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The Boy
Songs like
The Boy
by
John Frizzell
Based on a tempo of (+/- 10%) and a similar genre
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Nathan Whitehead
Your Soul Has Been Cleansed
154 bpm • C# Maj • 02:10 • -17.52db
14% Popularity • 60% Danceability • 61% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Marc Shaiman
Facts and Figures
155 bpm • F min • 01:56 • -15.69db
16% Popularity • 22% Danceability • 26% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Main Title
152 bpm • F min • 02:58 • -16.1db
21% Popularity • 37% Danceability • 41% Energy • 43% Liveness
88% Instrumentalness • 20% Positiveness
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Johnnie Gee Griffing
Midnight Whistle
156 bpm • G# Maj • 01:56 • -10.79db
9% Popularity • 55% Danceability • 72% Energy • 36% Liveness
92% Instrumentalness • 82% Positiveness
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Alexander Johannes Uitz
The Dragon's Lair
151 bpm • E Maj • 01:07 • -20.85db
16% Popularity • 62% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 96% Positiveness
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Tree Adams
Movement III Terra Part Two
150 bpm • C# Maj • 03:31 • -19.59db
9% Popularity • 55% Danceability • 36% Energy • 12% Liveness
83% Instrumentalness • 50% Positiveness
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John Frizzell
The Juggernaut
151 bpm • C min • 03:33 • -14.76db
4% Popularity • 17% Danceability • 22% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
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Roque Baños
The Abandoned Neighborhood
158 bpm • C# Maj • 02:24 • -26.34db
9% Popularity • 26% Danceability • 3% Energy • 18% Liveness
72% Instrumentalness • 3% Positiveness
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Giriraj Arora
Divine
150 bpm • A min • 01:27 • -17.15db
25% Popularity • 50% Danceability • 23% Energy • 17% Liveness
68% Instrumentalness • 14% Positiveness
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Andrew Lockington
Marine
159 bpm • G Maj • 03:05 • -24.54db
14% Popularity • 24% Danceability • 12% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Richard Band
Main Title
149 bpm • C Maj • 02:42 • -19db
13% Popularity • 22% Danceability • 30% Energy • 15% Liveness
43% Instrumentalness • 14% Positiveness
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Danny Bensi
Jane Doe
148 bpm • G# Maj • 01:19 • -24.69db
10% Popularity • 13% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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John Frizzell
The Princess
148 bpm • A# Maj • 02:38 • -25.96db
2% Popularity • 34% Danceability • 2% Energy • 66% Liveness
91% Instrumentalness • 3% Positiveness
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Stephan Zacharias
Prof. Schenk hält die Stellung
148 bpm • G Maj • 01:25 • -31.16db
13% Popularity • 17% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Aprile Spring
Adagio Serenade
148 bpm • A# Maj • 02:12 • -26.1db
10% Popularity • 13% Danceability • 4% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
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Harald Kloser
Alien Fight
148 bpm • F min • 03:14 • -10db
11% Popularity • 20% Danceability • 88% Energy • 20% Liveness
55% Instrumentalness • 4% Positiveness
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Richard Band
Main Titles
148 bpm • G Maj • 02:55 • -16.39db
9% Popularity • 55% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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West Dylan Thordson
Physicks
161 bpm • C# Maj • 01:21 • -18db
36% Popularity • 71% Danceability • 40% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
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Randy Edelman
Fighting Demons
147 bpm • D# Maj • 02:33 • -19.53db
9% Popularity • 17% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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John Carpenter
Laurie's Theme
162 bpm • B Maj • 02:04 • -18db
37% Popularity • 34% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Trevor Rabin
I Am The Clock (12 Monkeys Suite)
145 bpm • D min • 04:44 • -18db
23% Popularity • 47% Danceability • 30% Energy • 8% Liveness
47% Instrumentalness • 9% Positiveness
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John Frizzell
What's In The Basement?
144 bpm • G# Maj • 02:07 • -22.13db
2% Popularity • 24% Danceability • 12% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
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Dominic Lewis
BCR
144 bpm • A Maj • 04:48 • -22.24db
10% Popularity • 61% Danceability • 28% Energy • 7% Liveness
78% Instrumentalness • 9% Positiveness
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Hugo Obum
Movies Are Real
143 bpm • A# min • 02:19 • -27.77db
14% Popularity • 48% Danceability • 16% Energy • 12% Liveness
58% Instrumentalness • 51% Positiveness
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The Newton Brothers
Tokyo 2004
143 bpm • D# Maj • 01:17 • -14.39db
12% Popularity • 21% Danceability • 17% Energy • 22% Liveness
95% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Maeve's Ultimate Sacrifice
143 bpm • C# Maj • 04:13 • -12.63db
10% Popularity • 17% Danceability • 40% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Jon Ekstrand
I Thought They Came to Rescue Us
142 bpm • C# Maj • 04:28 • -12db
11% Popularity • 45% Danceability • 35% Energy • 6% Liveness
81% Instrumentalness • 3% Positiveness
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John Frizzell
The Marie Celeste
143 bpm • C Maj • 01:37 • -28.48db
2% Popularity • 14% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Clint Mansell
Ironclad
142 bpm • D min • 03:55 • -13.17db
14% Popularity • 33% Danceability • 41% Energy • 9% Liveness
76% Instrumentalness • 13% Positiveness
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Roberto Mengoli
Frank's Game
141 bpm • A Maj • 01:58 • -26.39db
8% Popularity • 14% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
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Christian Henson
Let Her Go
141 bpm • D min • 01:15 • -24.5db
8% Popularity • 28% Danceability • 14% Energy • 13% Liveness
87% Instrumentalness • 15% Positiveness
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ChillwaveBeatMusic
Adventurer
168 bpm • G Maj • 02:45 • -18.8db
13% Popularity • 59% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
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Jeff Russo
Tut Main Theme
168 bpm • C Maj • 01:03 • -16.55db
14% Popularity • 40% Danceability • 39% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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John Frizzell
The Rescue
142 bpm • G Maj • 03:05 • -19.62db
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Brad Fiedel
Love Scene
168 bpm • D min • 02:29 • -23db
32% Popularity • 18% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Hans Zimmer
Dear Clarice
168 bpm • A min • 06:02 • -23.77db
24% Popularity • 18% Danceability • 12% Energy • 8% Liveness
52% Instrumentalness • 4% Positiveness
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Tyler Bates
Remember Us - Based Upon Themes by Ellio...
169 bpm • F min • 02:55 • -15db
31% Popularity • 8% Danceability • 19% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Alexander Johannes Uitz
Majestic Visions
140 bpm • C Maj • 01:30 • -20.31db
13% Popularity • 47% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
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AKIRA HONDA
Blockchain Symphony
140 bpm • G min • 05:21 • -21.2db
10% Popularity • 55% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Mark Snow
Exoptare Ex Veritas
140 bpm • E min • 01:30 • -30.94db
21% Popularity • 28% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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KNOXVILLETRACKZ
HFPSW
170 bpm • A min • 01:04 • -48.26db
19% Popularity • 8% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 31% Positiveness
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Nathan Johnson
A Life in a Day
140 bpm • D min • 02:21 • -17.71db
16% Popularity • 42% Danceability • 36% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Elore
Impression
140 bpm • D# min • 01:45 • -18.88db
17% Popularity • 49% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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Stella Pulse
Fantasy
170 bpm • C# min • 01:52 • -17.13db
17% Popularity • 22% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 14% Positiveness
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John Frizzell
Katie's Dolls
170 bpm • G# Maj • 01:23 • -24.75db
4% Popularity • 8% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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West Dylan Thordson
Brick Factory
170 bpm • C Maj • 03:30 • -18.76db
16% Popularity • 21% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 9% Positiveness
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Juri Seppä
Aatami in Search of Gold
170 bpm • A Maj • 02:12 • -29db
9% Popularity • 21% Danceability • 15% Energy • 30% Liveness
77% Instrumentalness • 4% Positiveness
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John Carpenter
March Of The Children
170 bpm • F min • 08:07 • -19db
9% Popularity • 45% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 39% Positiveness
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Alan Williams
Spirits or Whatever
139 bpm • C min • 08:09 • -22.96db
8% Popularity • 17% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Harald Kloser
Tornado Warning
139 bpm • C# Maj • 02:00 • -21.71db
33% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
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Fernando Velázquez
The Car and the Radio
138 bpm • G Maj • 01:32 • -17.43db
10% Popularity • 20% Danceability • 29% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Meeting the Others
139 bpm • D# min • 03:38 • -23db
31% Popularity • 14% Danceability • 14% Energy • 27% Liveness
71% Instrumentalness • 6% Positiveness
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John Frizzell
Meeting The Captain
138 bpm • B Maj • 02:44 • -25.33db
1% Popularity • 16% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Lovett
Point of No Return
138 bpm • C# Maj • 01:56 • -17.02db
7% Popularity • 15% Danceability • 13% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
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Milo Paulus
The Men's Project: IV. The Professor and...
138 bpm • F min • 01:58 • -31.74db
15% Popularity • 15% Danceability • 2% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
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David Shire
Trailer Park
172 bpm • G# Maj • 02:51 • -20.57db
11% Popularity • 10% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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John Harrison
Prologue / Welcome to Creepshow (Main Ti...
