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The Cantina band [Star Wars]
Songs like
The Cantina band [Star Wars]
by
John Williams
Based on a tempo of (+/- 10%) and a similar genre
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Gustav Holst
The Planets, Op. 32: 4. Jupiter, the Bri...
140 bpm • G min • 07:36 • -14.94db
52% Popularity • 30% Danceability • 30% Energy • 31% Liveness
92% Instrumentalness • 28% Positiveness
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Nicholas Hooper
Professor Umbridge
140 bpm • E min • 02:32 • -17.34db
47% Popularity • 48% Danceability • 27% Energy • 34% Liveness
72% Instrumentalness • 11% Positiveness
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John Williams
The Quidditch Match
139 bpm • C# Maj • 08:28 • -17.98db
46% Popularity • 27% Danceability • 30% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Mychael Danna
Homecoming
141 bpm • E Maj • 01:24 • -21db
35% Popularity • 16% Danceability • 8% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
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Carl Orff
O Fortuna from Carmina Burana - Vocal
139 bpm • A# Maj • 02:38 • -18.17db
41% Popularity • 32% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 65% Positiveness
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Rachel Portman
End Credits - Instrumental
141 bpm • C Maj • 04:35 • -19.18db
38% Popularity • 14% Danceability • 9% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Thomas Newman
The Axiom
138 bpm • F Maj • 02:24 • -11.73db
33% Popularity • 17% Danceability • 25% Energy • 23% Liveness
79% Instrumentalness • 4% Positiveness
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Randy Newman
Boo's Going Home
138 bpm • B Maj • 03:33 • -19.76db
39% Popularity • 26% Danceability • 10% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
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John Williams
The Knight Bus
139 bpm • G min • 02:52 • -17.91db
40% Popularity • 40% Danceability • 18% Energy • 20% Liveness
8% Instrumentalness • 18% Positiveness
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Patrick Doyle
Merida's Home
142 bpm • D Maj • 01:32 • -10.11db
49% Popularity • 18% Danceability • 50% Energy • 8% Liveness
99% Instrumentalness • 21% Positiveness
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Jóhann Jóhannsson
Rowing
138 bpm • G min • 01:42 • -18db
54% Popularity • 60% Danceability • 27% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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Dario Marianelli
Windsor Gardens
142 bpm • G Maj • 04:03 • -15.71db
27% Popularity • 70% Danceability • 31% Energy • 7% Liveness
91% Instrumentalness • 38% Positiveness
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Murray Gold
Vale Decem
138 bpm • F# Maj • 03:19 • -12.07db
40% Popularity • 18% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Michael Kamen
The Eye Of The Storm
138 bpm • E min • 02:31 • -13.3db
22% Popularity • 19% Danceability • 47% Energy • 38% Liveness
93% Instrumentalness • 4% Positiveness
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John Williams
Quidditch, Third Year
142 bpm • D min • 03:47 • -14.76db
39% Popularity • 38% Danceability • 39% Energy • 8% Liveness
79% Instrumentalness • 17% Positiveness
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Ilan Eshkeri
Mika And Kai
138 bpm • D min • 02:45 • -27.63db
47% Popularity • 15% Danceability • 3% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Patrick Doyle
Death of Cedric
143 bpm • B min • 01:56 • -23.1db
44% Popularity • 14% Danceability • 11% Energy • 21% Liveness
98% Instrumentalness • 4% Positiveness
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Murray Gold
Doctor Who XI
143 bpm • E min • 01:04 • -7db
39% Popularity • 38% Danceability • 92% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
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John Barry
The John Dunbar Theme
136 bpm • D# Maj • 02:17 • -24.51db
53% Popularity • 15% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Michael Kamen
Swamp - Instrumental
137 bpm • F Maj • 02:08 • -27.74db
24% Popularity • 22% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Henry Jackman
Lemurian Star
136 bpm • C min • 03:06 • -21db
37% Popularity • 40% Danceability • 43% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Thomas Newman
Wall-E
136 bpm • A# Maj • 01:59 • -19db
41% Popularity • 77% Danceability • 26% Energy • 10% Liveness
61% Instrumentalness • 31% Positiveness
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The Chamber Orchestra Of London
Fashion
136 bpm • D Maj • 01:20 • -13.65db
42% Popularity • 17% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Mhysa
144 bpm • D min • 03:54 • -14.34db
54% Popularity • 22% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Destiny
144 bpm • A min • 03:36 • -17db
45% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
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Jóhann Jóhannsson
Epilogue
136 bpm • A min • 01:48 • -24.71db
65% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Henry Jackman
Civil War
144 bpm • F Maj • 04:25 • -12.63db
37% Popularity • 24% Danceability • 30% Energy • 58% Liveness
66% Instrumentalness • 6% Positiveness
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Craig Armstrong
Glasgow Love Theme
136 bpm • A Maj • 02:09 • -18.57db
47% Popularity • 20% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Finale
145 bpm • D Maj • 02:31 • -13.97db
45% Popularity • 20% Danceability • 60% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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John Paesano
The Maze Runner
145 bpm • D min • 02:49 • -14.33db
43% Popularity • 18% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Christophe Beck
Theme from Ant-Man
145 bpm • F min • 02:46 • -8.96db
40% Popularity • 60% Danceability • 55% Energy • 10% Liveness
78% Instrumentalness • 26% Positiveness
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Murray Gold
The Majestic Tale (Of A Madman In A Box)
145 bpm • D min • 04:01 • -11db
40% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
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John Williams
The Jedi Steps and Finale
134 bpm • G min • 08:51 • -12.99db
39% Popularity • 23% Danceability • 27% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Don Davis
Isla Sorna Sailing Situation
135 bpm • C# min • 04:23 • -12.79db
22% Popularity • 16% Danceability • 35% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Brian Tyler
Iron Man 3
134 bpm • D Maj • 02:23 • -11.52db
52% Popularity • 38% Danceability • 58% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Royal Philharmonic Orchestra
Harry Potter and the Philosopher's Stone...
146 bpm • D min • 05:17 • -13db
13% Popularity • 30% Danceability • 23% Energy • 9% Liveness
78% Instrumentalness • 12% Positiveness
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Jan A.P. Kaczmarek
Where Is Mr. Barrie? - Finding Neverland...
134 bpm • C Maj • 03:32 • -18db
27% Popularity • 48% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
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Marc Streitenfeld
Ambush
147 bpm • E min • 01:15 • -12.82db
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
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John Williams
Lumos! (Hedwig's Theme)
134 bpm • E min • 01:38 • -30.11db
49% Popularity • 22% Danceability • 4% Energy • 7% Liveness
40% Instrumentalness • 9% Positiveness
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Gustav Holst
The Planets, Op. 32: IV. Jupiter, the Br...
133 bpm • G min • 08:25 • -21.54db
31% Popularity • 29% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Patrick Gowers
221B Baker Street
148 bpm • C min • 02:36 • -9.98db
23% Popularity • 44% Danceability • 42% Energy • 11% Liveness
60% Instrumentalness • 36% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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John Williams
Prologue
146 bpm • D min • 02:10 • -29.48db
60% Popularity • 18% Danceability • 2% Energy • 64% Liveness
45% Instrumentalness • 8% Positiveness
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Jerry Goldsmith
Star Trek - The Motion Picture: Main Tit...
131 bpm • C Maj • 04:05 • -15db
29% Popularity • 29% Danceability • 30% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
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Julian Nott
Theme And Chase
131 bpm • F Maj • 03:30 • -9.57db
25% Popularity • 44% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 60% Positiveness
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Alexandre Desplat
Obliviate
150 bpm • C Maj • 03:02 • -19db
50% Popularity • 29% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Mark Mancina
Twister
131 bpm • C Maj • 04:43 • -17db
23% Popularity • 16% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Optimus
150 bpm • G min • 03:15 • -17db
48% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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John Williams
Raiders March
132 bpm • C Maj • 05:05 • -13db
53% Popularity • 42% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
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The Eternal Dreamers
Binary Sunset (Force Theme) [From "Star ...
