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The Cascades
Songs like
The Cascades
by
Don Franz
Based on a tempo of (+/- 10%) and a similar genre
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Don Franz
The Cascades
87 bpm • C Maj • 03:32 • -16.25db
0% Popularity • 69% Danceability • 24% Energy • 11% Liveness
48% Instrumentalness • 93% Positiveness
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Kenny Ball & His Jazzmen
55 Days at Peking
88 bpm • C min • 02:08 • -2.76db
12% Popularity • 84% Danceability • 66% Energy • 7% Liveness
93% Instrumentalness • 96% Positiveness
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Jean Kittrell
Nobody Knows You When You're Down and Ou...
86 bpm • A min • 04:15 • -12.61db
0% Popularity • 69% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Kay Starr
Steady Daddy
88 bpm • C min • 02:29 • -14.93db
9% Popularity • 64% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Al Stricker
Saint Louis Tickle
88 bpm • C Maj • 03:51 • -17.07db
2% Popularity • 84% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Daniel Melasty
Lively
88 bpm • B Maj • 03:01 • -19db
18% Popularity • 90% Danceability • 27% Energy • 15% Liveness
83% Instrumentalness • 74% Positiveness
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Charlie Kunz
I Never Mention Your Name
88 bpm • C Maj • 02:50 • -20.64db
12% Popularity • 57% Danceability • 11% Energy • 14% Liveness
91% Instrumentalness • 55% Positiveness
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The Muscrat Ramblers
The Band Played On
85 bpm • F Maj • 03:19 • -14.7db
16% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Del Courtney
Mississippi Dreamboat
89 bpm • A min • 02:20 • -17.46db
8% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Cab Calloway
Foo A Little Ballyhoo
89 bpm • D# Maj • 03:18 • -13.8db
0% Popularity • 59% Danceability • 21% Energy • 22% Liveness
6% Instrumentalness • 63% Positiveness
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Tony Parenti
Praline
89 bpm • D# Maj • 03:04 • -11.39db
9% Popularity • 58% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 81% Positiveness
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Remersaro Trío
Guampudo
84 bpm • A# min • 02:56 • -19.46db
9% Popularity • 72% Danceability • 10% Energy • 18% Liveness
18% Instrumentalness • 74% Positiveness
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楽しいジャズ
器楽(洋菓子屋)
90 bpm • G Maj • 01:41 • -13.69db
11% Popularity • 73% Danceability • 41% Energy • 11% Liveness
53% Instrumentalness • 76% Positiveness
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Julio Remersaro
Adopt Suite Leegam - Instrumental
84 bpm • F min • 03:00 • -13.2db
11% Popularity • 56% Danceability • 19% Energy • 11% Liveness
49% Instrumentalness • 47% Positiveness
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Midge Williams
In Any Language (06-10-38)
84 bpm • G# Maj • 02:39 • -16.32db
8% Popularity • 70% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Kaori Sawada
お父さんとお嬢さんの日常
90 bpm • A# Maj • 02:37 • -9.61db
18% Popularity • 90% Danceability • 29% Energy • 7% Liveness
14% Instrumentalness • 63% Positiveness
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New Orleans 1920s Jazz
At the Honky Tonk
90 bpm • B Maj • 01:33 • -18.83db
22% Popularity • 80% Danceability • 40% Energy • 9% Liveness
67% Instrumentalness • 98% Positiveness
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Jack Cottrell
She's Never Been Seen Since Then
90 bpm • A Maj • 02:37 • -14.89db
15% Popularity • 86% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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ricca
Happy Jazz piano in the morning
90 bpm • F Maj • 01:30 • -17.22db
18% Popularity • 90% Danceability • 25% Energy • 9% Liveness
79% Instrumentalness • 97% Positiveness
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Hoagy Carmichael
Casanova Cricket
84 bpm • G Maj • 02:28 • -10.68db
8% Popularity • 50% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Alondra Becerra
Willow Weeping For Me
84 bpm • A# Maj • 05:45 • -9.57db
22% Popularity • 37% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Terry Waldo
The Very Thought of You
90 bpm • C min • 05:24 • -16.34db
13% Popularity • 55% Danceability • 9% Energy • 7% Liveness
9% Instrumentalness • 34% Positiveness
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New Orleans 1920s Jazz
Traditional Jazz is Hot Jazz
90 bpm • G# Maj • 01:33 • -19.07db
28% Popularity • 80% Danceability • 41% Energy • 9% Liveness
86% Instrumentalness • 97% Positiveness
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Maryland Jazz Band of Cologne
I'm Walking
91 bpm • F min • 02:32 • -10.47db
16% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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ricca
Happy Jazz Clarinet in the Morning - No ...
