Songs like The Black Vote (Jfl 2017) by The Lucas Brothers
Based on a tempo of (+/- 10%) and a similar genre
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The Lucas Brothers
The Black Vote (Jfl 2017)
123 bpm • A Maj • 04:48 • -21.14db
0% Popularity • 63% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 63% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 20% Positiveness
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Jared Freid
My 600-Lb Life
123 bpm • F Maj • 02:17 • -11.81db
20% Popularity • 63% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 63% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 45% Positiveness
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Jason Allen
My Wife Gets Jealous / Juicy Boys
123 bpm • A Maj • 03:03 • -13.83db
12% Popularity • 63% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 63% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
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Tom Stade
We're All into Diversity
123 bpm • D# min • 04:19 • -12.82db
10% Popularity • 59% Danceability • 62% Energy • 96% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 59% Danceability • 62% Energy • 96% Liveness
0% Instrumentalness • 24% Positiveness
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Andy Sandford
The Future & Dating
124 bpm • E Maj • 03:47 • -13.01db
7% Popularity • 57% Danceability • 63% Energy • 76% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 57% Danceability • 63% Energy • 76% Liveness
0% Instrumentalness • 67% Positiveness
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Nick Griffin
Shot In The Face
122 bpm • C# Maj • 02:13 • -17.23db
19% Popularity • 67% Danceability • 51% Energy • 78% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 67% Danceability • 51% Energy • 78% Liveness
0% Instrumentalness • 46% Positiveness
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River Butcher
Denver Halloween and Me
124 bpm • C# Maj • 03:31 • -10db
10% Popularity • 55% Danceability • 90% Energy • 76% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 55% Danceability • 90% Energy • 76% Liveness
0% Instrumentalness • 55% Positiveness
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The Lucas Brothers
Singleton Society (Jfl 2023)
124 bpm • A# Maj • 03:42 • -12.37db
0% Popularity • 71% Danceability • 52% Energy • 51% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 71% Danceability • 52% Energy • 51% Liveness
0% Instrumentalness • 68% Positiveness
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Tom Rhodes
Fort Worth City Slogan
124 bpm • A# Maj • 01:50 • -11db
20% Popularity • 66% Danceability • 66% Energy • 76% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 66% Danceability • 66% Energy • 76% Liveness
0% Instrumentalness • 68% Positiveness
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Casey Corbin
Symbol Of Distress
122 bpm • C# Maj • 03:27 • -14.04db
8% Popularity • 66% Danceability • 40% Energy • 70% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 66% Danceability • 40% Energy • 70% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Somerville
Acting Grownup
121 bpm • A# Maj • 02:09 • -13.1db
17% Popularity • 59% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 59% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 49% Positiveness
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Kyle Canniff
Modern Day Native
125 bpm • A Maj • 03:14 • -17.92db
12% Popularity • 70% Danceability • 28% Energy • 70% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 70% Danceability • 28% Energy • 70% Liveness
0% Instrumentalness • 73% Positiveness
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Caitlin Peluffo
Get to Know Him
121 bpm • G Maj • 02:06 • -8.74db
8% Popularity • 64% Danceability • 66% Energy • 95% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 64% Danceability • 66% Energy • 95% Liveness
0% Instrumentalness • 55% Positiveness
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Mike Baldwin
It's Fine I'm Not Embarrassed
121 bpm • D# min • 03:13 • -13.86db
9% Popularity • 48% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 48% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 31% Positiveness
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Derrick Hurley
Workin' Out
125 bpm • G min • 01:54 • -26.35db
44% Popularity • 60% Danceability • 19% Energy • 89% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 60% Danceability • 19% Energy • 89% Liveness
0% Instrumentalness • 62% Positiveness
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TK Kirkland
Raise Your Hand
121 bpm • A Maj • 04:21 • -11.92db
9% Popularity • 46% Danceability • 75% Energy • 76% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 46% Danceability • 75% Energy • 76% Liveness
0% Instrumentalness • 69% Positiveness
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Michael Somerville
Grownups
120 bpm • G# Maj • 04:09 • -15db
13% Popularity • 51% Danceability • 59% Energy • 86% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 51% Danceability • 59% Energy • 86% Liveness
0% Instrumentalness • 70% Positiveness
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Clayton Fletcher
Brooklyn and Canadian Geese
126 bpm • G# Maj • 04:50 • -13.29db
11% Popularity • 69% Danceability • 33% Energy • 69% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 69% Danceability • 33% Energy • 69% Liveness
0% Instrumentalness • 50% Positiveness
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Akaash Singh
The Nicest Gift
120 bpm • C# min • 05:48 • -11.6db
7% Popularity • 55% Danceability • 81% Energy • 79% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 55% Danceability • 81% Energy • 79% Liveness
0% Instrumentalness • 39% Positiveness
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Tommy Tiernan
Abortion
120 bpm • F Maj • 02:00 • -11.59db
20% Popularity • 61% Danceability • 70% Energy • 93% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 61% Danceability • 70% Energy • 93% Liveness
0% Instrumentalness • 58% Positiveness
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Special K
Dollar Store
126 bpm • D# Maj • 01:50 • -9.92db
16% Popularity • 58% Danceability • 87% Energy • 91% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 58% Danceability • 87% Energy • 91% Liveness
0% Instrumentalness • 55% Positiveness
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Erik Griffin
Christians & The Bible
126 bpm • D# min • 01:54 • -11db
18% Popularity • 63% Danceability • 74% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 63% Danceability • 74% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
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Zach Peterson
Not Film, but Movies
120 bpm • D# min • 05:19 • -10.34db
14% Popularity • 53% Danceability • 85% Energy • 93% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 53% Danceability • 85% Energy • 93% Liveness
0% Instrumentalness • 29% Positiveness
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Tom Rhodes
Tripadvisor.Com
120 bpm • A# Maj • 02:16 • -11.14db
19% Popularity • 64% Danceability • 65% Energy • 94% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 64% Danceability • 65% Energy • 94% Liveness
0% Instrumentalness • 61% Positiveness
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Andy Woodhull
String Season
126 bpm • C# min • 04:50 • -6.43db
8% Popularity • 59% Danceability • 88% Energy • 88% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 59% Danceability • 88% Energy • 88% Liveness
0% Instrumentalness • 58% Positiveness
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Gary Gulman
Thank You & Goodnight
126 bpm • B min • 00:59 • -17.45db
25% Popularity • 66% Danceability • 40% Energy • 78% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 66% Danceability • 40% Energy • 78% Liveness
0% Instrumentalness • 82% Positiveness
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Lavell Crawford
Reverse Syndrome
126 bpm • E Maj • 05:07 • -11.58db
10% Popularity • 54% Danceability • 83% Energy • 67% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 54% Danceability • 83% Energy • 67% Liveness
0% Instrumentalness • 31% Positiveness
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TK Kirkland
Disrespectful Young Bitches
127 bpm • E min • 02:53 • -11.37db
15% Popularity • 58% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 58% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
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Anjelah Johnson-Reyes
The What Ifs
127 bpm • F min • 03:54 • -8.74db
15% Popularity • 57% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 57% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 33% Positiveness
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Leanne Morgan
Spell Cussing
127 bpm • D Maj • 05:41 • -13.3db
14% Popularity • 61% Danceability • 67% Energy • 84% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 61% Danceability • 67% Energy • 84% Liveness
0% Instrumentalness • 29% Positiveness
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David Cross
The Highest of Highs
127 bpm • G min • 04:15 • -12.54db
21% Popularity • 68% Danceability • 56% Energy • 71% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 68% Danceability • 56% Energy • 71% Liveness
0% Instrumentalness • 45% Positiveness
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Bret Ernst
Engagement Scams
127 bpm • D# Maj • 03:18 • -5.11db
19% Popularity • 53% Danceability • 94% Energy • 78% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 53% Danceability • 94% Energy • 78% Liveness
0% Instrumentalness • 60% Positiveness
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Caitlin Peluffo
A Move for the Ladies
