Songs like The Bourne Identity Main Title by John Powell
Based on a tempo of (+/- 10%) and a similar genre
► Preview
John Powell
The Bourne Identity Main Title
81 bpm • G Maj • 04:19 • -18.5db
37% Popularity • 57% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
37% Popularity • 57% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
Don Davis
Logos / The Matrix Main Title
81 bpm • F Maj • 00:53 • -17.84db
40% Popularity • 8% Danceability • 34% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
40% Popularity • 8% Danceability • 34% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
► Preview
Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Nicholas Britell
Ballade in C# Minor: Coronation
80 bpm • C# Maj • 02:28 • -16.09db
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 20% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
West Dylan Thordson
Checkmate
80 bpm • D Maj • 02:08 • -24db
37% Popularity • 42% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
37% Popularity • 42% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
John Powell
The Bourne Identity Original Opening
81 bpm • C Maj • 04:25 • -21.24db
15% Popularity • 29% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 29% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ludwig Göransson
American Prometheus
80 bpm • C# min • 02:37 • -21.31db
62% Popularity • 11% Danceability • 14% Energy • 7% Liveness
44% Instrumentalness • 6% Positiveness
62% Popularity • 11% Danceability • 14% Energy • 7% Liveness
44% Instrumentalness • 6% Positiveness
► Preview
Don Davis
Why, Mr. Anderson?
81 bpm • A# min • 06:10 • -10.05db
18% Popularity • 8% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Lisa Gerrard
The Wheat
82 bpm • B min • 01:03 • -33.48db
54% Popularity • 19% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
54% Popularity • 19% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
► Preview
West Dylan Thordson
David & Elijah
80 bpm • C Maj • 01:45 • -25.69db
46% Popularity • 61% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
46% Popularity • 61% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
► Preview
Dario Marianelli
Evey Reborn
80 bpm • F min • 03:50 • -18db
40% Popularity • 7% Danceability • 10% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
40% Popularity • 7% Danceability • 10% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
John Powell
Las Vegas
81 bpm • E min • 03:48 • -16.74db
17% Popularity • 46% Danceability • 52% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
17% Popularity • 46% Danceability • 52% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
► Preview
Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
► Preview
Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Mychael Danna
A Little Bit of Faith
82 bpm • C Maj • 01:09 • -24db
41% Popularity • 13% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
41% Popularity • 13% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Christophe Beck
Live, Die, Repeat (End Title)
80 bpm • C min • 04:22 • -21.9db
19% Popularity • 41% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 41% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
John Powell
Berlin Foot Chase
80 bpm • C Maj • 05:16 • -14.28db
30% Popularity • 63% Danceability • 62% Energy • 9% Liveness
93% Instrumentalness • 52% Positiveness
30% Popularity • 63% Danceability • 62% Energy • 9% Liveness
93% Instrumentalness • 52% Positiveness
► Preview
Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
► Preview
Christian Henson
Maria's Sacrifice
80 bpm • G Maj • 02:06 • -19db
40% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
40% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Craig Armstrong
Armstrong: Opening
82 bpm • C min • 01:31 • -8.26db
30% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
30% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
► Preview
Justin Hurwitz
The Landing
80 bpm • G min • 05:31 • -15.24db
44% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
44% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
► Preview
Steve Jablonsky
Autobots
80 bpm • G min • 02:33 • -14.76db
55% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
55% Popularity • 39% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
► Preview
John Powell
Jason Phones It In
82 bpm • C# Maj • 03:04 • -22.7db
22% Popularity • 53% Danceability • 38% Energy • 9% Liveness
82% Instrumentalness • 55% Positiveness
22% Popularity • 53% Danceability • 38% Energy • 9% Liveness
82% Instrumentalness • 55% Positiveness
► Preview
Christophe Beck
Welcome to London, Major
80 bpm • A# Maj • 02:22 • -28.04db
26% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
44% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Tyler Bates
What Must a King Do?
80 bpm • G min • 01:04 • -22.24db
37% Popularity • 15% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
William Ross
End Credit
80 bpm • A# min • 04:02 • -16db
28% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Steve Jablonsky
Scorponok
80 bpm • F# min • 04:56 • -12.84db
45% Popularity • 50% Danceability • 59% Energy • 18% Liveness
86% Instrumentalness • 20% Positiveness
45% Popularity • 50% Danceability • 59% Energy • 18% Liveness
86% Instrumentalness • 20% Positiveness
► Preview
The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
John Powell
Bourne Gets Well
82 bpm • F# Maj • 01:21 • -18.2db
30% Popularity • 46% Danceability • 23% Energy • 23% Liveness
91% Instrumentalness • 9% Positiveness
30% Popularity • 46% Danceability • 23% Energy • 23% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
44% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
44% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
27% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
27% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Natalie Holt
Order 66
83 bpm • C min • 01:40 • -14db
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 54% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Steve Jablonsky
No Sacrifice, No Victory
80 bpm • G min • 02:57 • -15.78db
52% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
52% Popularity • 15% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Pinar Toprak
High Score
83 bpm • A min • 02:35 • -33.32db
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
The Prestige
The Prestige
79 bpm • A Maj • 01:40 • -14.59db
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
John Powell
Alexander Platz/Abbotts Confesses
83 bpm • C# Maj • 03:34 • -23.43db
22% Popularity • 29% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
22% Popularity • 29% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Joe Kraemer
Suite from Jack Reacher (Digital Bonus T...
83 bpm • E min • 06:48 • -19.62db
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Steve Jablonsky
Commander
79 bpm • C min • 03:34 • -17db
25% Popularity • 7% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 12% Positiveness
25% Popularity • 7% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 12% Positiveness
► Preview
John Powell
Strip Chase
79 bpm • F min • 04:59 • -15.88db
17% Popularity • 25% Danceability • 66% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
17% Popularity • 25% Danceability • 66% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
► Preview
William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
► Preview
Henry Jackman
Cap's Promise
78 bpm • A Maj • 03:45 • -14db
37% Popularity • 13% Danceability • 33% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
37% Popularity • 13% Danceability • 33% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Thomas Wander
You Stay in England
78 bpm • G Maj • 01:08 • -23db
33% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
33% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Steve Jablonsky
Sam on the Roof
78 bpm • D Maj • 02:02 • -17.6db
33% Popularity • 23% Danceability • 29% Energy • 28% Liveness
87% Instrumentalness • 8% Positiveness
33% Popularity • 23% Danceability • 29% Energy • 28% Liveness
87% Instrumentalness • 8% Positiveness
► Preview
John Powell
Converging in Athens
83 bpm • G Maj • 04:13 • -16.54db
19% Popularity • 49% Danceability • 45% Energy • 12% Liveness
82% Instrumentalness • 15% Positiveness
19% Popularity • 49% Danceability • 45% Energy • 12% Liveness
82% Instrumentalness • 15% Positiveness
► Preview
Harald Kloser
Goodbyes
78 bpm • A# min • 01:13 • -28.09db
18% Popularity • 16% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
56% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
David Schweitzer
Führer
84 bpm • C# Maj • 02:10 • -15.3db
38% Popularity • 35% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
38% Popularity • 35% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Christophe Beck
Solo Flight
85 bpm • C min • 03:11 • -22.56db
36% Popularity • 31% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
36% Popularity • 31% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
John Powell
An Interesting Proposal
84 bpm • F min • 02:13 • -22.86db
21% Popularity • 39% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 39% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Rupert Gregson-Williams
Historical Footage
78 bpm • G Maj • 04:59 • -14.59db
24% Popularity • 7% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
24% Popularity • 7% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
35% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
35% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
► Preview
Geoff Zanelli
Dead Men Tell No Tales
85 bpm • D min • 01:51 • -18.2db
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 34% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Jacob Shea
Northern Lights
77 bpm • C min • 02:00 • -21.55db
44% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
44% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
William Ross
I Will Do What I Must
77 bpm • C# Maj • 02:48 • -13db
35% Popularity • 10% Danceability • 60% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
35% Popularity • 10% Danceability • 60% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
► Preview
Ilan Eshkeri
Return To Ako
