness
26% Instrumentalness • 33% Positiveness
13% Popularity • 57% Danceability • 62% Energy • 11% Liveness
26% Instrumentalness • 33% Positiveness
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Red Cell
Good Morning, Good Light - Radio Edit
116 bpm • D min • 03:00 • -6.82db
9% Popularity • 55% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 55% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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The Mobile Homes
I Give You
116 bpm • B min • 03:36 • -3.79db
3% Popularity • 66% Danceability • 88% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
3% Popularity • 66% Danceability • 88% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
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Cold Connection
My Secret Garden
116 bpm • C Maj • 04:51 • -7.3db
9% Popularity • 58% Danceability • 80% Energy • 20% Liveness
44% Instrumentalness • 44% Positiveness
9% Popularity • 58% Danceability • 80% Energy • 20% Liveness
44% Instrumentalness • 44% Positiveness
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Kite
Don't take the light away - Randolph & M...
117 bpm • B min • 06:42 • -7.3db
7% Popularity • 58% Danceability • 89% Energy • 6% Liveness
90% Instrumentalness • 16% Positiveness
7% Popularity • 58% Danceability • 89% Energy • 6% Liveness
90% Instrumentalness • 16% Positiveness
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Piston Damp
The Day Of Departure (Black Sky Version)
113 bpm • F min • 04:32 • -9.52db
16% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Stephen Paul Taylor
Ghost Town
113 bpm • C Maj • 02:37 • -6.07db
12% Popularity • 68% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 68% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Red Cell
Conquer
117 bpm • A min • 03:18 • -7.81db
9% Popularity • 56% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
9% Popularity • 56% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
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The Mobile Homes
Once Upon a Time I Was Handsome
117 bpm • G min • 03:25 • -8.53db
10% Popularity • 58% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 58% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Torul
Bad Boy Dreaming
113 bpm • C Maj • 03:11 • -10.99db
19% Popularity • 56% Danceability • 79% Energy • 14% Liveness
32% Instrumentalness • 44% Positiveness
19% Popularity • 56% Danceability • 79% Energy • 14% Liveness
32% Instrumentalness • 44% Positiveness
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S.P.O.C.K
Out in Space
113 bpm • F# Maj • 03:30 • -8.18db
8% Popularity • 60% Danceability • 80% Energy • 8% Liveness
60% Instrumentalness • 26% Positiveness
8% Popularity • 60% Danceability • 80% Energy • 8% Liveness
60% Instrumentalness • 26% Positiveness
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Twice A Man
Decay
112 bpm • G min • 04:08 • -16.95db
20% Popularity • 59% Danceability • 44% Energy • 9% Liveness
14% Instrumentalness • 68% Positiveness
20% Popularity • 59% Danceability • 44% Energy • 9% Liveness
14% Instrumentalness • 68% Positiveness
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Vogon Poetry
Hope Of Heading Home
118 bpm • D Maj • 04:35 • -10.2db
20% Popularity • 62% Danceability • 83% Energy • 20% Liveness
2% Instrumentalness • 12% Positiveness
20% Popularity • 62% Danceability • 83% Energy • 20% Liveness
2% Instrumentalness • 12% Positiveness
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Xenturion Prime
Memory Lanes
118 bpm • B min • 04:37 • -8db
15% Popularity • 50% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 50% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Mobile Homes
The Bitter End
115 bpm • G# Maj • 03:36 • -7.81db
8% Popularity • 61% Danceability • 74% Energy • 7% Liveness
8% Instrumentalness • 65% Positiveness
8% Popularity • 61% Danceability • 74% Energy • 7% Liveness
8% Instrumentalness • 65% Positiveness
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Lights Of Euphoria
Here Come The Rain - Torrential Mix
118 bpm • B min • 04:44 • -10.53db
23% Popularity • 70% Danceability • 71% Energy • 24% Liveness
88% Instrumentalness • 62% Positiveness
23% Popularity • 70% Danceability • 71% Energy • 24% Liveness
88% Instrumentalness • 62% Positiveness
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Kirlian Camera
Ocean
118 bpm • C min • 08:01 • -5.9db
9% Popularity • 61% Danceability • 82% Energy • 5% Liveness
3% Instrumentalness • 34% Positiveness
9% Popularity • 61% Danceability • 82% Energy • 5% Liveness
