Songs like The C Word by Laura Bell Bundy
Based on a tempo of (+/- 10%) and a similar genre
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Patina Miller
Raise Your Voice
141 bpm • C Maj • 06:23 • -5.3db
37% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Marissa Jaret Winokur
Mama, I'm a Big Girl Now
141 bpm • F Maj • 03:18 • -4.62db
37% Popularity • 78% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 78% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Nikki Blonsky
Mama, I'm A Big Girl Now
141 bpm • B Maj • 03:18 • -5db
44% Popularity • 65% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 65% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 59% Positiveness
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Brandy Clark
Maybe Love - Bonus Track
141 bpm • C# Maj • 01:42 • -9.45db
20% Popularity • 45% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 45% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Porter
Not My Father's Son
141 bpm • A Maj • 05:57 • -13.62db
34% Popularity • 45% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 45% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Original Broadway Cast of 'Joseph and the Amazing Technicolor Dreamcoat'
Prologue-You Are What You Feel/Jacob And...
141 bpm • F Maj • 03:27 • -14db
18% Popularity • 40% Danceability • 24% Energy • 54% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 40% Danceability • 24% Energy • 54% Liveness
0% Instrumentalness • 39% Positiveness
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Laura Bell Bundy
The C Word
141 bpm • C# Maj • 02:24 • -12.86db
10% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Linda Hart
(The Legend of) Miss Baltimore Crabs
142 bpm • C# Maj • 02:53 • -8.16db
29% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Ne-Yo
Slide Some Oil to Me
140 bpm • C# Maj • 02:25 • -3.59db
26% Popularity • 70% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 70% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Matthew James Thomas
With You
140 bpm • B Maj • 05:39 • -8.87db
31% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Barrett Wilbert Weed
I'd Rather Be Me
140 bpm • E Maj • 02:50 • -3.33db
56% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
28% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Anna Kendrick
A Part of That
140 bpm • F min • 04:00 • -8db
39% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Carol Hall
A Lil' Ole Bitty Pissant Country Place -...
139 bpm • F Maj • 05:46 • -6.37db
16% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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'Legally Blonde' Ensemble
Blood in the Water
140 bpm • C# Maj • 04:49 • -12.59db
46% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Rosario Dawson
Out Tonight
139 bpm • A Maj • 03:54 • -2.83db
49% Popularity • 53% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 53% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Linda Eder
I Never Knew His Name
139 bpm • C Maj • 03:36 • -13.92db
11% Popularity • 23% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 23% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Jeremy Kushnier
Almost Paradise
143 bpm • G Maj • 03:20 • -14db
31% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Stark Sands
Step One
138 bpm • C# Maj • 02:48 • -5db
35% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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B.J., Pattie And Michael
Act One: Kansas City
138 bpm • C Maj • 02:22 • -6.66db
11% Popularity • 60% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 60% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Amy Spanger
Pop!
144 bpm • C# Maj • 03:09 • -4.79db
11% Popularity • 86% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 86% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Jessie Mueller
So Far Away
137 bpm • D Maj • 01:42 • -7db
30% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Katie Thompson
Say Goodbye
137 bpm • B Maj • 02:34 • -7db
12% Popularity • 64% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 64% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Stephanie J. Block
You Haven't Seen the Last of Me
137 bpm • D Maj • 02:57 • -4db
25% Popularity • 40% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 40% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Laura Benanti
Come Out of the Dumpster
145 bpm • D Maj • 03:03 • -8.08db
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Michael Berresse
Cell Block Tango
137 bpm • F Maj • 06:14 • -12.75db
41% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Michael Cavanaugh
Movin' Out
137 bpm • D min • 02:38 • -6.38db
7% Popularity • 63% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 63% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Adrian Bailey
Act Two: Love Potion #9
136 bpm • E min • 01:22 • -8.14db
10% Popularity • 77% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 77% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Linda Hart
Storm's A-Brewin'
146 bpm • A min • 04:11 • -7.42db
8% Popularity • 51% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 51% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Patina Miller
On the Right Track
146 bpm • D# min • 03:54 • -8db
35% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Amy Spanger
Right in Front of Your Eyes
146 bpm • E Maj • 03:24 • -5.2db
13% Popularity • 60% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 60% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Clarke Thorell
(It's) Hairspray
136 bpm • C Maj • 02:11 • -6db
26% Popularity • 67% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 67% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Nunsense 30th Anniversary Cast
I Could've Gone to Nashville
135 bpm • G# min • 03:53 • -14.94db
10% Popularity • 45% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 45% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Christian Borle
Take It Like a Man
135 bpm • B Maj • 04:13 • -11db
46% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Alison Luff
Fins
147 bpm • C Maj • 02:36 • -5.3db
18% Popularity • 72% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 72% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
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Stephanie J. Block
The Beat Goes On
135 bpm • C Maj • 06:05 • -6.13db
16% Popularity • 74% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 74% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Laura Benanti
Someday
136 bpm • A Maj • 03:30 • -4db
15% Popularity • 68% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 68% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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James Marsden
(It's) Hairspray
135 bpm • C Maj • 02:20 • -5db
44% Popularity • 42% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 42% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Baylee Littrell
When Will I Be Loved
135 bpm • G# Maj • 01:40 • -5.61db
12% Popularity • 48% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 48% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Leah Hocking
Let Yourself Go
134 bpm • A min • 02:34 • -10.74db
24% Popularity • 51% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 51% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Patina Miller
Take Me to Heaven - Reprise
148 bpm • F Maj • 05:45 • -6.45db
33% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Stephanie J. Block
Never Neverland (Fly Away)
147 bpm • F Maj • 03:42 • -8.35db
17% Popularity • 39% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 39% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Kooman & Dimond
I Think That He Likes Me
148 bpm • C Maj • 02:35 • -7.34db
31% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Nikki M. James
Sal Tlay Ka Siti
134 bpm • C Maj • 03:41 • -11db
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Ashley Blanchet
The Locomotion
134 bpm • A# min • 02:11 • -3db
27% Popularity • 70% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 70% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Tammy Blanchard
Skid Row (Downtown)
134 bpm • A# Maj • 04:12 • -9db
40% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Roger Miller
Leavin's Not The Only Way To Go - 1985 O...
134 bpm • E Maj • 02:34 • -18.97db
15% Popularity • 46% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 46% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Original Cast of Billy Elliot
Shine
134 bpm • C min • 06:06 • -9.79db
29% Popularity • 54% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 54% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Billy Porter
Everybody Say Yeah
134 bpm • D Maj • 04:19 • -6.19db
33% Popularity • 63% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 63% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Aaron Simon Gross
If That's What It Is
149 bpm • G# Maj • 05:23 • -7.89db
21% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 59% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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James Snyder
You Never Know
149 bpm • A Maj • 03:12 • -15db
20% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Kendrick
A Summer in Ohio
134 bpm • C min • 04:05 • -7.32db
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Original Broadway Cast Of 'The Color Purple'
The Color Purple
134 bpm • G# min • 02:31 • -17.27db
13% Popularity • 53% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 53% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Michelle Pfeiffer
(The Legend Of) Miss Baltimore Crabs
134 bpm • F min • 04:07 • -7db
48% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Peter Allen
When I Get My Name In Lights - The Boy F...
149 bpm • A# Maj • 02:24 • -6.65db
22% Popularity • 54% Danceability • 50% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 54% Danceability • 50% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
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Annaleigh Ashford
What You Want
133 bpm • F Maj • 08:07 • -10.64db
49% Popularity • 68% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 68% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Richard Gere
All I Care About
133 bpm • F# Maj • 03:48 • -8.87db
30% Popularity • 43% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 43% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Broadway Cast Recording
Another Op'nin', Another Show
149 bpm • G# Maj • 06:16 • -9.82db
22% Popularity • 43% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 43% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Escape to Margaritaville Company
It’s Five O’Clock Somewhere
133 bpm • D Maj • 02:38 • -7.3db
17% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Nikki Blonsky
Good Morning Baltimore
133 bpm • E Maj • 03:54 • -4.37db
56% Popularity • 63% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 63% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Marissa Jaret Winokur
Good Morning Baltimore
133 bpm • G# Maj • 03:40 • -5.01db
39% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Crazy Ex-Girlfriend Cast
Women Gotta Stick Together
133 bpm • C Maj • 02:44 • -5.09db
26% Popularity • 82% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 82% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Laura Bell Bundy
Curse The Bed
133 bpm • C Maj • 03:24 • -6.95db
7% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Original Broadway Cast Of Aint Too Proud
The Way You Do the Things You Do
133 bpm • E Maj • 02:39 • -9.98db
21% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Alexander Nolan
License to Chill
133 bpm • C Maj • 02:16 • -4.97db
18% Popularity • 55% Danceability • 81% Energy • 56% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 55% Danceability • 81% Energy • 56% Liveness
0% Instrumentalness • 67% Positiveness
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Renée Zellweger
Roxie
133 bpm • F min • 03:20 • -9db
38% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Corey Reynolds
Run and Tell That!
150 bpm • A Maj • 03:49 • -6.69db
29% Popularity • 72% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 72% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 67% Positiveness
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Colt Ford
Hugh Damn Right
150 bpm • D Maj • 03:43 • -5.82db
15% Popularity • 50% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 50% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Sherie Rene Scott
Still Hurting
133 bpm • C Maj • 05:01 • -13.04db
34% Popularity • 34% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 34% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 7% Positiveness
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Elijah Kelley
Run And Tell That
150 bpm • D Maj • 03:51 • -5db
50% Popularity • 61% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 61% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 72% Positiveness
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Adam Pascal
Fortune Favors The Brave
150 bpm • F Maj • 02:20 • -5db
36% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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A Chorus Line Ensemble (2006)
One
132 bpm • G min • 05:56 • -10db
33% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Ana Gasteyer
The Stuff
151 bpm • G Maj • 02:16 • -8.58db
17% Popularity • 36% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 36% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jesse L. Martin
Today 4 U
132 bpm • G Maj • 02:44 • -3.16db
43% Popularity • 72% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 72% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Laura Bell Bundy
Homecoming Queen
132 bpm • B Maj • 04:31 • -7.48db
6% Popularity • 62% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
6% Popularity • 62% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Jimmy Roberts
A Stud And A Babe
151 bpm • A# min • 04:46 • -10db
17% Popularity • 58% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 58% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Stephanie D'Abruzzo
I Wish I Could Go Back to College
132 bpm • A Maj • 02:09 • -8.8db
11% Popularity • 54% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 54% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Daphne Rubin-Vega
Light My Candle
132 bpm • C min • 04:05 • -9.82db
36% Popularity • 86% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 86% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Lindsay Mendez
Prelude: Take Me Back
151 bpm • G Maj • 02:02 • -10db
27% Popularity • 23% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
27% Popularity • 23% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
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Aimee Allen
Cooties
131 bpm • A min • 02:41 • -6.97db
37% Popularity • 74% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 74% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
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Jeremy Jordan
Something To Believe In
132 bpm • G Maj • 03:31 • -10.57db
46% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Carol Hall
The Aggie Song - The Best Little Whoreho...
131 bpm • A Maj • 05:16 • -6.95db
9% Popularity • 56% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 56% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Andy Blankenbuehler
Mr. Bojangles
131 bpm • F Maj • 06:11 • -24.2db
5% Popularity • 34% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 34% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Adam Pascal
Light My Candle
131 bpm • C min • 04:10 • -6.43db
48% Popularity • 81% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 81% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Lucy
Someone Like You
131 bpm • F Maj • 03:46 • -11db
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Annaleigh Ashford
The History of Wrong Guys
130 bpm • A# Maj • 03:48 • -6.34db
44% Popularity • 81% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 81% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Lea Michele
Don't Rain on My Parade
130 bpm • A Maj • 02:38 • -8.59db
44% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Roger Miller
River In The Rain - 1985 Original Broada...
131 bpm • D Maj • 03:35 • -17.6db
19% Popularity • 56% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 56% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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Cheyenne Jackson
Burning Love
153 bpm • A# Maj • 03:10 • -7.68db
28% Popularity • 48% Danceability • 72% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 48% Danceability • 72% Energy • 65% Liveness
0% Instrumentalness • 56% Positiveness
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Brittany Snow
The New Girl In Town
130 bpm • C# Maj • 02:15 • -6.45db
52% Popularity • 77% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 77% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Jessie Mueller
Chains
130 bpm • C Maj • 01:44 • -5.28db
26% Popularity • 69% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 69% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Cast of Ghost - The Musical
I'm Outta Here
130 bpm • C min • 04:13 • -4db
18% Popularity • 64% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 64% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Orfeh
Rodeo Drive
130 bpm • D Maj • 03:03 • -2.3db
28% Popularity • 65% Danceability • 86% Energy • 68% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 65% Danceability • 86% Energy • 68% Liveness
0% Instrumentalness • 45% Positiveness
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Bring It On: The Musical - Original Broadway Cast
It's All Happening
130 bpm • F# Maj • 05:45 • -4.34db
39% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Stephanie D'Abruzzo
There's a Fine, Fine Line
129 bpm • G Maj • 02:39 • -9.98db
29% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness