Songs like The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) by Ralph Vaughan Williams
Based on a tempo of (+/- 10%) and a similar genre
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Kim André Arnesen
Child of Song
73 bpm • C min • 04:51 • -32.13db
17% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Andreas Scholl
Sancta Mater
73 bpm • D Maj • 03:38 • -16.41db
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Michael McGlynn
Where All Roses Go
73 bpm • B min • 04:58 • -22db
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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James Whitbourn
He carried me away in the spirit
73 bpm • C# min • 06:08 • -30db
13% Popularity • 10% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
13% Popularity • 10% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Verleih uns Frieden
73 bpm • D# Maj • 04:48 • -32db
23% Popularity • 10% Danceability • 4% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 4% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
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Eleanor Daley
Grandmother Moon
73 bpm • A min • 03:47 • -28.53db
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
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George Frideric Handel
Ode for the Birthday of Queen Anne: Eter...
73 bpm • A# Maj • 03:46 • -15.64db
9% Popularity • 19% Danceability • 21% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 21% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Cyrillus Kreek
Taaveti laul 141, "Issand, ma huuan Su p...
73 bpm • B min • 02:26 • -29.13db
16% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, R.630: 1. Nulla in m...
73 bpm • D# Maj • 02:48 • -14.01db
23% Popularity • 29% Danceability • 16% Energy • 33% Liveness
1% Instrumentalness • 9% Positiveness
23% Popularity • 29% Danceability • 16% Energy • 33% Liveness
1% Instrumentalness • 9% Positiveness
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Ralph Vaughan Williams
The Call (Arr. Harry D Bennett)
73 bpm • F min • 02:23 • -22.48db
19% Popularity • 15% Danceability • 4% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 4% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Pie Jesu
74 bpm • D Maj • 04:16 • -33db
26% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
26% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
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Henryk Górecki
Górecki: Symphony No. 3, Op. 36, "Symph...
72 bpm • C# Maj • 05:23 • -23.5db
31% Popularity • 9% Danceability • 4% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 4% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
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![For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] cover art](https://i.scdn.co/image/ab67616d00001e029ba7f8d4d73c109135eb5341)
Béla Bartók
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Hymn - 2001
74 bpm • A# Maj • 06:05 • -31.44db
36% Popularity • 14% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 14% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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James Morgan
All Who Labour
74 bpm • G# Maj • 03:48 • -23.77db
29% Popularity • 19% Danceability • 17% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 17% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 1. Domine Deus noster-...
72 bpm • C Maj • 02:59 • -52db
16% Popularity • 6% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
16% Popularity • 6% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Iain MacLachlan
The Dark Island (Arr. Paul Smith)
72 bpm • F# Maj • 05:58 • -26db
5% Popularity • 9% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
5% Popularity • 9% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 148
74 bpm • C Maj • 06:32 • -27db
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Hugi Guðmundsson
HvÃld
72 bpm • A min • 03:34 • -28.38db
32% Popularity • 13% Danceability • 5% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 5% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Kyrie
74 bpm • D min • 04:38 • -33.66db
16% Popularity • 7% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
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Hubert Clifford
Five English Nursery Tunes: IV. Curly Lo...
74 bpm • A# Maj • 04:17 • -37.71db
36% Popularity • 15% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
36% Popularity • 15% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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György Orbán
Chiaro
75 bpm • D Maj • 02:26 • -24.28db
11% Popularity • 21% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 7% Positiveness
11% Popularity • 21% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 7% Positiveness
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Anton Bruckner
Vexilla Regis
71 bpm • F Maj • 08:14 • -29.23db
14% Popularity • 7% Danceability • 2% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 2% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 04. Ecce Enim Verita...
71 bpm • G min • 01:07 • -33.77db
42% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
42% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Symphony No. 3, "Pastoral Symphony": III...
74 bpm • G min • 06:26 • -16.05db
13% Popularity • 16% Danceability • 20% Energy • 10% Liveness
78% Instrumentalness • 18% Positiveness
13% Popularity • 16% Danceability • 20% Energy • 10% Liveness
78% Instrumentalness • 18% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Jacob Mühlrad
Kaddish - Excerpt
71 bpm • A min • 03:53 • -25db
13% Popularity • 15% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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Frederick Delius
Over the Mountains High (arr. J. Lloyd W...
71 bpm • C Maj • 02:20 • -28db
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
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Aaron Copland
Appalachian Spring - 1945 Suite: 1. Very...
71 bpm • A Maj • 02:54 • -35db
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Don MacDonald
When the Earth Stands Still
75 bpm • D min • 03:59 • -24.48db
34% Popularity • 21% Danceability • 3% Energy • 6% Liveness
14% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 3% Energy • 6% Liveness
14% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Songs of Travel: Let Beauty awake
71 bpm • C# min • 01:55 • -20.87db
16% Popularity • 30% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
16% Popularity • 30% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Taylor Scott Davis
Music When Soft Voices Die
75 bpm • F Maj • 02:53 • -23.63db
2% Popularity • 8% Danceability • 7% Energy • 14% Liveness
10% Instrumentalness • 3% Positiveness
2% Popularity • 8% Danceability • 7% Energy • 14% Liveness
10% Instrumentalness • 3% Positiveness
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Anton Bruckner
Locus Iste, WAB 23: Locus iste, WAB 23
75 bpm • C Maj • 03:12 • -31db
23% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
O Rubor Sanguinis: Antienne
75 bpm • F Maj • 01:32 • -30db
35% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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John Taverner
Missa Gloria tibi Trinitas: Sanctus
71 bpm • D min • 05:46 • -18.29db
16% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Sjaella
Morgengesang
75 bpm • F# Maj • 03:25 • -24db
30% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
22% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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John Barry
Agnus Dei (based on ADAGIO for Strings)
71 bpm • A# min • 10:51 • -27.78db
35% Popularity • 14% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
35% Popularity • 14% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Guillaume Dufay
Nuper rosarum flores
71 bpm • D min • 06:27 • -26db
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Agnus Dei
71 bpm • A# min • 07:40 • -21.37db
26% Popularity • 9% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
26% Popularity • 9% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Dona Nobis Pacem: Dirge for 2 Veterans
71 bpm • A min • 10:06 • -22db
15% Popularity • 7% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
15% Popularity • 7% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
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Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Lorelei Ensemble
I Lie
75 bpm • D Maj • 05:24 • -33db
10% Popularity • 11% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 11% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Anton Bruckner
Locus iste, WAB 23
71 bpm • C Maj • 03:03 • -28.15db
30% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Five Variants of ‘Dives and Lazarus’
71 bpm • B min • 11:34 • -21db
45% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
45% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
► Preview
Margaret Rizza
Veni, Lumen Cordium
75 bpm • F min • 05:25 • -23.98db
24% Popularity • 11% Danceability • 14% Energy • 6% Liveness
19% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 14% Energy • 6% Liveness
19% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Gustav Holst
Choral Hymns from the Rig Veda, 3rd Grou...
76 bpm • G Maj • 02:59 • -25.49db
15% Popularity • 14% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Déodat de Séverac
Tantum ergo
76 bpm • A min • 03:15 • -34.97db
30% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: Job, a Masque for Danc...
71 bpm • G min • 06:15 • -33.1db
2% Popularity • 17% Danceability • 1% Energy • 14% Liveness
20% Instrumentalness • 5% Positiveness
2% Popularity • 17% Danceability • 1% Energy • 14% Liveness
20% Instrumentalness • 5% Positiveness
► Preview
Alfred Schnittke
Choir Concerto: IV. Sej trud, shto natch...
76 bpm • G Maj • 05:20 • -26db
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
► Preview
Saint Ambrose
Aeterna Christi munera et martyrum victo...
70 bpm • C Maj • 01:32 • -31db
35% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
35% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
16% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Agnus Dei
76 bpm • A# min • 08:54 • -26.45db
7% Popularity • 7% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
7% Popularity • 7% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Sjaella
O du stille Zeit
70 bpm • A# Maj • 02:29 • -23db
27% Popularity • 23% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
27% Popularity • 23% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: Symphony No. 7 "Sinfon...
70 bpm • D Maj • 10:10 • -24.23db
9% Popularity • 6% Danceability • 4% Energy • 19% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 6% Danceability • 4% Energy • 19% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
► Preview
Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
17% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
James Whitbourn
Son of God Mass: Agnus Dei
70 bpm • C min • 02:20 • -31.76db
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
► Preview
Orlande de Lassus
Adoramus te, Christe, LV 1083
70 bpm • F Maj • 01:43 • -29db
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Blake R. Henson
My Flight for Heaven
70 bpm • C# Maj • 04:48 • -24.87db
17% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
17% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Carl Orff
Orff: Carmina Burana: In Trutina
70 bpm • D Maj • 02:31 • -23.43db
27% Popularity • 24% Danceability • 5% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
► Preview
Bob Chilcott
A Little Jazz Mass (version for mixed ch...
76 bpm • G# Maj • 01:31 • -23.32db
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Cristobal de Morales
Sequentia: Pie Jesu
76 bpm • D# Maj • 01:48 • -26db
24% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Litanei, D. 343
76 bpm • D# Maj • 07:54 • -43.86db
10% Popularity • 7% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 7% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Pérotin
Beata Viscera III
76 bpm • A# Maj • 03:16 • -20.23db
5% Popularity • 10% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
5% Popularity • 10% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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James Whitbourn
Requiem canticorum: Lux aeterna
76 bpm • C Maj • 01:39 • -41db
34% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
34% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Ich weiss, dass mein Erlöser lebet, SWV...
70 bpm • C# Maj • 04:29 • -18.23db
10% Popularity • 12% Danceability • 18% Energy • 10% Liveness
25% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 18% Energy • 10% Liveness
25% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
77 bpm • D Maj • 02:15 • -23db
24% Popularity • 14% Danceability • 3% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
13% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
69 bpm • E min • 01:38 • -32.76db
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
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Kim André Arnesen
MAGNIFICAT: II. Ecce enim
77 bpm • A min • 06:01 • -20.05db
23% Popularity • 8% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 02. Amplius Lava Me
69 bpm • G# Maj • 01:10 • -35.6db
47% Popularity • 23% Danceability • 3% Energy • 25% Liveness
64% Instrumentalness • 3% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 25% Liveness
64% Instrumentalness • 3% Positiveness
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Antonio Salieri
De profundis
77 bpm • F min • 03:03 • -17db
30% Popularity • 15% Danceability • 10% Energy • 10% Liveness
40% Instrumentalness • 14% Positiveness
30% Popularity • 15% Danceability • 10% Energy • 10% Liveness
40% Instrumentalness • 14% Positiveness
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Max Reger
Nachtlied, Op. 138, No. 3
69 bpm • B min • 03:01 • -25.5db
16% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
16% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
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Georgs Pelēcis
Concertino bianco: 2. Con venerazione
77 bpm • C Maj • 06:25 • -20.53db
41% Popularity • 8% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 5% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
On Wenlock Edge
77 bpm • D# Maj • 03:48 • -18.57db
15% Popularity • 27% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 27% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
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Frederick Delius
5 Songs from the Norwegian: No. 5. Sunse...
69 bpm • F# Maj • 02:35 • -25.6db
37% Popularity • 26% Danceability • 4% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 26% Danceability • 4% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 03. Tibi Soli Peccav...
77 bpm • A# Maj • 01:04 • -23db
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Gottfried Heinrich Stölzel
Diomedes: Anna Magdalena Notenbuch (Clav...
69 bpm • C# Maj • 03:49 • -19.08db
21% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
21% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
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Anna Clyne
DANCE: I. when you're broken open
69 bpm • F Maj • 04:44 • -24.85db
46% Popularity • 16% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 16% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Veljo Tormis
La Kanteletar: I. Herkä neito
69 bpm • F# Maj • 02:11 • -35.53db
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Dona Nobis Pacem: O Man Greatly Beloved
77 bpm • A# Maj • 07:32 • -20.41db
14% Popularity • 10% Danceability • 12% Energy • 9% Liveness
24% Instrumentalness • 12% Positiveness
14% Popularity • 10% Danceability • 12% Energy • 9% Liveness
24% Instrumentalness • 12% Positiveness
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Kim André Arnesen
Even When He Is Silent
78 bpm • B Maj • 05:46 • -23.57db
23% Popularity • 9% Danceability • 9% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 9% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
