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The Cold, Hard, Ground
Songs like
The Cold, Hard, Ground (From "Treason: The Musical")
by
Ricky Allan
Based on a tempo of (+/- 10%) and a similar genre
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Brandi Burkhardt
When the World Was Mine
83 bpm • A# Maj • 02:53 • -10.71db
28% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Krystina Alabado
We’re Just in Your Head
83 bpm • G Maj • 01:57 • -11.67db
21% Popularity • 70% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Ricky Allan
The Cold, Hard, Ground
83 bpm • A min • 03:41 • -10.88db
17% Popularity • 32% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Lewis Flinn
Where Am I Now?
83 bpm • A# Maj • 04:09 • -8.85db
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Will Reynolds
At the Plaza
83 bpm • A Maj • 03:33 • -10.49db
21% Popularity • 32% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Original London Cast Of The Wind In The Willows
The Wild Wooders
83 bpm • G# min • 03:41 • -6.61db
20% Popularity • 35% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Dr. Henry Jekyll
Lost in the Darkness
83 bpm • C# min • 01:56 • -18db
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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Marin Mazzie
And Eve Was Weak
83 bpm • F min • 03:16 • -5db
36% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Kathy Fitzgerald and Ensemble
Heart To Hart
83 bpm • E Maj • 04:17 • -9.02db
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Neil Bartram
Footprint
82 bpm • G Maj • 05:59 • -15.67db
21% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Laura Osnes
Love Will Come and Find Me Again
82 bpm • D Maj • 03:02 • -8.49db
31% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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David St. Louis
You Should Be Loved
82 bpm • F Maj • 05:20 • -9.8db
10% Popularity • 37% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Gianluca Cucchiara
The Man She Once Saw In Me
82 bpm • A# Maj • 02:58 • -5.51db
10% Popularity • 42% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Alice Ripley
Maybe (Next to Normal)
84 bpm • G# Maj • 04:00 • -17.43db
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
37% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Arielle Jacobs
Between the Lines
84 bpm • G Maj • 04:42 • -10.46db
21% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Liam Tamne
A Very Good Day
82 bpm • B min • 03:51 • -14.37db
6% Popularity • 40% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Krystina Alabado
Say The Word
84 bpm • G# Maj • 04:13 • -10db
25% Popularity • 47% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Derek Klena
Perfect
85 bpm • G# Maj • 02:52 • -6db
30% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Rebecca Naomi Jones
Love's a Gun
81 bpm • A min • 03:42 • -10db
16% Popularity • 54% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ricky Allan
The Inevitable
81 bpm • D min • 03:50 • -8.72db
16% Popularity • 46% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Noah Galvin
My Story
85 bpm • F Maj • 02:39 • -12.58db
23% Popularity • 37% Danceability • 28% Energy • 73% Liveness
0% Instrumentalness • 39% Positiveness
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Stuart Matthew Price
The Painting
85 bpm • F Maj • 03:09 • -12.17db
7% Popularity • 43% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Solea Pfeiffer
I'm Not Afraid of Anything
81 bpm • D Maj • 04:49 • -9.13db
32% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Killian Donnelly
Soul of a Man
81 bpm • C Maj • 03:26 • -11db
25% Popularity • 51% Danceability • 59% Energy • 70% Liveness
0% Instrumentalness • 46% Positiveness
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Ricky Allan
Caught in the Crossfire (Live)
85 bpm • C Maj • 05:02 • -12.65db
13% Popularity • 36% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Original Cast of Aristos: The Musical
Cleopatra
81 bpm • A min • 02:23 • -17.37db
12% Popularity • 39% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Diana Original Broadway Cast
Underestimated
86 bpm • E Maj • 03:08 • -8.08db
27% Popularity • 47% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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StarKid Productions
What Tim Wants
80 bpm • G Maj • 03:51 • -11.49db
32% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
34% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Frankenstein World Premiere Cast
The Proposition
86 bpm • C min • 04:46 • -3.76db
23% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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'Come From Away' Company
Something's Missing
80 bpm • G Maj • 05:36 • -9.6db
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Nick Cordero
You Will Still Be Mine
86 bpm • D# Maj • 02:18 • -9.05db
45% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Letters
86 bpm • A Maj • 06:27 • -7.36db
39% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Margo Seibert
I'm Done - Rocky Broadway Cast Recording
80 bpm • A Maj • 01:58 • -7.87db
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Neil Bartram
Promise Me This
80 bpm • C Maj • 04:53 • -14.86db
25% Popularity • 46% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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E. Clayton Cornelious
Advice from a Caterpillar
80 bpm • D min • 04:22 • -13.94db
25% Popularity • 61% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Phillipa Soo
Natasha Lost
80 bpm • C min • 02:42 • -17db
25% Popularity • 39% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Carolyn Maitland
Children of the Wind
86 bpm • G Maj • 02:55 • -9.9db
18% Popularity • 33% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Sarah Charles Lewis
Live Like This
80 bpm • C Maj • 06:01 • -9db
31% Popularity • 38% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Ricky Allan
The Inevitable (Live)
79 bpm • A min • 04:16 • -12.32db
17% Popularity • 29% Danceability • 42% Energy • 69% Liveness
0% Instrumentalness • 17% Positiveness
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Michael James Scott
A Killer Party
79 bpm • D# Maj • 03:11 • -4.65db
11% Popularity • 56% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
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Sara Bareilles
Maybe They're Magic
79 bpm • B Maj • 00:59 • -8.17db
43% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Jewelle Blackman
Word to the Wise
87 bpm • C min • 01:20 • -8db
46% Popularity • 59% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Audrey Brisson
Sister's Pickle - Original London Cast R...
87 bpm • G Maj • 01:45 • -8.55db
23% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Hadley Fraser
But For Me
79 bpm • D Maj • 04:21 • -6.21db
10% Popularity • 42% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Douglas Sills
Prayer
79 bpm • A min • 03:34 • -9.28db
23% Popularity • 24% Danceability • 34% Energy • 52% Liveness
1% Instrumentalness • 10% Positiveness
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Megan McGinnis
I Couldn't Know Someone Less
79 bpm • E Maj • 03:08 • -8db
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mykal Kilgore
King of the World
79 bpm • C Maj • 04:42 • -6.59db
15% Popularity • 43% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Ricky Allan
The Day Elizabeth Died
79 bpm • B min • 03:09 • -9.38db
14% Popularity • 38% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Frankenstein World Premiere Cast
The Waking Nightmare
79 bpm • A# min • 02:33 • -3.85db
24% Popularity • 39% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Molly Ranson
Evening Prayers
87 bpm • F Maj • 04:23 • -7.12db
29% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Stuart Matthew Price
Daddy, I Met This Boy
78 bpm • C Maj • 03:47 • -8.1db
7% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Josh Groban
Pierre & Natasha
78 bpm • D Maj • 07:50 • -18db
33% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Audrey Brisson
Times Are Hard For Dreamers - Original L...
88 bpm • E Maj • 03:11 • -8.56db
27% Popularity • 43% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Joe Dixon, The Prince of Egypt Original Cast Ensemble
One Weak Link
78 bpm • A# Maj • 01:31 • -12.48db
29% Popularity • 47% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Frankenstein World Premiere Cast
Prelude
88 bpm • G min • 02:36 • -7.43db
18% Popularity • 46% Danceability • 44% Energy • 40% Liveness
2% Instrumentalness • 8% Positiveness
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Ben Platt
It’s Hard to Speak My Heart
78 bpm • E Maj • 02:56 • -10.76db
33% Popularity • 26% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Original London Cast of The Great British Bake Off Musical
The Bake Off Tent
89 bpm • C# Maj • 07:53 • -7.17db
17% Popularity • 58% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Maria Thayer
Hey Boys
89 bpm • A# min • 01:07 • -5db
17% Popularity • 71% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
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Krystina Alabado
I Didn’t Say Goodbye
88 bpm • A Maj • 02:32 • -15.56db
20% Popularity • 57% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Victoria Clark
Make a Wish
78 bpm • D# Maj • 05:08 • -11.29db
27% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Solea Pfeiffer
Dare to Dream
78 bpm • A Maj • 03:27 • -6.59db
13% Popularity • 39% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Henry Krieger
Side Show: The Devil You Know - Voice
78 bpm • D Maj • 04:09 • -11.66db
13% Popularity • 53% Danceability • 47% Energy • 66% Liveness
0% Instrumentalness • 52% Positiveness
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Jill Santoriello
Out of Sight, out of Mind
89 bpm • G# min • 03:21 • -8db
21% Popularity • 21% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Kooman & Dimond
Lost in the Waves
77 bpm • D# Maj • 04:21 • -11.87db
28% Popularity • 36% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Hadley Fraser
Herne and the Red Kite
89 bpm • F Maj • 04:00 • -8.16db
10% Popularity • 27% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Arielle Jacobs
Between the Lines (Reprise)
89 bpm • D# Maj • 01:18 • -12.38db
18% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Eva Noblezada
Any Way the Wind Blows
89 bpm • F Maj • 03:45 • -9.04db
54% Popularity • 44% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Stephanie J. Block, Marc Kudisch and Ensemble
The Dance o' Death
89 bpm • D Maj • 03:35 • -8.71db
27% Popularity • 44% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
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Ricky Allan
All We Dreamed & More
77 bpm • G Maj • 03:01 • -10.4db
11% Popularity • 40% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Caitlyn Burt
Looking At The Moon
89 bpm • G Maj • 03:42 • -13.18db
8% Popularity • 36% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jeremy Jordan
Apple-Picking Song
77 bpm • G Maj • 03:07 • -10.14db
14% Popularity • 62% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Darren Ritchie
I Am My Own Invention
89 bpm • A# Maj • 02:51 • -17db
21% Popularity • 23% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Dahan
On the Threshold of Eternity
77 bpm • A# Maj • 03:51 • -8.95db
24% Popularity • 53% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Stephanie J. Block
Get Out And Stay Out
77 bpm • C# Maj • 04:19 • -8.6db
40% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Anthony Warlow
The Wedding Reception
77 bpm • B Maj • 04:16 • -10.88db
29% Popularity • 30% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Krystina Alabado
The Girl Who Drove Away
90 bpm • F Maj • 02:41 • -9.66db
28% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Nick Blaemire
You Can't Bring Me Down
90 bpm • C min • 04:09 • -10db
13% Popularity • 55% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Frankenstein World Premiere Cast
The Chase
90 bpm • D min • 02:51 • -5.42db
19% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Hadley Fraser
Beyond the Door
77 bpm • G# min • 03:00 • -8db
24% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Robert Lenzi
Time
90 bpm • G# Maj • 03:15 • -11db
31% Popularity • 53% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Emma Hunton
Just One Day
77 bpm • G Maj • 04:30 • -4.95db
33% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Haaz Sleiman
Put out the Light
90 bpm • G# Maj • 04:15 • -9.73db
10% Popularity • 38% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Jenn Colella
Number 5 with a Bullet
90 bpm • A min • 04:46 • -6db
11% Popularity • 58% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Neil Bartram
Apples & Oranges
76 bpm • A# Maj • 03:35 • -11.67db
21% Popularity • 66% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Solea Pfeiffer
She's Not Me
76 bpm • A min • 03:32 • -8.41db
12% Popularity • 30% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Douglas Sills
Vivez
90 bpm • D Maj • 04:18 • -12.64db
20% Popularity • 38% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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The Scarlet Pimpernel
I'll Forget You
76 bpm • C# min • 03:29 • -13.96db
16% Popularity • 26% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Sax
Citizens of Venice
90 bpm • G# Maj • 07:50 • -8db
14% Popularity • 68% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Erin Rose Doyle
The Factory Girls / Come Up to My Office
91 bpm • C min • 04:59 • -9db
31% Popularity • 32% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Jekyll
The Way Back
91 bpm • G min • 02:09 • -8.75db
25% Popularity • 21% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
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Denning Burton
Into the Shadow
76 bpm • D Maj • 04:19 • -9.54db
20% Popularity • 58% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Douglas Sills
She Was There
76 bpm • B Maj • 03:07 • -11db
21% Popularity • 32% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Pia Douwes
Pretty Lies
76 bpm • B min • 02:47 • -11.09db
26% Popularity • 37% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Carner & Gregor
Make It Here
91 bpm • C# Maj • 03:08 • -11db
7% Popularity • 49% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Matt Dahan
Something After All - Original Version -...
76 bpm • F Maj • 03:22 • -11db
14% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Carrie: The Musical Ensemble
In
91 bpm • E min • 04:30 • -5.88db
38% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Cold, Hard, Ground