Songs like The Boxer - 2002 Remaster by Emmylou Harris

178 bpm • A Maj • 03:16 • -11.54db

39% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness

178 bpm • G# Maj • 03:39 • -17.29db

44% Popularity • 28% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness

179 bpm • B Maj • 04:09 • -13.13db

35% Popularity • 39% Danceability • 24% Energy • 88% Liveness
0% Instrumentalness • 32% Positiveness

176 bpm • G Maj • 05:45 • -19.27db

34% Popularity • 24% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness

179 bpm • A Maj • 03:13 • -13.86db

16% Popularity • 49% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness

180 bpm • B Maj • 03:32 • -19.83db

23% Popularity • 42% Danceability • 11% Energy • 10% Liveness
31% Instrumentalness • 70% Positiveness

175 bpm • D Maj • 03:12 • -11.04db

3% Popularity • 22% Danceability • 31% Energy • 14% Liveness
35% Instrumentalness • 38% Positiveness

175 bpm • G# Maj • 03:47 • -16db

51% Popularity • 32% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness

176 bpm • C# Maj • 04:35 • -7.14db

49% Popularity • 49% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness

175 bpm • E Maj • 02:32 • -13.75db

38% Popularity • 52% Danceability • 22% Energy • 10% Liveness
12% Instrumentalness • 66% Positiveness

173 bpm • D Maj • 04:56 • -18db

29% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness

182 bpm • D Maj • 03:56 • -11.69db

15% Popularity • 50% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness

173 bpm • D# Maj • 02:53 • -12.17db

58% Popularity • 38% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness

173 bpm • E Maj • 02:55 • -10db

27% Popularity • 70% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness

173 bpm • A Maj • 04:47 • -17db

32% Popularity • 38% Danceability • 22% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness

173 bpm • F# min • 04:34 • -16.39db

38% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness

172 bpm • B Maj • 02:33 • -12db

40% Popularity • 40% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness

184 bpm • G Maj • 03:03 • -4db

26% Popularity • 44% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness

172 bpm • G# Maj • 03:33 • -17db

29% Popularity • 56% Danceability • 61% Energy • 8% Liveness
1% Instrumentalness • 95% Positiveness

171 bpm • A Maj • 03:22 • -6db

22% Popularity • 45% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness

172 bpm • D Maj • 04:44 • -8.45db

50% Popularity • 51% Danceability • 33% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness

171 bpm • E Maj • 03:46 • -9.18db

39% Popularity • 50% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness

171 bpm • B Maj • 03:01 • -18.35db

26% Popularity • 45% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness

168 bpm • D Maj • 05:28 • -27.12db

43% Popularity • 43% Danceability • 8% Energy • 12% Liveness
51% Instrumentalness • 78% Positiveness

168 bpm • C# min • 03:35 • -13db

19% Popularity • 60% Danceability • 28% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness

168 bpm • C Maj • 05:12 • -7.99db

30% Popularity • 54% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness

168 bpm • C Maj • 03:55 • -9.21db

26% Popularity • 58% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness

169 bpm • C# Maj • 03:40 • -9.24db

33% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness

167 bpm • C min • 04:00 • -16db

29% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness

186 bpm • C# Maj • 03:17 • -11.25db

36% Popularity • 34% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness

167 bpm • D Maj • 04:11 • -10.46db

14% Popularity • 55% Danceability • 51% Energy • 9% Liveness
3% Instrumentalness • 87% Positiveness

167 bpm • C min • 02:45 • -11.96db

35% Popularity • 67% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness

165 bpm • A# Maj • 03:22 • -16.18db

34% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness

167 bpm • B Maj • 04:19 • -9.22db

33% Popularity • 51% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness

163 bpm • A Maj • 03:38 • -7.32db

50% Popularity • 27% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness

162 bpm • F# Maj • 02:46 • -9.1db

35% Popularity • 42% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 56% Positiveness

160 bpm • C Maj • 03:48 • -6.78db

25% Popularity • 43% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness

160 bpm • A Maj • 05:03 • -13.37db

11% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness

162 bpm • D# Maj • 04:00 • -21.68db

32% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness

158 bpm • G Maj • 03:43 • -11db

40% Popularity • 58% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness

201 bpm • F Maj • 04:19 • -12.34db

26% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness

202 bpm • A# Maj • 02:35 • -9.78db

16% Popularity • 36% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness

202 bpm • C Maj • 03:10 • -13db

7% Popularity • 36% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness

157 bpm • C Maj • 04:49 • -7.44db

46% Popularity • 35% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness

203 bpm • G Maj • 03:57 • -10.39db

39% Popularity • 40% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness

202 bpm • G# Maj • 02:55 • -10.6db

28% Popularity • 54% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness

203 bpm • G Maj • 04:11 • -10.44db

9% Popularity • 39% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness

203 bpm • G# Maj • 03:31 • -8.53db

20% Popularity • 35% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness

156 bpm • D Maj • 03:54 • -8.14db

23% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness

155 bpm • F Maj • 02:57 • -17.77db

53% Popularity • 38% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness

204 bpm • F Maj • 04:24 • -7.8db

44% Popularity • 57% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness

155 bpm • C Maj • 03:02 • -16.67db

22% Popularity • 53% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness

205 bpm • C Maj • 03:17 • -9.77db

36% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness

154 bpm • D# Maj • 03:39 • -9db

26% Popularity • 48% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness

151 bpm • D Maj • 03:59 • -17.28db

19% Popularity • 33% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness

210 bpm • A min • 02:25 • -11.29db

24% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness