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The Call
Songs like
The Call
by
Regina Spektor
Based on a tempo of (+/- 10%) and a similar genre
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Regina Spektor
The Call
91 bpm • A# Maj • 03:07 • -15.66db
60% Popularity • 58% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Sondre Lerche
Hell No
91 bpm • D Maj • 03:46 • -7db
28% Popularity • 76% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Judy Kuhn
Colors of the Wind
92 bpm • C# Maj • 03:32 • -11.81db
59% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Christy Altomare
Once Upon a December
90 bpm • B min • 02:59 • -12db
64% Popularity • 22% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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The Oh Hellos
Hello My Old Heart
90 bpm • C Maj • 04:16 • -10.63db
61% Popularity • 56% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 30% Positiveness
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Tristan Prettyman
Say Anything
92 bpm • C# Maj • 03:56 • -10db
41% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Echosmith
Bright
90 bpm • F# Maj • 03:40 • -8.52db
58% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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fun.
Sight of the Sun - Single Version
92 bpm • B Maj • 03:30 • -5.25db
46% Popularity • 63% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Swift
august
90 bpm • F Maj • 04:21 • -9.21db
87% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Annie Lennox
Into the West
92 bpm • C Maj • 05:47 • -22.04db
54% Popularity • 31% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Regina Spektor
Somedays
90 bpm • C Maj • 03:21 • -12db
33% Popularity • 49% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ed Sheeran
Happier
90 bpm • C Maj • 03:27 • -7.36db
77% Popularity • 52% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Boyd
The Last Goodbye
92 bpm • C Maj • 04:07 • -14.03db
52% Popularity • 30% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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dodie
She
92 bpm • D Maj • 03:33 • -15.05db
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Taylor Swift
the lakes - bonus track
90 bpm • D Maj • 03:31 • -11.53db
63% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jaymes Young
I'll Be Good
89 bpm • G Maj • 04:07 • -10.76db
62% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Bruno Mars
Count on Me
89 bpm • C Maj • 03:17 • -5.97db
74% Popularity • 59% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Ed Sheeran
Supermarket Flowers
90 bpm • F# Maj • 03:41 • -10.52db
74% Popularity • 59% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Regina Spektor
Don't Leave Me (Ne me quitte pas)
89 bpm • C Maj • 03:37 • -5.98db
43% Popularity • 77% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Novo Amor
Carry You
93 bpm • G Maj • 04:33 • -7.99db
67% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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Brandi Carlile
The Story
94 bpm • B Maj • 03:58 • -8.25db
64% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Howie Day
Collide
94 bpm • B Maj • 04:09 • -8db
51% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Florence + The Machine
Wish That You Were Here
94 bpm • F# Maj • 06:42 • -6.04db
53% Popularity • 37% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Ed Sheeran
Autumn Leaves - Deluxe Edition
89 bpm • A# Maj • 03:20 • -12.64db
53% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Alternate Routes
Nothing More
88 bpm • C Maj • 03:20 • -6.48db
38% Popularity • 44% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Train
Marry Me
88 bpm • C Maj • 03:25 • -8.51db
65% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Daughter
Medicine
95 bpm • D# Maj • 04:18 • -12.2db
65% Popularity • 22% Danceability • 32% Energy • 60% Liveness
24% Instrumentalness • 19% Positiveness
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The Civil Wars
To Whom It May Concern
87 bpm • G Maj • 03:31 • -13.1db
36% Popularity • 31% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Mandy Moore
I See the Light
95 bpm • F Maj • 03:44 • -10.09db
57% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Anne Dudley
I'd Pluck a Fair Rose
87 bpm • A min • 02:06 • -18.37db
37% Popularity • 31% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Taylor Swift
New Year’s Day
95 bpm • C Maj • 03:55 • -12.86db
73% Popularity • 66% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Fin Argus
Clouds
95 bpm • D Maj • 03:04 • -7.65db
45% Popularity • 59% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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The Oh Hellos
Bitter Water
95 bpm • G# Maj • 03:16 • -9.78db
55% Popularity • 59% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Bright Eyes
First Day of My Life
95 bpm • C# min • 03:08 • -14.37db
68% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Lord Huron
The Night We Met
87 bpm • D Maj • 03:28 • -9.51db
89% Popularity • 54% Danceability • 37% Energy • 64% Liveness
28% Instrumentalness • 10% Positiveness
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Regina Spektor
Us - 2005 Remaster
87 bpm • C# Maj • 04:48 • -6db
43% Popularity • 27% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 14% Positiveness
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Taylor Swift
seven
95 bpm • E Maj • 03:28 • -10.77db
73% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Loren Allred
Never Enough
87 bpm • G# Maj • 03:27 • -8.9db
74% Popularity • 28% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Niall Horan
Put A Little Love On Me
96 bpm • A# Maj • 03:44 • -4.91db
69% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Bryan Adams
I Will Always Return - Finale
96 bpm • A# Maj • 02:46 • -12.02db
50% Popularity • 47% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Regina Spektor
Human of the Year
96 bpm • A Maj • 04:07 • -9.06db
32% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Mumford & Sons
Awake My Soul
86 bpm • D Maj • 04:15 • -10.06db
53% Popularity • 26% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 20% Positiveness
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The Oh Hellos
Like the Dawn
96 bpm • F min • 05:05 • -11db
47% Popularity • 57% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Taylor Swift
marjorie
96 bpm • F Maj • 04:17 • -11.62db
65% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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MIKA
Happy Ending
96 bpm • C# Maj • 04:33 • -8.38db
64% Popularity • 56% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Rogue Valley
The Wolves and the Ravens
86 bpm • C Maj • 04:16 • -17.56db
44% Popularity • 30% Danceability • 22% Energy • 10% Liveness
18% Instrumentalness • 24% Positiveness
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Lucy Schwartz
Gone Away
96 bpm • F# Maj • 03:09 • -15db
30% Popularity • 47% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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dodie
Secret For The Mad
86 bpm • E Maj • 03:17 • -14.99db
45% Popularity • 49% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
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Bryan Adams
This Is Where I Belong
97 bpm • A# Maj • 02:21 • -15db
50% Popularity • 22% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
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Selena Gomez
Only You
97 bpm • A Maj • 03:04 • -9.9db
51% Popularity • 31% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Phil Collins
You'll Be In My Heart
97 bpm • G# Maj • 04:18 • -6.55db
68% Popularity • 57% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Samantha Barks
On My Own
85 bpm • C Maj • 03:11 • -15.72db
50% Popularity • 30% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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The Lumineers
Scotland
97 bpm • A# min • 03:48 • -9.3db
50% Popularity • 58% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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Train
Hey, Soul Sister
97 bpm • C# min • 03:36 • -4.44db
85% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Diane
Will The Sun Ever Shine Again
85 bpm • B Maj • 02:40 • -14db
25% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Grant Gustin
Runnin' Home to You - Guitar Version
85 bpm • G Maj • 02:45 • -11db
40% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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James Arthur
Say You Won't Let Go
85 bpm • A# Maj • 03:31 • -7.4db
87% Popularity • 36% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Bely Basarte
(I Can't Help) Falling In Love With You ...
97 bpm • C Maj • 03:05 • -16.99db
42% Popularity • 46% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The Oh Hellos
Constellations
85 bpm • F# Maj • 03:47 • -10.53db
57% Popularity • 56% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Ed Sheeran
The A Team
85 bpm • A Maj • 04:18 • -9.92db
73% Popularity • 64% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Maroon 5
Come Away To The Water
85 bpm • B min • 05:13 • -14.33db
35% Popularity • 40% Danceability • 49% Energy • 14% Liveness
2% Instrumentalness • 29% Positiveness
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Anson Seabra
Welcome to Wonderland
97 bpm • E Maj • 03:19 • -10.91db
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Regina Spektor
Music Box
85 bpm • A# Maj • 02:06 • -10.27db
30% Popularity • 61% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Joshua Radin
Only You
98 bpm • G# Maj • 02:29 • -15db
49% Popularity • 55% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Brandi Carlile
Carried Me With You
98 bpm • C Maj • 03:33 • -7.78db
56% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Andrea Bocelli
Fall On Me
84 bpm • F# Maj • 04:18 • -12.2db
57% Popularity • 35% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Secret Sisters
Tomorrow Will Be Kinder - from The Hunge...