3% Instrumentalness • 34% Positiveness
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Zynic
Algorythm Slave
118 bpm • E min • 04:08 • -6.24db
17% Popularity • 62% Danceability • 87% Energy • 13% Liveness
42% Instrumentalness • 64% Positiveness
17% Popularity • 62% Danceability • 87% Energy • 13% Liveness
42% Instrumentalness • 64% Positiveness
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Anything Box
A Moment's Shifting (Endpop 12" Edit)
118 bpm • G Maj • 05:09 • -10.67db
16% Popularity • 61% Danceability • 81% Energy • 6% Liveness
63% Instrumentalness • 92% Positiveness
16% Popularity • 61% Danceability • 81% Energy • 6% Liveness
63% Instrumentalness • 92% Positiveness
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RROYCE
Fat Man Dancing
118 bpm • A min • 05:40 • -8.7db
8% Popularity • 53% Danceability • 80% Energy • 11% Liveness
9% Instrumentalness • 31% Positiveness
8% Popularity • 53% Danceability • 80% Energy • 11% Liveness
9% Instrumentalness • 31% Positiveness
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The Mobile Homes
Afraid (Remix) ( 1991)
116 bpm • A min • 04:55 • -10.3db
3% Popularity • 62% Danceability • 84% Energy • 15% Liveness
78% Instrumentalness • 95% Positiveness
3% Popularity • 62% Danceability • 84% Energy • 15% Liveness
78% Instrumentalness • 95% Positiveness
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Red Cell
Shoreline
118 bpm • G min • 04:10 • -8.68db
9% Popularity • 61% Danceability • 82% Energy • 20% Liveness
31% Instrumentalness • 35% Positiveness
9% Popularity • 61% Danceability • 82% Energy • 20% Liveness
31% Instrumentalness • 35% Positiveness
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X Marks The Pedwalk
Frozen Eyes
112 bpm • C# Maj • 04:04 • -8.52db
13% Popularity • 57% Danceability • 90% Energy • 12% Liveness
32% Instrumentalness • 31% Positiveness
13% Popularity • 57% Danceability • 90% Energy • 12% Liveness
32% Instrumentalness • 31% Positiveness
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Olivárus Contambáno
Cha Cha Cha
118 bpm • C# Maj • 03:43 • -7.99db
26% Popularity • 65% Danceability • 87% Energy • 15% Liveness
7% Instrumentalness • 73% Positiveness
26% Popularity • 65% Danceability • 87% Energy • 15% Liveness
7% Instrumentalness • 73% Positiveness
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Iris
Another Way
112 bpm • C Maj • 03:09 • -6.53db
15% Popularity • 56% Danceability • 82% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
15% Popularity • 56% Danceability • 82% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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Ultranoire
Leaving Sensoria
112 bpm • C Maj • 04:08 • -8db
11% Popularity • 51% Danceability • 91% Energy • 13% Liveness
81% Instrumentalness • 30% Positiveness
11% Popularity • 51% Danceability • 91% Energy • 13% Liveness
81% Instrumentalness • 30% Positiveness
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The Mobile Homes
Afraid
116 bpm • A min • 03:50 • -9.34db
17% Popularity • 61% Danceability • 87% Energy • 8% Liveness
14% Instrumentalness • 87% Positiveness
17% Popularity • 61% Danceability • 87% Energy • 8% Liveness
14% Instrumentalness • 87% Positiveness
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The Jilted
Close Encounters
112 bpm • F min • 04:22 • -7.92db
13% Popularity • 61% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 61% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Zynic
Mourning Light
112 bpm • F Maj • 05:04 • -6.38db
15% Popularity • 55% Danceability • 86% Energy • 14% Liveness
14% Instrumentalness • 21% Positiveness
15% Popularity • 55% Danceability • 86% Energy • 14% Liveness
14% Instrumentalness • 21% Positiveness
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Agent Side Grinder
Jack Vegas
119 bpm • F# Maj • 07:21 • -5.15db
9% Popularity • 58% Danceability • 90% Energy • 34% Liveness
87% Instrumentalness • 50% Positiveness
9% Popularity • 58% Danceability • 90% Energy • 34% Liveness
87% Instrumentalness • 50% Positiveness
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Love ETC
So Blu
119 bpm • D Maj • 04:18 • -7db
10% Popularity • 59% Danceability • 87% Energy • 14% Liveness
10% Instrumentalness • 78% Positiveness
10% Popularity • 59% Danceability • 87% Energy • 14% Liveness
10% Instrumentalness • 78% Positiveness
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Torul
You Won
119 bpm • A Maj • 03:42 • -11.88db
12% Popularity • 70% Danceability • 57% Energy • 16% Liveness
70% Instrumentalness • 76% Positiveness
12% Popularity • 70% Danceability • 57% Energy • 16% Liveness
70% Instrumentalness • 76% Positiveness
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The Mobile Homes
Nothing But Something
116 bpm • D Maj • 04:14 • -9.46db
6% Popularity • 60% Danceability • 85% Energy • 7% Liveness
80% Instrumentalness • 55% Positiveness
6% Popularity • 60% Danceability • 85% Energy • 7% Liveness
80% Instrumentalness • 55% Positiveness
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Julian Brandt
Different Light
111 bpm • D Maj • 03:17 • -6.66db
11% Popularity • 75% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 75% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Zynic
Neon Oblivion
119 bpm • D Maj • 04:22 • -8.15db
29% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Agent Side Grinder
Beloved Fool
119 bpm • A Maj • 06:12 • -4.59db
18% Popularity • 52% Danceability • 94% Energy • 35% Liveness
68% Instrumentalness • 25% Positiveness
18% Popularity • 52% Danceability • 94% Energy • 35% Liveness
68% Instrumentalness • 25% Positiveness
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Love ETC
Dignify
111 bpm • E min • 03:41 • -9.35db
9% Popularity • 79% Danceability • 72% Energy • 7% Liveness
78% Instrumentalness • 60% Positiveness
9% Popularity • 79% Danceability • 72% Energy • 7% Liveness
78% Instrumentalness • 60% Positiveness
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Kennelklubben
Till Sista Droppen
111 bpm • F min • 04:33 • -8.06db
8% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Mobile Homes
Throne
118 bpm • A min • 04:06 • -6.1db
19% Popularity • 55% Danceability • 98% Energy • 12% Liveness
49% Instrumentalness • 57% Positiveness
19% Popularity • 55% Danceability • 98% Energy • 12% Liveness
49% Instrumentalness • 57% Positiveness
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Jimi Uno
Lost in the moment
120 bpm • A Maj • 05:00 • -11.13db
7% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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SCALA
Guld & Champagne
120 bpm • A# min • 03:50 • -8.05db
9% Popularity • 59% Danceability • 60% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
9% Popularity • 59% Danceability • 60% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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ABU NEIN
Rotten Garden
120 bpm • G Maj • 04:24 • -12.56db
10% Popularity • 72% Danceability • 53% Energy • 16% Liveness
74% Instrumentalness • 86% Positiveness
10% Popularity • 72% Danceability • 53% Energy • 16% Liveness
74% Instrumentalness • 86% Positiveness
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Tobias Bernstrup
Legend
120 bpm • A# min • 04:00 • -7.32db
12% Popularity • 61% Danceability • 94% Energy • 9% Liveness
14% Instrumentalness • 60% Positiveness
12% Popularity • 61% Danceability • 94% Energy • 9% Liveness
14% Instrumentalness • 60% Positiveness
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Torul
Higher
120 bpm • D Maj • 03:46 • -7.51db
14% Popularity • 69% Danceability • 76% Energy • 20% Liveness
5% Instrumentalness • 44% Positiveness
14% Popularity • 69% Danceability • 76% Energy • 20% Liveness
5% Instrumentalness • 44% Positiveness
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The Mobile Homes
The Song We Didn't Have Then
118 bpm • F min • 04:00 • -7.44db
10% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Condition One
Sinner
120 bpm • E min • 03:19 • -4db
11% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Cold Connection
Ashes
120 bpm • B min • 04:26 • -7.71db
12% Popularity • 65% Danceability • 65% Energy • 10% Liveness
56% Instrumentalness • 54% Positiveness
12% Popularity • 65% Danceability • 65% Energy • 10% Liveness
56% Instrumentalness • 54% Positiveness
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Vogon Poetry
Moments Johan Baeckström Remix
120 bpm • C Maj • 05:10 • -7.12db
9% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Janosch Moldau
Aid And Abet - Radical Loneliness Mix
120 bpm • G# Maj • 05:16 • -8.32db
23% Popularity • 61% Danceability • 87% Energy • 10% Liveness
48% Instrumentalness • 24% Positiveness
23% Popularity • 61% Danceability • 87% Energy • 10% Liveness
48% Instrumentalness • 24% Positiveness
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Beyond Border
Jump Into The Fire
120 bpm • G Maj • 04:58 • -5.02db
10% Popularity • 54% Danceability • 92% Energy • 11% Liveness
11% Instrumentalness • 18% Positiveness
10% Popularity • 54% Danceability • 92% Energy • 11% Liveness
11% Instrumentalness • 18% Positiveness
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The Mobile Homes
My Punishment
118 bpm • F min • 03:40 • -10.3db
4% Popularity • 67% Danceability • 80% Energy • 16% Liveness
30% Instrumentalness • 96% Positiveness
4% Popularity • 67% Danceability • 80% Energy • 16% Liveness
30% Instrumentalness • 96% Positiveness
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Minerve
Lost In Your Room - Remastered
120 bpm • A# min • 05:11 • -5.05db
18% Popularity • 54% Danceability • 96% Energy • 16% Liveness
4% Instrumentalness • 78% Positiveness
18% Popularity • 54% Danceability • 96% Energy • 16% Liveness
4% Instrumentalness • 78% Positiveness
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Cold Connection
Burning Love
120 bpm • G Maj • 03:47 • -6db
16% Popularity • 61% Danceability • 84% Energy • 14% Liveness
83% Instrumentalness • 52% Positiveness
16% Popularity • 61% Danceability • 84% Energy • 14% Liveness
83% Instrumentalness • 52% Positiveness
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Vidéo L'Eclipse
Almost There
120 bpm • D# Maj • 05:22 • -7.97db
7% Popularity • 34% Danceability • 62% Energy • 11% Liveness
13% Instrumentalness • 11% Positiveness
7% Popularity • 34% Danceability • 62% Energy • 11% Liveness
13% Instrumentalness • 11% Positiveness
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Astrali
Into Darkness
120 bpm • C# Maj • 03:52 • -8.27db
16% Popularity • 56% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 56% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Train To Spain
Believe In Love
120 bpm • C Maj • 03:39 • -7.57db
8% Popularity • 57% Danceability • 73% Energy • 10% Liveness
4% Instrumentalness • 21% Positiveness
8% Popularity • 57% Danceability • 73% Energy • 10% Liveness
4% Instrumentalness • 21% Positiveness
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The Mobile Homes
How People Talk
112 bpm • F Maj • 03:50 • -6.26db
5% Popularity • 54% Danceability • 92% Energy • 27% Liveness
39% Instrumentalness • 26% Positiveness
5% Popularity • 54% Danceability • 92% Energy • 27% Liveness
39% Instrumentalness • 26% Positiveness
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Janosch Moldau
Sense for God - Remaster
120 bpm • F# Maj • 04:10 • -5.96db
23% Popularity • 52% Danceability • 92% Energy • 16% Liveness
7% Instrumentalness • 51% Positiveness
23% Popularity • 52% Danceability • 92% Energy • 16% Liveness
7% Instrumentalness • 51% Positiveness
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Iris
Take the Pain
120 bpm • C# Maj • 04:10 • -7db
14% Popularity • 57% Danceability • 89% Energy • 21% Liveness
6% Instrumentalness • 73% Positiveness
14% Popularity • 57% Danceability • 89% Energy • 21% Liveness
6% Instrumentalness • 73% Positiveness
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emptyessence
Accept this world
120 bpm • E min • 03:42 • -9.86db
28% Popularity • 57% Danceability • 71% Energy • 35% Liveness
76% Instrumentalness • 78% Positiveness
28% Popularity • 57% Danceability • 71% Energy • 35% Liveness
76% Instrumentalness • 78% Positiveness
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Vision Talk
Dina Tankar
120 bpm • E min • 04:21 • -7db
13% Popularity • 60% Danceability • 80% Energy • 31% Liveness
4% Instrumentalness • 72% Positiveness
13% Popularity • 60% Danceability • 80% Energy • 31% Liveness
4% Instrumentalness • 72% Positiveness
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Vogon Poetry
Moments
120 bpm • C Maj • 04:26 • -5db
11% Popularity • 63% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 63% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The Mobile Homes
Getting Nowhere
111 bpm • G# Maj • 04:29 • -10.89db
8% Popularity • 69% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 43% Positiveness
8% Popularity • 69% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 43% Positiveness
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Vaylon
Time Flies
120 bpm • F min • 05:00 • -6db
10% Popularity • 53% Danceability • 93% Energy • 11% Liveness
11% Instrumentalness • 58% Positiveness
10% Popularity • 53% Danceability • 93% Energy • 11% Liveness
11% Instrumentalness • 58% Positiveness
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Black Nail Cabaret
Veronica
120 bpm • G Maj • 03:45 • -8.9db
9% Popularity • 79% Danceability • 72% Energy • 9% Liveness
8% Instrumentalness • 33% Positiveness
9% Popularity • 79% Danceability • 72% Energy • 9% Liveness
8% Instrumentalness • 33% Positiveness
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Per Gessle
You Can't Do This To Me Anymore - T&A De...
120 bpm • C# Maj • 03:57 • -8.7db
13% Popularity • 62% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 62% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Blackcarburning
The Mirror
120 bpm • A min • 05:38 • -8.74db
10% Popularity • 59% Danceability • 82% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
10% Popularity • 59% Danceability • 82% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
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Kite
The Rhythm
120 bpm • C Maj • 04:00 • -4.17db
29% Popularity • 61% Danceability • 92% Energy • 14% Liveness
11% Instrumentalness • 45% Positiveness
29% Popularity • 61% Danceability • 92% Energy • 14% Liveness
11% Instrumentalness • 45% Positiveness
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The Mobile Homes
The Sorrow Stays for Good
111 bpm • F# Maj • 03:36 • -9db
17% Popularity • 64% Danceability • 82% Energy • 25% Liveness
36% Instrumentalness • 95% Positiveness
17% Popularity • 64% Danceability • 82% Energy • 25% Liveness
36% Instrumentalness • 95% Positiveness
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Iris
Phenom
120 bpm • A# min • 04:05 • -8db
16% Popularity • 59% Danceability • 68% Energy • 7% Liveness
3% Instrumentalness • 49% Positiveness
16% Popularity • 59% Danceability • 68% Energy • 7% Liveness
3% Instrumentalness • 49% Positiveness
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Cold Connection
Bright
120 bpm • A min • 04:10 • -9.88db
8% Popularity • 64% Danceability • 69% Energy • 70% Liveness
9% Instrumentalness • 33% Positiveness
8% Popularity • 64% Danceability • 69% Energy • 70% Liveness
9% Instrumentalness • 33% Positiveness
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Sir Joe
Since I Have You
120 bpm • A Maj • 04:17 • -8.78db
8% Popularity • 59% Danceability • 67% Energy • 16% Liveness
77% Instrumentalness • 73% Positiveness
8% Popularity • 59% Danceability • 67% Energy • 16% Liveness
77% Instrumentalness • 73% Positiveness
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Collection D'Arnell-Andrea
The Realm of Memories
120 bpm • B Maj • 05:58 • -9.09db
8% Popularity • 54% Danceability • 58% Energy • 9% Liveness
71% Instrumentalness • 18% Positiveness
8% Popularity • 54% Danceability • 58% Energy • 9% Liveness
71% Instrumentalness • 18% Positiveness
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ABU NEIN
Eternity
120 bpm • E Maj • 03:53 • -8.95db
12% Popularity • 71% Danceability • 60% Energy • 11% Liveness
30% Instrumentalness • 44% Positiveness
12% Popularity • 71% Danceability • 60% Energy • 11% Liveness
30% Instrumentalness • 44% Positiveness
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The Mobile Homes
Via Dolorosa
120 bpm • G min • 04:04 • -8db
12% Popularity • 55% Danceability • 94% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
12% Popularity • 55% Danceability • 94% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
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We The North
Understand Me
120 bpm • C# Maj • 04:22 • -4db
8% Popularity • 56% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 56% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Erotic Elk
Wicked Game
120 bpm • A Maj • 04:03 • -8db
18% Popularity • 60% Danceability • 82% Energy • 9% Liveness
83% Instrumentalness • 72% Positiveness
18% Popularity • 60% Danceability • 82% Energy • 9% Liveness
83% Instrumentalness • 72% Positiveness
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Kanka + Bodewell
Wasteland
120 bpm • A min • 04:37 • -2.88db
15% Popularity • 59% Danceability • 87% Energy • 10% Liveness
5% Instrumentalness • 92% Positiveness
15% Popularity • 59% Danceability • 87% Energy • 10% Liveness
5% Instrumentalness • 92% Positiveness
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Zynic
Fear My Love
120 bpm • D# min • 03:32 • -7db
27% Popularity • 67% Danceability • 77% Energy • 8% Liveness
17% Instrumentalness • 97% Positiveness
27% Popularity • 67% Danceability • 77% Energy • 8% Liveness
17% Instrumentalness • 97% Positiveness
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Me & Melancholy
We are the people of the night
120 bpm • A min • 03:58 • -9.84db
13% Popularity • 59% Danceability • 79% Energy • 17% Liveness
16% Instrumentalness • 75% Positiveness
13% Popularity • 59% Danceability • 79% Energy • 17% Liveness
16% Instrumentalness • 75% Positiveness
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Henric de la Cour
My Machine
120 bpm • G Maj • 03:07 • -7db
15% Popularity • 68% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 68% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness