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The Boy Named If
Songs like
The Boy Named If
by
Elvis Costello
Based on a tempo of (+/- 10%) and a similar genre
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Superchunk
On the Floor
148 bpm • D Maj • 03:38 • -6.79db
14% Popularity • 47% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Elvis Costello
The Boy Named If
148 bpm • G min • 04:24 • -5.81db
22% Popularity • 50% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Guided By Voices
Dance of Gurus
147 bpm • E Maj • 02:36 • -7.07db
11% Popularity • 64% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Suede
She Still Leads Me On
147 bpm • C# min • 04:08 • -3.76db
39% Popularity • 22% Danceability • 93% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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Dexys Midnight Runners
All In All (This One Last Wild Waltz) - ...
147 bpm • B min • 04:16 • -6.62db
14% Popularity • 41% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Yard Act
Tiny Dancer
147 bpm • C Maj • 03:53 • -9.76db
31% Popularity • 56% Danceability • 77% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
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Aeon Station
Queens
150 bpm • A min • 04:59 • -6.16db
11% Popularity • 20% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 5% Positiveness
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Elvis Costello
Welcome To The Working Week
149 bpm • E Maj • 01:23 • -7.9db
43% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Guided By Voices
Made Man
147 bpm • F# Maj • 01:21 • -8.14db
8% Popularity • 27% Danceability • 65% Energy • 45% Liveness
0% Instrumentalness • 47% Positiveness
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Joan Armatrading
Like
150 bpm • G Maj • 03:03 • -12.86db
11% Popularity • 64% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Midlake
Bethel Woods
150 bpm • E min • 04:23 • -7.47db
28% Popularity • 54% Danceability • 89% Energy • 10% Liveness
24% Instrumentalness • 42% Positiveness
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Fantastic Negrito
Trudoo
150 bpm • F min • 03:37 • -6.88db
16% Popularity • 67% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Spiritualized
Best Thing You Never Had (The D Song)
150 bpm • G Maj • 05:52 • -7db
26% Popularity • 36% Danceability • 72% Energy • 16% Liveness
16% Instrumentalness • 15% Positiveness
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Manic Street Preachers
Into the Waves of Love
146 bpm • G Maj • 03:10 • -6.19db
15% Popularity • 48% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Guided By Voices
Climbing a Ramp
150 bpm • E min • 02:40 • -6.57db
12% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Spoon
Held
150 bpm • G Maj • 04:44 • -8.64db
36% Popularity • 50% Danceability • 63% Energy • 18% Liveness
32% Instrumentalness • 59% Positiveness
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Blondie
I Love You Honey, Give Me A Beer (Go Thr...
146 bpm • A Maj • 02:42 • -11.6db
27% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Sean Rowe
Squid Tattoo
145 bpm • B Maj • 04:30 • -6db
23% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Belle and Sebastian
Talk to Me, Talk to Me
145 bpm • D Maj • 04:27 • -5.32db
27% Popularity • 52% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Manic Street Preachers
Don't Let the Night Divide Us
146 bpm • A min • 03:42 • -5.85db
18% Popularity • 36% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Destroyer
It Takes a Thief
145 bpm • C Maj • 02:41 • -7.27db
22% Popularity • 69% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Del Amitri
I'm so Scared of Dying
152 bpm • F Maj • 04:27 • -8.29db
16% Popularity • 45% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Turin Brakes
Isolation
152 bpm • C Maj • 04:34 • -8.98db
15% Popularity • 46% Danceability • 71% Energy • 6% Liveness
6% Instrumentalness • 50% Positiveness
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Jack White
A Tip from You to Me
152 bpm • A min • 02:42 • -6.09db
39% Popularity • 50% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Dr. John
I Walk On Guilded Splinters
144 bpm • A min • 04:53 • -12db
14% Popularity • 66% Danceability • 46% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
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Jesse Malin
Before You Go