138 bpm • C Maj • 04:07 • -14.17db
27% Popularity • 25% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Chris Wirsig
Escaping The Alien Market
173 bpm • F Maj • 01:48 • -12.42db
9% Popularity • 9% Danceability • 48% Energy • 38% Liveness
93% Instrumentalness • 8% Positiveness
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John Frizzell
Katie Disappears
138 bpm • G Maj • 01:15 • -21.54db
1% Popularity • 17% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Éric Serra
Leeloo
137 bpm • C# Maj • 04:55 • -23.53db
27% Popularity • 15% Danceability • 8% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Don Davis
Bow Whisk Orchestra
136 bpm • C Maj • 01:23 • -17.32db
13% Popularity • 24% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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KNOXVILLETRACKZ
SBW
173 bpm • F# Maj • 01:04 • -46.56db
20% Popularity • 7% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 52% Positiveness
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Thomas Newman
Bonnie and Clyde
136 bpm • D min • 02:03 • -31.9db
18% Popularity • 20% Danceability • 3% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
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John Carpenter
Halloween Triumphant
136 bpm • F# min • 07:28 • -12.62db
27% Popularity • 51% Danceability • 56% Energy • 11% Liveness
82% Instrumentalness • 30% Positiveness
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John Frizzell
I Saw A Little Girl
136 bpm • F min • 01:45 • -26.3db
4% Popularity • 15% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Lovett
Riley’s Temptation
136 bpm • D# min • 02:40 • -23db
9% Popularity • 24% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Sounds Of The Aliens
Darkness Villain
136 bpm • G Maj • 01:28 • -26.9db
17% Popularity • 48% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 26% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Thomas Newman
Bluff (End Title) [From Castle Rock]
174 bpm • A# Maj • 02:12 • -23.68db
12% Popularity • 20% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Marc Streitenfeld
Writing the Letter
136 bpm • C Maj • 02:00 • -25.14db
31% Popularity • 20% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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David Julyan
White Water Rafting
135 bpm • C# min • 01:25 • -19.46db
19% Popularity • 15% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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KNOXVILLETRACKZ
SBU
136 bpm • F# Maj • 01:04 • -46.98db
20% Popularity • 15% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 0% Positiveness
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David Wingo
Tubular Bells - Chris MacNeil
135 bpm • C# min • 02:30 • -18.61db
14% Popularity • 28% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Holly Amber Church
Cabinet of Curiosities Prologue
177 bpm • C min • 01:16 • -20.91db
15% Popularity • 10% Danceability • 12% Energy • 9% Liveness
78% Instrumentalness • 12% Positiveness
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Stephen McKeon
Los Diablos
176 bpm • C# Maj • 01:06 • -33db
13% Popularity • 7% Danceability • 1% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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joseph bishara
Soaring phenomena
134 bpm • C Maj • 01:52 • -18.28db
15% Popularity • 16% Danceability • 19% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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David Julyan
420
134 bpm • B min • 01:26 • -24.56db
10% Popularity • 28% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Chris Bacon
Everything's Going To Be Okay
134 bpm • C# min • 02:38 • -18.88db
10% Popularity • 16% Danceability • 19% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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John Frizzell
Finding Gold
133 bpm • A# min • 01:31 • -16db
5% Popularity • 17% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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EDO ZENITH
Cambiare Sembianze
178 bpm • A min • 02:29 • -23.06db
14% Popularity • 54% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Daniel Pemberton
Last Of The Species
133 bpm • C Maj • 01:22 • -23.05db
9% Popularity • 16% Danceability • 3% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Main Title - A Nightmare On Elm Street
179 bpm • A Maj • 02:35 • -17.38db
23% Popularity • 7% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Stephen McKeon
Two Souls
133 bpm • C# Maj • 01:35 • -22.98db
10% Popularity • 16% Danceability • 6% Energy • 7% Liveness
25% Instrumentalness • 3% Positiveness
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Hans Zimmer
Hijack
132 bpm • D Maj • 04:03 • -14.11db
24% Popularity • 32% Danceability • 28% Energy • 32% Liveness
91% Instrumentalness • 10% Positiveness
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Don Davis
Trinity Infinity
132 bpm • E min • 06:00 • -16.86db
15% Popularity • 17% Danceability • 38% Energy • 9% Liveness
25% Instrumentalness • 4% Positiveness
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joseph bishara
clap game
132 bpm • C# Maj • 05:21 • -32db
18% Popularity • 17% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Mark Snow
Mitus Lumen
180 bpm • A min • 02:41 • -19.85db
12% Popularity • 23% Danceability • 35% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
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The X-Files
Threnody in X
180 bpm • D min • 03:13 • -11db
14% Popularity • 38% Danceability • 69% Energy • 21% Liveness
96% Instrumentalness • 6% Positiveness
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Patrick Doyle
The United Nations
180 bpm • C Maj • 02:42 • -26.47db
9% Popularity • 17% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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John Frizzell
The Deal
180 bpm • A Maj • 03:16 • -21.89db
3% Popularity • 8% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
John Powell
Phoenix Rises
131 bpm • F# Maj • 04:21 • -10.67db
24% Popularity • 24% Danceability • 75% Energy • 32% Liveness
15% Instrumentalness • 8% Positiveness
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Alexander Johannes Uitz
Journey of Hope
198 bpm • D Maj • 01:16 • -23.06db
16% Popularity • 43% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 71% Positiveness
► Preview
Dominic Lewis
Reichsmarschall
188 bpm • D min • 02:54 • -22.55db
13% Popularity • 10% Danceability • 10% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
► Preview
Adrian Johnston
The Strangers Prey At Night
208 bpm • E Maj • 01:22 • -15.02db
8% Popularity • 36% Danceability • 26% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
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John Powell
Coliseum Tour
182 bpm • D# Maj • 01:46 • -27.48db
10% Popularity • 33% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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The Boy