90 bpm • F Maj • 01:30 • -8.99db
15% Popularity • 80% Danceability • 34% Energy • 8% Liveness
67% Instrumentalness • 96% Positiveness
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Jean Kittrell
See See Rider (Take 1)
92 bpm • F Maj • 03:59 • -12.49db
0% Popularity • 65% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Raymond Scott
Dead End Blues - 1939
92 bpm • G# Maj • 03:41 • -12.69db
12% Popularity • 40% Danceability • 24% Energy • 30% Liveness
93% Instrumentalness • 30% Positiveness
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Seymour Rechtzeit
Jtsikl klezmer
82 bpm • G min • 02:59 • -16.11db
9% Popularity • 46% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Modern Jazz Quartet
All the Things You Are
82 bpm • F min • 03:13 • -9.09db
11% Popularity • 66% Danceability • 20% Energy • 11% Liveness
70% Instrumentalness • 63% Positiveness
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Jimmie Lunceford
Annie Laurie
82 bpm • D# Maj • 03:13 • -4.75db
12% Popularity • 72% Danceability • 36% Energy • 7% Liveness
22% Instrumentalness • 60% Positiveness
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New Orleans 1920s Jazz
Dixieland Instrumental Jazz
93 bpm • D# Maj • 01:30 • -19db
31% Popularity • 84% Danceability • 35% Energy • 10% Liveness
28% Instrumentalness • 97% Positiveness
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Malo Mazurié
Singin' the Blues
93 bpm • C min • 03:42 • -13.48db
10% Popularity • 68% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 78% Positiveness
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Oscar Lank
Birdy Street
82 bpm • C# Maj • 01:20 • -17.71db
17% Popularity • 71% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 74% Positiveness
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Chris Barber's Jazz & Blues Band
New Orleans Parade
93 bpm • G# Maj • 01:58 • -11.56db
10% Popularity • 60% Danceability • 56% Energy • 90% Liveness
77% Instrumentalness • 96% Positiveness
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1923 Autopiano Player Piano
Me And My Shadow
93 bpm • D# Maj • 02:23 • -11.79db
14% Popularity • 41% Danceability • 39% Energy • 24% Liveness
83% Instrumentalness • 78% Positiveness
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Louis Jordan
Wham Sam - Live
94 bpm • D# min • 02:34 • -11.19db
7% Popularity • 74% Danceability • 40% Energy • 14% Liveness
94% Instrumentalness • 72% Positiveness
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Manhattan Ragtime Orchestra
Magnetic Rag
81 bpm • A# Maj • 04:22 • -6.88db
12% Popularity • 71% Danceability • 45% Energy • 16% Liveness
91% Instrumentalness • 75% Positiveness
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Elizabeth Bougerol
Meet Me at the Bottom of the Bottle
81 bpm • C Maj • 03:37 • -18.89db
10% Popularity • 50% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Johnny Dodds
South Bound Rag
81 bpm • C Maj • 03:10 • -11.77db
10% Popularity • 80% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 95% Positiveness
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Herb Hall
Deed I Do
94 bpm • G# Maj • 04:28 • -16.53db
10% Popularity • 74% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 70% Positiveness
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Giorgio Cuscito
Kansas City Stride
94 bpm • D Maj • 02:53 • -9.22db
19% Popularity • 86% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Raymond Scott
Singing Down the Road (The 37th Secret) ...
95 bpm • F# Maj • 02:26 • -9.93db
17% Popularity • 71% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 88% Positiveness
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Danny Jonokuchi
Midnight Romance
80 bpm • C min • 03:17 • -13.91db
27% Popularity • 45% Danceability • 21% Energy • 33% Liveness
89% Instrumentalness • 28% Positiveness
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Cab Calloway
How Come You Do Me Like You Do?
95 bpm • C# min • 02:56 • -12.09db
8% Popularity • 83% Danceability • 52% Energy • 19% Liveness
4% Instrumentalness • 89% Positiveness
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Jean Kittrell
See See Rider (Take 2)
95 bpm • F Maj • 02:47 • -11.03db
0% Popularity • 66% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Don Franz
Halley's Comet Rag
95 bpm • D# Maj • 02:49 • -16.7db
0% Popularity • 78% Danceability • 31% Energy • 6% Liveness
81% Instrumentalness • 97% Positiveness
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Nostalgia Sound
Prime Time
95 bpm • G min • 01:38 • -22.58db
10% Popularity • 92% Danceability • 23% Energy • 11% Liveness
13% Instrumentalness • 98% Positiveness
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Stockholm Jazz Quartet
Time to Have Fun
95 bpm • B min • 02:52 • -19.29db
19% Popularity • 86% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 86% Positiveness
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Pinky Vidacovich
The Sidewalks of New York
95 bpm • G# Maj • 02:49 • -16.41db
11% Popularity • 68% Danceability • 16% Energy • 19% Liveness
40% Instrumentalness • 85% Positiveness
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Louis Jordan & His Tympany Five
The Chicks I Pick Are Slender, Tender, A...
95 bpm • B min • 02:26 • -13.49db
9% Popularity • 80% Danceability • 22% Energy • 7% Liveness
2% Instrumentalness • 71% Positiveness
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Members Of The Glenn Miller Orchestra
Under the Double Eagle
95 bpm • G# Maj • 03:06 • -17.68db
14% Popularity • 55% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Jean Kittrell
I Want to Be Somebody's Baby Doll
95 bpm • C Maj • 03:06 • -11.45db
0% Popularity • 65% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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The Mad Hat Hucksters
What's the Matter with the Mill?
95 bpm • F Maj • 04:06 • -12.83db
7% Popularity • 77% Danceability • 37% Energy • 30% Liveness
3% Instrumentalness • 84% Positiveness
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Gentlemen Of Jazz
When Your Hair Has Turned to Silver
95 bpm • G# Maj • 05:00 • -12.03db
12% Popularity • 76% Danceability • 41% Energy • 10% Liveness
38% Instrumentalness • 72% Positiveness
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Charlie Kunz
Get Happy
96 bpm • F# Maj • 00:54 • -30.03db
11% Popularity • 74% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 77% Positiveness
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Pee Wee Hunt
Hunt's Goulash
95 bpm • F Maj • 02:18 • -11.48db
21% Popularity • 75% Danceability • 36% Energy • 3% Liveness
27% Instrumentalness • 93% Positiveness
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Members Of The Glenn Miller Orchestra
Under the Double Eagle
95 bpm • G# Maj • 03:12 • -10.67db
16% Popularity • 57% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Terry Waldo
Be Sweet to Me
96 bpm • C min • 03:58 • -10.21db
14% Popularity • 77% Danceability • 32% Energy • 6% Liveness
2% Instrumentalness • 80% Positiveness
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Jazz de Paris
Souvenirs
96 bpm • D# Maj • 02:41 • -10.16db
6% Popularity • 68% Danceability • 43% Energy • 25% Liveness
78% Instrumentalness • 85% Positiveness
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Ray Noble
By the Fireside
96 bpm • F Maj • 03:20 • -14.7db
9% Popularity • 32% Danceability • 16% Energy • 8% Liveness
25% Instrumentalness • 8% Positiveness
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Koichi Sugii
Chinrai-Bushi (チンライ節)
96 bpm • C min • 02:59 • -12.65db
12% Popularity • 70% Danceability • 36% Energy • 8% Liveness
88% Instrumentalness • 58% Positiveness
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Johnny Dodds’ Black Bottom Stompers
Wild Man Blues
96 bpm • C min • 03:03 • -15.21db
10% Popularity • 69% Danceability • 7% Energy • 7% Liveness
88% Instrumentalness • 56% Positiveness
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Ipana Troubadours
Do You? That's All I Want to Know
96 bpm • G# Maj • 02:47 • -10.15db
10% Popularity • 80% Danceability • 32% Energy • 5% Liveness
3% Instrumentalness • 94% Positiveness
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Sid Phillips
Mister Charles
96 bpm • C Maj • 02:22 • -9.98db
8% Popularity • 69% Danceability • 57% Energy • 19% Liveness
90% Instrumentalness • 94% Positiveness
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Lynn Stanford
Tendu
96 bpm • A Maj • 01:29 • -18.01db
9% Popularity • 65% Danceability • 21% Energy • 6% Liveness
96% Instrumentalness • 78% Positiveness
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Giorgio Cuscito
Little Girl
96 bpm • A# Maj • 02:46 • -8.86db
22% Popularity • 79% Danceability • 21% Energy • 9% Liveness
33% Instrumentalness • 33% Positiveness
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Weiss Gram
Blue
79 bpm • D min • 04:52 • -15db
22% Popularity • 58% Danceability • 28% Energy • 83% Liveness
0% Instrumentalness • 58% Positiveness
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Alondra Becerra
I Dare You
96 bpm • C min • 03:54 • -6.97db
22% Popularity • 69% Danceability • 50% Energy • 29% Liveness
1% Instrumentalness • 86% Positiveness
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Ondřej Havelka
Ghost of the blues
97 bpm • F min • 02:40 • -14.79db
14% Popularity • 62% Danceability • 16% Energy • 23% Liveness
90% Instrumentalness • 81% Positiveness
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Al Stricker
Pierce City Rag
97 bpm • G# Maj • 03:43 • -11.2db
0% Popularity • 50% Danceability • 82% Energy • 83% Liveness
90% Instrumentalness • 97% Positiveness
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Raymond Scott
Careful Conversation at a Diplomatic Fun...
97 bpm • C Maj • 03:09 • -10.23db
10% Popularity • 63% Danceability • 41% Energy • 14% Liveness
93% Instrumentalness • 68% Positiveness
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Tommaso Tritapepe
I Know To See You Again
97 bpm • F Maj • 03:11 • -12.55db
16% Popularity • 48% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Giorgio Cuscito
Bus Stop
97 bpm • C Maj • 02:03 • -7.32db
30% Popularity • 89% Danceability • 35% Energy • 6% Liveness
95% Instrumentalness • 68% Positiveness
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楽しいジャズ
ミュージック(淹れたてのコー...
78 bpm • C Maj • 01:56 • -12.6db
13% Popularity • 80% Danceability • 38% Energy • 10% Liveness
21% Instrumentalness • 92% Positiveness
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Lester Lanin
Michael, Row The Boat Ashore - Dixieland
97 bpm • A# Maj • 01:55 • -13.6db
18% Popularity • 66% Danceability • 52% Energy • 34% Liveness
87% Instrumentalness • 96% Positiveness
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Al Stricker
Creole Belles
97 bpm • G Maj • 03:53 • -10.69db
0% Popularity • 49% Danceability • 72% Energy • 94% Liveness
57% Instrumentalness • 97% Positiveness
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Raymond Scott
Chopin Opus # 10 No. 12 (Revolutionary E...
78 bpm • A# min • 02:14 • -11.02db
8% Popularity • 38% Danceability • 41% Energy • 10% Liveness
83% Instrumentalness • 66% Positiveness
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Remersaro Trío
Matisse
97 bpm • A# min • 03:16 • -18.09db
10% Popularity • 61% Danceability • 27% Energy • 66% Liveness
36% Instrumentalness • 75% Positiveness
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Swing Dance Orchestra
When My Baby Smiles At Me
97 bpm • F Maj • 00:54 • -11.58db
11% Popularity • 52% Danceability • 95% Energy • 96% Liveness
0% Instrumentalness • 55% Positiveness
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Finn Otto Hansen
Domino
97 bpm • D min • 01:30 • -10.91db
14% Popularity • 57% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 72% Positiveness
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Bob Crosby & The Bob Cats
Who's Sorry Now
97 bpm • D min • 02:59 • -11.56db
19% Popularity • 68% Danceability • 51% Energy • 19% Liveness
96% Instrumentalness • 97% Positiveness
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Al Stricker
Pineapple Rag
97 bpm • A# Maj • 03:30 • -10.85db
0% Popularity • 36% Danceability • 87% Energy • 78% Liveness
96% Instrumentalness • 83% Positiveness
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Raymond Scott
Nice Day in the Country - 1940
97 bpm • C Maj • 02:49 • -14.34db
10% Popularity • 77% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 87% Positiveness
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Aimé Barelli
Stop !
97 bpm • G min • 02:58 • -12.22db
10% Popularity • 69% Danceability • 46% Energy • 14% Liveness
88% Instrumentalness • 87% Positiveness
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Tocatas Brasil CCB
Levemos a Mensagem de Amor
97 bpm • A# Maj • 03:04 • -18.51db
11% Popularity • 80% Danceability • 24% Energy • 10% Liveness
72% Instrumentalness • 96% Positiveness
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Harry James
Sonata Moderne
98 bpm • G Maj • 03:06 • -17.39db
10% Popularity • 41% Danceability • 18% Energy • 5% Liveness
85% Instrumentalness • 34% Positiveness
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Carl Sonny Leyland
Walkin' and Squalkin'
98 bpm • G Maj • 03:19 • -16.3db
8% Popularity • 50% Danceability • 37% Energy • 10% Liveness
88% Instrumentalness • 93% Positiveness
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Charlie Kunz
My Dreams Are Getting Better All The Tim...
98 bpm • A# Maj • 01:34 • -29.3db
12% Popularity • 62% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
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Raymond Scott
Creepy Weepy - 1940
97 bpm • G Maj • 02:50 • -8.66db
12% Popularity • 53% Danceability • 80% Energy • 14% Liveness
91% Instrumentalness • 82% Positiveness
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Bob Pope & His Orchestra
When My Dream Boat Comes Home
77 bpm • G Maj • 02:55 • -18.52db
8% Popularity • 52% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 55% Positiveness
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Al Stricker
Kansas City Stomp
98 bpm • G min • 04:13 • -10.81db
0% Popularity • 35% Danceability • 96% Energy • 70% Liveness
95% Instrumentalness • 57% Positiveness
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Victor Silvester
This Can't Be Love
98 bpm • C# Maj • 01:59 • -13.25db
13% Popularity • 65% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 90% Positiveness
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Marco Bianchi Vibes 4tet
The Bet
98 bpm • C min • 02:00 • -8.15db
20% Popularity • 86% Danceability • 43% Energy • 10% Liveness
70% Instrumentalness • 69% Positiveness
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Wally Rose
New Era Rag
98 bpm • F Maj • 02:47 • -15.64db
10% Popularity • 46% Danceability • 33% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
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Raymond Scott
Eagle Beak - 1940
78 bpm • G# Maj • 03:26 • -9.73db
9% Popularity • 74% Danceability • 24% Energy • 7% Liveness
85% Instrumentalness • 82% Positiveness
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Moses Macadam
A Journey of Sorrow
98 bpm • F Maj • 04:58 • -9.16db
19% Popularity • 50% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Manhattan Ragtime Orchestra
Cubanola Glide
77 bpm • D# Maj • 03:04 • -7.36db
11% Popularity • 73% Danceability • 54% Energy • 8% Liveness
94% Instrumentalness • 89% Positiveness
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Annette Hanshaw
I Like What You Like
98 bpm • A# Maj • 02:57 • -17.55db
7% Popularity • 82% Danceability • 18% Energy • 11% Liveness
18% Instrumentalness • 95% Positiveness
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Jean Kittrell
Downhearted Blues
98 bpm • C Maj • 04:19 • -12.56db
0% Popularity • 74% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Luca Velotti
Swinging Black
98 bpm • F min • 03:05 • -13.32db
14% Popularity • 62% Danceability • 35% Energy • 13% Liveness
89% Instrumentalness • 69% Positiveness
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The Cascades