144 bpm • A Maj • 03:25 • -7.37db
13% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Belle and Sebastian
Unnecessary Drama
144 bpm • A# Maj • 04:16 • -4.59db
26% Popularity • 46% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Jonathan Wilson
Detroit or Buffalo
153 bpm • C Maj • 04:25 • -9.85db
14% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Hold Steady
The Feelers
143 bpm • G Maj • 04:45 • -6.48db
17% Popularity • 33% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Marian McPartland
Conversation - Part 6
143 bpm • B Maj • 02:11 • -19.72db
2% Popularity • 68% Danceability • 24% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
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Craig Finn
Jessamine
143 bpm • C Maj • 03:25 • -10.81db
15% Popularity • 57% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The Stranglers
This Song
143 bpm • D Maj • 03:20 • -7.75db
29% Popularity • 50% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Phosphorescent
I'm a Mess
143 bpm • G Maj • 02:59 • -10.85db
29% Popularity • 51% Danceability • 45% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
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Belle and Sebastian
A Bit of Previous
143 bpm • C Maj • 03:49 • -6.23db
24% Popularity • 46% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Wilco
Falling Apart (Right Now)
153 bpm • F Maj • 03:16 • -6.56db
34% Popularity • 55% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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John Mellencamp
Streets Of Galilee
155 bpm • B min • 02:49 • -12.54db
20% Popularity • 49% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Arcade Fire
End of the Empire IV (Sagittarius A*)
141 bpm • E min • 03:54 • -12.03db
40% Popularity • 32% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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The Stranglers
Water
142 bpm • C Maj • 04:47 • -9db
23% Popularity • 49% Danceability • 78% Energy • 25% Liveness
2% Instrumentalness • 21% Positiveness
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Superchunk
Wild Loneliness
155 bpm • E Maj • 03:03 • -5.99db
13% Popularity • 49% Danceability • 83% Energy • 34% Liveness
2% Instrumentalness • 53% Positiveness
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Nathaniel Rateliff & The Night Sweats
The Future
155 bpm • C Maj • 03:41 • -4db
41% Popularity • 44% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Wilco
Many Worlds
141 bpm • D Maj • 07:52 • -9.56db
25% Popularity • 36% Danceability • 41% Energy • 10% Liveness
78% Instrumentalness • 19% Positiveness
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Midnight Oil
Rising Seas
141 bpm • A# Maj • 05:50 • -6.38db
28% Popularity • 57% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Guided By Voices
Trust Them Now
155 bpm • A Maj • 02:20 • -7.22db
11% Popularity • 31% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Del Amitri
Close Your Eyes and Think of England
156 bpm • A Maj • 03:30 • -7.78db
22% Popularity • 41% Danceability • 67% Energy • 56% Liveness
0% Instrumentalness • 54% Positiveness
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Jack White
Eosophobia
141 bpm • E Maj • 03:41 • -6.91db
32% Popularity • 53% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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The Proclaimers
Dentures Out
156 bpm • G Maj • 02:20 • -5.1db
25% Popularity • 52% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Manic Street Preachers
Still Snowing in Sapporo
140 bpm • D Maj • 06:09 • -7.79db
23% Popularity • 45% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Curse of Lono
Let Your Love Rain Down On Me
140 bpm • G Maj • 04:26 • -12.04db
16% Popularity • 62% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
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Elvis Costello
Farewell, OK
140 bpm • G min • 02:54 • -4.39db
16% Popularity • 44% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Gail Ann Dorsey
We Live as We Dream, Alone
140 bpm • C Maj • 03:39 • -5.34db
10% Popularity • 69% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Eels
Steam Engine
140 bpm • F min • 03:14 • -7.89db
22% Popularity • 74% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Liz Phair
Hey Lou
140 bpm • F Maj • 02:42 • -5.4db
16% Popularity • 63% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Urge Overkill
Freedom!
140 bpm • F# min • 03:04 • -4.94db
9% Popularity • 53% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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The Hold Steady
Sideways Skull
157 bpm • A Maj • 04:04 • -5.93db
24% Popularity • 24% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Cass McCombs
Unproud Warrior
140 bpm • D Maj • 06:33 • -11.13db
17% Popularity • 32% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Titus Andronicus
(I'm) Screwed
158 bpm • F Maj • 04:18 • -5.03db
19% Popularity • 36% Danceability • 93% Energy • 90% Liveness
0% Instrumentalness • 55% Positiveness
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John Mellencamp
I Always Lie To Strangers
139 bpm • E min • 03:36 • -8.22db
21% Popularity • 52% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
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Parquet Courts
Black Widow Spider
138 bpm • E Maj • 02:50 • -4.99db
28% Popularity • 56% Danceability • 92% Energy • 34% Liveness
86% Instrumentalness • 69% Positiveness
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Neil Young
They Might Be Lost
139 bpm • E min • 04:32 • -19.96db
25% Popularity • 52% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Del Amitri
Nation of Caners
138 bpm • A Maj • 07:39 • -8.86db
12% Popularity • 49% Danceability • 68% Energy • 27% Liveness
10% Instrumentalness • 88% Positiveness
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Bret McKenzie
A Little Tune
138 bpm • G Maj • 05:06 • -7.38db
21% Popularity • 76% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Dawes
Easy/Lucky/Free
138 bpm • C Maj • 05:32 • -12.44db
14% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Elvis Costello
Penelope Halfpenny - Memphis Magnetic Ve...
138 bpm • F Maj • 03:24 • -4.38db
10% Popularity • 45% Danceability • 92% Energy • 82% Liveness
0% Instrumentalness • 54% Positiveness
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Marian McPartland
They Didn't Believe Me
138 bpm • E Maj • 03:54 • -19.23db
4% Popularity • 46% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Blondie
Denis - Terry Ellis Mix
138 bpm • C Maj • 02:23 • -8.91db
19% Popularity • 46% Danceability • 81% Energy • 58% Liveness
0% Instrumentalness • 84% Positiveness
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Jack White
Please God, Don't Tell Anyone
159 bpm • G Maj • 04:00 • -9.33db
27% Popularity • 40% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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Arcade Fire
End of the Empire I-III
137 bpm • C Maj • 05:23 • -9.52db
44% Popularity • 32% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Simple Minds
Act of Love
137 bpm • C Maj • 04:02 • -6.3db
37% Popularity • 51% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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The Anchoress
The Art of Losing
137 bpm • G# min • 04:06 • -4.04db
9% Popularity • 42% Danceability • 98% Energy • 11% Liveness
55% Instrumentalness • 29% Positiveness
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Marian McPartland
You Don't Know What Love Is
137 bpm • D min • 04:58 • -15.83db
5% Popularity • 43% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jesse Malin
State of the Art
137 bpm • E Maj • 03:45 • -5.55db
16% Popularity • 50% Danceability • 92% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
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Hamish Hawk
The Mauritian Badminton Doubles Champion...
160 bpm • A# Maj • 03:38 • -9.12db
35% Popularity • 41% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Del Amitri
This City Loves You Back
160 bpm • F min • 04:10 • -9.98db
11% Popularity • 53% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Bret McKenzie
Tomorrow Today
160 bpm • A# Maj • 04:40 • -6.6db
11% Popularity • 47% Danceability • 89% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
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Calexico
El Paso
137 bpm • D Maj • 02:33 • -8.08db
5% Popularity • 56% Danceability • 78% Energy • 12% Liveness
25% Instrumentalness • 80% Positiveness
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Ryley Walker
Striking Down Your Big Premiere
136 bpm • C# Maj • 05:04 • -9.55db
11% Popularity • 39% Danceability • 58% Energy • 18% Liveness
54% Instrumentalness • 59% Positiveness
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Elvis Costello
Truth Drug - Memphis Magnetic Version
136 bpm • B min • 01:40 • -5.04db
11% Popularity • 48% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Belle and Sebastian
Juliet Naked
136 bpm • D min • 03:22 • -8.53db
32% Popularity • 62% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Midlake
Exile
136 bpm • F Maj • 03:33 • -7.69db
15% Popularity • 51% Danceability • 85% Energy • 8% Liveness
45% Instrumentalness • 36% Positiveness
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Manic Street Preachers
The Secret He Had Missed
136 bpm • B min • 03:39 • -6.11db
27% Popularity • 52% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Hamish Hawk
Think of Us Kissing
136 bpm • D Maj • 03:37 • -6.05db
31% Popularity • 57% Danceability • 87% Energy • 12% Liveness
83% Instrumentalness • 32% Positiveness
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Ezra Furman
Book Of Our Names
136 bpm • F Maj • 03:31 • -8.65db
16% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Elvis Costello
Surrender To The Rhythm
136 bpm • G Maj • 03:41 • -4.43db
13% Popularity • 62% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Calexico
Rambler
136 bpm • G Maj • 02:33 • -7.69db
2% Popularity • 47% Danceability • 85% Energy • 26% Liveness
93% Instrumentalness • 51% Positiveness
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The Kills
The Good Ones - The Tchad Blake Mix 2022
135 bpm • C# min • 03:28 • -7.67db
16% Popularity • 74% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Eels
Strawberries & Popcorn
135 bpm • D Maj • 03:42 • -10.64db
30% Popularity • 68% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Turin Brakes
World Like That
135 bpm • C Maj • 04:41 • -8.91db
17% Popularity • 50% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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She & Him
Darlin’
135 bpm • B Maj • 02:58 • -10.69db
28% Popularity • 51% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Elvis Costello
So You Want To Be A Rock ‘N’ Roll St...
136 bpm • C Maj • 02:16 • -5.66db
10% Popularity • 51% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Del Amitri
Lips of London
134 bpm • C Maj • 03:48 • -6.66db
18% Popularity • 57% Danceability • 92% Energy • 32% Liveness
21% Instrumentalness • 78% Positiveness
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Tori Amos
Spies
164 bpm • F min • 05:59 • -8db
24% Popularity • 52% Danceability • 73% Energy • 14% Liveness
5% Instrumentalness • 64% Positiveness
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Hamish Hawk
Bakerloo, Unbecoming
134 bpm • E Maj • 04:02 • -8.98db
20% Popularity • 51% Danceability • 76% Energy • 14% Liveness
15% Instrumentalness • 46% Positiveness
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The Afghan Whigs
I'll Make You See God
164 bpm • E Maj • 04:52 • -1.63db
28% Popularity • 21% Danceability • 97% Energy • 28% Liveness
13% Instrumentalness • 22% Positiveness
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Suede
15 Again
133 bpm • G# Maj • 03:24 • -2.96db
33% Popularity • 34% Danceability • 94% Energy • 30% Liveness
18% Instrumentalness • 37% Positiveness
► Preview
Elvis Costello
Magnificent Hurt
135 bpm • B min • 03:13 • -5.19db
24% Popularity • 61% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Daniel Romano
The Motions
133 bpm • E Maj • 04:33 • -12.29db
22% Popularity • 40% Danceability • 41% Energy • 59% Liveness
4% Instrumentalness • 24% Positiveness
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Destroyer
Tintoretto, It's for You
165 bpm • G Maj • 03:05 • -8.38db
23% Popularity • 44% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Cass McCombs
Karaoke
133 bpm • G Maj • 03:41 • -7.69db
22% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Joe Strummer
Secret Agent Man
165 bpm • G Maj • 03:11 • -3.82db
12% Popularity • 46% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
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Neil Young
Human Race
132 bpm • A Maj • 04:14 • -11.25db
24% Popularity • 21% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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The Boy Named If