77 bpm • G Maj • 02:23 • -21.98db
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Dario Marianelli
Summit
85 bpm • C# min • 04:57 • -17.13db
25% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
► Preview
Henry Jackman
Magneto
85 bpm • G# Maj • 01:52 • -9db
40% Popularity • 52% Danceability • 80% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
40% Popularity • 52% Danceability • 80% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Mark Isham
Hospital
77 bpm • A Maj • 01:07 • -26db
38% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Christophe Beck
No Courage Without Fear
85 bpm • C min • 03:00 • -17.01db
23% Popularity • 20% Danceability • 42% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 42% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Tyler Bates
Glory
85 bpm • G Maj • 01:43 • -13.17db
29% Popularity • 21% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
29% Popularity • 21% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Clinton Shorter
Hostage
77 bpm • A Maj • 03:13 • -26.39db
27% Popularity • 7% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
27% Popularity • 7% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
John Powell
I Remember Everything
76 bpm • F Maj • 02:04 • -18.94db
37% Popularity • 15% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Pinar Toprak
Dreams
86 bpm • A min • 01:03 • -18db
57% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
57% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Thomas Wander
Welcome to the Moon
76 bpm • B Maj • 01:17 • -16db
23% Popularity • 16% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Joe Kraemer
Solomon Lane
86 bpm • A min • 04:07 • -18.9db
25% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Tyler Bates
A God King Bleeds
76 bpm • D min • 02:16 • -13.17db
25% Popularity • 11% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Kevin Kiner
It's Over Now
76 bpm • G Maj • 01:54 • -8db
39% Popularity • 18% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 5% Positiveness
39% Popularity • 18% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
John Powell
The Apartment
76 bpm • G# Maj • 03:27 • -16.03db
24% Popularity • 50% Danceability • 44% Energy • 24% Liveness
72% Instrumentalness • 24% Positiveness
24% Popularity • 50% Danceability • 44% Energy • 24% Liveness
72% Instrumentalness • 24% Positiveness
► Preview
Ludwig Göransson
A Lowly Shoe Salesman
87 bpm • C# min • 03:34 • -27.63db
60% Popularity • 20% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
60% Popularity • 20% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Carter Burwell
Follow Your Feet
87 bpm • D Maj • 03:09 • -27db
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Craig Armstrong
Bruce and Betty
87 bpm • D# min • 05:05 • -20.6db
18% Popularity • 9% Danceability • 11% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 11% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Natalie Holt
Inquisitors' Hunt
75 bpm • D min • 03:09 • -16db
34% Popularity • 24% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 24% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
M.S.
Batman Begins: Main Theme
75 bpm • G min • 02:44 • -19db
30% Popularity • 35% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
30% Popularity • 35% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
► Preview
Rob Lane
Leaving For Philadelphia
87 bpm • D min • 02:20 • -12db
19% Popularity • 24% Danceability • 41% Energy • 15% Liveness
73% Instrumentalness • 12% Positiveness
19% Popularity • 24% Danceability • 41% Energy • 15% Liveness
73% Instrumentalness • 12% Positiveness
► Preview
Kevin Kiner
The Sacrifice
75 bpm • A# Maj • 04:10 • -12.28db
33% Popularity • 12% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Thomas Wander
Edward's Theme
87 bpm • C min • 01:33 • -25.77db
38% Popularity • 23% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
38% Popularity • 23% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Marc Streitenfeld
Earth
87 bpm • E Maj • 02:35 • -22.46db
38% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
► Preview
Mychael Danna
Back to the World
88 bpm • C min • 08:20 • -27db
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
48% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
48% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Brad Fiedel
It's Over - Remastered 2017
88 bpm • A Maj • 04:39 • -15db
33% Popularity • 16% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Geoff Zanelli
El Matador Del Mar
88 bpm • C min • 08:04 • -11.76db
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Carlos Rafael Rivera
Am I Good Enough Now?
88 bpm • D min • 01:18 • -29.4db
49% Popularity • 14% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
49% Popularity • 14% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Kevin Kiner
The Clones
88 bpm • G Maj • 02:29 • -10.15db
39% Popularity • 19% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
39% Popularity • 19% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
► Preview
Marc Streitenfeld
Invitation
74 bpm • B min • 02:16 • -29.88db
27% Popularity • 19% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
39% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
39% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
► Preview
Geoff Zanelli
Salazar
88 bpm • D# Maj • 04:27 • -15db
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
