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The Bleeding Effect
Songs like
The Bleeding Effect
by
Jed Kurzel
Based on a tempo of (+/- 10%) and a similar genre
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Jed Kurzel
Young Cal
90 bpm • C# Maj • 02:38 • -18.42db
28% Popularity • 29% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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David Fleming
Breaching the Wall
90 bpm • G Maj • 03:44 • -20.07db
26% Popularity • 49% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Nicholas Britell
Battle
90 bpm • F# Maj • 01:37 • -13.22db
26% Popularity • 37% Danceability • 72% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Sworn to Protect
90 bpm • G min • 04:36 • -28.26db
24% Popularity • 14% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Jeff Beal
Grooming Russo To Run
90 bpm • G min • 04:44 • -17.26db
20% Popularity • 20% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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The Flight
Exposure
90 bpm • A min • 00:53 • -27.72db
15% Popularity • 22% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Jed Kurzel
First Regression
90 bpm • D Maj • 04:13 • -17.74db
21% Popularity • 48% Danceability • 48% Energy • 35% Liveness
94% Instrumentalness • 9% Positiveness
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Nathan Johnson
The Attic Room
90 bpm • G# Maj • 01:17 • -18.86db
29% Popularity • 10% Danceability • 12% Energy • 6% Liveness
39% Instrumentalness • 4% Positiveness
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David Buckley
How It Happened
90 bpm • C min • 03:28 • -21.54db
28% Popularity • 10% Danceability • 26% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Steve Jablonsky
Vivian
90 bpm • D Maj • 03:52 • -29.43db
25% Popularity • 10% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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The Prestige
Man's Reach Exceeds His Imagination
91 bpm • C Maj • 02:08 • -18db
18% Popularity • 10% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Ordinary Man
89 bpm • G min • 02:07 • -19.23db
45% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Jed Kurzel
Cargo Lift
90 bpm • G# Maj • 04:44 • -13.58db
20% Popularity • 45% Danceability • 68% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Alan Silvestri
We Both Made Promises - Extended
89 bpm • C min • 04:28 • -17.88db
21% Popularity • 15% Danceability • 14% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Chernobog
89 bpm • B Maj • 02:14 • -16.88db
23% Popularity • 35% Danceability • 30% Energy • 29% Liveness
84% Instrumentalness • 15% Positiveness
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Joel P West
Stay in the Pocket
89 bpm • G# Maj • 01:45 • -10.48db
20% Popularity • 43% Danceability • 78% Energy • 18% Liveness
87% Instrumentalness • 38% Positiveness
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The Prestige
Colorado Springs
91 bpm • A min • 04:15 • -24.21db
23% Popularity • 26% Danceability • 11% Energy • 18% Liveness
89% Instrumentalness • 3% Positiveness
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Sarah Schachner
Moon Wanderer
91 bpm • D min • 00:54 • -23.4db
26% Popularity • 24% Danceability • 10% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Jed Kurzel
You're Not Alone
90 bpm • F# Maj • 05:52 • -16db
27% Popularity • 31% Danceability • 37% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Jason Graves
Whitman's Test
91 bpm • D min • 05:10 • -17db
12% Popularity • 11% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Joseph Trapanese
A Mission For You
89 bpm • G Maj • 02:07 • -34.3db
26% Popularity • 11% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Hesham Nazih
Weight of Hearts
91 bpm • D min • 02:32 • -23.56db
18% Popularity • 12% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Daniel Licht
Epilogue: Alive
92 bpm • G Maj • 01:04 • -20.25db
26% Popularity • 12% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Hans Zimmer
Frameshift
92 bpm • E min • 08:15 • -23.07db
27% Popularity • 11% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Jed Kurzel
The Apple
90 bpm • C# Maj • 03:42 • -19.63db
18% Popularity • 20% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Jeff Beal
Claire's Fix
92 bpm • C Maj • 02:28 • -16.21db
21% Popularity • 53% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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John Ottman
Eric's Rebirth
88 bpm • G min • 02:48 • -17.22db
18% Popularity • 15% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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James Horner
Sub-Level 3
88 bpm • A min • 06:39 • -34.88db
21% Popularity • 9% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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David Buckley
Clock Tower
88 bpm • C min • 01:18 • -27.49db
24% Popularity • 15% Danceability • 9% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Nick Arundel
The Lion's Den
92 bpm • A Maj • 03:10 • -26.91db
14% Popularity • 11% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Jed Kurzel
The Yellow Leaf
90 bpm • E min • 03:42 • -15.58db
15% Popularity • 10% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Jeff Beal
Roll Call
92 bpm • D# Maj • 01:43 • -25.06db
37% Popularity • 40% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Trevor Morris
Rollo Tries to Regain Ragnar's Trust
92 bpm • A Maj • 01:49 • -30.2db
20% Popularity • 18% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Joe Kraemer
The Blenheim Sequence
88 bpm • C min • 04:00 • -23.1db
21% Popularity • 12% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Hans Zimmer
Doing Nothing Terrifies Me
88 bpm • A Maj • 03:24 • -25.59db
15% Popularity • 9% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Journey To Border
93 bpm • F min • 04:27 • -26.88db
13% Popularity • 12% Danceability • 6% Energy • 5% Liveness
85% Instrumentalness • 3% Positiveness
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Jed Kurzel
Underground
90 bpm • D Maj • 02:27 • -17db
18% Popularity • 30% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Joris de Man
To Be Banuk
87 bpm • E min • 02:14 • -21.24db
20% Popularity • 18% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Pinar Toprak
New Clothes
93 bpm • G# Maj • 01:04 • -21.79db
36% Popularity • 18% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Christophe Beck
Honey, I Shrunk Myself
93 bpm • F Maj • 02:29 • -17.07db
12% Popularity • 14% Danceability • 22% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Jason Graves
A Knight's Burden
87 bpm • C Maj • 03:40 • -25.57db
19% Popularity • 17% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Roque Baños
Lower Away
93 bpm • C min • 03:54 • -14.21db
14% Popularity • 20% Danceability • 38% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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Jed Kurzel
The Bleeding Effect
90 bpm • D Maj • 02:25 • -24.66db
15% Popularity • 21% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Blake Neely
Merlyn Brings News
87 bpm • F Maj • 02:32 • -20.46db
8% Popularity • 9% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Hesham Nazih
Give Her a Call
87 bpm • G Maj • 03:12 • -24.2db
16% Popularity • 19% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Clint Mansell
The Flood Waters Were Upon the World
94 bpm • D Maj • 03:00 • -12.18db
8% Popularity • 16% Danceability • 36% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Joseph Trapanese
Truth Serum
94 bpm • A# min • 06:22 • -29.85db
7% Popularity • 11% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
The Ninth March On
94 bpm • C# Maj • 01:33 • -22.95db
19% Popularity • 47% Danceability • 8% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Jed Kurzel
Seville
90 bpm • C# Maj • 06:28 • -22.91db
17% Popularity • 10% Danceability • 14% Energy • 8% Liveness
56% Instrumentalness • 3% Positiveness
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Trevor Morris
Turning Point
86 bpm • G Maj • 03:58 • -15.5db
19% Popularity • 16% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
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Jóhann Jóhannsson
The Everyday Bible
86 bpm • C min • 02:23 • -25.93db
20% Popularity • 9% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Christophe Beck
Ava's Story
86 bpm • G# Maj • 04:35 • -26.16db
12% Popularity • 10% Danceability • 5% Energy • 8% Liveness
63% Instrumentalness • 3% Positiveness
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Joseph Trapanese
Changing Destiny is a Weighty Business
86 bpm • G Maj • 03:07 • -22.95db
24% Popularity • 16% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Jason Graves
The Trial
86 bpm • G# Maj • 03:39 • -24.88db
12% Popularity • 17% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Jed Kurzel
Terraforming Bay
88 bpm • G Maj • 03:02 • -13db
19% Popularity • 11% Danceability • 54% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
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John Powell
Flat Assault
94 bpm • C# Maj • 02:39 • -16.13db
19% Popularity • 45% Danceability • 42% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
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Hildur Guðnadóttir
Bridge of Death
86 bpm • B min • 04:44 • -17.43db
34% Popularity • 15% Danceability • 37% Energy • 59% Liveness
90% Instrumentalness • 4% Positiveness
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David Julyan
"Let Me Sleep"
86 bpm • B min • 02:43 • -17db
26% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Joseph Trapanese
The Key to the Future
86 bpm • D min • 01:44 • -21.57db
25% Popularity • 28% Danceability • 25% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Sarah Schachner
Trapped
86 bpm • A Maj • 03:12 • -20.73db
16% Popularity • 23% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Jed Kurzel
The Mirror
88 bpm • E min • 01:55 • -20.45db
25% Popularity • 20% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Sonya Belousova
I'm the One with the Wishes
86 bpm • B min • 07:33 • -12.21db
21% Popularity • 9% Danceability • 59% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Hesham Nazih
The Cave
86 bpm • A min • 02:56 • -25.64db
16% Popularity • 12% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Phambili
95 bpm • D# Maj • 02:31 • -13.74db
26% Popularity • 42% Danceability • 15% Energy • 4% Liveness
90% Instrumentalness • 12% Positiveness
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Ilan Eshkeri
The Witch's Plan
85 bpm • F Maj • 02:28 • -25.36db
24% Popularity • 17% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Atticus Ross
Meant to Be Shared
85 bpm • G Maj • 02:45 • -26.37db
13% Popularity • 14% Danceability • 16% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Jed Kurzel
Hit Me!
87 bpm • A Maj • 01:27 • -13.39db
27% Popularity • 30% Danceability • 46% Energy • 11% Liveness
58% Instrumentalness • 6% Positiveness
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David Buckley
Into the Vortex
85 bpm • C# Maj • 01:34 • -13.29db
16% Popularity • 31% Danceability • 54% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Christophe Beck
Winning the War
85 bpm • D Maj • 01:27 • -24.08db
16% Popularity • 40% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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David Julyan
What Could Go Wrong
85 bpm • G# Maj • 01:23 • -40.52db
9% Popularity • 19% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Hans Zimmer
Amity
96 bpm • G min • 05:52 • -31.02db
22% Popularity • 12% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Danny Elfman
The Amazon Mother Box
96 bpm • G Maj • 04:33 • -13.06db
12% Popularity • 18% Danceability • 59% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Jed Kurzel
Spores
85 bpm • G Maj • 02:17 • -21.47db
26% Popularity • 24% Danceability • 21% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Sarah Schachner
Peace To The Fallen
96 bpm • F# Maj • 02:25 • -23.66db
14% Popularity • 36% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Christopher Drake
Requiem
84 bpm • D min • 01:08 • -27.39db
25% Popularity • 13% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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John Powell
An Interesting Proposal
84 bpm • F min • 02:13 • -22.86db
21% Popularity • 39% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Hans Zimmer
A Minute To Midnight
96 bpm • B min • 01:52 • -20.58db
13% Popularity • 28% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Blake Neely
The Man Under the Hood
96 bpm • G min • 03:17 • -20.23db
13% Popularity • 21% Danceability • 13% Energy • 8% Liveness
74% Instrumentalness • 6% Positiveness
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The Prestige
Sacrifice
84 bpm • A min • 05:15 • -24.05db
14% Popularity • 8% Danceability • 12% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
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Ryan Amon
I'm Right Behind You
96 bpm • F min • 02:25 • -12.04db
13% Popularity • 44% Danceability • 63% Energy • 11% Liveness
83% Instrumentalness • 14% Positiveness
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Ilan Eshkeri
Shogun
84 bpm • D Maj • 02:10 • -19.57db
23% Popularity • 8% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Robin Carolan
Bloð Inside / I Choose Both
84 bpm • F# Maj • 02:09 • -17.71db
25% Popularity • 12% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Hans Zimmer
X-MT
96 bpm • D Maj • 05:03 • -15.68db
15% Popularity • 28% Danceability • 36% Energy • 53% Liveness
75% Instrumentalness • 15% Positiveness
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Christopher Drake
Slice & Dice / Never Again
84 bpm • F min • 03:00 • -17.05db
20% Popularity • 31% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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David Buckley
Odin
97 bpm • G min • 02:19 • -12.95db
17% Popularity • 12% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Jason Graves
The Darkness Within
84 bpm • D Maj • 03:29 • -26.1db
19% Popularity • 8% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Jeff Russo
Lester Running
84 bpm • D Maj • 02:44 • -24.87db
11% Popularity • 8% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Alan Silvestri
A Small Price
97 bpm • B min • 03:17 • -22.79db
20% Popularity • 20% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Hans Zimmer
Negative
96 bpm • C Maj • 03:58 • -13.36db
22% Popularity • 14% Danceability • 47% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Daniel Licht
Streets of Karnaca (Ambient)
84 bpm • G min • 02:31 • -28db
39% Popularity • 21% Danceability • 7% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Howard Shore
Night Mass
97 bpm • G Maj • 01:04 • -27.09db
29% Popularity • 15% Danceability • 3% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Brian D'Oliveira
Exorcism
83 bpm • A Maj • 01:38 • -13.56db
16% Popularity • 19% Danceability • 47% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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John Powell
Converging in Athens
83 bpm • G Maj • 04:13 • -16.54db
20% Popularity • 49% Danceability • 45% Energy • 12% Liveness
82% Instrumentalness • 15% Positiveness
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Pinar Toprak
Waking Up
97 bpm • A# Maj • 01:28 • -23.58db
32% Popularity • 24% Danceability • 13% Energy • 11% Liveness
45% Instrumentalness • 4% Positiveness
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John Ottman
How Was She?
83 bpm • G# Maj • 01:46 • -34.37db
16% Popularity • 8% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
Transgression
83 bpm • A Maj • 03:45 • -18.5db
16% Popularity • 11% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Jed Kurzel
Incubation
98 bpm • G min • 01:07 • -32.84db
33% Popularity • 22% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Christopher Drake
Carrie Kelly...Robin
98 bpm • C# min • 02:06 • -18.56db
16% Popularity • 31% Danceability • 32% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Dario Marianelli
A Close Shave
83 bpm • C# min • 03:25 • -21.21db
20% Popularity • 31% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Oleksa Lozowchuk
As Certain as Stone
83 bpm • B min • 03:43 • -19.53db
27% Popularity • 11% Danceability • 14% Energy • 14% Liveness
60% Instrumentalness • 3% Positiveness
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The Bleeding Effect