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The Bounty of Mary Jane
Songs like
The Bounty of Mary Jane
by
Bobby Long
Based on a tempo of (+/- 10%) and a similar genre
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Jay Nash
Over You
91 bpm • D# Maj • 04:18 • -11.44db
18% Popularity • 59% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Janson
bad luck troubled road blues
91 bpm • A# Maj • 04:17 • -8.84db
10% Popularity • 46% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Forest Sun
Walk Through Walls
91 bpm • G Maj • 04:39 • -7.76db
19% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The New Basement Tapes
Florida Key
91 bpm • C Maj • 03:19 • -11.5db
35% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Gill Landry
Funeral In My Heart
91 bpm • D Maj • 01:50 • -8.52db
21% Popularity • 49% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Bobby Long
The Bounty of Mary Jane
91 bpm • C Maj • 03:43 • -8.81db
7% Popularity • 36% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Dylan LeBlanc
Tuesday Night Rain
91 bpm • E Maj • 03:26 • -15.16db
10% Popularity • 46% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Hiss Golden Messenger
Lucia
91 bpm • D Maj • 03:11 • -10.1db
35% Popularity • 53% Danceability • 44% Energy • 16% Liveness
4% Instrumentalness • 55% Positiveness
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Horse Feathers
Vernonia Blues
92 bpm • G Maj • 03:35 • -9.61db
12% Popularity • 47% Danceability • 46% Energy • 13% Liveness
2% Instrumentalness • 56% Positiveness
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Joshua James
Annabelle
90 bpm • A Maj • 02:52 • -6.08db
9% Popularity • 45% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Matt the Electrician
Accidental Thief
92 bpm • A Maj • 03:41 • -11db
10% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Barr Brothers
Old Mythologies
90 bpm • A# Maj • 03:34 • -11.6db
23% Popularity • 62% Danceability • 53% Energy • 10% Liveness
25% Instrumentalness • 88% Positiveness
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Band of Horses
Annie
92 bpm • D Maj • 03:20 • -11.42db
23% Popularity • 53% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Bobby Long
Sisters
90 bpm • A min • 04:47 • -8.45db
0% Popularity • 47% Danceability • 60% Energy • 68% Liveness
0% Instrumentalness • 43% Positiveness
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Dylan LeBlanc
Low
90 bpm • G Maj • 03:57 • -14.6db
19% Popularity • 58% Danceability • 38% Energy • 14% Liveness
6% Instrumentalness • 42% Positiveness
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KaiL Baxley
Black River Son
90 bpm • D min • 03:11 • -13.43db
12% Popularity • 53% Danceability • 20% Energy • 12% Liveness
72% Instrumentalness • 62% Positiveness
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Andrew Duhon
Growing Older Now
90 bpm • D Maj • 03:43 • -11.58db
18% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The Maldives
Muscle For The Wing
92 bpm • C Maj • 03:43 • -8.02db
8% Popularity • 64% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Joe Pug
I Do My Father's Drugs
90 bpm • E min • 02:48 • -7.89db
39% Popularity • 50% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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hoots & hellmouth
I Don't Mind Your Cussing
92 bpm • G Maj • 03:34 • -13.31db
18% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Deep Dark Woods
The Birds On The Bridge
92 bpm • D Maj • 06:02 • -12.67db
10% Popularity • 56% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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Jay Nash
Over You
92 bpm • D# Maj • 04:00 • -11.85db
10% Popularity • 67% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Pines
If By Morning
93 bpm • C Maj • 03:57 • -10.54db
9% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The New Basement Tapes
Stranger
93 bpm • E Maj • 04:21 • -8.4db
34% Popularity • 44% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Joshua James
In the Middle
93 bpm • F# Maj • 03:08 • -14.27db
15% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Field Report
Taking Alcatraz
89 bpm • E Maj • 05:23 • -10.23db
8% Popularity • 34% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 16% Positiveness
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Horse Feathers
Fit Against the Country
89 bpm • D min • 03:31 • -12db
31% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Amos Lee
Say Goodbye
89 bpm • C Maj • 02:49 • -7.94db
29% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Sera Cahoone
Deer Creek Canyon
93 bpm • A# Maj • 03:18 • -12db
31% Popularity • 64% Danceability • 45% Energy • 15% Liveness
5% Instrumentalness • 33% Positiveness
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Osbaldo Herzhty
Moonlight Canyon
89 bpm • C Maj • 03:38 • -7.93db
25% Popularity • 38% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Joshua James
Crooked Arrow
89 bpm • A Maj • 03:42 • -9.33db
7% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Kingsley Flood
Waiting On the River to Rise
88 bpm • F Maj • 03:33 • -8.46db
17% Popularity • 61% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Langhorne Slim
Back to the Wild
88 bpm • D Maj • 02:23 • -7db
17% Popularity • 52% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Vicente Luengo
Poline
94 bpm • G# Maj • 03:08 • -13.1db
45% Popularity • 48% Danceability • 38% Energy • 11% Liveness
19% Instrumentalness • 47% Positiveness
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Iron & Wine
Belated Promise Ring
88 bpm • D Maj • 03:45 • -11.04db
33% Popularity • 56% Danceability • 51% Energy • 18% Liveness
8% Instrumentalness • 87% Positiveness
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Joe Pug
Speak Plainly Diana
88 bpm • G Maj • 02:49 • -7.69db
36% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Joshua James
Farmer from the West (Bonus Track)
93 bpm • F# min • 03:58 • -12.1db
8% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Horse Feathers
What We Become
88 bpm • C Maj • 03:52 • -10.25db
18% Popularity • 37% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 10% Positiveness
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The Tallest Man On Earth
Where I Thought I Met the Angels
94 bpm • C# Maj • 04:30 • -13.15db
17% Popularity • 68% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Richard Buckner
Beautiful Question
88 bpm • G Maj • 02:53 • -10.2db
25% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Norton Ramsden
Ephilis
94 bpm • F Maj • 03:38 • -19.23db
20% Popularity • 57% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Matthew Ryan
Jane I Still Feel the Same
88 bpm • D Maj • 03:39 • -15.19db
23% Popularity • 40% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Field Report
Decision Day
88 bpm • F Maj • 04:32 • -10.03db
12% Popularity • 53% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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The Lone Bellow
You Can Be All Kinds of Emotional
94 bpm • G Maj • 03:20 • -11.31db
25% Popularity • 46% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Quiet Hollers
Road Song
94 bpm • F Maj • 01:41 • -8.88db
15% Popularity • 54% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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A.A. Bondy
Witness Blues
87 bpm • G Maj • 03:12 • -11.68db
15% Popularity • 40% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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The Deep Dark Woods
The Sun Never Shines
95 bpm • B min • 08:35 • -12.2db
7% Popularity • 44% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Farewell Milwaukee
Coming 'Round to Get You
95 bpm • F Maj • 03:15 • -12.16db
19% Popularity • 57% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Field Report
Fergus Falls
95 bpm • A Maj • 05:03 • -11.27db
13% Popularity • 44% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Timmy Curran
Horses on the Range
95 bpm • D Maj • 03:04 • -11.06db
21% Popularity • 57% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Strand of Oaks
Two Kids
95 bpm • G Maj • 02:28 • -12.55db
23% Popularity • 59% Danceability • 23% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
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J. Tillman
If You've Gotta Go, Go Now - Bonus Track
87 bpm • G Maj • 03:45 • -10.31db
32% Popularity • 55% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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David Ramirez
Chapter II
95 bpm • G Maj • 02:39 • -14.78db
19% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Dylan LeBlanc
Innocent Sinner
95 bpm • A min • 03:12 • -11.29db
11% Popularity • 47% Danceability • 28% Energy • 10% Liveness
5% Instrumentalness • 18% Positiveness
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Joe Pug
Hymn #76
96 bpm • C# min • 03:37 • -11.04db
24% Popularity • 65% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Deacon Blue
All over the World - Acoustic Version
86 bpm • A# Maj • 04:22 • -10.44db
23% Popularity • 52% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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What Made Milwaukee Famous
Rosewood
96 bpm • E Maj • 03:13 • -11.42db
10% Popularity • 56% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Mick Flannery
Gone Forever
96 bpm • G Maj • 02:31 • -5.45db
24% Popularity • 62% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Chris Bathgate
Yes I'm Cold
96 bpm • F Maj • 04:14 • -8.44db
10% Popularity • 64% Danceability • 45% Energy • 23% Liveness
6% Instrumentalness • 28% Positiveness
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Charlie Mars
Let the Meter Run
86 bpm • G Maj • 03:39 • -10.47db
30% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Joe Pug
The Door Was Always Open
86 bpm • D Maj • 02:49 • -9.73db
36% Popularity • 67% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Joshua James
Weeds
86 bpm • G# Maj • 02:27 • -16.2db
21% Popularity • 60% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Tyler Ramsey
A Long Dream
86 bpm • C Maj • 06:02 • -9.75db
11% Popularity • 41% Danceability • 39% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
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The Barr Brothers
Burn Card
97 bpm • C Maj • 04:05 • -15.64db
29% Popularity • 52% Danceability • 56% Energy • 10% Liveness
43% Instrumentalness • 61% Positiveness
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Patrick Park
Nothing's Lost
97 bpm • G# min • 04:29 • -8.15db
14% Popularity • 51% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Craig Cardiff
Time After Time
97 bpm • E Maj • 03:49 • -13.73db
7% Popularity • 62% Danceability • 21% Energy • 16% Liveness
8% Instrumentalness • 48% Positiveness
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Joe Pug
Those Thankless Years
86 bpm • E Maj • 03:05 • -11.08db
15% Popularity • 54% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Sean Hayes