84 bpm • A Maj • 03:25 • -18.14db
39% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Taliesin Orchestra
Rue's Lullaby (Deep In The Meadow)
84 bpm • G min • 02:33 • -7.1db
27% Popularity • 38% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Regina Spektor
The Call - Live in London
98 bpm • A# Maj • 03:09 • -16.07db
19% Popularity • 34% Danceability • 18% Energy • 97% Liveness
0% Instrumentalness • 36% Positiveness
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Amanda Seyfried
Thank You For The Music
99 bpm • E Maj • 03:44 • -11.26db
61% Popularity • 53% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Bryan Adams
Here I Am - End Title
99 bpm • G# Maj • 04:44 • -7.12db
58% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Auli'i Cravalho
How Far I'll Go
84 bpm • E Maj • 02:43 • -10.97db
69% Popularity • 54% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Taylor Swift
invisible string
83 bpm • E min • 04:12 • -11.14db
76% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Phillipa Soo
Burn
100 bpm • D Maj • 03:45 • -9.13db
68% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Regina Spektor
Walking Away - Music from the Original A...
99 bpm • A# Maj • 03:46 • -11db
20% Popularity • 50% Danceability • 19% Energy • 44% Liveness
1% Instrumentalness • 14% Positiveness
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Evan Rachel Wood
All Is Found
83 bpm • F Maj • 02:05 • -12.32db
67% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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P!nk
Glitter In the Air
100 bpm • F Maj • 03:47 • -12.04db
56% Popularity • 51% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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fun.
The Gambler
100 bpm • A# Maj • 04:11 • -7.57db
47% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sixpence None The Richer
Kiss Me
100 bpm • D# Maj • 03:28 • -6.96db
83% Popularity • 53% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Regina Spektor
Sellers of Flowers
83 bpm • D Maj • 04:00 • -9db
22% Popularity • 33% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Billie Eilish
when the party's over
83 bpm • E Maj • 03:16 • -14.08db
84% Popularity • 37% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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KT Tunstall
Suddenly I See
100 bpm • C Maj • 03:21 • -5.71db
78% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Rachel Platten
Better Place
100 bpm • C Maj • 02:56 • -8.16db
57% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Lauren Aquilina
King
82 bpm • E Maj • 03:58 • -9.4db
56% Popularity • 69% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Loren Allred
Never Enough (Reprise)
82 bpm • A Maj • 01:20 • -19.38db
62% Popularity • 38% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Olivia Rodrigo
traitor
101 bpm • D# Maj • 03:49 • -7.89db
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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fun.
Why Am I the One
82 bpm • F# Maj • 04:46 • -7db
46% Popularity • 41% Danceability • 50% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
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Vienna Teng
Gravity
82 bpm • B Maj • 03:39 • -9.06db
26% Popularity • 35% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Pinkzebra
Fly Away Home
82 bpm • E Maj • 03:25 • -11db
23% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Civil Wars
Kingdom Come
81 bpm • E min • 03:42 • -11.38db
41% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Iron & Wine
Each Coming Night
81 bpm • D Maj • 03:27 • -16db
50% Popularity • 47% Danceability • 24% Energy • 12% Liveness
46% Instrumentalness • 36% Positiveness
► Preview
Regina Spektor
On the Radio
102 bpm • C Maj • 03:20 • -8db
49% Popularity • 88% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Ed Sheeran
Nancy Mulligan
102 bpm • G Maj • 02:59 • -4.35db
66% Popularity • 68% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Phil Collins
On My Way
102 bpm • G Maj • 03:40 • -8.62db
59% Popularity • 61% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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Lily James
Andante, Andante
102 bpm • A# Maj • 04:00 • -9.46db
57% Popularity • 64% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Five For Fighting
Superman (It's Not Easy)
102 bpm • C Maj • 03:41 • -9.3db
67% Popularity • 38% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Taylor Swift
willow
81 bpm • G Maj • 03:34 • -9.2db
72% Popularity • 39% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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The Call