119 bpm • A# Maj • 03:05 • -11.93db
7% Popularity • 64% Danceability • 54% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 64% Danceability • 54% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
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Arj Barker
Irritating Spouse
127 bpm • C# min • 03:52 • -8.3db
11% Popularity • 65% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 65% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 54% Positiveness
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Akaash Singh
Doctors with Borders
128 bpm • F# Maj • 02:24 • -11.21db
8% Popularity • 47% Danceability • 89% Energy • 71% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 47% Danceability • 89% Energy • 71% Liveness
0% Instrumentalness • 35% Positiveness
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Derrick Hurley
Sex
128 bpm • F# Maj • 01:03 • -13.13db
43% Popularity • 58% Danceability • 58% Energy • 80% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 58% Danceability • 58% Energy • 80% Liveness
0% Instrumentalness • 68% Positiveness
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Special K
Average Medium
128 bpm • C Maj • 01:40 • -9.19db
16% Popularity • 58% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 58% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 81% Positiveness
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Lavell Crawford
Hood Dog
118 bpm • C Maj • 03:19 • -13.25db
10% Popularity • 65% Danceability • 58% Energy • 76% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 65% Danceability • 58% Energy • 76% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Gilligan
Staying In / Wife and Kids
128 bpm • G# Maj • 02:59 • -12.07db
12% Popularity • 59% Danceability • 60% Energy • 91% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 59% Danceability • 60% Energy • 91% Liveness
0% Instrumentalness • 69% Positiveness
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TK Kirkland
Apps
128 bpm • B min • 01:50 • -13.17db
21% Popularity • 68% Danceability • 48% Energy • 72% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 68% Danceability • 48% Energy • 72% Liveness
0% Instrumentalness • 87% Positiveness
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Casey Corbin
I Love Boobies
129 bpm • G# Maj • 01:18 • -14.11db
19% Popularity • 52% Danceability • 79% Energy • 78% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 52% Danceability • 79% Energy • 78% Liveness
0% Instrumentalness • 27% Positiveness
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Adam Cayton-Holland
Denver Applause Break
118 bpm • F Maj • 01:17 • -16.15db
25% Popularity • 60% Danceability • 50% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 60% Danceability • 50% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
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Eddie Ifft
Attention Deficit Disorder
117 bpm • D# Maj • 00:58 • -13.12db
26% Popularity • 64% Danceability • 63% Energy • 55% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 64% Danceability • 63% Energy • 55% Liveness
0% Instrumentalness • 74% Positiveness
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Adam Ferrara
Family O Felons
129 bpm • D Maj • 03:11 • -10.1db
10% Popularity • 52% Danceability • 92% Energy • 77% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 52% Danceability • 92% Energy • 77% Liveness
0% Instrumentalness • 39% Positiveness
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Rob Crean
What's My Age Again
129 bpm • C Maj • 01:56 • -15.41db
12% Popularity • 70% Danceability • 48% Energy • 78% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 70% Danceability • 48% Energy • 78% Liveness
0% Instrumentalness • 61% Positiveness
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Derrick Hurley
30
117 bpm • G# min • 02:09 • -9.72db
40% Popularity • 58% Danceability • 52% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 58% Danceability • 52% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
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Gary Owen
48
129 bpm • G# Maj • 02:46 • -16.47db
9% Popularity • 64% Danceability • 56% Energy • 87% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 64% Danceability • 56% Energy • 87% Liveness
0% Instrumentalness • 26% Positiveness
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Joe Zimmerman
Horoscope Prejudice
117 bpm • C# min • 04:05 • -16.34db
19% Popularity • 46% Danceability • 74% Energy • 77% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 46% Danceability • 74% Energy • 77% Liveness
0% Instrumentalness • 35% Positiveness
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Eddie Ifft
Parachuting
117 bpm • A Maj • 02:01 • -13.73db
21% Popularity • 69% Danceability • 54% Energy • 73% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 69% Danceability • 54% Energy • 73% Liveness
0% Instrumentalness • 75% Positiveness
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Sam Tallent
The Violent Bear it Away
129 bpm • C Maj • 03:16 • -11.65db
12% Popularity • 45% Danceability • 75% Energy • 85% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 45% Danceability • 75% Energy • 85% Liveness
0% Instrumentalness • 52% Positiveness
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Tom Stade
Used to Be My Dad
129 bpm • D# Maj • 02:00 • -11.6db
13% Popularity • 59% Danceability • 67% Energy • 93% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 59% Danceability • 67% Energy • 93% Liveness
0% Instrumentalness • 24% Positiveness
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Derrick Hurley
Tummy Tuck Coochie
117 bpm • D min • 01:06 • -27.29db
41% Popularity • 65% Danceability • 17% Energy • 64% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 65% Danceability • 17% Energy • 64% Liveness
0% Instrumentalness • 35% Positiveness
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Casey Corbin
Not A Club Person
117 bpm • D Maj • 02:54 • -14.41db
8% Popularity • 64% Danceability • 60% Energy • 93% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 64% Danceability • 60% Energy • 93% Liveness
0% Instrumentalness • 32% Positiveness
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Gary Owen
We're All Going to Heaven
117 bpm • B min • 03:02 • -16.64db
8% Popularity • 60% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 60% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 17% Positiveness
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Lachlan McWilliams
Winners
117 bpm • F# Maj • 02:22 • -19.95db
19% Popularity • 68% Danceability • 29% Energy • 90% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 68% Danceability • 29% Energy • 90% Liveness
0% Instrumentalness • 40% Positiveness
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Juan Forno
Gangster in a Wheel Chair
130 bpm • C Maj • 01:31 • -17.98db
19% Popularity • 59% Danceability • 38% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 59% Danceability • 38% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
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TK Kirkland
Old Folks Home Pimp
116 bpm • B min • 01:30 • -13.48db
21% Popularity • 61% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 61% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Adam Cayton-Holland
Ouroboros of Liberal Guilt
116 bpm • G min • 05:13 • -14.34db
16% Popularity • 64% Danceability • 50% Energy • 91% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 64% Danceability • 50% Energy • 91% Liveness
0% Instrumentalness • 56% Positiveness
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Jason Allen
Whiskey Dick / Single Guys
130 bpm • C Maj • 01:36 • -15.84db
20% Popularity • 63% Danceability • 46% Energy • 86% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 63% Danceability • 46% Energy • 86% Liveness
0% Instrumentalness • 55% Positiveness
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The Lucas Brothers
Evil White Dudes (Jfl 2014)
130 bpm • B min • 03:33 • -22.26db
0% Popularity • 64% Danceability • 38% Energy • 95% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 64% Danceability • 38% Energy • 95% Liveness
0% Instrumentalness • 36% Positiveness
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Darryl Lenox
Half-Assed Back Rub
116 bpm • D Maj • 02:14 • -10.08db
10% Popularity • 63% Danceability • 54% Energy • 72% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 63% Danceability • 54% Energy • 72% Liveness
0% Instrumentalness • 76% Positiveness
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Bob Saget
Bob Saget Warms up the Crowd
116 bpm • A# Maj • 03:49 • -15.11db
14% Popularity • 62% Danceability • 47% Energy • 43% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 62% Danceability • 47% Energy • 43% Liveness
0% Instrumentalness • 61% Positiveness
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Erik Griffin
Female Revolution
116 bpm • G Maj • 01:22 • -9.93db
20% Popularity • 62% Danceability • 91% Energy • 77% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 62% Danceability • 91% Energy • 77% Liveness
0% Instrumentalness • 26% Positiveness
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Noah Gardenswartz
Sweatpants in Perpetuity
116 bpm • B min • 04:29 • -13.03db
10% Popularity • 61% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 61% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Gary Gulman
Sex Road Blocks When You're A Teen
131 bpm • C# Maj • 03:08 • -17.27db
19% Popularity • 64% Danceability • 34% Energy • 96% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 64% Danceability • 34% Energy • 96% Liveness
0% Instrumentalness • 47% Positiveness
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Josh Johnson
Do You Believe in Aliens?
116 bpm • C# min • 02:03 • -13.07db
19% Popularity • 59% Danceability • 54% Energy • 79% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 59% Danceability • 54% Energy • 79% Liveness
0% Instrumentalness • 64% Positiveness
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Akaash Singh
Racist Mascots
131 bpm • A Maj • 02:41 • -13.85db
9% Popularity • 56% Danceability • 70% Energy • 94% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 56% Danceability • 70% Energy • 94% Liveness
0% Instrumentalness • 50% Positiveness
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Jared Stern
Jobbery
115 bpm • G Maj • 01:54 • -14.56db
19% Popularity • 71% Danceability • 44% Energy • 88% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 71% Danceability • 44% Energy • 88% Liveness
0% Instrumentalness • 70% Positiveness
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Tommy Tiernan
The Psychiatric Hospital
131 bpm • C# Maj • 04:31 • -11.19db
12% Popularity • 63% Danceability • 63% Energy • 92% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 63% Danceability • 63% Energy • 92% Liveness
0% Instrumentalness • 68% Positiveness
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Nick Griffin
Sad Morons
115 bpm • E min • 04:00 • -17.67db
11% Popularity • 54% Danceability • 55% Energy • 88% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 54% Danceability • 55% Energy • 88% Liveness
0% Instrumentalness • 36% Positiveness
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Teejayx6
Dynamic Duo
132 bpm • A Maj • 01:16 • -13.68db
19% Popularity • 51% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 51% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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Derrick Hurley
Grown & Sexy
132 bpm • A min • 01:00 • -12.04db
45% Popularity • 59% Danceability • 53% Energy • 89% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 59% Danceability • 53% Energy • 89% Liveness
0% Instrumentalness • 78% Positiveness
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Sarah Silverman
Anti Choice
115 bpm • A# Maj • 04:12 • -11.98db
11% Popularity • 59% Danceability • 76% Energy • 92% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 59% Danceability • 76% Energy • 92% Liveness
0% Instrumentalness • 22% Positiveness
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Arthur Simeon
Black Panther
115 bpm • E min • 01:14 • -16.09db
17% Popularity • 44% Danceability • 78% Energy • 70% Liveness
2% Instrumentalness • 61% Positiveness
17% Popularity • 44% Danceability • 78% Energy • 70% Liveness
2% Instrumentalness • 61% Positiveness
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Andrew Dice Clay
Newscasters - Live
115 bpm • B min • 03:26 • -13.27db
12% Popularity • 60% Danceability • 68% Energy • 94% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 60% Danceability • 68% Energy • 94% Liveness
0% Instrumentalness • 35% Positiveness
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Tom McCaffrey
Serial Killer Documentaries
132 bpm • D Maj • 04:00 • -17.74db
15% Popularity • 60% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 60% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Brian Stollery
Your Money Is No Good Here
114 bpm • C# Maj • 02:03 • -10.19db
19% Popularity • 70% Danceability • 63% Energy • 66% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 70% Danceability • 63% Energy • 66% Liveness
0% Instrumentalness • 83% Positiveness
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Tone Bell
Are You Real?
114 bpm • C Maj • 02:34 • -14.24db
12% Popularity • 62% Danceability • 60% Energy • 81% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 62% Danceability • 60% Energy • 81% Liveness
0% Instrumentalness • 60% Positiveness
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Tom Stade
Sheila Can't Remember
114 bpm • C# Maj • 02:18 • -11.1db
13% Popularity • 52% Danceability • 90% Energy • 89% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 52% Danceability • 90% Energy • 89% Liveness
0% Instrumentalness • 12% Positiveness
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Christopher Titus
Gen Z, My Bad
133 bpm • A Maj • 03:47 • -22.31db
17% Popularity • 52% Danceability • 53% Energy • 82% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 52% Danceability • 53% Energy • 82% Liveness
0% Instrumentalness • 55% Positiveness
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Nick Griffin
Better When You're Drunk
114 bpm • F# Maj • 04:55 • -17.02db
10% Popularity • 55% Danceability • 63% Energy • 93% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 55% Danceability • 63% Energy • 93% Liveness
0% Instrumentalness • 44% Positiveness
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Moody McCarthy
Marriage
133 bpm • F# Maj • 02:27 • -13.19db
14% Popularity • 52% Danceability • 81% Energy • 68% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 52% Danceability • 81% Energy • 68% Liveness
0% Instrumentalness • 41% Positiveness
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Brian Stollery
My Way or the High Way
114 bpm • D Maj • 03:37 • -9.5db
9% Popularity • 72% Danceability • 61% Energy • 81% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 72% Danceability • 61% Energy • 81% Liveness
0% Instrumentalness • 76% Positiveness
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Liz Stewart
Ghosts
114 bpm • D Maj • 02:23 • -12.6db
11% Popularity • 68% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 68% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 67% Positiveness
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Arj Barker
My Brand New App
113 bpm • A min • 01:04 • -8.84db
23% Popularity • 68% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 68% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 77% Positiveness
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Caitlin Peluffo
A Caitlin's Caitlin
113 bpm • G min • 03:50 • -11.43db
7% Popularity • 67% Danceability • 49% Energy • 80% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 67% Danceability • 49% Energy • 80% Liveness
0% Instrumentalness • 53% Positiveness
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Charlie Vergos
Barbecue Rich
134 bpm • F# min • 01:27 • -22.82db
13% Popularity • 64% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 64% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
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Tom Stade
Nobody Asks Me
114 bpm • C# Maj • 03:31 • -12.61db
12% Popularity • 67% Danceability • 64% Energy • 97% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 67% Danceability • 64% Energy • 97% Liveness
0% Instrumentalness • 35% Positiveness
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The Lucas Brothers
20 Years in Jersey (Jfl 2014)
113 bpm • B min • 02:23 • -21.56db
0% Popularity • 65% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 65% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 29% Positiveness
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Doug Stanhope
The Best Shot
134 bpm • A Maj • 02:05 • -9.02db
14% Popularity • 61% Danceability • 71% Energy • 65% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 61% Danceability • 71% Energy • 65% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Ferrara
Christmas Hedge
135 bpm • A# min • 04:29 • -9.64db
10% Popularity • 53% Danceability • 85% Energy • 78% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 53% Danceability • 85% Energy • 78% Liveness
0% Instrumentalness • 55% Positiveness
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Matt McCarthy
Therapy
112 bpm • G Maj • 01:19 • -11db
17% Popularity • 66% Danceability • 51% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 66% Danceability • 51% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Morrison
Million Dollar Man
135 bpm • G min • 01:32 • -20.6db
16% Popularity • 59% Danceability • 30% Energy • 72% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 59% Danceability • 30% Energy • 72% Liveness
0% Instrumentalness • 50% Positiveness
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Simon King
Big White Boat
112 bpm • D Maj • 03:45 • -6.47db
9% Popularity • 71% Danceability • 76% Energy • 88% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 71% Danceability • 76% Energy • 88% Liveness
0% Instrumentalness • 72% Positiveness
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Bret Ernst
Skipping Class
113 bpm • E Maj • 04:35 • -6.25db
9% Popularity • 62% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 62% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 68% Positiveness
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Arj Barker
Garbage Collectors
112 bpm • A Maj • 02:50 • -11.19db
20% Popularity • 67% Danceability • 54% Energy • 85% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 67% Danceability • 54% Energy • 85% Liveness
0% Instrumentalness • 54% Positiveness
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Charlie Berens
Screwed the Pooch & Midwest in LA
112 bpm • G Maj • 03:30 • -12.73db
10% Popularity • 64% Danceability • 74% Energy • 84% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 64% Danceability • 74% Energy • 84% Liveness
0% Instrumentalness • 39% Positiveness
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Bobcat Goldthwait
Check Your Oil
112 bpm • D Maj • 01:03 • -6.97db
22% Popularity • 70% Danceability • 65% Energy • 85% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 70% Danceability • 65% Energy • 85% Liveness
0% Instrumentalness • 54% Positiveness