Flowering Spade
97 bpm • F Maj • 04:17 • -9.96db
13% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’d Be Waiting
97 bpm • E Maj • 03:40 • -12.71db
38% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Pines
All the While
97 bpm • D Maj • 03:50 • -11.33db
16% Popularity • 50% Danceability • 40% Energy • 22% Liveness
7% Instrumentalness • 31% Positiveness
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Glen Hansard
Vanquisher
85 bpm • A min • 02:16 • -8.03db
8% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Aunt Martha
Wherever You Wanna Go
98 bpm • E Maj • 04:07 • -12db
15% Popularity • 60% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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Blitzen Trapper
Lady On the Water
98 bpm • D min • 02:26 • -15.71db
51% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Farewell Milwaukee
Always Be Your Man
84 bpm • E Maj • 03:57 • -7.49db
16% Popularity • 44% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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John Craigie
28
84 bpm • E Maj • 03:52 • -11.57db
11% Popularity • 51% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Dead Fingers
Closet Full of Bones
84 bpm • G Maj • 03:03 • -12.06db
10% Popularity • 40% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ha Ha Tonka
Hide it Well
84 bpm • G# Maj • 03:25 • -10.43db
14% Popularity • 66% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Joe Pug
Nobody's Man
84 bpm • E Maj • 03:36 • -8.79db
30% Popularity • 40% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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The Deep Dark Woods
Redwood Forest
84 bpm • A min • 03:55 • -11.53db
12% Popularity • 45% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Aaron Embry
Tiny Prayers
99 bpm • G Maj • 03:11 • -8.84db
8% Popularity • 45% Danceability • 30% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
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Eef Barzelay
The Ballad of Bitter Honey
99 bpm • D Maj • 03:34 • -10.14db
29% Popularity • 60% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Shane Alexander
Spaces in Between
84 bpm • A Maj • 03:54 • -8.18db
10% Popularity • 48% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Sean Rowe
Old Shoes
83 bpm • C Maj • 05:10 • -7.55db
17% Popularity • 41% Danceability • 44% Energy • 9% Liveness
14% Instrumentalness • 35% Positiveness
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The Sam Chase
Hero to Myself
99 bpm • E Maj • 02:39 • -10.43db
12% Popularity • 68% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Charlie Mars
Nothing but the Rain
83 bpm • F# Maj • 04:04 • -13.39db
24% Popularity • 43% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jonah Tolchin
Low Life
99 bpm • E Maj • 03:50 • -14.42db
8% Popularity • 48% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ben Sollee
Flyrock Blues
83 bpm • A Maj • 03:28 • -21.52db
10% Popularity • 60% Danceability • 12% Energy • 15% Liveness
14% Instrumentalness • 49% Positiveness
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The Low Anthem
Ghost Woman Blues
100 bpm • A Maj • 04:16 • -11.07db
8% Popularity • 28% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Bobby Long
Sultans I
100 bpm • C Maj • 02:10 • -9.57db
0% Popularity • 56% Danceability • 44% Energy • 42% Liveness
3% Instrumentalness • 15% Positiveness
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Russell Christian
Ice in the Desert
100 bpm • D# Maj • 03:52 • -8.18db
10% Popularity • 69% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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A.A. Bondy
World Without End
82 bpm • D Maj • 02:31 • -15.57db
25% Popularity • 44% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Blind Pilot
Keep You Right
100 bpm • C# Maj • 03:35 • -7.58db
40% Popularity • 54% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Jakob Dylan
Everybody's Hurting
101 bpm • C# min • 03:40 • -12.66db
23% Popularity • 56% Danceability • 35% Energy • 12% Liveness
5% Instrumentalness • 31% Positiveness
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David Ramirez
Shoeboxes
101 bpm • D Maj • 03:16 • -11.03db
16% Popularity • 40% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Great Lake Swimmers
New Wild Everywhere
82 bpm • A# Maj • 03:47 • -6.57db
6% Popularity • 55% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Barlow Carpenter
Three Years
82 bpm • F# Maj • 05:11 • -8.29db
26% Popularity • 45% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Sera Cahoone
Happy When I'm Gone
82 bpm • F# min • 03:20 • -8.92db
10% Popularity • 57% Danceability • 52% Energy • 10% Liveness
59% Instrumentalness • 57% Positiveness
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Blitzen Trapper
Love the Way You Walk Away
82 bpm • C Maj • 03:40 • -8db
31% Popularity • 51% Danceability • 54% Energy • 9% Liveness
24% Instrumentalness • 43% Positiveness
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Sons Of Bill
Road to Canaan
101 bpm • C Maj • 04:03 • -12.57db
14% Popularity • 47% Danceability • 34% Energy • 11% Liveness
7% Instrumentalness • 9% Positiveness
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The Swell Season
Feeling The Pull
101 bpm • C Maj • 02:20 • -4.56db
6% Popularity • 26% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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The Bounty of Mary Jane