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The Children Came Back
Songs like
The Children Came Back
by
Briggs
Based on a tempo of (+/- 10%) and a similar genre
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Illy
Tightrope
116 bpm • D min • 04:52 • -6.28db
50% Popularity • 82% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Briggs
The Children Came Back
116 bpm • G Maj • 03:37 • -5.73db
35% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Miracle
Better Dayz
116 bpm • C# Maj • 03:07 • -4.23db
22% Popularity • 71% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Emily Wurramara
Tap Sticks
116 bpm • D Maj • 03:01 • -7.37db
29% Popularity • 63% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Spinifex Gum
The Children Came Back - Live at Sydney ...
116 bpm • G Maj • 03:50 • -6.19db
10% Popularity • 69% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 56% Positiveness
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Neil Murray
Mayangan
116 bpm • G Maj • 04:01 • -5.48db
14% Popularity • 65% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Saltwater Band
Baru
116 bpm • E min • 04:49 • -9.41db
12% Popularity • 84% Danceability • 71% Energy • 15% Liveness
2% Instrumentalness • 91% Positiveness
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J-MILLA
60K+
115 bpm • A Maj • 03:26 • -5.83db
11% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Hilltop Hoods
I'm A Ghost Restrung
116 bpm • C min • 04:27 • -9.33db
35% Popularity • 60% Danceability • 53% Energy • 12% Liveness
51% Instrumentalness • 50% Positiveness
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Warumpi Band
Yolngu Boy
117 bpm • F Maj • 03:39 • -12.54db
17% Popularity • 81% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Nabarlek
Down Under
115 bpm • A min • 03:32 • -6.87db
18% Popularity • 74% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Mo’Ju
They Come & They Go
117 bpm • A min • 03:44 • -5.29db
15% Popularity • 82% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Barkaa
Blak Matriarchy
115 bpm • F min • 03:04 • -6.34db
31% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Butterfingers
Big Night Out
117 bpm • F Maj • 04:00 • -4db
26% Popularity • 85% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Dewayne Everettsmith
Whisper
115 bpm • D# Maj • 04:01 • -8.22db
1% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Lee
Cigarettes Will Kill You
115 bpm • G# Maj • 03:50 • -7.65db
44% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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DOBBY
Peregrine
115 bpm • G# Maj • 03:39 • -7.75db
10% Popularity • 86% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Baker Boy
Wish You Well
118 bpm • E min • 02:50 • -4.64db
44% Popularity • 78% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Mitch Tambo
Absolutely Everybody
118 bpm • C# Maj • 03:53 • -5.72db
14% Popularity • 65% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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JK-47
Changes (triple j Like A Version)
113 bpm • B Maj • 04:04 • -9.23db
35% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Augie March
One Crowded Hour
113 bpm • A Maj • 04:50 • -8.45db
49% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Gurrumul
Mala Rrakala
113 bpm • D Maj • 04:32 • -10.39db
23% Popularity • 62% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Pigram Brothers
Dear Alistair
119 bpm • C# Maj • 02:56 • -15.04db
19% Popularity • 61% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Baker Boy
Marryuna
114 bpm • F min • 03:14 • -6.24db
35% Popularity • 75% Danceability • 90% Energy • 93% Liveness
0% Instrumentalness • 63% Positiveness
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Warumpi Band
From the Bush
113 bpm • E min • 03:37 • -15.18db
18% Popularity • 56% Danceability • 62% Energy • 38% Liveness
1% Instrumentalness • 65% Positiveness
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Emily Wurramara
Lullaby
113 bpm • A min • 05:39 • -13.35db
22% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Kardajala Kirridarra
Ngurra (Rain Song)
120 bpm • C Maj • 03:15 • -13.18db
17% Popularity • 36% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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L.J Hill
Pretty Bird Tree
120 bpm • A Maj • 03:34 • -10.36db
11% Popularity • 51% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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B2m
Home
120 bpm • D Maj • 03:57 • -5.25db
17% Popularity • 77% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Baker Boy
Survive
119 bpm • C# Maj • 03:14 • -5.47db
21% Popularity • 85% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Warumpi Band
Sitdown Money
113 bpm • C Maj • 02:40 • -15.8db
16% Popularity • 51% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Mitch Tambo
Great Southern Land
120 bpm • A Maj • 05:27 • -3.7db
28% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Downsyde
Call
120 bpm • C# min • 04:40 • -4.94db
22% Popularity • 69% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Birdz
Aussie Aussie
120 bpm • G# Maj • 02:05 • -10.81db
19% Popularity • 81% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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B2m
Parlingarri
120 bpm • A Maj • 03:37 • -5.39db
15% Popularity • 73% Danceability • 87% Energy • 51% Liveness
0% Instrumentalness • 64% Positiveness
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Ziggy Ramo
A to Z
120 bpm • A min • 03:28 • -7.13db
33% Popularity • 71% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Baker Boy
Ride
119 bpm • A# min • 03:39 • -5.16db
28% Popularity • 86% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Drapht
Rapunzel
120 bpm • C Maj • 03:22 • -3.7db
52% Popularity • 74% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Butterfingers
Yo Mama
120 bpm • G Maj • 03:20 • -5db
37% Popularity • 79% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Pigram Brothers
Ol" Man From The Bush
120 bpm • D Maj • 04:36 • -10.71db
21% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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B2m
Muli Muli La
112 bpm • C# Maj • 04:26 • -4.92db
10% Popularity • 81% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Barkaa
Godz
120 bpm • C# Maj • 03:11 • -6.01db
21% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Baker Boy
Meditjin
120 bpm • C# Maj • 02:59 • -3db
37% Popularity • 82% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Mitch Tambo
Yugal Yulu-gi
112 bpm • F# min • 02:58 • -5.87db
17% Popularity • 45% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Fast Crew
I Got
112 bpm • G Maj • 03:52 • -3.68db
34% Popularity • 95% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Dewayne Everettsmith
Caught On Your Lips
112 bpm • B Maj • 03:38 • -6.54db
2% Popularity • 72% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Coloured Stone
Black Boy
120 bpm • E min • 03:27 • -8.55db
24% Popularity • 82% Danceability • 67% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
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Busby Marou
Paint This Land
112 bpm • D Maj • 04:34 • -7.99db
23% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Roger Knox
Streets of Tamworth
120 bpm • A Maj • 02:43 • -21.87db
24% Popularity • 67% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Funkoars
What's Your Malfunction
112 bpm • B min • 04:20 • -5db
29% Popularity • 67% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Gurrumul
Gathu Mawula
112 bpm • C Maj • 04:28 • -9.12db
31% Popularity • 62% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Emily Wurramara
Black Smoke
121 bpm • G Maj • 04:38 • -9.96db
35% Popularity • 65% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Baker Boy
Cool As Hell
111 bpm • C Maj • 03:06 • -7db
42% Popularity • 83% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Warumpi Band
Warumpinya (Papunya)
111 bpm • D Maj • 03:14 • -15.25db
17% Popularity • 63% Danceability • 57% Energy • 8% Liveness
12% Instrumentalness • 72% Positiveness
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Tiddas
Sing About Life
111 bpm • A Maj • 05:20 • -13.66db
8% Popularity • 38% Danceability • 30% Energy • 92% Liveness
0% Instrumentalness • 18% Positiveness
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Yolanda Be Cool
A Baru in New York (Taan NewJam Dub)
122 bpm • E Maj • 06:08 • -6.72db
0% Popularity • 89% Danceability • 64% Energy • 11% Liveness
65% Instrumentalness • 78% Positiveness
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Dave Dobbyn
Slice of Heaven
122 bpm • G Maj • 04:37 • -9.55db
59% Popularity • 82% Danceability • 65% Energy • 62% Liveness
0% Instrumentalness • 97% Positiveness
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Thundamentals
Paint The Town Red
110 bpm • A Maj • 04:08 • -4.47db
32% Popularity • 78% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Mark A Hunter
The Mary River
110 bpm • C Maj • 04:40 • -7.02db
19% Popularity • 78% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Funkoars
Where I Am
110 bpm • D Maj • 03:56 • -5db
24% Popularity • 52% Danceability • 93% Energy • 76% Liveness
0% Instrumentalness • 49% Positiveness
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Baker Boy
Cloud 9
110 bpm • C# Maj • 03:14 • -6.79db
30% Popularity • 86% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Yolanda Be Cool
A Baru in New York (Taan NewJam Mix)
122 bpm • E Maj • 06:38 • -6.51db
1% Popularity • 83% Danceability • 71% Energy • 12% Liveness
66% Instrumentalness • 67% Positiveness
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Warumpi Band
Stompin Ground
110 bpm • A Maj • 03:33 • -7.61db
15% Popularity • 57% Danceability • 62% Energy • 28% Liveness
2% Instrumentalness • 35% Positiveness
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Emily Wurramara
Ngarrikwujeyinama
123 bpm • G# Maj • 03:39 • -10.81db
32% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Bernard Fanning
Wish You Well
123 bpm • D Maj • 02:31 • -3.98db
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Little
Blackfella / Whitefella
109 bpm • A min • 04:24 • -8.69db
13% Popularity • 76% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Christine Anu
Party
110 bpm • B Maj • 03:14 • -8db
34% Popularity • 73% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Pigram Brothers
Blue Bay Blues
123 bpm • E Maj • 03:55 • -13db
21% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Warumpi Band
Jailanguru Pakarnu (Out From Jail)
110 bpm • G Maj • 02:25 • -11.85db
24% Popularity • 68% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Coloured Stone
Kapi Pulka
109 bpm • D min • 03:56 • -8.68db
13% Popularity • 79% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Seth Sentry
Simple Game
109 bpm • G Maj • 02:58 • -4.96db
42% Popularity • 83% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Dewayne Everettsmith
Surrender
108 bpm • G# Maj • 03:58 • -8.37db
4% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Emily Wurramara
Hey Love
108 bpm • C# min • 03:36 • -9.01db
24% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Thundamentals
Sally
108 bpm • C min • 03:46 • -3.01db
50% Popularity • 71% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Warumpi Band
Nyuntu Nyaaltjirruku (What Are You Going...
124 bpm • F Maj • 04:13 • -17.24db
19% Popularity • 65% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Pigram Brothers
Rain Dancing
108 bpm • G Maj • 06:25 • -10.3db
16% Popularity • 52% Danceability • 50% Energy • 18% Liveness
18% Instrumentalness • 55% Positiveness
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Mambali
Yuwani
125 bpm • D Maj • 03:12 • -7.12db
18% Popularity • 60% Danceability • 69% Energy • 21% Liveness
2% Instrumentalness • 20% Positiveness
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theSlacks
Big Aroha
126 bpm • D Maj • 03:30 • -5.71db
19% Popularity • 60% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Roger Knox
Koori Rose
125 bpm • A Maj • 02:36 • -21.82db
22% Popularity • 63% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Seth Sentry
Room For Rent
107 bpm • C# Maj • 03:19 • -7.1db
42% Popularity • 77% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Drapht
Don Quixote
107 bpm • E min • 03:52 • -5.58db
45% Popularity • 87% Danceability • 87% Energy • 50% Liveness
0% Instrumentalness • 81% Positiveness
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Emily Wurramara
Carry Me Home
107 bpm • G Maj • 04:51 • -13.45db
28% Popularity • 58% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 30% Positiveness
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Gurrumul
Marwurrumburr
126 bpm • C Maj • 03:15 • -9.2db
33% Popularity • 70% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Powderfinger
Burn Your Name
127 bpm • C Maj • 03:51 • -2.92db
49% Popularity • 42% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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King Stingray
Down Under - Under One Sun
106 bpm • E Maj • 03:22 • -6db
30% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Thundamentals
Got Love
106 bpm • C Maj • 03:59 • -3.19db
30% Popularity • 71% Danceability • 87% Energy • 21% Liveness
43% Instrumentalness • 65% Positiveness
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Briggs
Here We Go
106 bpm • A# min • 03:02 • -5.43db
9% Popularity • 68% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
► Preview
Emily Wurramara
Ngayuwa Nalyelyingminama (I Love You)
126 bpm • D Maj • 03:11 • -8.56db
24% Popularity • 66% Danceability • 37% Energy • 52% Liveness
0% Instrumentalness • 44% Positiveness
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Saltwater Band
Arafura Sea
106 bpm • C Maj • 06:11 • -9.18db
13% Popularity • 62% Danceability • 68% Energy • 90% Liveness
0% Instrumentalness • 50% Positiveness
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No Money Enterprise
Mo Money Mo Problems - triple j Like A V...
106 bpm • F# min • 03:49 • -9.43db
30% Popularity • 80% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Alex Lloyd
Slow Train - with Stephen & Alan Pigram
106 bpm • F# min • 03:57 • -6db
28% Popularity • 74% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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A.B. Original
Blaccout
127 bpm • C Maj • 02:59 • -9.32db
12% Popularity • 74% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Tex Perkins
Whenever It Snows
127 bpm • E Maj • 04:42 • -8.43db
31% Popularity • 54% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Emily Wurramara
Stomping Ground
126 bpm • A min • 04:36 • -8.68db
15% Popularity • 81% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Neil Murray
Good Light in Broome
128 bpm • D min • 04:33 • -4.87db
41% Popularity • 72% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Dewayne Everettsmith
O.v.e.r.d.u.e
128 bpm • F Maj • 04:02 • -9.32db
1% Popularity • 55% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Yolanda Be Cool
A Baru in New York (Neon Stereo Remix)
128 bpm • C# Maj • 05:09 • -5.2db
0% Popularity • 74% Danceability • 86% Energy • 7% Liveness
5% Instrumentalness • 15% Positiveness
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Roger Knox
Blackman's Stories
128 bpm • C Maj • 02:57 • -20.09db
15% Popularity • 61% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Drapht
Bali Party
128 bpm • A min • 03:03 • -4.28db
33% Popularity • 75% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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PEZ
I Wanna Go
105 bpm • C Maj • 04:44 • -7.08db
18% Popularity • 84% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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The Children Came Back