130 bpm • D Maj • 02:03 • -18.38db
35% Popularity • 18% Danceability • 12% Energy • 4% Liveness
88% Instrumentalness • 7% Positiveness
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Mark Mothersbaugh
Thor: Ragnarok
151 bpm • A min • 01:09 • -9.17db
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
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Patrick Doyle
The Quidditch World Cup
130 bpm • G# Maj • 01:51 • -14.54db
46% Popularity • 39% Danceability • 54% Energy • 38% Liveness
68% Instrumentalness • 36% Positiveness
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Alan Silvestri
Night At The Museum
129 bpm • G# Maj • 02:35 • -16.84db
43% Popularity • 19% Danceability • 30% Energy • 18% Liveness
77% Instrumentalness • 6% Positiveness
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Steve Jablonsky
The All Spark
150 bpm • D min • 03:34 • -17db
49% Popularity • 35% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 30% Positiveness
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John Williams
Reunion of Friends
130 bpm • D Maj • 05:08 • -20db
48% Popularity • 16% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Herbert von Karajan
Medley - Bats / Rango Theme / Ride Of Th...
152 bpm • D Maj • 04:28 • -9.51db
30% Popularity • 28% Danceability • 45% Energy • 16% Liveness
80% Instrumentalness • 14% Positiveness
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Alexandre Desplat
Statues
129 bpm • C# Maj • 02:24 • -20.5db
55% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Harry Gregson-Williams
Evacuating London
152 bpm • E min • 03:38 • -17.38db
48% Popularity • 16% Danceability • 23% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Jurassic Park: Suite
152 bpm • A# Maj • 05:36 • -10db
25% Popularity • 19% Danceability • 33% Energy • 13% Liveness
81% Instrumentalness • 10% Positiveness
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Steve Jablonsky
Bumblebee
152 bpm • D min • 03:56 • -19db
46% Popularity • 33% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Henry Jackman
Captain America
153 bpm • F min • 09:41 • -20.36db
38% Popularity • 45% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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John Williams
Visit to the Zoo and Letters from Hogwar...
150 bpm • A min • 03:23 • -29db
49% Popularity • 16% Danceability • 3% Energy • 28% Liveness
71% Instrumentalness • 7% Positiveness
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Ramin Djawadi
King Of The North
128 bpm • C min • 01:28 • -17.51db
50% Popularity • 17% Danceability • 10% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Milo Paulus
With Only the Moon Watching
127 bpm • G min • 01:22 • -22.85db
19% Popularity • 22% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Edward Shearmur
The World Of Tomorrow
126 bpm • F Maj • 01:07 • -10db
24% Popularity • 51% Danceability • 39% Energy • 25% Liveness
50% Instrumentalness • 13% Positiveness
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Nicholas Hooper
The Room of Requirements
156 bpm • C Maj • 06:07 • -20.92db
42% Popularity • 35% Danceability • 13% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Domestic Pressures
156 bpm • A min • 02:37 • -19.19db
60% Popularity • 20% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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John Williams
Diagon Alley and the Gringotts Vault
129 bpm • F min • 04:06 • -27.24db
49% Popularity • 28% Danceability • 4% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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Ramin Djawadi
Goodbye Brother
127 bpm • D# Maj • 03:07 • -28.04db
54% Popularity • 17% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Dennis McCarthy
Star Trek: Deep Space Nine: Main Title
125 bpm • C Maj • 02:17 • -21.59db
30% Popularity • 19% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 7% Positiveness
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Patrick Doyle
The Story Continues
124 bpm • C Maj • 01:29 • -16.32db
44% Popularity • 23% Danceability • 29% Energy • 49% Liveness
93% Instrumentalness • 12% Positiveness
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Rupert Gregson-Williams
Wonder Woman's Wrath
158 bpm • A Maj • 04:06 • -12.92db
47% Popularity • 17% Danceability • 63% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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John Ottman
Main Theme
124 bpm • A min • 00:56 • -10db
36% Popularity • 38% Danceability • 60% Energy • 53% Liveness
82% Instrumentalness • 17% Positiveness
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John Williams
The Invisibility Cloak and the Library S...
127 bpm • D Maj • 03:15 • -34.21db
44% Popularity • 18% Danceability • 3% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Randy Newman
The Big Race
123 bpm • G# Maj • 03:07 • -11db
44% Popularity • 25% Danceability • 40% Energy • 28% Liveness
94% Instrumentalness • 5% Positiveness
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Elmer Bernstein
Main Theme - Theme from ''The Great Esca...
123 bpm • A# Maj • 02:47 • -10db
34% Popularity • 61% Danceability • 43% Energy • 18% Liveness
94% Instrumentalness • 57% Positiveness
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Patrick Doyle
Hogwarts' March
124 bpm • C Maj • 02:43 • -18.54db
46% Popularity • 78% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 86% Positiveness
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George Fenton
Leaping Penguins
123 bpm • D Maj • 01:28 • -16db
34% Popularity • 36% Danceability • 26% Energy • 27% Liveness
68% Instrumentalness • 16% Positiveness
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Christian Henson
The Journey to Moonacre
160 bpm • A# min • 01:51 • -16.99db
37% Popularity • 36% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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John Williams
Aunt Marge's Waltz
156 bpm • G Maj • 02:15 • -21db
43% Popularity • 50% Danceability • 20% Energy • 32% Liveness
91% Instrumentalness • 49% Positiveness
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DLG Orchestra
Raiders Of The Lost Ark
122 bpm • F Maj • 04:43 • -9.12db
20% Popularity • 37% Danceability • 44% Energy • 17% Liveness
91% Instrumentalness • 20% Positiveness
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Rachel Portman
End Titles
122 bpm • E min • 02:08 • -20db
44% Popularity • 18% Danceability • 17% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
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Henry Mancini
The Great Mouse Detective
122 bpm • F Maj • 03:32 • -21db
26% Popularity • 48% Danceability • 13% Energy • 6% Liveness
85% Instrumentalness • 18% Positiveness
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John Ottman
Saving the World
121 bpm • E min • 03:10 • -12.07db
15% Popularity • 20% Danceability • 44% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Ramin Djawadi
Light of the Seven
120 bpm • C min • 09:49 • -16.84db
59% Popularity • 27% Danceability • 10% Energy • 27% Liveness
72% Instrumentalness • 6% Positiveness
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John Williams
Raiders March
125 bpm • C Maj • 05:28 • -21.4db
36% Popularity • 34% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
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Randy Newman
McQueen and Sally
120 bpm • D Maj • 01:59 • -13.99db
49% Popularity • 40% Danceability • 28% Energy • 15% Liveness
82% Instrumentalness • 15% Positiveness
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Julian Nott
Wallace & Gromit
120 bpm • C Maj • 01:08 • -12.56db
37% Popularity • 72% Danceability • 64% Energy • 20% Liveness
18% Instrumentalness • 96% Positiveness
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Murray Gold
A Good Man? - Twelve's Theme
120 bpm • A min • 07:33 • -11db
35% Popularity • 38% Danceability • 57% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Trevor Rabin
Page 47
120 bpm • D min • 02:39 • -11.81db
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
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Ramin Djawadi
The Last of the Starks
120 bpm • C min • 04:52 • -14.64db
50% Popularity • 17% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Kevin Kiner
Enter the Bad Batch
120 bpm • C# Maj • 01:40 • -8.27db
37% Popularity • 41% Danceability • 50% Energy • 13% Liveness
97% Instrumentalness • 22% Positiveness
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John Williams
The Chess Game
125 bpm • E min • 03:48 • -23.96db
43% Popularity • 36% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Julian Nott
A Grand Day Out
120 bpm • F Maj • 01:54 • -11db
27% Popularity • 59% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 45% Positiveness
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Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
49% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Murray Gold
This Is Gallifrey: Our Childhood. Our Ho...
120 bpm • F min • 03:17 • -7.88db
38% Popularity • 38% Danceability • 52% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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The Cantina band [Star Wars]